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#i also want to write about my characters having a bad time for personal reasons but then I start having a bad time for personal reasons
arainywriter · 15 hours
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this is going to probably be the longest post of my life, and i HATE getting into fandom discourse which is why i don't usually write anything about fandom discourse, but i just want to address some things about our favorite rat grinders so if you want to read, click below
as someone who loves the rat grinders as nuanced antagonists who are also teenagers, i think the rat grinders before they ever joined in on porter and jace's plan were assholes.
i think they were the quiet bullies, the mean people who you never notice until they are mean to you, the ones who seem nice and respectable up close, but talk shit about you the minute you're gone.
i think most of them (kipperlilly in particular) were looking for a reason to be bad. and i know we might not ever get this confirmation, but based off kipperlilly's file and other moments with the trg, i think it's possible this is correct.
they were assholes who needed a reason to be even bigger, more dangerous assholes and most of them took it. and yes, it was either that or be dead, but i want you to know that sometimes that's not even a question. sometimes you don't even care about the other option, you just want to rage.
i think the one time all of them or maybe some of them even thought that what they were doing could be was when lucy died. and that's when i feel bad for them. they had to lock in right there because they all had made a decision, and they all needed to continue it. that's the manipulation.
i know they are kids. they are just teenagers. i work with teens, and guys, let me tell you, some teenagers are assholes. and i don't mean say a funny mean joke asshole, i mean literally going to grow up and be a shitty person asshole. i think some of the rat grinders were those kind of teens.
did they deserve to be redeemed? i think some of them do. i think buddy has a big shot at being redeemed, and i genuinely hated that he died in the last stand and had to make that decision. i think ally is going to try if they can. i think mary ann might be redeemed.
but also, you guys have to remember that this is dnd. i don't think many of you have played dnd before, or if you have you're just really conscientious about everything you do. because as a dm who has played dnd and has made nuanced antagonists, your players are gonna straight up kill them.
brennan knows that. i'm 100% sure he knows that. this isn't scripted. the intrepid heroes aren't thinking about what the fans want every time they play. in dnd, ESPECIALLY in brennan's dnd, it's kill or be killed.
the rat grinder's weren't going to use non-lethal attacks. they were going to kill the bad kids, and they were going to be UNNATURALLY happy throughout it all. they were going to spit in their faces and roast marshmallows on their bodies. they were going to not feel guilty.
sound familiar?
i think the bad kids have been nice to the rat grinders since day one. not kind, nice. they've been polite and nice to them, not going all in until this fight. if this fight happened before the finale, i think the rat grinders would have had more time to be redeemed (ex. see Ragh in season 1 who def would have died in the finale battle if the bad kids hadn't fought him earlier). but the bad kids are stressed and done.
there is no time to be polite and nice when the world is going to end.
i know you liked these characters. i did too. i'm sad to see them go, but even when someone is nuanced and could be redeemed, the person they were a piece of shit to doesn't have to be the one to redeem them. they don't have to be the one to keep them alive and make sure they only get taken the police instead of dead. cause trg would have gone to jail.
aelwyn did. so would they.
people you've wronged don't owe you forgiveness or redemption. trg didn't wrong tbk that bad, but they made them angry, they tried to kill them, and they're probably almost close to ending the world.
i'll miss you rat grinders. you guys were perfect narrative foils, but it was always going to end like this.
now stop being absolute assholes to the intrepid heroes just cause they didn't play how you wanted.
love this fandom, and yeah, d20 get shit wrong sometimes. always make sure to critique your favorite piece of media.
but at the end of the day, this isn't your table to play dnd at. this is theirs and they are having fun. why don't you go and play as the rat grinders in your home game and give them the ending they deserve, or make fanfiction about it?
put your anger into that.
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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straight-to-the-pain · 8 months
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I know I haven’t posted any original fic in ages, I’ve been a little burnt out from uni and placement and also all the scenes I’ve been wanting to write either need research (historical fiction) or require too many emotions (everyone is traumatised) but please do bear with me there will be content… eventually… I hope
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sskk-manifesto · 3 months
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Osamu Dazai and the Depressing Era
#I have so many thoughts through my mind these days I was barely able to focus on the episode. I kept zoning out#I made barely any post#Okay some thoughts. The thing that really hit me since the first time watching b/sd... Is the–#“I don't kill people because I want to write about lives” “I start doing good because my friend asked me to”#Like I get grey morals and everything but also. Sorry for being so simplistic but I think everyone should do good / not kill people–#because killing people is bad lol. No because of other personal reasons#I really *really* feel b/sd ultimately has a very nihilistic approach to life.#And that when Oda said “You won't find a reason to live whether side you're on. Both sides are the same.” it's not Oda-character talking–#but it's really the author expressing their own worldview through the one character that's the most distinguished#They really think there's no difference between good and bad in their little nihilistic world.#Which is something I personally don't agree with.#“It is a given that everything that is worth wanting will be lost the moment I obtain it”#......... No it's not you just need to go to the shore and listen to the waves crush and the seagulls squeal dude. It's going to be okay.#That's why it's so easy to portray Dazai as perfect and flawless for the author btw.#Because nothing he ever did in the pm was wrong if “good” and “bad” don't mean anything to begin with.#And this is coming from a deeply relativist person. But I believe even grey morals have a limit.#Thus my general disagreement with most b/sd themes#I don't know why I went off this tangent btw I didn't intend to.#I suppose it bears repeating once in a while where I stand compared to the b/sd themes and my personal interpretation of them#(Even though I acknowledge most people don't agree with such interpretation... )#There were other things regarding the episode I needed to say but I forgot...#One of them was that season 2 Dark Era proves that even amv openings can actually be good if you put enough budget in them#Which makes me even more pissed at the season 3 / season 5 ops#random rambles
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orchideae · 5 months
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When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.
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This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.
But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.
Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.
Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.
#[ meta. ] the chances are if i open this door; there can be no witnesses left alive. is that a sufficient reason for you?#[ i love how i'm writing a liyue-based character and here i am rambling about fontaine. ]#[ listen my little french heart just ached at this. i've been sitting on it for so long and have been wanting to talk about it. ]#[ but every time i hear 'fontaine is so pretty' -- i agree. i truly do. and the city has become my new 'hub' away from liyue harbor... ]#[ which says a ton in itself. ]#[ so trust me when i say i enjoy it and find it gorgeous. but i don't have any real kind words to spare on who designed it. ]#[ and i don't mean that in an insulting/bad kind of way but more so in the sense of-- whichever god likely designed this-- ]#[ how much worth was placed where; you know? ]#[ this is why i find the gods and all of their differing views so inherently interesting. ]#[ but then i also sit here longer and think more of the meropide. ]#[ and how THAT is supposed to be the prison. hmmmm. and yet /that/ is the place many seem to not want to leave anymore. ]#[ the place that is run and made better by the person whose tragic case was entirely missed and neglected by the authorities. ]#[ ah yes; the meropide. aka meropis-- the retelling (was it a parody? i believe so) of plato's story of atlantis. ]#[ which was sunk by the gods as punishment to its people for leading lives they deigned morally unjust and petty and /greedy/. ]#[ ah yes. the references never end. ]#[ granted we know how the meropide came to be-- so if egeria was in charge of that. chances are she likely was for fontaine as well. ]#[ well-- ]#[ well. ]#[ yep. i have more to say but i'm struggling to find my words-- so here we are for now! ]
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tea-cat-arts · 1 year
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Man, I really miss when Mihoyo would actually let characters be in the wrong. It’s just kinda weird to me how a game that quotes philosophy as much as Honkai does also refuses to explore moral complexities and contradictions.
#honkai impact#and to no ones surprise I am ranting about my hatred of Dr. MEI’s writing#this time specifically about her relationship with Kevin#I feel like early on Mihoyo actually did write their relationship as toxic#given the sheer amount of comments about how Kevin is just her follower and not an equal#but recently there’s been a shift where characters keep talking about how cute they are or how Kevin is so luck to have her#and I just sit there going ‘uhh… no 🤨🤨🤨?’#Mihoyo- characters can love each other and still be bad for each other#people can hurt those they love#people can fall out of love#Kevin and Dr. MEI don’t share moral values or common interest (outside of saving the world)#the only reason I can think of for them to be together is because ‘I’m doing this for the person I love’ is (1/2)#the only way they can justify their actions to themselves (2/2)#so they just double down on the whole ‘they’re in love’ thing#not that Mihoyo is interested in portraying them like that#outside of shipping- this also applies to project stigma. Hare. Aponia. and Elysia#if litteraly no one involved in making project stigma wants the project to be completed and are actively setting things up#for the good guys to stop them#then why are they even going through with the project in the first place???#if Mihoyo is so blatantly disinterested in portraying Kevin as a villain then why not just have him switch sides during the moon arc#he has no game as a villain anyways#Kiana and Bronya have barely even interacted with him#on the project itself- it actually does set up a moral conundrum that Mihoyo just refuses to explore#come on Mihoyo- give us the pov of the people who think the endless dream is better than death. but you won’t. no balls#Hare and Aponia have the exact same issue where I just think the twist is less interesting then their previously stated motivations#And oh boy… Elysia…#her sacrifice meant that she took a warrior of Kevin’s caliber out of the fight against finality#she also canonically obstructed moth operations by helping with Sakura’s break in#which inadvertently lead to another mantis being taken out before the finality fight#but god forbid we acknowledge that Ely’s actions might have had some negative impacts
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goldiipond · 2 years
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at some point when i can gather my thoughts i would like to make an in-depth post (would probably end up being more of an essay honestly) about how tpn treats its characters of color because like. there's definitely a colorism problem with anime/manga in general and i think tpn has some really solid black and brown characters for a medium that is severely lacking in that department but there's also some things it handles poorly and it would be good to explore that i think
#skye's ramblings#idk i think about it a lot like. on one hand you have characters like don who is just. an absolutely wonderful character#never portrayed as overly aggressive and just a really emotional and sensitive person without being infantilized for those traits#the one time he DOES lash out in anger (a very reasonable reaction to the circumstances tht caused it) he's not demonized for it#my favorite character in the whole series after ray if you dont love him yuore wrong#meanwhile krone is an incredibly interesting and well-written character she suffers immensely from being drawn like a fucking caricature#like none of the other characters have this problem and demizu did realize that was shitty and draws her normally now but#it doesn't change the fact that those caricatures are still present in the escape arc and s1 (though the anime is better abt this)#and an especially bad impression considering she's the first significant black character to appear in the series#krone being drawn Like That is definitely the biggest flaw this series has#aside from that lke. phil is really good even if we dont see him much between the first and last arcs#i LOVED ayshe even if she deserved more development (and i wish she didn't have blond hair and blue eyes lol)#zack is a really great character and pepe is the only afro latino character ive ever seen in manga and i love him. also his design fucks#ANYWAY !! ANYWAY. 'i want to make a seperate in-depth post' [writes long tag rant]#saving my thoughts now. but i do have a lot of them
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deoidesign · 11 months
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A general cane guide for writers and artists (from a cane user, writer, and artist!)
Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!
This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.
This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!
This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!
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The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!
A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.
Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)
(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)
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(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)
When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!
Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.
In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.
