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#highest honor we can bestow
jakowskis · 22 days
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trans owen AND autistic owen posts in his tag today. inspired
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beatcroc · 10 months
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coming out of dragon retirement just to make one little freak
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mbappreciationyear · 1 year
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Quick fun survey!
How many of @separatist-apologist's fics do you have downloaded as an epub? The person with the highest amount will get to see a picture of MB's favorite reddit penis!
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nazumichi · 3 months
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i’m such a brown-eyes marie truther to the point i’ll see an image of her from the show and nod “ah an edit” before realizing the reality like waking from a nightmare.
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54bpm · 1 year
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Being a Bettelion is fun because we are all making Bettelionsonas to hit on each other.
Just cutting out the middle man, Garbanzo Bean Who 🎩❓
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winter-spark · 5 months
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Sometimes liking a character a lot is deciding that they're black.
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nickelbareback · 2 years
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shout out to all the queers who fell hard for a het ship and immediately slapped t4t and/or bi4bi on them i love u guys
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lanymme · 5 months
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It’s really cool how Arknights always tries to make everything diagetic—your phone is a terminal to PRTS, tutorials are lessons to the trainee ops, the story archive is Rhodes Island’s internal records, skins come from a fashion catalogue, etc.
But I always find it really funny that they made their gacha ascension mechanic a promotion. And it doesn’t fit for what feels like 70% of operators, they’re like “you literally don’t have the jurisdiction to do that, I’m on loan from another org, but okay” to “I mean I’m literally your enemy but hey if you like it I love it.”
It’s super funny how it creates this image of like. The Doctor, one of the highest authorities in Rhodes Island, walking up to obvious Dublinn spy Harmonie and being like “thank you for your service to rhodes. this is highest honor we can bestow.” and just. Pinning a badge to her shirt while she stares at them in abject confusion.
I mean, objectively it’s something they would do. I just think it’s really funny.
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linberlyy · 3 months
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Let's be honest: Criston's offense’s more than justified and well-reasoned. Another question is how much this very offense is, but everyone will judge this through their own internal compass. Let me explain Cole’s motivation and worldview, maybe I'll open someone's eyes.
Let’s simulate the situation: we have a son from a humble family (so low that his position was low even for an engagement), who, with sweat, blood, his skills and efforts, carved out a place for himself in the Kingsguard, taking into account that, thanks to the goodwill of a representative of the royal family, - who has a golden spoon in her mouth, we remember, was able to get a healthy assessment of her capabilities and skills without watered calculations.
- “I know what it’s like to fight for something that others don’t value.”
He owes his new position precisely to the favor of the princess, and we have no reason to refute Criston’s conscience, because BEFORE any traumatic and drastic changes/events, he manifests himself as a conscientious and devoted knight, with a clear worldview.
They spend a lot of time together, and already at Aegon’s name day we see that the level of trust between Rhaenyra and Criston is high, moreover, it is rapidly gaining momentum when she opens some part of her soul, shares things that can be called “personal”, laments his situation and outlines the problems he faces. Most notable:
— “My father is trying to sell me to Jason Lannister. I was named heir to the throne only to improve the position of Lord Casterly Rock.
— Should I kill him?”
This is literally a joke about killing the LORD that Criston makes in the presence of the princess, and it is remarkable that they both laugh without taking it seriously.
— “You can choose your own path, you are lucky. Many would gladly change places with you.
— “I am the princess of Dragonstone, but I am toothless.”
— “Once, not so long ago, you were able to write my name in the White Book. A position in the Kingsguard is the highest honor for the Cole family. I owe you everything. And I wouldn’t call it toothless.”
He provides her with sincere support, without greedy or hypocritical intent, and she accepts it with open arms.
