for a second, you did the bad thing and bargained about it.
if it meant that you would never be numb like this again, what would you give up?
maybe it's the childhood stuff or the religious trauma or how your dad doesn't believe in medication, but this is how you are, right. you need to have a counterbalance. suffering has to have its own reward. there needs to be a point to it. and if you're happy - if you could just be happy, and the world could actually fill in enough space that the edges of your spirit actually meet the horizon of your body - you would need to pay for it.
your passions? that one seems fair, but how could you actually be happy without them. well, you'd never be numb again, so maybe you'd be able to find joy in the small things like you used to. gleeful, you'd make coffee and breakfast into an artform. you'd find a way to make it make sense, somehow. you'd move on. it'd be different, but it would be doable.
your lover? your friends? this would be hard. you owe so much to your community. still, you could maybe make yourself a small home in the woods. you could live a quiet life, one devoid of friendship - but also without this horrible grey mist. a life like bigfoot, then. you'd figure out how to make the most of it.
your hair. your teeth. all of it.
sometimes you are jealous of mental illness as it appears in media: a big stroke of a meltdown, a firestorm that resolves prettily in therapy. it is flashing lights and thin teenagers. you've absolutely had breakdowns that stole the show - but life after resolved into a pixel art of things you managed to piece together afterwards, not a tapestry of a heart made suddenly-beautiful. that people could pick up blades as if they weigh nothing, that the way it all appears is as a cry for help, not a slow backsliding.
you have to stop the thought: i'd give up everything.
but also - be real. you'd never give up your dog. nor your best friend. nor the way you feel walking while through deep fog. you'd never give up the last bonfire of summer, the reckless laughter of halloween. so you do still love things.
maybe that's the problem: you know it should be easier. you have everything you could possibly want. so how come you are still trapped? still yearning?
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I think this fandom is too normal about Petronille. WHAT DO YOU MEAN SHE'S ONLY IN HER LATE TEENS/EARLY 20'S WHAT DO YOU MEAN?????
Like like!!!! We don't have a timeline on when Bonnie and Nille ran away from home, but it HAS to be when Bonnie was really young. Bonnie doesn't seem to remember their parents well at all, and the most we hear about them is that they were "mean". So like!!!! Depending on how old you see Bonnie (10-12ish) and how young you think the two ran away, that could range from 5 to 9 years give or take.
Thats!!!! A range!!! At the oldest Nille (say 24) she was 18 or 19 when the two ran away, which is an adult but still pretty young, but the youngest range????? Hello??? If Nille is 19 now, she could have been as young as 11 when she took Bonnie!!!! What!!!!
I don't think that's the case, but still??? If we take the average of those two, Nille would be 16!!! 16!!!!! And taking care of her sibling basically on her own!!! Nille is a kid who had to grow up too fast and take on the world to make sure Bonnie and her could survive!!! Nille's probably been fighting a good chunk of her life for their happiness and that doesn't even ACCOUNT for the abuse their parents messed her up with. And then after EVERYTHING basically sacrificed herself so Bonnie could have a chance to live from the King's Curse!!!!!
And after all that!!!! Suddenly, she's offered protection from 4 random adults who also adore her sibling and want to take care of the both of them??? What do you do with that??? Do you even BELIEVE that??? Can you even trust that someone else than you could be trusted with your baby sibling? That you can let someone else take that responsibility. The responsibility that you took on with your whole heart and soul to the point you made sure that even if you basically DIED for all that mattered, at least Bonnie would have a chance.
You've been asleep for months and woken up in a new reality where you're not your sibling's whole world anymore. They've changed. You weren't there for it. These people Iove Bonnie so much. But do they know them as much as you do??? They weren't there all this time!!! You should know your sibling better than anyone here!!!
And yet. Yet...
You don't know what to make of this. You're happy Bonnie's safe. You're terrified you don't recognize the new parts of them that have shown up without you being there.
Your sibling lives in a whole new world now. They love you. They would come back to it just being the two of you if you pushed it.
But if you do, you're not sure Bonnie would ever forgive you for it.
(Are you seeing my vision??? Do you understand why I'm not normal about Nille????)
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Out of respect for the discord, I'm gonna say this here, because I was watching the eclipse and killing my car during the discussion.
Fanon =/= Headcanon, and it's not the same as a singular fan's headcanon that isn't supported by canon
Fanon is essentially a reading, interpretation, or headcanon that spreads widely in a fandom and gets adopted as a popularly accepted "fandom canon." Such as Sheriff Stilinski's first name being John before the show named him something completely incorrect.
Headcanon is personal to each individual's preferred reading of the show, based on canon or not. A canon that exists in one person's head.
The reason fanon tends to have a pejorative tone in fandom is because some fans are prone to attacking others for not accepting a common fanon, or the readings of "subtext" that led to it, as canon. And they insist that the way THEY read canon is the ONLY possible reading of canon.
And, personally, I think it's important to distinguish my headcanon of bi!dean (and aro!dean) apart from the fanon (dare i say, qfanon) of the hellers' bi!dean. The particular distinguishment being that I understand that wasn't the intent of canon, and there was no hidden bi agenda that got snuffed.
Having some of the same bi!dean subtext notes isn't the problem. It's when someone insists that was the intent. It's the unironic "there is no heterosexual reason for this" of it all. I know we're all queer shipping around here and all, but that doesn't exclude a certain whiff of homophobia and gender binary shit to the insistence that straight guys can't do [thing].
Just because you read Dean's look at Dr Sexy as queer, doesn't mean that's what it was. TPTB have said this themselves. And just because [a character from the book the vibes of spn was based on] was intended as bi doesn't mean Dean was intended to be bi. You can read that subtext into your headcanon, but that doesn't make it canon overall. Not even if it becomes fanon.
So when someone insists that's what it WAS not what they HEADCANON it was, it starts to make those of us scarred by heller qfanon very wary.
That said. We need to stop conflating fanon and headcanon so we can each enjoy our individual readings and share in the love of the show.
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more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)
Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.
It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.
(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)
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In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.
(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)
Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.
He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.
Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.
(“Oh, and if you find him, kick his ass for me.”)
Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.
(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)
(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)
(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)
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Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.
(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)
Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.
Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)
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Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.
I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.
(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)
In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.
And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.
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