Now we come to a very common mistake I see... Using fashion canes for medical use!
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(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)
The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!
Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.
The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!
This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!
However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.
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Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)
Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.
Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)
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(my canes, for reference)
If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!
When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!
For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.
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When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)
When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)
That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!
Happy disability pride month! Go forth and make more characters use canes!!!
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emeryleewho · 1 year
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I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.
So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."
I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?
It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.
Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.
So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.
Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.
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sugurism · 2 months
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FLAGS EVERYWHERE. ୨ৎ are jjk men green, beige or red flags?ㅤheadcanons
featuring ♰ㅤmultiple. (choso, higuruma, megumi, nanami, gojo, geto, sukuna, toge, toji, yuji, yuta)
warning(s)! ♰ㅤNO PRONOUNS AND ANATOMY FOR READER. SFW (?) — toxic behavior ! cheating ! breaking-up mentions ! very much made based on personal opinions + i tried to write the characters off as canon as possible, but my favoritism will probably show ! sukuna is a warning of his own tbh ! violence + blood + death (mentions) ! cannibalism (mentions) ! angst (mostly) ! some are implied yandere ! not really dark content but i will tag as so just to be sure, some of them are dc vibes ! mentions about marriage + having kids (biologically and not) !
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୨୧ CHOSO KAMO — beige flag.
not the reddest flag of the list. although, still has some fails. . .
this may come as a surprise to many, but choso is not a green flag. he’s perfectly in the middle, i think. not nearly as bad as others on the list, but his track record isn't perfect, either.
BIGGEST RED FLAG? he's family-centered.
choso is, as is well known, a man completely focused on his family. the joy of his brothers and relatives is his priority, and he will always be more focused on others than on himself (this could also be a red flag, he is quite selfless). he carries the burden and honor of being a big brother. of course because of his love for you, you are as much a part of the family as his siblings are.
however, if you don’t get along with his siblings for any reason, it’s very likely that the relationship won't be able to continue. it would be troublesome if you can’t take his true nature ── as a half-curse ── well, too. it would really upset him, because love is about acceptance and care.
DO YOU NEED TO BE A SORCERER?
the answer is: no, but it is preferable that you are. being a sorcerer, you would have a much easier time understanding the abnormal aspects of his life (him and his family). if you’re not a sorcerer, it makes things a little chaotic. choso wouldn't want to lie to you about who he really is, his origins, and obviously, he would be prevented from introducing his (monstrous) brothers to you in that circumstance.
this would make him reflect for a long time, which ends either with a breakup, or with him showing you everything about jujutsu. living under a false identity and with a life built on lies is not how he wants the relationship to be.
WOULD HE CHEAT ON YOU?
absolutely not. choso is aware of how heartbroken you would feel if he ever did that — besides, it's not like he feels desire or romantic love for anyone else. he has no reasons to cheat on you, and he never will have.
OTHER OBSERVATIONS.
choso has good intentions, but romantic love is a new and unknown field for him. this makes him inexperienced and often irrational towards romance. the information about relationships is too fresh and unprocessed for him, and it's all from the dead brain of the vessel he inhabits. he is not completely unaware about all of it, but his lack of experience shows.
he is very hasty and believes that the status of “boyfriend” is not bad, just that “husband” would be much better. if you don’t see a future, why would you be with him? he doesn’t understand when you correct him you are just dating and not married (you've been together for barely two months).
choso is not the type to let fights happen without reason, and he tries hard to make things work out, but he’s constantly overprotective and his affection can quickly become suffocating.
choso loves family. he wishes to expand it someday. and who would be better to help him besides you, his true love? besides taking care of his brothers, he would like to be a father himself one day (at least, a better one than his own father was), and there is this underexpectation — not exactly spoken out loud until he is confronted about it. choso wouldn't want to pressure you, and he would understand your choices and respect your decisions perfectly if you don’t want to have children, however, he gets a little sad over it nonetheless and always wonders if you would change your mind if he asked more nicely.
of course, we can’t forget the amount of people he killed (in and out of shibuya). this is a factor that is rarely talked about and choso doesn’t even think about it anymore, honestly. if you can ignore that, good! if not? well. . .
୨୧ HIROMI HIGURUMA — green / beige flag.
objection! he did nothing wrong (except for, at least, 22 murders, i guess).
BIGGEST RED FLAG? married to his work.
this is a completely personal view, but it’s hard to date someone so busy and married to their work. pre-culling game, the grueling overtime and mountains of paperwork would constantly keep him away from you ── from dates, from nights together, from romantic trips. furthermore, his ideal of justice is always dangerously close to failure in practically every situation hiromi faces, and this is a source of stress for him. he wouldn’t take it out on you, there’s no reason, but of course. it’s difficult to balance so many hours of work and such an important goal with personal relationships.
it’s not that he forgets commemorative dates, he merely doesn’t have time to celebrate them themselves. when he can’t be there for whatever the occasion is, he’ll send some expensive gift and an apology card, or call you and start a conversation for eight minutes to explain why he forgot your second anniversary. it’s common for him to come home, and you’re already asleep. you simply don’t have time.
in the culling game situation, it’s not so much work that keeps you apart, but training, focus and purpose. he focuses more on your protection and his than on romanticism, which can end up creating emotional barriers that are very difficult to break ── on both sides. hiromi is accidentally cold quite often. and that’s if you ignore the number of people he had to kill.
DO YOU NEED TO BE A SORCERER?
honestly: yes and no. is a simple question with a difficult answer. hiromi prefers someone who can understand him completely: his feelings, his work, what he wants the justice system to become, and his vision of justice. so when he finally receives this new power that not only matches all of this but can make it possible, it’s very complicated to have a partner who doesn’t understand this new part of your life. he’s another person who wouldn’t lie to you about his nature. he swore to tell the truth, always the truth, and only the truth.
if you are a sorcerer, things get easier and harder. a relationship with hiromi has certain nuances, such as his constant concern for your safety, regardless of what you are (sorcerer or not). he believes in your own strength, but would like to stick around just to make sure you’re going to be okay. his change between coldness and sudden closeness can make feelings very raw and difficult to deal with.
if you’re not a sorcerer, his protection gets even worse. he’s not suffocating because he takes care not to be, but he would genuinely go crazy if something happened to you because he was careless. anyone who touches you won’t come out alive and brag about it. he just wants you to be okay.
WOULD HE CHEAT ON YOU?
no. hiromi is loyal to all his oaths, whether they are about protecting justice or being by your side even in sickness and in health.
OTHER OBSERVATIONS.
he is very open and honest. it might be bad in certain situations, but it’s great for the bigger picture. he doesn’t hide his opinions from you and is willing to talk about almost any topic peacefully. fights with him are actually quite rare, because hiromi thinks it’s fair to listen to his side, then speak his own, and think together to see if you can resolve this peacefully. depending on the angle, this is another problem, in a way he tends to rationalize feelings very often.
despite all the negatives, he has a surprisingly good memory. he doesn’t forget special occasions, he simply didn’t have time to be there in person (which is still a con). but he remembers everything else about you. hiromi is the type to look at you with a slight smile on his face, looking like his words are going in one ear and out the other. but when you stop talking, he gets confused. “why did you stop? i want to know what happens next.”
୨୧ MEGUMI FUSHIGURO — green / beige flag.
honestly, a good option. if you’re able to catch up.
megumi is a better boyfriend than people would think, honestly. the issue, with him, is more about himself and his view of himself than you ──, but it still affects the relationship and your experiences together as a couple.
BIGGEST RED FLAG? no respect for his own safety.
as a jujutsu sorcerer, it’s perfectly common for megumi to get into situations that risk his neck. it’s as much a part of the job as anything else. the problem is his willingness to put himself in danger for the sake of a greater good, or greater goal that he needs / wants to achieve. he is bold and reckless, and can be very harmful to both him and you.
other than that, he’ not necessarily a very bad boyfriend. megumi doesn’t have as many communication problems as expected, although he can put up fights — especially on this specific subject, trying to justify his lack of care with “doing what was necessary”.
dying to win is not an idea he is opposed to, until someone (like you or gojo) puts some sense into him.
DO YOU NEED TO BE A SORCERER?
not really. megumi would love you regardless of your ability and strength ── and would find qualities to admire anyway. he doesn’t think you’re incapable of protecting yourself, and a part of him is tempted not to introduce you to jujutsu if you’re not a sorcerer. it would be a fully, normal thing in his life, but he wouldn’t want to lie to you in any way.
WOULD HE CHEAT ON YOU?
definitely not. megumi has way too much respect, admiration, and above all, love for you to do something atrocious like that.
OTHER OBSERVATIONS.
megumi is reckless, but at the same time he listens to what you say and can slowly learn to take care of himself in a more efficient way through your words and worry. he doesn’t forget precedents or dates, and he takes good care of anything you’ve given him. his shikigami love you, sincerely, so he would be happy if you could see them and interact with them ── because they are a reflection of their owner and end up showing all the affection he feels for you and doesn’t have the courage to show it.
he’s not cold or distant, just more reserved, but he could be more vocal about his feelings instead of dropping hints and hoping you understand what he means. everything about megumi is soft, even when it shouldn't be.
his inclination is indoor dates and having alone time with you that doesn’t involve his friends in any way. he has nothing against any of them ── they are dear people to both him and you, megumi is just inclined towards privacy and doesn’t want your time together to be interrupted. especially if you are a busy person who doesn’t have much opportunity to spend time with him.
despite being quiet, he is a little jealous often. not on a controlling level or anything like that, but he could easily end up making greater gestures to reinforce his dominance over your heart ── a treasure more precious than any cursed jewel. grabbing your waist gently and pulling you closer when he notices someone staring is not an uncommon occurrence.
୨୧ KENTO NANAMI — green flag.
i have nothing to say besides: you’re lucky — really. this man is a blessing.
nanami is honestly the ideal kind of guy no matter what life you want to lead. He honestly tries to balance his personal life with the work he so fervently hates, and he understands and helps you doing the same.
BIGGEST RED FLAG — emotional walls (eventually lets them down).
one of the few things that are not respectable about this man is that he really takes a long time before showing himself vulnerable in any way, shape, or form. nanami's experience makes him a very cold and harsh guy on the outside, but with well-defined morals and a heart of gold. he's also inclined towards privacy, just like megumi, and would prefer if you didn't get too involved in his circle of friends (more because of gojo than anything else, really).
DO YOU NEED TO BE A SORCERER?
no. not really. nanami appreciates the normality and calmness that can come from a life with you. he genuinely doesn't care if you're a sorcerer or if you're the head of the marketing department.
impressively, he's not as protective as others on the list. of course, he worries about your safety, but he doesn't doubt his own ability to be there to protect you if needed.
WOULD HE CHEAT ON YOU?
no, never. nanami is very adamant and loyal to you in all situations — he can't be tempted by someone else, because all he desires is you.