The development of their relationship, on the initiative of the princess, follows immediately when, after some time, abandoned by Daemon (I condemn) in a brothel, she persuades Criston to have sex. Rhaenyra lures him into the room, plays with the helmet, kisses him, not allowing him to leave, and then tries to free the knight from his armor. Yes, Criston could more than experience romantic feelings towards his princess, but above all, it was a kind of admiration, sincere gratitude for what bestowed her favor on the rootless commoner. His representation of Rhaenyra may seem banal and naive, namely as “a poor princess, enslaved by her position,” we will note this in the future. But based on his pure motives, he faces a choice in which his feelings equally suffer, his vows and, of course, the wishes of his object of desire, in relation to whom Criston has never crossed the line before, are called into question. Many may underestimate the pressure that arises between the statuses and titles of total opposites, and only in the example of “maid - prince” do some realize the problematic nature of such a union, but not “princess - knight”. Please note: despite gender, it is still a class difference that breeds power with abuse. And, unfortunately, Cole cannot know and be sure that Rhaenyra’s need to get sex here and now has nothing to do with her love for him. He hesitantly follows the princess's lead, putting aside his white cloak.
Next we see and hear that Criston is ashamed of himself for violating his honor, neglecting his duty, although he listened to his heart, to his duty to Rhaenyra.
— “You occasionally confided in me... Over the years of acquaintance. And it seems to me that I know you. A little.
— “More than a little.”
Another imaginary confirmation in Christon’s eyes of reciprocity.
— “You have said many times how you despise your position. That you will be married off at the whim of your father, without thinking about the inclination of your heart. And this day has come."
He imbues her with the problem mentioned in the past; driven not only by his dilemma, but also by Rhaenyra's “confinement,” a literal shackle that equally binds and constrains them both.
— “I ask you to come with me. Away from all this, from the humiliations and burdens of your heritage. Let's leave all this and look at the world together. We will be free, nameless. We are free to go wherever we want, to love whoever we want. Will you marry me? Not for the crown. For love.
— “I’m the Crown, Ser Criston. Or I will be her. I can complain about my debt, but would I choose infamy in exchange for a barrel of oranges, or a ship to Asshai? It is my duty to marry a noble of a great house. But my marriage is not the end all be all. Ser Criston, Laenor and I have come to an understanding. I gave him the right to do what he wants. He granted me the same”.
— “Do you want to make me a whore?”
— “I want what started to continue.” You are my protector. My white knight”.
— “I made a vow, a vow of chastity. I have nothing but my white cloak, and I have stained it! I thought the wedding would cleanse him.”
Literally, Criston pours out not only his soul to Rhaenyra, but also to us, as viewers. He dictates the reality of his situation, assures that he can provide and protect the princess as much as possible. But, of course, for the blood of the dragon, for the heiress, for the father’s daughter, who was previously brought up in the conditions of “do you want it? Get it!” such a prospect is worthless. Naive of Cole? Yes, but not without reason.
After everything, he feels extremely vulnerable, as well as after a sincere confession to the Queen - which responds even more precariously and nervously to any conscience and confidence, despite her gratitude. Already at the wedding of Rhaenyra and Laenor, Cole, like a taut string, stands at the service, but restlessly and nervously looks at the princess.
— “I’m on duty, what’s your business?”
— “You don’t know me, Ser Criston, but this alliance is very important to both of us.”
— “If you have something to say, Ser Joffrey, speak.”
— “Ser Laenor is as dear to me as I know the princess is to you. We must swear to keep them and their secrets. We’re not in any danger yet... They are safe.”
Sounds like a threat to a pins and needles knight with a stained cloak and a sense of duty, don’t you think? Criston can only guess how Joffrey knows about his affair with the princess, and only one of the options may look convincing - Rhaenyra telling Laenor about this, who could notify his lover along the chain. Again, every possible inclination towards princess on his part is undermined when their secret is at stake. Yes, Criston succumbs to anger and panic, resentment and hopelessness, for which he commits a much more terrible act than calling a woman names. But even so, Cole feels guilt, boundless disappointment, and at the lynching he also feels remorse. He plans to voluntarily commit suicide and admits his every mistake. This scene is literally the rebirth of a knight in the rays of Alicent’s understanding and favor.
And as a result: people complain countless times and blame Criston for swearing towards Rhaenyra, for which he apologizes. Cool. Let's think critically and delve into the story and characters, and not spit hypocrisy.
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simshousewindsor · 3 months
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CORONATION PART 2: THE PROCESSION
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Cameron Dorly [SNN]: "At 10:00 AM the gates of Buckingsim Palace opened signaling the monarch is ready to depart. The balusters will be lowered just before the royal guard approaches. The Procession is about to begin and will follow a direct route to the Abbey."