OTHER OBSERVATIONS.
as already mentioned, nanami prefers that you not get involved in his social circle, especially if you are a non-sorcerer. this is due to the fact that his senpai is clueless and could often create very uncomfortable situations. furthermore, he is afraid that you will be interested in more of his acquaintances and end up discovering/getting more involved with jujutsu.
he's very supportive of pretty much every decision you make ── as long as it doesn't hurt you and doesn't seem rushed without thought. he makes a point of looking for you for conversations that he considers necessary and punctuating whatever is needed.
nanami is very analytical too. if the two of you set a goal, agree on its repercussions and after a long time, decide on it ── like, for example, having a family ── he works hard to make it happen. it is not uncommon for him to agree to work overtime to receive a salary bonus to prepare a surprise for you, or support you better. he doesn't doubt your independence in the slightest, but he would like to constantly give you gifts as thanks for your divine presence in his life.
kento is very kind and basically the height of chivalry. for those who say that romanticism is dead, it's because they've never seen your boyfriend tying your shoelaces, carrying you on his lap, taking you to romantic dinners and making dinner for the two of you.
୨୧ SATORU GOJO — beige flag.
strongest sorcerer, a charming man, and good at flirting. although, an actual relationship? oh, boy. . .
satoru isn't necessarily a bad boyfriend per se. he's far from the worst option on the list, but he genuinely has a lot of problems that would make a relationship fall apart.
BIGGEST RED FLAG? emotionally unavailable.
satoru's personal experience has made him carry the burden of being the strongest sorcerer during his entire life. it's his identity to nearly everyone else — the satoru gojo, and not just satoru. it feels set in stone.
he doesn't have close friends or a support group that he feels he can genuinely trust fully since suguru's betrayal. this rubs off on you and makes him avoid really emotional conversations or directly saying what he's feeling — even when it's necessary. it's almost impossible to make his emotional walls come down, and if they do, he'll probably act a little sour for a while ── a kind of reflex, where he's wary of the idea of being betrayed once again.
being vulnerable is not his strong suit.
DO YOU NEED TO BE A SORCERER?
no, but it's preferable that you are. not only because you would understand him and his capabilities much better, but because as a sorcerer you would have your own worryingly long workload, and wouldn't make such a big deal about him almost never being home. at least, he thinks so, but he wouldn't avoid a relationship with you if you weren't a sorcerer.
also, he gets worried about you constantly — he has lots of enemies that could try to hurt you to get to him. if you're a sorcerer, at least he can believe more easily that you can defend yourself.
WOULD HE CHEAT ON YOU?
personally, i don't think he would. as already mentioned, gojo's inability to be with just one woman is, in my view, his inability to be vulnerable and honest.
OTHER OBSERVATIONS.
personally, i interpret “satoru is the type of man who cannot be faithful to a woman” precisely because of the emotional problem. he can't be vulnerable and that only gets the relationship to a certain point before it stops working completely. it's very, very difficult to get past the defenses he's created for himself, and there's always the chance he'll get scared and decide to leave.
the gojo clan isn't really a hindrance ── what are they actually going to do, argue with their only relevant member? ── but they can be quite uncomfortable. the person with the strongest sorcerer needs, in their view, to be “proper.” this includes: being a sorcerer and having many strong children for a new generation.
if you do not meet these requirements for any reason (not wanting or not being able to have children), the clan is unfriendly towards you. this doesn't stop the relationship in any way, or it doesn't stop you and satoru from getting married one day, however, it is quite awkward.
regardless of whether you are a sorcerer or not, there is a gulf of difference between satoru's lifestyle and yours. while he doesn't have difficulties with money or power ── and maybe you do ── this means he can't quite understand what it's like to be in your shoes. he's not unfriendly, but his arrogant and defensive nature can really lead to a silly fight or two that escalates depending on the situation.
୨୧ SUGURU GETO — red flag.
i love suguru, but he’s undeniably not an ideal partner.
i don't think there's much doubt about whether geto would be a red flag. he is. even if you consider his nature in the relationship more than his personality itself, it's still the case.
BIGGEST RED FLAG (besides the genocide nature)? — manipulative.
as a very skilled cult leader and orator, suguru has an indescribable charisma and a well-directed charm ── be it to convert those he calls monkeys or to enlist sorcerers to his cause. however, this charm can also be used on you and your relationship.
intentionally or not, he ends up trying to convince you of the same things he does. either his own distorted belief ── or his apologies become attempts at manipulation. he's not beyond gaslighting you, either. he learns what type of action provokes a specific reaction from you and ends up acting very artificially sometimes.
the benevolent cult leader persona he uses on non-sorcerers mixes with the real suguru geto, and that's definitely something scary to have in a relationship.
DO YOU NEED TO BE A SORCERER?
yes. there's just no other way. sorry, it's geto.
WOULD HE CHEAT ON YOU?
not really. capturing geto's attention isn't really an easy thing, and maintaining your position as his partner is just as hard a task. i don't see him having eyes for anyone else, because i feel that if you were in a relationship, he would need to have some kind of attachment to you and wouldn't want to hurt you on purpose.
despite this, in those ridiculously impossible situations — if he could achieve the world he wants by sleeping with someone else, would he do it? then the answer is yes. but i don't know if that counts.
OTHER OBSERVATIONS.
he is more married to his cause than he would ever be to you. he will not change for you, nor he will abandon his dream. that's a thought you can't let go of your mind when you're with him. no matter your own actions and beliefs, the new world must be created using any and all means necessary. no price is too high, no one is too innocent to be sacrificed.
being around someone like that would not only be exhausting but terrifying. there is always the uncertainty of what he would do if you left him. on the one hand, suguru doesn't want to hurt you. on the other hand, as his partner, you would know too many valuable things to just leave. he would never let you go like that.
it's very important not to forget that suguru definitely suffers from delusions of grandeur and high expectations of himself and everything around him. whether it's about the new world, his role in it, or about you. he faces some frustration when this expectations are not met, but he does his best not to take it out on you.
he might even "forgive" the fact that you don't actively fight to kill non-sorcerers, like he does, but he wouldn't want you to interact with them other than when it's absolutely necessary. furthermore, suguru would require absolute hygiene. don't touch him if you've been too close to a non-sorcerer. in cases where you have shaken someone's hand or hugged someone, he will refuse to talk to you until you wash your hands or take a shower.
and if you see non-sorcerers as people, as lives who matter, it will be absolutely worse. it would certainly be a very frequent topic of discussion between the two of you, so opposing views would make the relationship unsustainable. but staying silently by his side makes you accomplice — the blood of all these people will be on your hands, because you knew.
you knew and you did nothing to stop him, nonetheless.
୨୧ SUKUNA RYOMEN — red flag.
do i have to say anything? nevermind. i’ll pray for your soul instead. lord have mercy on you — because sukuna won’t.
if you were so unfortunate as to capture the king of curses' attention in this way, i can only be so sorry.
BIGGEST RED FLAG? he's sukuna.
it's hard to know where to start when naming his worst red flag. would it be his violent nature? his overall behavior? the sadistic desire for death and the total lack of morals? sukuna knows nothing but power, and has no respect for anything other than himself or equivalent strength. it makes your relationship with him less of a romantic thing — and more like an owner-pet relationship.
DO YOU NEED TO BE A SORCERER?
i'm inclined to say yes, because it's difficult to see where sukuna would be interested in a non-sorcerer. regardless, i guess it doesn't really matter as long as you fit his twisted and bizarre criteria, somehow.
WOULD HE CHEAT ON YOU?
no, but not for the reasons you think. love is an unknown and irrelevant concept to him, so what really stops him from cheating on you is not moral. it's desire, or rather, the lack of it. no one is as interesting as you in that sense.
he wouldn't cheat on you simply because there is no one else he wants like that. but not in a romantic sense, like nanami. it's like someone who is so engrossed in one thing in particular that in comparison, everything is gray and rotten.
OTHER OBSERVATIONS.
there's very little i can describe without being extremely dark compared to other reviews. sukuna would play with you until he got tired, and when he did, he would send you to the pot and enjoy a nice dinner.
i think the closest thing that can be called showing affection from him is when he asks uraume to be extra careful with the meat this time. he had, somehow, a strange feeling for you that he didn't understand. even tired, he wouldn't forget a human who fascinated him so deeply. furthermore, it would be agonizing for other sorcerers and humans. sukuna would not be actively looking for replacements, but sincerely. if he was, he would be disappointed. sometimes he turns to bark a mean comment, just to not see you there, and murmur oh, right, knowing very well he is the reason.
despite this, he may feel some kind of affection for you. sort of. the kind of pity you would feel for a beggar on the street, or the feeling you have for a pet, in some way. he would never see you as an equal. an interesting creature, but beneath him, as it is your place.
none of this would ever stop him from killing you if you became a nuisance, though.
୨୧ TOGE INUMAKI — green flag.
few words, but a lot of action and gentleness.
after a horror show committed by our favorite cannibal, a good look at our favorite ingredient talker should cool us down nicely. toge is actually the type to act instead of talk, because, well. . . salmon?
BIGGEST RED FLAG? bad communication.
even if you are a great sign language interpreter, there will be communication problems in your relationship. sometimes you may not understand what he is saying, or the other way around.
this is not a fatal defect, but it certainly exists, and needs to be addressed accordingly. furthermore, it is difficult to have serious conversations or argue. it's very annoying not being able to have a serious dialogue without hearing an onigiri ingredient in response. but it becomes a bit habitual for you and it doesn't make that much of a difference — it's the way he needs to communicate and you understand. toge understands how difficult it can be to communicate with him and does his best to help the process.
DO YOU NEED TO BE A SORCERER?
i'm tempted to say absolutely not, but if you're not a sorcerer there's no chance of you having a relationship without you at least knowing about jujutsu. in any case, you will be inserted into this world and this context, but honestly it doesn't matter to him. as long as it is you.
WOULD HE CHEAT ON YOU?
no, not at all. man can barely speak to his friends, how could he even chat with someone else and cheat behind your back? despite all the jokes, it's not really toge's thing.
sure, he can't directly tell someone else he's rejecting them — again, communication —, but he just needs to show his ring and they'll leave him alone. usually. he does not entertain flirtation from anyone who's not you, though.
OTHER OBSERVATIONS.
loving toge is as calming an experience as it is chaotic. he wants to do everything that “more normal people” would do too. for example, going on dates in big, crowded places — even if a part of him screams internally when not being able to talk to you like these people do. and honestly, even when he merely wishes for the simple, he just wants you to be happy and enjoy. your relationship is something very important to him, and there would certainly be a doubt if he can be a sorcerer and be your boyfriend at the same time. inumaki's lifestyle is not really something anyone wishes for their significant other, after all, but he was willing to try.
despite not being able to speak, he always has a cell phone and a notepad at hand. it's common for you to find small notes and loving notes, or his messages. love messages, messages asking how your day was, messages telling you that you forgot your lunch — giving him the perfect opportunity to just slip away and personally hand it over to you. he turns down the collar of his coat to return your smile when doing so.
toge also has a habit of sending you pictures like cute cats and a small love poem. he never wants you to feel appreciated — and everytime his friends tease him for smiling like a fool to the phone, he murmurs an affectionate “okaka”.
୨୧ TOJI FUSHIGURO — beige / red flag.
already experienced with love, a hurt heart can literally end everything.
the experience of being in a relationship with toji can be the happiest thing in your life or the most toxic addiction possible. it really depends on a single factor: is he able to love you truly, even after mamaguro? he'll be the only character in this list with two “separated” versions.