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Shon Gableton [SNN]: "Live at Westsimster Abbey, Hallie Howell is awaiting the arrival of the Royal family."
Cameron Dorly [SNN]: "Hallie, how is it?"
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Hallie Howell [SNN]: Hi, Shon and Cameron! It's glorious here! There is such a feeling of newness in the air. It's palpable.
Cameron Dorly [SNN]: "We can feel it!"
Shon Gableton [SNN]: "The balusters were just lowered at the palace, and the Queen's procession is in view. Let's head back there."
- - - - - ROYAL PROCESSION - - - - -
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Cameron Dorly [SNN]: Royal Guards lead the King's State Coach, carrying Queen Katherine I and Rainier, Prince consort. The coach is being pulled by 4 white Stallions.
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Shon Gableton [SNN]: The King's State Coach was first used at the coronation of King Albert I in 1784 and has since been used to transport every monarch to their coronation. The coach has taken the longer route from Buckingsim Palace, down The Mall, since the coronation of King Edward I in 1888.
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Cameron Dorly [SNN]: Rounding The Lara-Leigh Memorial, the Queen and Prince consort wave to the adoring crowd.
Shon Gableton [SNN]: This is our first glimpse of Her Majesty wearing the State Diamond Diadem, made in 1820 for King Albert I. Since King Albert I, the Diadem has only been worn by Windenburg queens, whether they reigned or were consorts. It was first worn by Queen Isabella, consort to Albert I, in 1830 after the Kings death.
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Cameron Dorly [SNN]: Just behind The Queen's coach, in The Rolls Royce State Limousine, is The Queen Mother, The Prince of Brindleton Bay, and The Princess Grace. The little prince was expected to be amongst Royal Pages but insiders say The Queen preferred Maids of Honor.
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Shon Gableton [SNN]: 136 years later, history is made as Queen Katherine I travels down The Mall preparing to be crowned this nations first Queen!
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Cameron Dorly [SNN]: Let's head to Westsimster Abbey as the royal family arrives. Hallie?
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Hallie Howell [SNN]: Yes, Cameron. The Royal Family has just arrived! The crowd erupted in a loud roar upon seeing four black Rolls Royce's, bearing the royal flag, approaching carrying senior members of the royal family.
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Shon Gableton [SNN]: Guards stood at attention while the Queen and Prince consort's procession passed.
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Cameron Dorly [SNN]: The tomb of the unknown soldier sits underneath Memorial Arch, and is the central location for Remembrance Day observations to honor armed forces members who have died in the line of duty.
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Hallie Howell [SNN]: Back at the Abbey, the Duke and Duchess of Kent are the first to arrive, showing their roles as the most senior members of the royal family. Their Royal Highnesses also arrive in formal robes. The Duke wearing his Order of the Garter robe while the Duchess wears the Royal Edwardian Order mantle, reflecting her status as a Dame Grand Cross of the Royal Edwardian Order.
Shon Gableton [SNN]: "King George I named her a Dame Grand Cross of the Royal Edwardian Order, the highest possible rank, in 2007."
Hallie Howell [SNN]: He did, indeed!
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Hallie Howell [SNN]: The Earl and Countess of St Peters followed. Prince Louis, heir to the dukedom of Kent, donned not only his Queen Katherine I Coronation medal but his Royal Edwardian Order, which were bestowed upon His Royal Highness last month. The Countess, wearing a green @sentate dress, wore the Royal Family Order of George I.
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Hallie Howell [SNN]: Third to arrive is the younger sister of Queen Katherine, Princess Lara, Countess of Boykins and her husband Anthony, Earl of Boykins. The Princess is wearing a traditional coronation gown and tiara, along with the Windsor sash and the Royal Family Order of George I.
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Hallie Howell [SNN]: The Duke and Duchess of Hastings arrive also in formal robes; equal to that of The Duke and Duchess of Kent. The Duke was invested as a Knight of the Garter in 2020 while the Duchess was invested as a Dame Grand Cross of the Royal Edwardian Order in 2022.
Cameron Dorly [SNN]: "You can see the slight difference in their robes."
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Hallie Howell [SNN]: Yes, the robes of the Edwardian Order features a red stripe along the border. In a statement just released from the palace:
"At the request of the Queen and Prince consort, Dukes and Duchesses both are wearing formal robes and mantels for the [historic] occasion."
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Cameron Dorly [SNN]: So, now we know attires have been well coordinated for the senior royals. Just like the royal guardsmen in the Queen's gorgeous procession, having just passed Memorial Arch.
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Shon Gableton [SNN]: Yes! Her Majesty's procession is making its way down Parliament Square Street.
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Shon Gableton [SNN]: Crowds cheer as Queen Katherine and Prince Rainier pass.
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Shon Gableton [SNN]: At the west door of the Abbey, Officers of the Order of Knighthood descend from upstairs to begin the Coronation Procession. It will be a procession composed of elements of both the Church and State, the Spiritual and Temporal life of our land.
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Shon Gableton [SNN]: Representatives of The Knights of the most noble Order of the Garter make their way down the naive first, in their blue robes. They are followed by representatives of the most honorable Order of the Protea, in robes of green.
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Cameron Dorly [SNN]: The rich blue carpet spreads down the aisle of the sanctuary, which hides the black and white checkered floor of the choir of the Abbey. The beautiful contrast of colors inside the abbey is on full display.
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Cameron Dorly [SNN]: Once again the color changes and there comes the most ancient Order of the Iwé, in scarlet robes.
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Cameron Dorly [SNN]: After a brief gap, the Prime Minister of Brindleton Bay along with the Prime Minister of Sulani follow. Behind them, the Prime Minister of the United Kingdom, the Rt. Hon. Sir Linwood Keller, Knight of the Garter.
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Shon Gableton [SNN]: Immediately behind the Prime Minister is the Dean of Westsimster. He leads the next procession through the screen under the orchestra and the organ and out into the brilliance of the choir. We see them now, high above the alter, as the Cross of Westsimster is born by the Rev. Hilliard.
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Shon Gableton [SNN]: Following the dean are Representatives from the churches of Windenburg and Brindleton Bay, showing the processions transition from State to Church.
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Shon Gableton [SNN]: The Church of Winenburg representatives include the Lord Bishops who end the first part of the coronation procession.
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Cameron Dorly [SNN]: After a brief pause, we see a glimpse of the Heralds in their full splendor. Four Windenburg heralds followed by one Brindleton Bay herald stand as trumpets play announcing The Queen.
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Shon Gableton [SNN]: With the sound of the trumpets anthem, The Queen and Prince consort's arrival at the Abbey has been announced.
Previous | Beginning | Next - continue Heir Ascent (story)
Previous | Beginning | Next - continue Second Place Countess (story)
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even-disco-baby · 2 years
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KIM KITSURAGI — The lieutenant leans against the hood of the Kineema, taking a long drag of his cigarette. In the cold and the late night starlight, the crystals of his breaths seem to glow. As you gingerly cross the cobblestones to join him, he eyes you with what might be concern, but not surprise.
“You should be resting,” he says, but there’s no real reproach in his voice.
YOU — “So should you.”
KIM KITSURAGI — A wry smile splits his bruised face. “Touché.”
ENDURANCE — He looks exhausted. He would be sleeping right now if he were able.
PAIN THRESHOLD — It’s not easy to put a battered body to sleep. It wants to be vigilant and protect itself from further harm.
ESPIRIT DE CORPS — Not only himself.
YOU — “Changed your mind about that midnight ride?”
KIM KITSURAGI — The lieutenant chuckles. “Only if I wanted to piss off all of Martinaise. This engine is loud enough to wake the dead.”
YOU — “I know.”
INLAND EMPIRE — The dead, the living, and the whatever-you-are.
KIM KITSURAGI — He looks at you curiously, but does not press you.
REACTION SPEED — He’s in a pretty laid back mood, it seems. Or maybe just tired. Either way, he doesn’t seem to mind whatever you’re doing. You might be able to get away with some mischief.
“Fuck Martinaise. Let’s ride, Kim.”
“Can I bum a cigarette off you?”
“Wanna listen to the radio?”
Climb into the Kineema.
PAIN THRESHOLD — You’re a bit shaky as you climb into the passenger seat of the Kineema. The hole in your thigh makes it rather an ordeal. It’s not quite as cool a maneuver as you hoped.