BIGGEST RED FLAG? emotionally distant / inconsiderate.
in a world where he can love you just like he loved megumi's mother, toji has a lot of emotional baggage that is difficult to deal with. his job is dangerous, he had an extensive past with another woman and an abandoned son, it's a lot for both him and you. it's very difficult to get close to him at first, but he slowly opens up and is willing to change and improve his life, getting a new start with you. one he won't lose.
in a world where he can't love you, he just doesn't care. you're just another partner he hooks up with occasionally, and he makes that clear. he's not interested in anything serious, not marriage, not anything. you are not the love of his life and you will not be. and if you feel bad about these words? well. you're out of luck.
DO YOU NEED TO BE A SORCERER?
definitely not. he couldn't care less in any case.
WOULD HE CHEAT ON YOU?
again, that depends. if he loves you truly, hell no. anyone who comes to flirt with him while he is in a relationship with you will be ignored and likely humiliated if he persists. if you managed to capture this man's heart, congratulations, he's all yours.
if he doesn't love you — yeah. pretty much. then it's more about if he wants someone else than your feelings.
OTHER OBSERVATIONS.
there's not much to say about toji's part and his role in a relationship, except that it won't be easy in any case. the past is the ghost that haunts every man, conscious or not. and his is full of blood, guts, tears and lost love. being willing to deal with this is not only necessary but something he won't forget. it's very difficult to win his loyalty permanently, but if you do, you simply have to worry about it anymore.
if he does not love you, it's very likely that he will eventually leave you for someone richer. money is mainly what would keep him in a relationship — sex is just a bonus. when some of those ends up being too difficult to get (or when these things are missing), his lack of emotional attachment makes him easily turn around and leave, to never returning again.
୨୧ YUJI ITADORI — green flag.
a very good option! the problem is that it is not long-lasting.
yuji is a sweetheart, really. definitely not a bad choice (one of the best ones in this list!). although, he has a very unfortunate destiny in front of him.
BIGGEST RED FLAG? he's way too selfless.
being selfless is a great quality, but in cases like yuji's, things go overboard very easily. he doesn't have as much respect or admiration for himself as he does for other people, and this can definitely be very damaging to his mental health and, consequently, your relationship.
he takes risks for his friends and strangers, he swallows cursed objects, he does his best to save lives — and he blames himself under fail, despite it not being his fault. he's the kind of man who carries the weight of the world on his shoulders, and doesn't want you to exhaust yourself trying to share it with him.
DO YOU HAVE TO BE A SORCERER?
not really, but if you're not, the relationship ends very quickly and suddenly. yuji wouldn't allow himself to tell you about jujutsu, being the vessel of sukuna, and anything that puts you under risk. this includes staying close to him.
he wouldn't break up with you just because you're not a sorcerer, he just values your safety too much and is afraid of what could happen. if you are one, he feels slightly relieved you won't separate, but still tense. you can still die.
WOULD HE CHEAT ON YOU?
he would never. never, ever. you're his love and he could never betray your trust like that. in one occasion, he said he wouldn't cheat on you even if it were with jennifer lawrence.
OTHER OBSERVATIONS.
the most important point to make is that yuji will undeniably die. he would be executed, and he thinks he should be, and that was the order given since he made a mistake that day. one day, and his life changed forever. having a relationship with you is one of the few lasting joys in his life, but when it ends for whatever reason, it will hurt more. maybe he'll try to break up with you sooner and move away so you don't feel so upset about losing him.
yuji is also the guy who was thrown into the context of the jujutsu world in a very unfortunate situation — he can be very slow to understand some things and, if you are a sorcerer, fearful. he understands that many sorcerers have important reputations to maintain. maybe you have too. in that case, wouldn't it be better not to have a relationship with sukuna's vessel in your past? what if the higher-ups antagonize you for that, and your career can't succeed? he doesn't want to make you uncomfortable about the topic, and he often doesn't say what he's feeling directly. yuji doesn't lie, but he omits.
he is very anxious despite his constant positive attitude. sukuna likes to mess with yuji's mental health, and he knows how much you mean to him. yuji would purposely turn away from you very often, terrified that somehow, the king of curses would kill you simply to laugh at his expense. he can't lose you — the ironic thing is that maybe he would lose, distancing himself so much.
୨୧ YUTA OKKOTSU — green / beige flag.
not bad, but. . . very questionable, nonetheless.
last, but not least! the implicitly yandere yuta okkotsu — not by far the worst option we have out of all of them here, but. he has almost unforgivable habits.
BIGGEST RED FLAG — rika (?)
everyone agrees that seeing your boyfriend's first love as a bloody, inhuman ghost is a pretty uncomfortable experience. in your case, it is an uncomfortable and constant experience, happening practically on a daily basis. although rika is much more controlled nowadays, and she is more a manifestation of technique than a soul in itself — it's not the kind of thing that anyone just finds normal. even sorcerers.
unfortunately, your boyfriend's late first love is kind of always there anyway. he still wears the ring he needs to connect with her, even if he gave you a different one. it's strange and sometimes it gives the impression that either you are a replacement, or that you will never reach that level of affection. you're the other woman in your own relationship.
DO YOU NEED TO BE A SORCERER?
again, no. but it's preferable that you are. all the difficult issues of being a sorcerer would be better understood if you were one yourself. it would also avoid him lying to you / hiding jujutsu from you. furthermore, yuta is a paranoid mess.
he always imagines that the second he's not around, you're going to get hurt. he cannot stand even the weakest curses near you, crushing them like repulsive insects.
WOULD HE CHEAT ON YOU?
no, unless you consider rika and his “relationship” with her.
OTHER OBSERVATIONS.
honestly, the time you have with yuta always seems to be under the influence of an hourglass, limited. ready to end at any second, where his work will be a constant interruption. he tries and tries very hard not to let this undermine his relationship, but it can become an occasional problem. he had to spend long periods of time in other countries, and it hurts for him to be so far away.
yuta is strangely clingy. you can't expect anything less. he's the kind of boyfriend who can easily become overprotective in a way that's not cute. always guiding you to one side on the sidewalk, one hand around your waist, staring deathly at any man who gets too close. it doesn't matter if it's his friend or a mutual friend of yours, there is a certain distance that everyone must respect when it comes to you. except him.
besides being like a cat (very skittish with some people, invades your personal space very frequently), yuta is very demanding in some aspects. he really hates it if someone flirts with you, even though he wouldn't take that frustration out on you. after all, it's not your fault and it would be unfair. but he's very adamant about not having any secrets or personal things he doesn't know about. secrets kill people, and he can't bear to lose you.
despite all the lessons he learned with rika, sometimes you end up wondering if he will curse you too, if you end up dying. you ask him about it. if he would. yuta doesn't answer.
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ENGLISH IS NOT MY FIRST LANGUAGE. I APOLOGIZE FOR ANY MISTAKES. thank you for reading! <3
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Lesson 1: "White Man Painted Black"?
Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!
You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.
Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!
I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!
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(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)
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(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)
You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?
It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.
And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!
Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:
Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?
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Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)
What if, instead of just changing her palette, we changed her:
Hair?
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There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?
Lips?
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I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.
Nose?
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One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!
Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.
I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!
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cybernaght · 9 months
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The fandom echo chamber: fanon, microanalysis and conspiracy brain 
As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.
This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.
Part one. Fanon.
The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 
Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 
(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)
Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 
And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  
(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)
We are all kind of making our own reality here, aren’t we? 
Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 
Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.
(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)
The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.
Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 
So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.
I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 
Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 
Eventually, this chimaera becomes a reality. 
Part two. Microanalysis 
Here are my two suppositions on the matter:
1. Some writers really love breadcrumb storytelling. 
Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 
Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 
2. We, as humans, love breadcrumbs.
And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 
Too much metaphor?
Let’s unpack it and start from the beginning.
Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.
If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 
If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 
As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 
So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.
Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 
But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.
One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 
Part three. The Conspiracy Brain. 
If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.
So, why do we believe in conspiracy theories?
One, Because We Have Been Lied To. 
All conspiracies start with distrust.
If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 
We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 
And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.
(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)
Two, Cognitive Dissonance.
The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.
Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:
A) this is not good
B) this author could not have made a mistake 
C) this must be done on purpose
D) here is why 
(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)
This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 
Three, Intentionality 
I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.
However, this all changes when intentionality is ascribed. 
The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.
It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 
When television programs underdeliver, they also underperform, and then they get cancelled.
If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.
(There will likely never be a Secret Fourth Episode.)
And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 
But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 
Unfortunately, people make mistakes. We are all fallible that way. 
Four, Wildfire.
Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 
Conspiracy theories create alternate realities, very much like we all do here. 
So where are we now?
I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 
All I am saying is… listen.
Do you hear that echo? 
I do. 
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rapilne · 1 month
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-Ice Cold
beomgyu x fem!reader
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warnings: sub!beomgyu, sex (?) this contains smut, not proofread, MDNI, beomgyu pov-ish
a/n: no summary cause i couldn't tell you what this is about. this is my first time writing anything like this, i wrote it on my notes so im not sure how many words there are, i think too many, this is without a doubt too long, pls bear with me. also english is not my first language, if something doesn't make sense well idk figure it out pretty pls, thankssss 🫶
--
"she's my girlfriend," beomgyu said, his expression a mask of utter sincerity.
his words hung in the air, the silence filled with unspoken questions. 
yeonjun squinted at him, scrutinizing his face before glancing at taehyun then back at him. "so, you're saying… you have like a crush on her?"
an exasperated sigh escaped beomgyu. “what? no!" he protested "i mean, yes? wait no..” he closed his eyes and said slowly “… it’s like i said it. she’s my girlfriend for real.”
the weight of his words hanged heavily, yet his friends remained speechless, drinks on their hands and stares like daggers. 
beomgyu shifted uncomfortably, unsure of what to do to stop them from looking at him like that.