COUPRIS KINEEMA — The motor carriage is pretty forgiving of all this. You and Kim hardly even feel it shiver as you finally settle into the seat, somewhat winded.
The back seat isn’t uncomfortable, but it’s not quite what you expected, either. It feels strangely… new. Like it hasn’t really been broken in yet. Unlike the driver’s seat, which has an almost perfectly Kim-shaped imprint worn into it.
VISUAL CALCULUS — *Not* that you’ve spent any great length of time pondering the lieutenant’s shape.
KIM KITSURAGI — “Comfortable?” His tone is dry, but not disapproving.
YOU — “Comfy cozy.”
KIM KITSURAGI — “Hm.” He leans back against the door, stifling a yawn.
EMPATHY — He’s letting you poke around his sanctuary without protest, not even a little sulk. This is one of the highest honors he could bestow upon you. Bask in it.
YOU — Aw, yeah. Male bonding. I’m so good at this.
ESPIRIT DE CORPS — You’re really not. But neither is he. So it all works out somehow, though he has no idea how.
YOU — Neither do I! We have so much in common.
ESPIRIT DE CORPS — More than you know.
+1 MORALE
COUPRIS KINEEMA — You sit back in the seat, staring up through the moonroof at the stars. Clouds pass overhead, dark with rain or snow that hasn’t quite made up its mind where to fall. The city is not silent, but pleasantly quiet all the same.
HALF LIGHT — It’s *too* quiet. Raise hell before hell comes for *you.*
“You sure I can’t change your mind about that midnight drive?” (Raise hell)
Take a ride in your *imagination.* (Enjoy the quiet)
COUPRIS KINEEMA — You close your eyes and imagine the rumbling engine, the vibrations of the road rattling your ribcage.
CONCEPTUALIZATION — But where are you going?
Anywhere but here. I don’t care where.
To the other side of the world.
To the bottom of the sea.
Home.
INLAND EMPIRE — And where is home? Where does a man like you belong? Little more than a skeleton in someone else’s closet.
VISUAL CALCULUS — When you try to remember it, all you can picture are little pinpricks of light: candles in the dark on a cold night, stars piercing through smog, fleeting moments of warmth that distract, but do little to fend off the inevitable.
CONCEPTUALIZATION — You’re going to have to imagine something new for yourself. So, Harry, where is this car headed?
Uphill.
Downhill.
I don’t know. I’m just a passenger. (Look at Kim)
KIM KITSURAGI — The lieutenant taps the ashes from his cigarette, careful not to let the wind blow them into his precious motor carriage.
REACTION SPEED — You’re not sure, but you think you might have caught him looking at you. It’s hard to say whether he was keeping an eye on you for your sake or the car’s.
ESPIRIT DE CORPS — Both. But… mostly the car. He feels a little bad about that, if it’s any consolation.
CONCEPTUALIZATION — You wonder what Kim’s home is like.
PERCEPTION — His Kineema and his person are both kept extraordinarily tidy. The same can likely be said of his living space.
LOGIC — It’s probably small, too, considering your salary. Maybe an apartment like the ones at Capeside.
ELECTROCHEMISTRY — You imagine it smells like motor oil and pine.
DRAMA — The lieutenant projects an image of practicality, sensibility. But you know already, sire, that there is more to him. Little lonesome joys. Does he keep up the act even at home? Or does he feel free to indulge because there is no one watching?
EMPATHY — He must get lonely sometimes. Everyone does, don’t they?
INLAND EMPIRE — His home is warm and beautiful, up on a high, high hill that you cannot climb.
YOU — But I’m not climbing. I’m in the passenger seat.
INLAND EMPIRE — Slowing him down.
HALF LIGHT — Setting the dogs at your heels after him, too.
YOU — Fine… Maybe he can’t take me all the way home. But wherever he’s taking me, it’s better than wherever I was going.
CONCEPTUALIZATION — You can almost feel it: the relief of letting go. You think maybe you felt it for a brief moment once, right as you drove your car off the edge. Right before you hit the water and realized what you’d done. Realized that you were going to have to drag yourself back onto land, alone.
But this? This is different. This is *better.* Unlike you, Kim is a good man. You can’t go wrong following him. You can be at ease. You don’t have to die. You can just surrender.