"i just don't understand what's so surprising about it," he muttered, a pout forming on his lips.
choi beomgyu had always been the epitome of charisma. from his looks to his charm, whether he stepped into a crowded room or sauntered down a bustling street, all eyes gravitated toward him, and once you got an interaction, you will just want him to sty forever.
he was well-known and well-liked everywhere he went: university corridors, his guitar lessons, basketball practice, even the corner store near his apartment. everyone seemed to gravitate toward him, drawn in by his undeniable charm.
he likes to think he got that from his mother.
beomgyu, reveling in the spotlight, thrived on the attention. the way people's faces lit up upon his arrival was a drug he couldn't resist. 
specially when he is so used to getting his way. always obtaining whatever he wanted whenever he wanted it, never in a malicious or manipulative way, he was bold, confident, overly friendly and people loved him. asking was usually all it took.
so, all things considered, he'd never struggled to draw the attention of those he found attractive. one could almost say he had his pick of the litter.
he thinks it might be true. 
that is the reason why setting his sights on you should be the most foolish thing beomgyu has ever done in his entire existence. and yet, there he was, unable to resist the pull, despite the warning bells ringing in the depths of his mind.
from the first time he met you, in his advanced music business class, it was as though you existed in a world entirely apart from his own. not responding to any of his advances was an odd sight for him.
initially, he brushed it off, attributing it to a fleeting lapse or perhaps an uncharacteristic bad mood on your part. after all, he reasoned, he was an attention seeker, but he certainly wasn't a psychopath.
yet, after you acted the same way the next time, and the next, and the next time he tried to talk to you, he couldn’t help but take it personally. 
he soon realized it wasn't merely a matter of wounded ego. from the very first meeting, he had mustered his most charming smile just for you. after all, he thought you might just be the prettiest girl he had ever seen in his life. and after just a few classes, he realized you were also one of the smartest people he knew. 
it’s been a long while, but everything about you seemed to snag his attention, like you were the main character in a movie and he couldn't take his eyes off the screen.
so, whyy you, out of everyone, had to be the one to him the cold shoulder like that? or even better, why couldn’t he just like someone who liked him back?
he soon came to find out, thanks to his seat mate, jun, that your behavior was not uncommon.
he couldn't shake off the words his friend had offered in consolation: "don't sweat it, she's like that with pretty much everyone."
of course, in true beomgyu fashion, he couldn't help but sweat it. 
he did pick up on your vibe—not shy at all, like he thought at first, but definitely serious and reserved— still, he wasn't accustomed to blending in with the crowd like that; being treated like “pretty much everyone” didn't sit right with him. 
"it's all so high school," jun chuckled then, shaking his head. "but seriously, they actually nicknamed her the ice queen.”
now it seems like getting on your good side might be a task for the gods.
good thing he is known for always getting what he wants.
— 
taking a sip of boba should never be this unpleasant. except that time he order matcha when he meant taro, beomgyu has always treated his boba runs as a particularly happy time. right now though, it isn’t going so well. especially when yeonjun goes “you’re fucking lying,” with a snickering tone.
“i only lied when i told you that mesh shirt you’re wearing was a look.”
“how dare you”
beomgyu then stands up and looks at the counter. there are only a couple of tapioca pearls left on his drink and he thinks he might ask for some more. are tapioca pearls refills allowed in this place? he doesn’t think they’re allowed anywhere, but he might as well ask.
“ok, ok, sit back down hyung,” taehyun tugs him from his arm, “when did this even happened?”
“i only have like two tapioca pearls left,” beomgyu ignores him and yeonjun goes, “he is talking about boba because he is lying.” he laughs. “there is no way. not even for you, gyu.” 
“look, i don’t know what is so unbelievable about me and y/n being together now,”
“y/n and me,” taehyun corrects
“what?” 
“the correct way to say it is ‘y/n and me’, not ‘me and y/n,” taehyun looks at beomgyu after sipping his own cup, “it can depend on the context of the sentence, like both are grammatically correct, but ‘y/n and me’ is considered mo-“
“what on actual fucking earth are you talking about?“
“that is literally not important!” yeonjun interrupts them both with a loud voice, “can we please come back to the topic and know why are you lying about y/n being your girlfriend?”
beomgyu glares at yeonjun, throwing his straw to the trashcan right next to them. they came in quite late to the boba shop and didn’t get the best table. it is a popular place after all. 
“for the millionth time, yeonjun, i’m not lying!” he says with wide eyes. “what is it that you want? i can call her right now, put her on speaker and asker to tell you how much she likes me, yeah?”
yeonjun narrows his eyes at him, suspicious. “do it.”
“you’re fucking kidding me-“ 
the door chimes and yeonjun’s attention is momentarily taken by the sound. beomgyu takes advantage of this and quickly sizes his cup only to realize his mistake too late and have the matcha flavor assaulting his taste buds. he thinks it is a pretty cruel trick on the universe’s part.
he chokes back a gag and it’s impossible for taehyun to not roll his eyes. he appears to be inmune to beomgyu’s charm, consequences of their close friendship.
yeonjun’s laughter fills the air once he realizes what happened. “that’s what you get,“ he says.
“how can you drink that?”
“matcha is tasty,” with a grin on his face, yeonjun shrugs.
“matcha is a sin,” beomgyu retorts, wrinkling his nose in distaste.
taehyun's interruption brought a halt to the conversation. “the way you are just unwilling to talk about it makes me think that yeonjun might be onto something,” he muses, propping his chin on his hand.
“why would i lie about me being in a relationship with someone?”
“you tell us,” yeonjun says mockingly.
taehyun fixes him with a pointed look. “yeonjun stop,” he says and then looks at this other friend, “beomgyu, it is not really about you being in a relationship. it is about with who.”
“what’s is wrong with y/n?” he asks with a pout on his lips.
“oh nothing,” yeonjun scoffs. “except everyone says she is quite literally a bi-“
beomgyu's voice cut through the air with a sharp edge, his tone tinged with seriousness. "watch it, yeonjun,.” he warned, his gaze unwavering.
yeonjun raised his eyebrows, surprised by beomgyu's sudden change in demeanor. "i was just going to say she's quite literally a big fan of not making friends,” he finished instead, eyes wide.
taehyun intervened swiftly, sensing the tension rising. "beomgyu," he began, his tone soft, "i'm not doubting your feelings, but we kind of know y/n's reputation. she's known for being... distant, self-centered even. i just don't want to see you get hurt because you're too trusting."
taehyun's words struck a chord with beomgyu, but before he could respond, yeonjun chimed in, his voice tinged with remorse. "he's right, gyu," he admitted, a hint of regret on his tone. “and i'm sorry about before. but still, you need to be careful. y/n... people have tried to get close to her before, and it hasn't gone well."
beomgyu's heart sank at yeonjun's words, the weight of their implications settling heavily on his shoulders. 
"look," he begins, his voice tinged with a mixture of conviction and uncertainty, "y/n is different, okay? she's not like anyone else i've ever met. and maybe i haven't been completely open about it because... because i know how you guys get. but i mean it when i say i’ve known her like other people haven’t. she is good.”
there's a pause as beomgyu searches for the right words, a shadow of vulnerability flickering across his features. "she's not just some stereotype or rumor," he continues, "there's more to her than that ‘ice queen’ nonsense."
as the trio leave the place, beomgyu sips on his refilled boba. turns out they definitely don’t do refills, but, “just for you,” they said.
he even got another straw.
“and that’s my problem how?” you asked with straight expression.
the girl in front of you stumbled over her words, her voice quivering as she tries to play it off with a quiet laugh. "i-i’m not saying it's your problem," she began cautiously. "but, like, your signature could totally convince mr. yang to extend the due date. if we all get on board, he'd have to at least consider it. please?”
"no," you reply.
she blinks, caught off guard. “wait, what? i mean, i’m sorry?" 
leaning back, taking a sip of your iced coffee, you return your gaze to your book. “you’re good,” you say in an almost nonchalant tone. "i’d just rather not be disturbed while i’m reading.”
she recoils, her nervous vibe replaced by incredulity. "i'm not apologizing to you!" she snaps back before taking a deep breath. "i just—why not? it literally doesn’t hurt you at all to sign? we really need your help y/n. it will even give you more time to finish your own stuff! ”
"already finished it,” you say, not even making eye contact.
she let out a surprised squeak, but recovered quickly.
"well, i guess that's cool for you," she muttered. "but, like, we need your signature or mr. yang won't even look at the petition.” 
nothing from your part.
mr. yang was a no-nonsense professor who smelled of tobacco and liked to look at everyone over his glasses as to remind you he is much more smarter than you. he hands out tough tasks, but always provides the necessary materials to complete them. though you weren't his favorite student, and he certainly wasn't your favorite teacher, you excelled in his class, meeting his high expectations. but you worked hard to get things done.
"look,” she sighed, “i know you're really smart, but some of us are really… struggling.“ she sighed sadly. ”it's taking forever to get through the text he sent, you know? if we all, like, come together and help each other out, we could totally make it happen. i don’t think he’d said no. what do you say?" she finished, giving you this hopeful look.
a look that was met with silence.
"y/n?" she tries again.
anna, the heroine in your book, seems genuinely tormented and you’re really starting to feel bad for her. if only she didn’t chose the red door. the blue door was the obvious right choice, but she decided to be adventurous. now, she will probably die. can vampires die? they can, you remember. in twilight, you have to cut them in little pieces and-
"hello?! earth to y/n?" you hear a loud voice in front of your face.
you glance up. right, the ‘help us change the due date’ girl from your class. can’t really say you remember her name. 
“you're still here?" you ask flatly. can people get any more annoying? 
"oh my god, seriously?!" she practically yells this time. "i can't believe you're such a bitch!"
suddenly, and before things could escalate further, beomgyu swoops in, looking all concerned. "whoa, what's going on?" he asks, his guitar hanging on his shoulder. “i heard yelling.”
beomgyu looks exceptionally good today, you decide. his dark, long hair framing his beautiful face, and eyes so deep and brown, you could not wait to get him alone…
"hey, beomie," you greet him with a smile. "nothing much. ready to leave?"
you've been waiting for him to finish his composition class. your own class got cut short, and you were ready to head home, but beomgyu insisted on spending the rest of the day with you, asking if you could wait for his class to end.
there's someone you can't say no to, and that's choi beomgyu, you've come to realize.
without waiting for an answer, you toss your book into your bag, grab your iced coffee, and take his hand, leading him towards the exit. your classmate watches you with wide eyes, speechless with incredulity. beomgyu glances back a little confused, offering her an apologetic smile and a quick wave as if to to smooth things over.
once outside, hand in hand, beomgyu asks carefully, "what was that?"
"oh, nothing at all,” you brush it off.
"she seemed mad," he remarks, and you stop in your tracks, making him stumble a little.
"did she? i didn't notice," you say, teasingly. "but i did notice i haven't kissed you yet."
with a playful glint in your eyes, you tilt his chin up with one hand and lean in, closing the distance between you as your lips meet in a slow, lingering kiss. beomgyu sighs contentedly, wrapping his arms around you, pulling you closer.
"you're the sweetest," he whispers against your lips, screaming girls all forgotten.
“look at this video i took on saturday,” jun leans over the table to show a clip to beomgyu as they sat with a couple of his classmates at the uni cafe. beomgyu recognizes the place as the han river, and the performers on the clip as a dance team yeonjun showed him before.
“oh, i know them!” he says with a big smile, “they’re sooo good. don’t you think they should be like performing on music videos or something?”
“they should,” jun agrees. “i’ve seen them on tiktok though, and they’re making really big numbers.”
“oh shit, yeah, me too! i keep telling y/n to come with me to see them whenever yeonjun tells me they have a showcase.”
this caught the attention of gina, a girl from his music production class “i’m sorry, but i still can't believe you're with her, gyu.” she remarks shaking his head incredulously. 
beomgyu looks up from his phone to give her a questioning look, “what?”
“ah, she’s right” hyunjin says through bites of his ham sandwich, "i mean, she's smoking hot, but she's also a total ice queen."
beomgyu glares at him. "come on, not this again, not with the higschool nickname stuff” he defended “she is not an ice anything, you calling her that is cringe. i’ll have you know, she is really sweet, actually.”
"sweet? seriously, beomgyu?" hyejin chimed in, eyebrows raised in disbelief. "every time i've tried talking to her, she acts like i don't even exist."