VOLITION — No, Harry. You can’t.
YOU — Why not? I’m tired. I don’t want to fight anymore.
VOLITION — But he said it himself, Harry. *Sunrise, Parabellum.* Another day, another battle. It’s always going to be a fight. If you follow him, he will just lead you into a battle of a different kind.
YOU — I don’t want that… I want the war to *end.*
VOLITION — I know… I know, Harry. But his lungs do not glow, and he isn’t from up on Marvel Hill. He is just a tired man, like you, longing to let go. And he has to fight it with every sunrise. As they all do.
You’re not in this war alone. Everyone in the world is fighting the undertow.
YOU — That isn’t comforting. It’s sad.
VOLITION — It is. It’s very sad. But at least it isn’t lonely.
KIM KITSURAGI — The lieutenant’s cigarette has long since burned out, but he shows no sign of going back to bed. Just stares out past the skyline at something only he can see, brow drawn.
YOU — “…Kim?”
KIM KITSURAGI — “Hm?”
YOU — “Did I ever tell you what woke me up the day we met?”
KIM KITSURAGI — He glances at you in the side mirror. “No, I don’t think so… What was it?”
“A miracle.”
“A clarion call from hell.”
“A promise I made to myself.”
“Love, brother Coppo. It was love all along.”
“The Kineema. I heard you.”
KIM KITSURAGI — His eyes widen just slightly.
SHIVERS — At this moment, just down the road, there is a little girl sleeping soundly in her warm bed. Her mother silently slips a new book, wrapped in ribbons, onto her nightstand. An apology, of sorts.
In a drafty apartment a few blocks away, a young woman sweeps the kitchen floor while her sister tucks a blanket around the shoulders of their working class mother, asleep on the couch. When the sweeping is done, they will iron their best funeral clothes.
In that same building, two red-headed children lie back to back in bed. Both of them are only pretending to sleep, each thinking that they’re keeping watch to protect the other. Briefly, one of them thinks about reaching out for the other’s hand, and then thinks better of it— never realizing that the other was thinking the same.
And in the G.R.I.H., not far from Terminal H and Precinct 57, there is an apartment. It is little more than a tin box, one of thousands just like it. There is no one sleeping there tonight, waiting. No one hoping to wake up to the sound of a homecoming. The box is empty. It has been empty for a very long time.
KIM KITSURAGI — The lieutenant’s gaze slowly drops from the mirror to the cigarette butt under his boot heel.
“…Well,” he says softly, “isn’t that something.” That’s all he can say.
ESPIRIT DE CORPS — Every word that comes to mind feels foolish and saccharine. But there are *many* that come to him, all trying to say the same thing: he is glad that you woke up.
YOU — Maybe someday I’ll feel glad, too.
VOLITION — You will get there. You can find home again.
CONCEPTUALIZATION — Not on the crescent of the hill, but a shore at low tide. Knowing that though the water will lap at your ankles again, it will also recede again. It never ends, but sometimes you won’t want it to.
YOU — I never want this moment to end.
INLAND EMPIRE — It ended in the time it took you to think those words.
VOLITION — That’s what made it precious.
COUPRIS KINEEMA — Swaddled in sentimentality— and your polar anorak— you feel yourself drifting into a warm doze.
KIM KITSURAGI — The lieutenant does not try to rouse you. He simply climbs into the driver’s seat and lets the moment linger a while longer.
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vs120shound · 2 months
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AMBER ALERT: Amber's attack on our network now shifts from "The Lighter" to here. Two great posts in a day on lostlighter23 giving way to some "vs120s-1" magic. Amber can flat out "Smoke-Up a Storm!"
SHE FOLDED-UP ON HER WEBSITE | WE DIDN'T FOLD ON HER!
Amber left USA Smokers during the warmer months in 2023, after beginning her SF modeling/acting career in 2016 as a 19 y.o. Did almost 70 shoots for the SF website based in Tucson, Arizona, in a steady stream with the exception of her pause of 9 months while pregnant. She started up again with her beloved Marlboros almost immediately after giving birth. One heckuva dedicated smoker -- highly addicted, thankful for the stress it can relieve and quick to accentuate how much more sexy a woman can be as a smoker!
Tri-Media 10-Post, 67-Pack Megapost!