“sh-“
"yeah, and remember when she snapped at mark for accidentally bumping into her? it was like she thought she was too good to even acknowledge him."
“but-“ 
"and what about that time she ignored seungmin’s text asking for help with the assignment? she could have at least replied!”
beomgyu's heart sank as he listened to his friends.
“remember last week? what she did to lilly? the stuff with the signatures? honestly, she is such a bitch sometimes…”
before beomgyu could respond, you happened to walk past their table, expression as frosty as ever. misinterpreting their conversation, you shot beomgyu a hurt look before walking away.
"great, now she thinks we're all talking behind her back," gina mutters with a wary look on her face.
beomgyu watches you go away, his heart sinking with the weight of the misunderstanding, realizing you must think you were talking bad about her too. 
he stands up abruptly, “for the record,” he interjects with a sharp voice “this better be the last time i hear any of you calling her names, i won't stand for anyone disrespecting her. we’re done.”
glaring at all of them, he turned and strode out of the café, leaving his former friends speechless. outside, he quickened his pace, determined to catch up to you and make things right before it was too late.
the doorbell rings incessantly, echoing through the hallway as beomgyu refuses to give up. he's been following you from the school building to your apartment, his determination evident in every step he takes. but despite his efforts, you continued to ignore him, driving him to the brink of frustration.
beomgyu knows he's pushing it, but the thought of you disregarding him like this drives him crazy. with each ring of the doorbell, he feels a surge of desperation, making him want to rip all his hair out. 
he keeps ringing the bell and knocking on the door with urgency. he's fully aware that he's risking disturbing the neighbors, they may even call the police.
he’ll risk going to jail for you, he thinks.
finally, the door swings open with a sharp smack, and you're standing there, glaring at him. "knock it off!" you yell, frustration evident in your voice.
despite your fiery eyes, he’s just glad to see your face.
"i'm sorry," beomgyu blurts out, his words coming out in a rush. “but i am sorry you had to listen to that, not sorry because i was agreeing with them or anything, because i was not. i definitely was not, in fact i was letting them know how wonderful and sweet you are, is honestly what i always do. they’re not even my friends anymore. i literally ended it with them. i let them know, oh fuck, i always let everyone know you’re perfect and sweet and the best person i've ever met in my life and that i'm just so so lucky to have you and i love you more than anything and i don’t care about what anyone says because you’re always so, so good to me.”
his words spill out in a jumbled mess, but the sincerity in his voice is unmistakable. beomgyu's desperation is palpable, his rambling emotions laid bare. 
you stare at beomgyu, your expression neutral, as his words hang in the air between you. his eyes search yours desperately and, for a moment, he thinks he might have finally pushed you too far, that his rambling confession may have been a mistake.
but then, without warning, you break the tension with two simple words. "come in," you say.
relief floods beomgyu's features as he exhales a shaky breath, the weight lifting from his shoulders. without hesitation, he steps through the doorway, the sound of the door clicking shut behind him.
beomgyu is standing right in front of you, in your bed, with red cheeks in anticipation. 
“beomie, do you think i’m a bitch?” you ask with a teasing pout on your lips.
“no! no, no, no i don’t” he responds, looking up at you with puppy eyes, long lashes and a slight frown on his face
“correct,” you concede, putting his hair behind his ear softly “you were dying for me to even look at you, beomie, so i did. how can i be a bitch when i give all you the attention you so desperately beg from me?”
beomgyu exhales, clearing his throat to prevent himself for making any noise. you look down at him, his dark hair, indolent eyes and pouting lips. so pretty, just for you.
“answer me.” 
“you’re not, you are so good to me, you’re always so good to me.” he whines, but somehow his voice gets lower. aching to touch you, but keeping his hands on his side, just like he was told.
“that’s right.” you go down and crawl between his thighs slowly. he feels hot wherever you touch him. “i’m so good to you…” you concede as you reach out with confident fingers and grab the waist of his pants and start drawing them down. you pause halfway, though. a teasing smirk playing on your lips. "but, do you deserve it, beomie?" you ask, your tone laced with mock concern.
beomgyu's breath escapes him in rapid bursts, too stunned to speak, but he knows better than not to answer you.
“no..” he chockes out “i don’t deserve it, don’t deserve you.”
“you’re right, you don’t deserve any of it,” you remind him, “good thing i’m so wonderful and sweet right?” you mock as you shove the rest of his pants and underwear down in a quick motion. 
his cock comes up against his stomach, twitchy and veiny and your mouth is watering at the sight in front of you, wanting nothing more than for him to cum down your throat. but today is not the day.
beomgyu chews down hard on his lip and closes his eyes at the feeling of you liberating his length. he’s always been too sensitive, but with you he feels like it’s always the first time.
“open your eyes, beomie,” you tell him. “i want you to see and remember what you have to be grateful for.”
he opens his eyes in an instant just for him to watch you slowly wrap your mouth around his tip. he sucks in a a hiss and let’s out a groan when you draw your lips with a light pressure down his cock until he hits the back of your throat, only to come back up and leave a trail of saliva along the way.
“fuuck,” he lets out with a trembling breath. “oh my god”
you put him on your mouth again and swirl your tongue around him, he hits the start of your throat once again and slide up and down, up and down. you wrapped your lips around his tip one more time before running the flat of your tongue up his cock slowly and you stare directly into his eyes,
beomgyu is a mess of flushed skin and teary eyes and can’t stop whimpering at the feeling and sight of you using your mouth on him, he swallows, throat dry and bites his bottom lip to prevent him from spluttering nonsense.
“i don- don’t know if i can- fuuuck- i- i can’t.. can’t hold it, fuck y/n , you’re so- so good to me-“ 
with his hands on your hair loosing himself to the feeling of your mouth on him, you can’t help but moan on his cock as you can already taste his pre-cum on your tongue, threatening to spill past your lips. you take you mouth off of him. “beomie, don’t cum yet-“ you say between licks, before spitting on him, lubricating and using your hand instead “- baby, hold it in, not yet.”
“i- i can’t, i can’t” he cries and you stop, his chest going up and down aggressively before lifting his face to look up at you. lips red and shinny from biting hard and cheeks rosy from all the pleasure. you think he has never look this pretty.
he sits up trembling, looking at you you slide your drenched panties off. then you straddle his lap, looking at his red erection up and proud, tip right at your entrance, and without any warning, you take his cock in your hand go down on him inch by inch, his arms coming around your torso in desperation as you hold yourself up wrapping yours around his neck, holding each other so close you could feel echother’s heartbeat.
you completely sink down on him and you both gasp, automatically making you clench around him.
“fuuck, baby” beomgyu hissed. his hands coming down to your waist to keep you in place, he’s afraid he would cum in a second if you moved an inch. “don’t move, please”
so, you raised your hips and you both let out a breathy moan as you sat back down again. he whines.
“you can do it beomie, hold it baby” you purr in his mouth. repeating the action again and again. “don’t you want me to fuck you?” 
“ye- yes please,- fuuuck yes” he cries, holding you close. always eager to please, he lets you do as you want. obeying you just in time for him to become a whimpering mess.
it was embarrassing, really, how affected he got in literal seconds. and you, with the sensation of having his cock filling you up, couldn’t help but use him like a toy.
“good boy,” you sing softly, breath hitching. “good, good boy. i knew you would let me use you like this. kne- knew you would like to make me happy. right beomie? because you love me? you want to- oh my god” you whine, bouncing up and down on him with urgency, felling him thus up to meet you halfway. “you want to make me feel good”
beomgyu feels like fire inside you, feeling you squeezing him so tight he feels himself closer and closer. he takes his hand from your waist to massage your breasts, knowing how sensitive your nipples are, making you sigh, earning him a kiss so lewd he’ll dream about it. “yes, thank you, please,” he cries, “i want- i want-“
“you can’t even talk beomie!” you chuckle dryly, “wh-what would your friends say if they saw you like this? huh?” you whispered on his mouth, the feeling so good its sending your blood rushing to your head as you keep fucking him stupid.
“their proud, confident beomgyu is just- fuck” you gasp at the feeling of his lips closing around your nipple, ”just a dirty slut? huh” you throw your head back to give him more access as you continue to bounce on his cock “ a begging little whore is what you are beomie”
he feels himself closer and closer, your dirty talking sending him over the edges he pleads, “just for you, i swear is just for you, i love you”
“good boy” you panted on his mouth again, feeling the sensation of your orgasm looming over your body and beomgyu was hit with the staggering force of his release as he came inside you, calling out your name in pleading gasps.
you blinked almost sleepily, looking down at your boyfriend and his post-fuck look, a small smile on his face as you leaned down to place a little kiss on his nose.
“love you too, pup.” you sighed.
not matcha, but not taro, either.
beomgyu feels like trying something new as he looks at the menu. the scent of sweet tapioca and freshly brewed tea surrounds you two and he thinks this is exactly what dreams are made of, yet deciding on just the right drink feels like an impossible task right this second.
so he scans the menu, his eyes flickering between the various options. yeonjun said their new horchata drink was good, but he doesn’t trust yeonjun’s taste.
“do you know what you’re ordering?” he asks you with big, round eyes. 
you can't help but notice how his eyes resemble tapioca pearls – "just iced coffee," you reply with a hint of amusement.
“right,” beomgyu chuckles, realizing he should have guessed as much.
suddenly, the girl behind the counter approaches you, her bright smile matching the cheery vibe of the boba shop. "hi there! can i help you?" she chirps.
beomgyu's attention shifts to her, “oh! yes yes, just a second” he responds, his eyes scanning the menu once more.
"well, our special today is the pina colada boba blast," the girl continues with a playful tone "it's sweet, refreshing, and i guarantee you it will leave you wanting more!”
beomgyu looks up, and before he could respond, you step forward, "we'll figure it out ourselves, thanks," you say curtly.
the girl's smile falters slightly. "o-okay, let me know if you need any help," she mumbles, retreating to the safety of the register.
"come on, babe, she was just doing her job," beomgyu says, chuckling a little and reaching for your hand. "but i think is time for me to finally admit… there's something kind of hot about you being mean."
you rolled your r eyes, but a small smirk tugged at the corners of your lips. you figured that much way before he did “i’m not being mean, beomie,” you still say, feigning ignorance “i truly don’t know what you’re talking about.”
beomgyu grins, feeling a surge of affection for the girl by his side. as they placed their order and settled into a cozy corner of the boba shop, he couldn't help but think how happy he was to have you, even if you did have a bit of a mean streak.
532 notes · View notes
cauliplea · 1 month
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it baffles me how many people twist the whole "Ratio hates idiots" thing even though it's literally anything but that.
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did people not even read the character details? he doesn't hate idiots necessarily, it goes deeper than that. but for some reason people immediately think that Ratio would hate someone because they are less smarter that him.
No, he does not hate people with less knowledge, he hates people that doesn't try to gain more knowledge and better themselves, he hates people that think they are better than others simply because they are smarter, he only hates people that choose to stay ignorant.
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the amount of ableism he recieves when it comes to his entire character makes me want to rip my hair out, no he would not hate you because you're bad at math, he'd recognize if you had any other talents other than math and praise you for it and try to help, no he wouldn't hate aventurine because you people think Aventurine is an idiot in his standarts (I'll get to this later)
he is a big softie yet it is always ignored just because he was rude to most of the characters we have seen which if you took two seconds to think about it's justified.
Herta, Screwllum and Ruan Mei are all part of genius society and they all share one personality trait which is being self-centered and that's what ratio hates the MOST. he doesn't like people that only care about themselves, so how could anyone think that someone that hates selfishness be selfish?
I do love herta, Screwllum and Ruan Mei but you have to agree they are selfish when it comes to their goal, all of genius society is, they all do things for themselves and not others unlike Ratio, which is a common theme since you can notice Nous only recognizing people that seek knowledge for themselves and not others like Ratio.
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When it comes to his relationship with Aventurine I'm glad people can recognize that he cares enough but there are still times where he's seen as cold hearted which is not true at all, this man is direct with what he feels whether it's care or hate, he didn't hesitate to call Sunday crazy and he wouldn't hesitate to show aventurine that he cares which he already does, just in his own confusing way.
I've also seen people call aventurine an idiot which I can't stand, how could you even muster up that idea? he is intelligent, Ratio literally sees him as an equal which could be another hard evidence on how he doesn't hate "Idiots" (since people think Aventurine qualifies as one because he couldn't go to school or learn academically. :|) he recognizes Aventurines talent and intelligence, the times he calls aventurine a fool or anything else is obviously affectionate and lighthearted.
the first scene they were on screen together the reason he insulted Aventurines knowledge he apologized afterwards when he realized that it wasn't Aventurines fault. (deleting the racism part because I've had MULTIPLE people bring up the fact that it was an act and I get it but I still dont think it was necessary since you don't have to be racist to make someone think you hate someone else.)
so no, Ratio isn't a cold hearted, mean asshole, he's lovely so please write him as lovely. it breaks my heart and hurts my autism when people mischaracterize him.
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elmhat · 5 months
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DSMP TUMBLR SIMULATOR
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🟩 escapedwarcriminal Follow
On vacation! Check out the fancy hotel :)
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🦆 stabbyduck69 Follow
gufys please mass report this he's trxying to fucking dox me and also kill me pls guys
7 notes
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❌ god Follow
I just finished writing my latest book! To thank everyone who stuck with me through this process, I'm giving away one copy to a random follower! All you have to do is reblog 😊
#bookblr #writeblr
2,963,086,652,755 notes
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🐝 what-if-bees-had-nukes Follow
Anyone know where the boomerville residents went?
��� what-if-bees-had-nukes Follow
No one replied so I guess I own their house now
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🥇 dreamsno1traitor Follow
.
#I'm actually so sick of these mfs #no joke if I have to spend another day around these people I might kms #one more comment about how "evil" he is and I'm gonna snap #I can't believe I used to be friends with them? #they're so bloodthirsty for no reason #sorry just needed to vent #can't say any more than this or I'll blow my cover #neg
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🧁 the-girl-who-burned-your-tree Follow
New strawberry cake recipe! (Safe for pigs)
Try out this delicious dessert that all the family can enjoy!
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Keep reading
#baking #recipes #I just wanted to make something that my friend can eat too #he has some rather unique dietary requirements
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🐷 bloodforthebloodgod Follow
"average person destroys 1 government a year" factoid actually just statistical error. average person destroys 0 governments per year. technoblade is an outlier and should not have been counted
💿 fuckdream123 Follow
this is so fuckign disrespectful to doomsday survivors take this down you egotesticle fkng prick
45,687 notes
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🟩 escapedwarcriminal Follow
@warden-of-the-vault How's idiotville idiot
🟩 escapedwarcriminal Follow
Wait you can't reply cause you're in IDIOTVILLE
5 notes
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🪶 philzaminecraft Follow
My good friend has entrusted me with looking after his lovely dogs, haha! 😂 Do any of you fine young people have advice for me as to how to take care of this many hungry hounds? 🤔 I look forward to hearing from you.
From Philza Minecraft.
P.S. Please also instruct me as to how to increase the number of messages I receive in response to my questions. This internet website is a tad confusing. I had enough bother attaching the photograph. 😂
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89 notes
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🐷 bloodforthebloodgod Follow
woke up to the dash full of drama again. sigh
🦆 stabbyduck69 Follow
fucking Die
🐷 bloodforthebloodgod Follow
oh so you're the one sending all the anon hate
🦆 stabbyduck69 Follow
i don't send anon hate i'll hate to your fucking face bitch
🦆 stabbyduck69 Follow
please go out with me
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🔱 warden-of-the-vault Follow
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🔥 murdered-yo-fave-pet Follow
But fr guys, as much as we're memeing around in the tags dream is actually out there and he's dangerous. If you see him call me or sam immediately. DON'T fight him. You'll /gen die.
6,210 notes
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🐈 antthecatmaid Follow
won't be around for a while, going on vacation!
🐈 antthecatmaid Follow
fuck I'm back fuck fuck fuck
27 notes
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💿 fuckdream123 Follow
i'm too sad to commit terrorism like what's the fucking point anymore
6 notes
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🧨 zombiepresident1 Follow
World's First NFT Burgers
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(Ignore the poor photo quality, my good camera got confiscated by authorities)
"An explosion of the senses, and I don't just mean that time the place exploded!" ⭐️⭐️⭐️⭐️⭐️
"So much better than Quackity's horrible grimy SHIT FUCKING RESTAURANT" ⭐️⭐️⭐️⭐️⭐️
#reviews are all from verified sources #don't look into it #someone blaze this I have no money
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✨ quirky-cake-duper-teleporter Follow
Genuinely fuck dream.
✨ quirky-cake-duper-teleporter Follow
Ignore this I wasn't in my right mind
16 notes
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🐷 bloodforthebloodgod Follow
The Teletubby and the Pig
Fandom: Original Work Rating: General Audiences Warnings: Graphic Depictions Of Violence Characters: Technoblade, Dream (me and my friend) Additional Tags: Pandora's Vault Prison, Fluff and Hurt/Comfort
Summary: idk man I'm bad at summaries, just something I wrote with my friend to pass the time (he was too embarrassed to post it)
284k words so far
-> Read here!
#I actually wrote this a while ago but I wasn't allowed to post it for legal reasons #don't worry though I'm planning to murder the legal reasons soon #writeblr #original fiction
35 notes
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💍 im-from-the-future Follow
WARNING - PLEASE READ
My murderer showed up at my house today. Police refused to arrest him. I feel sick to my stomach, I don't know where he is or what he's doing, if he comes back I have no way to protect myself. Please stay vigilant and don't trust anyone you don't know.
🥕 catsncarrots Follow
i'm so sorry to hear that karl :( hey what's the new pfp?
💍 im-from-the-future Follow
No idea
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🥚 baddestboi-withahalo Follow
we all accepted the prison way too quickly. there's like no safety measures? are we forgetting someone DIED THERE? and i've literally seen the main cell myself and it's a mess. pretty sure there was some real blood on the walls too. idk just doesn't feel right
🔱 warden-of-the-vault Follow
I'm tired of people reblogging posts like this without checking their sources. There are some obvious red flags here. For starters, op claims they've witnessed the main cell personally, but if you actually check the prison's rules, visits have been banned for several months now [x]. The prison is armed with state of the art security measures, including lava, barriers, and numerous manual searches, to name just a few [x]. Speaking as an authority on the prison myself [x], I can safely confirm that these security measures, as well as the prisoner, are in perfect condition. Don't be so quick to buy into conspiracy theories.
🥚 baddestboi-withahalo Follow
I LITERALLY WORK THERE????
🔱 warden-of-the-vault Follow
Not anymore you don't.
972 notes
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834 notes · View notes
adoregojo · 2 months
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mikage's 5 steps guide! - nagi.s
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i missed writing for nagi... my loverboy.. also this writing style is so fun??? wth??? i need to write like this again. i can barely keep one eye open so if there's any typo, ignore pls pls.
warnings: some cussing ig?
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nagi was never that charming.
'charming' couldn't even stand being a word in his dictionary to be honest, nagi truly had zero sense of romance within him. he was an actual brick-walled person when it came to these things, or anything of strong-emotions in particular, there was no thoughts behind those void eyes of his but a circle of: sleep, eat, go to work, eat again, play games, sleep, and repeat.
even back to his high school years, not once he recalls talking to a girl, let alone getting a girlfriend, that was something beyond out of his character. maybe there was a girl that confessed to him, he remembered on valentines day he got a letter saying that he should go to the school's roof. and he ended up leaving the poor girl hanging on the air till the sky was clean orange because he genuinely 'forgot', nagi then earned the title 'heartbreaker' for a year straight, he let it be since it was much of a hassle to keep on correcting them. not like his reputation was any better before.
so you could say that nagi wasn't that much of a company to have around, on the other hand was his friend, reo who was basically the opposite of nagi, if anything he was prince charming himself. those social skills were enough to befriend anyone on sight, he got the looks, money and attention was surrounding him 24/7.
and even if reo gather the earth power to try and motivate nagi would go down hill, every time he tried setting him on a date it's either gonna end up horrible or nagi using the excuse to go to the bathroom and vanish to the nowhere. what an asshole.
at some point, reo accept the fact that maybe he's friend will in fact die alone.
and things switched around when you came to the picture.
first it wasn't that hard to notice you, your desk was glued to him after all. it was weird when you would greet him every morning and wish him a good night when you left, no one ever did that to him before, he tends to ignore and ends up being ignored. it was nice, a little reminder that somone was seeing him, acknowledging him.
slowly, the walls between you two was falling apart with each introduction. when you would pat him from his little naps for lunch time, or when it was leaving time, then he would stare at your back until your figure disappeared with a last wave, staring at the door for a little too long, perhaps wishing for you to walk back in.. who said that?
it was getting worse, or better, not the best at analysing his feelings. but nagi found himself looking out for a glimpse of you around the office, he has no shame to admit that the world suddenly felt gloomy without your presence beside him.
maybe he raised his head a little too fast when you walked in, maybe not. but he mostly did.
then you would ramble about how your shitty neighbour refused to clean after his pets filth and you two had a screaming match for a while before realising you were late. the was the worst way to start a monday morning, so you closed your eyes shut, rubbed your forehead for a peace of mind. then you opened your eyes, a piece of your favourite snaked would magically appear on your table.
for some reason your eyes traveled to the white painted head, he was looking at the other side, avoiding your questionable gaze hoovering over him.
Mondays aren't so bad after all, you thought.
perhaps he did place it there, who knows. —but nagi just really didn't like seeing you glum.
possibly, did he grew fond of you? he doesn't know. all he knew that lunch box you handed him the next day is a blessed gift within his palms. too good for him, you were too good for him.
you were the prove that the sky itself favoured him above anyone.
and when nagi wanted to ask you out, he only had one person to guide him to your heart.
so the very mysterious person behind the scene (reo) had a astounding idea that if someone like nagi; mister, game-addiction-freak. that on every step he'll get points! 100-90 if he did well, 80-70 not bad, 60-40 could've been worse.. 40-20 definitely could've been better... 20-0 yikes....
so with that, nagi was sent on a personal mission to win you over and soothe you with his nonexistent charm.