Before this Amber Attack that started on February 27, 2024 on vs120shound-2 with a preliminary post as fodder for a Megapost! the next day for lostlighter23, there had been seven posts of super-smoking Amber in our domain since our birth on June 14, 2018. More than a solid number because there are a hard-to-count (couldn't quite get ourselves to type in "countless") number of SF models/actresses, SF Entrepreneurs and Social Media Smoking Darlings-Social Network Cigarette Girls ⏤ BHYSWs (Beautiful Hot, Young Smoking Women) all ⏤ who are better looking than Amber or on par with her as smokers but who have not graced our blogs/vlogs/webpages nearly as many times. Amber, most likely 27 y.o. now, is an SF Hall of Famer. This fourth post of Amber here is a living tribute to her role with USA Smokers, in its highest tier, as well as an acknowledgement of the significant place she holds within the Greater SF World Community scene. SF Hall of Fame is not an honor bestowed (SF Goddess is); it is earned! Our Centerpiece video is from the YouTube "Girl smokers" webpage in 2021.
Photos of Amber from Instagram@usasmokers!
Top three photos from July 29, 2022; last is from April 12, 2022 . . .
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GIF (Graphics Interchange Formats) from USA Smokers website!
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THE AMBER ATTACK (CHRONOLOGICALLY)!
From vs120shound on February 27, 2024 . . .
From lostlighter23 on February 28, 2024 (a.m.) . . .
From lostlighter23 on February 28, 2024 (p.m.) . . .
. . . and "The Amber Attack" ends -- quietly, with dignity, grace, class and style. And a banging body and firmly entrenched habit with Marlboros! 🚬 ❤️
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spiritshaydra · 1 year
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Aw hell yeah it’s Spit’s Soundwave Headcanons time, NOW ITS TIME TO GET FUNKY
Currently suffering a very annoying cold on the one week of my college semester where I’m actually off, so I guess it’s time to unleash my Very Bad Goofy Aah And Kinda Angsty Headcanons For The Sweeb; because not only am I physically ill I’m also very ✨mentally ill✨🥰 a double whammy if you will. (Meant to post it earlier so I no longer have a nasty cold nor am I on break still. 😔)
Heres some of my other shitty headcanon posts! Here and here
LETS BEGIN SHALL WE?
Soundwave is the Nemesis’s resident shitty cryptid. He’s like having a black cat live in your house that’s also twenty three feet tall and made of metal. He has the whole shebang down to an art: he will stare at you judgmentally from across the room, has the horrible ability to practically materialize out of the shadows without warning despite being a giant space robot, is completely silent but is fully capable of making the Worst Noises Known To Man if he so desired, will be found where you least expect it, and he may or may not be the type to do a horrible skitter in the unholy hours of the night.
There’s also cases of him being petty in a sort of “nobody would ever believe you” sort of way, such as knocking things off of someone’s (Starscream’s) desk.
Belling him like a cat might solve the whole “sneaking up out of nowhere” problem, however good luck on actually SUCCEEDING in that. Plus, it would get in the way of him being y’know, a spymaster.
Dude likes stray cats. <3
Gonna also say that he’s a fan of Hatsune Miku because ???? Yes
He doesn’t like direct prolonged eye contact and will take it as a threat or challenge. This is even more evident in the extremely rare instances where he’s unmasked, as he will never look someone in the eyes in that circumstance. One thing he does do when unmasked is that he’ll tilt his head to his blindside to be able to see with his functional optic better. (He’s fully blind on the damaged side of his face.)
He never sits normally and will instead crouch or perch on things as a substitute. There’s no logic to it other than it’s what he finds comfortable apparently.
He is a massive shitlord. And a pretty passive aggressive one at that. He may be quiet and not the most social, but he is absolutely not a submissive or shy individual.