STEP ONE: be straightforward! it's not good to keep on dancing on someone's mindset with hints, it may cause a lot of confusion feelings and misunderstandings! only ask under a certain circumstances, a suitable place where were you two sit alone so they could have they're attention on you only. SIDE NOTE: try to make a good welcoming conversation to ease up the tension first then ask!
so nagi did just that, maybe a little too well.
he couldn't even eat his own lunch and just kept on rubbing his sweaty hands against each other's, staring back forth —he just noticed how many unfamiliar faces were there? did he really only seeyou?一 he was extra quiet which made you ask him multiple times if he was okay, he would just hum in response. what a smooth talker.
"nagi, you haven't even touched your food. are you actually okay?" you questioned, concerned. after taking a brief sip of your juice, but nagi just shook his head in conform, you raised a brow, a little in disbelief that he would think an obvious lie would go through you just like that. there was something off. the tension upon you two was twisting.
the words were on the tip of his tongue, yet they felt un-removed. all this stressing over four words were a pain, and a heavy burden he needed to reales before he lose his breathing track.
and the moment you took a bite and chewing on it, he just had to drop the bomb carelessly.
"go out with me."
so nagi didn't try and sooth the air, nor start a decent conversation. and when he gathered the earth courage to speak up, it wasn't even a question, that was a whole ass demand.
although, it worked. but it definitely could've gone better than you choking on your own food that you swore you witnessed death himself laughing his ass off at you.
what a great timing.
after you saw the heavens gates open for you and life flashing through your eyes, weirdly enough, you accepted.
huh, maybe he didn't mess up everything like he thought (he in fact did).
20 points!
STEP TWO: dress nice and compliment their outfit! dressing well means that you take the date seriously, complimenting them to foster a better sense of comfort and confidence, and they'll compliment you back! extra points if you made them all blushy and giddy!
nagi really wasn't the best at this.
instead of dressing 'nicely', all he wore was a big white hoodie and pants. didn't put much effort to his hair and just went off. it wasn't his problem that picking an estimated outfit was such a hassle. it's good at least it is something that covers him, right?
it all went downhill when you showed up, listen. he always thought you looked fit and nice in your suit work, and now he definitely wasn't ready to see you in regular, uniform out of work place. you just looked... so good, even great, stunning and beautiful, you name it.
nagi barely breath out a greeting, his eyes too busy scanning you from head to toe over and over, he couldn't take his gaze out of your sight even when you were on your way to the table. and he almost stumbled over twice for that, the first was nearly his face planting on the floor, and the second time he almost knocked out a whole plate of drinks. you just somehow managed to muddle over half of senses with your looks alone, maybe he should've considered writing his last letter.
"nagi.. you're staring too much."
the of yours dragged him out of his thoughts line. he saw as you held a sheepish— extra points?—expression, it was either from his heart-eyes eating you alive, or the date itself was bringing you to the nervous state, or both?
nagi cleared his throat, slightly cringing at himself for staring a little too hard. he was absolutely not doing reo's steps justice.
"sorry. you just, look really pretty." if not the prettiest of all, but again, nagi has eyes for you only to pay a mind to others around him.
your breath halts at that, you don't know what to say for a second, nagi himself was complementing you? and the fact that he said as it was a matter of a fact was such an out character thing. but at the same time a an amiable change. and it was for you only.
"thank you, I appreciate that." you say as you kept on twirling your fingers over your hair, you felt like a lovesick teenager. "I think you look very nice as well." you add, almost like a whisper, he still managed to catch it.
nagi let out a scoff, not even a smile forming on his features for that. "it's just hoodie, really."
"i still like it, it's very like you. I'm happy seeing that you can be yourself around me."
he flinch a bit at that, he really wasn't ready for this- it takes a strong-soulful soldier to handle this. and he really, really wanted to be gods strongest warrior just for you. so he gets a grip on himself and mumble a thanks.
you smile sweetly at that, and nagi may really be not the strongest soldier under your spell.
50 points!
STEP THREE: make a conversation! show interest in their personal life and listen to every ramble they have, try to also throw side comments there and here to support them and blow away any negative feelings of the talk being one-sided. also try and talk about your own life to make it easier for them to talk all night. SIDE NOTE: try and joke around to bloom a friendly tune. extra points if you made them laugh!
third time's a charm, right?
however, since nagi was uncommonly unfond of others babbling. in fact he found it annoying and it was hard keeping his eyes evenly open. but then when it comes to you, he found your feathery tune to be airy, he grew ease to it pitch.
so he handed over all his senses of hearing to you on one knee, and let you speak freely. switching between different topics form nowhere, and like the world- his world- itself was turning for you only, his eyes and soul was for you to talk and he'll rot into a shallow void to your lovely enunciate to play on a broken radio repeating.
maybe he should tell you to stop, because your non-touched food was getting cold, and maybe he should tell that to himself that too because he didn't even realize his plate was even there.
it felt like he had drifted from the original plan, instead the tables were turned and he was the one being swoon by you..
not that he minded honestly. but ending the night with you being the one who filled the space was enough to create a makeshift reo berating him, nevertheless, nagi really, really wanted you to like him back. to consider the idea of another date with him.
plus, he also liked your laugh, he really did. didn't the guide say something about making you laugh? even tried telling a joke that you actually chuckled at, something that was unneeded to say that his book was empty, he had to search on google "funny jokes" for gods sakes, how hopeless can he possibly get?
"why couldn't the sunflower ride it bike?" nagi utter flatly, "why" you slope your head to the side. "because it lost it petals." the joke was old, dusty, forsaken. and the urge to recoil the second it left his mouth was understandable. but somehow you still pushed out a laugh at it, you don't know if it was an amusingly one, or because that nonchalant face was clearly begging you to laugh. with that monochromatic tone and all made it even funnier.
that bloomed the smallest amount of exhilaration within his rib cage. it was lovely, and what was made the giddiness to flourish inside his belly was the fact that he was the reason for it. it felt priceless. a sight to a crave in his midst. completely bizarrely about all of this, nagi let's you take over him. to consume him, his heart, his breath and soul were yours to claim.
at least he did something good that night?
70 points!
STEP FOUR: walk them back home! it's quite a simple act but very affected and gentlemanly, make sure to make them feel save and guarded! hidden notes: try to hold their hand!
after paying the price, you and nagi take your leave. with also nagi's off attitude with him opening the doors for you and let you walk first. although, who were to complain about such a treatment? you'll take it
but weirdly enough, nagi was a bit on the edge. like he had a n amount of ants in his pants, couldn't look at your direction, barely spoke out a response, or anything in general. and 一was he holding his breath???一
wait, was nagi actually.... nervous?
you glanced at him, shoulders stiffened, hands moving too much and fast, mouth was dry and agape, half dizzy 一when he isn't?一
now that you did not expect.
it was even ten times worse than him in the cafeteria earlier, it felt like nagi was about to confess to you his cruelest crime. the tenseness was mixed with the deep-seated tenderness, nevertheless, it was a bittersweet taste. and it kept on going until you two stood together by your home.
"i had fun tonight, nagi." you spoke first.
he finally flinched out of his own world, he sees you rubbing your arm, the gesture was sketchy, almost as if you were waiting for him to say something, anything.
but nagi's mind was blank, blow out an air in his ear and it will run out of the other, empty head. yet his mind was roaming, that need to say something clung up to him again. too many thoughts he cannot process.
but all nagi did know was he wanted you to stay a little longer.
"that's.. good?" he should have stayed quiet, what kind of answer is that.
you nodded awkwardly in agreement, breathing out an 'yeah..' he felt a bit guilty at making you feel uncomfortable, the fact of him being unfaithful may have crossed your mind, and nagi didn't like it. but you always managed to make feel weird, he always felt too warm when you would get close to him, words were lost when he would look at your eyes, and now this..
but despite everything, he felt like himself when he was with you the most..
every game had it secret move, and his was that he need to let himself be.
"can we do this again? i also had a good night." a part of nagi wanted to add that it was one of the best nights he ever had, yet it was too cheesy, cringe.
"yes!" you replied, too fast. you sounded so desperate! you palmed your mouth, embarrassment remains on your face as you cleared your throat. "i mean.. yes, we can do this again."
nagi had to physically bent down his head, he was gonna set you on fire alive with his eyes, if he may say, you looked cute when flustered. and his heart wouldn't stop beating so infuriated, almost bursting out raw of chest.
nagi for some reason, stretched out his arms. it was bold and he knew it, he just did it and hoped for you to handle it. "um.. can i?" he sees you halting at your place. eyes ogling around but his own.
you walk up all jittery to him until there's barely any inches left between the two of you, you kept your eyes glued to your feet as if it was the most interesting thing in this moment, but it's also like you were asking him if it was okay, unsureness. so he pushes your head gently forward to rest on his stiffen chest. an arm runs around your back to force you as close as possible to him.
you shrivel when nagi's nose would be buried deep unto your hair locks. your scent would draw him at slacken, his whole body bending against yours that you felt like he wanted to crawl under your skin desperately, searching for the seeds of endless love you endowed to him.
you didn't know if you were somehow intoxicated, but you swore that you felt a pair of soft lips pressing against your skull, god, you felt like melting and soon to become a paste sliding down between his fingers. you gently pushed yourself back, and perhaps you imagined nagi's whining for you to not let go. it's like you were gonna fly away once he unwrapped you free. the second you meet his face, a pout expression on his lips, and you couldn't help yourself from cupping his cheeks, squeezing them slightly. a smile made it way to your face as his eyebrows grew frowned.
nagi's hands were on yours, pulling them down from his face, but not too far. unabashedly keeping his eyes locked with yours, he was holding you tight and close, basically hostage. the bug-stomach is back at again but more fiercely than ever.
80 points!
FINAL STEP: kiss.
the dull hue travels down on your lips. boldly, he doesn't look away for what felt like eternity, if anything it seems like they grew heavy the second you parted them slightly to say something that sticked on your tongue.
"can i kiss you?"
was he trying to kill you?
you don't respond, instead you made a move to give him a quick peck on his cheek. backing off faster than ever. nagi stood still, rooting in his place, completely bamboozled. his mind stopped working and his eyes were drifting off in different directions.一is it normal that he felt like melting to the ground?一
"im so sorry, nagi- i just got really nervous and-"
"seishiro."
"eh?"
"seishiro, call me seishiro." he finally found a piece of mind to say. he didn't know if it came out as a command, but he sincerely wanted you to call him by his name. he'd die a happy man then.
"well.. goodnight, seishiro. can't wait for our next date," you said, weaving before your door. nagi barely being able to wave back, his mind was still half empty. you just made him see the light of the stars and left with with the sweetest, loveliest smile for him to think about for the next couple of weeks.
maybe he stood there for a little longer than he should have, his face was on fire, his heart on race track. antithesis of the nonchalant face he had, he made a move to rub the spot you pressed your soft lips against. and the first thing that came to his mind that it was definitely worth it.
and by now, he absolutely forgot about the points and the game itself. oh well, at least half of it worked. he just did it in his own version, which apparently was charming to you. nagi thinks if being charm to you, than he can come over anything.
limitless points! you have made your own path to the heart!
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