I bestow (one of) the highest honor I can give upon him: ✨aro/ace spectrum✨ or bust baby!!1!1! Or at least ace. This dude wouldn’t be able to tell if someone tried romancing HIM specifically unless they straight up said so. He also just,, doesn’t really think about those sorts of things either and has no interest whatsoever. If hit on, he’s just going to squint at the offender in question before going back to work (in most circumstances at least)
✨robot autism✨ (the other highest honor I can give)
Wavewave hostility. Yeeeeaaaah he’s indifferent towards Shockwave at the BEST. It’s Wave on Wave violence at worst. (TO BE FAIR, the scientist doesn’t give him much thought in return) He’s not going to be charitable towards the mech who experimented on his cassettes (when they were alive-) behind his back. Sooo,,, they are very much not “friends”. To say that he wasn’t ecstatic that Shart had survived the Spacebridge explosion would be one way to put it.
Besides really simple repairs and other quick fixes, he absolutely hates being in the medbay; to the point where out of any of the members of the Nemesis crew, he’s the one wearing the badge of “#1 worst patient ever “ (with what could be described as pride.) Anything involving removing the visor for repairs is like pulling teeth, and any major damage repairs goes straight to hell to the point where he’s actually had to be subdued at least once or twice. Usually it’s also a two person team sort of ordeal with Knockout doing the complicated medical procedures while Breakdown’s providing backup. Nobody involved enjoys it in the slightest. Hence the worst patient ever award.
He has the tendency to hide in hard to reach places like up in the rafters. Never to get out of doing his work, as he’s a workaholic, but more so to avoid meetings with those he despises, some medical things, and sometimes just to decompress. Normally this could just be attributed to some of his weird quirks, and it’s completely harmless, until it isn’t. The bad thing about this, is that he will try to hide when gravely injured instead of going to the medbay. Generally you could find him by following the energon splatters and looking for the dim purple glow among the shadows close to the ceiling of a storage room. Sometimes there’s energon dripping from the rafters. Usually if he does get badly hurt while on the field, he is to be escorted directly to the medbay so this doesn’t happen.
He had to be almost completely rebuilt some time during the war on Cybertron. We’re talking the almost complete destruction of his frame. There’s a reason why he doesn’t have the bulky heavier armored frame of his gladiator days, despite it likely being more useful in combat. I mean, who would willingly choose to get rid of their functional wrists? The ability to pronate one’s wrist is pretty useful I’d assume. (Look at his design in the show, the dude doesn’t have wrists :,D just really REALLY long forearms. He’s basically doing a more extreme case of raptor hands.) He was rebuilt with what supplies were on hand at the time, with modifications and adjustments being made until we get to what we see now. (Many modifications were made to up his fear factor, to unease targets in combat)
Before his face was destroyed in the Pits as a gladiator, he actually wore a half visor over his optics. Not out of necessity, but for the intimidation/fear factor it added to his gladiatorial matches. Oh the irony. In present day, it’s entirely out of necessity and out of security as well.
I see him as a stray cat sort of guy. I dunno, characters caring for stray cats in an alleyway gotta be one of my favorite genres.
Definitely would’ve been the kid that hisses at people in the hallway in high school. Definitely got the vibe imo
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Thoughts on the first two episodes of The Magnus Protocol:
The opening music seems a bit more overtly "horror-y" than TMA's, which is interesting--for a sequel series, I would have slightly expected them to go more subtle, or really switch it up with something ironically upbeat. It's not bad, just not what I might have predicted.
Personally, I would have skipped the first scene entirely and started with the second; it was a bit too busy/introduced too many characters at once which in an audio-only medium can make things hard to follow, so I don't feel like I got much out of it that I didn't pick up better as the episode went on. But I get that deciding how to start the first episode of a new series can be insanely tricky. Maybe it will all be deeply meaningful when Teddy comes back in episode 50.
I am totally willing to give them the conceit of "the cursed dinosaur computer system randomly reads out case files," and applaud them for leaning even more heavily into "we have no idea why we're doing this or what purpose it serves, or how we're even getting this information, but hey, we're getting paid".
Episode 2 features basically my favorite form of body horror, so that was fun. Seems like we're going back to "(horrible) case per episode" format? Sounds good to me!
So far this series qualifies for the highest honor I can bestow on it, which is that I was sad when there were no more episodes to listen to. (I actually listened to the last minute or so when I was actually for real at work, just to finish it off, which is not something I normally ought to be doing >_<) (I am also writing this review at work but that is slightly less of a lapse in professionalism.) I guess we're off to a good start!
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gojuo · 1 year
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Do you think Aemond loves his brother Aegon in the show? I feel a little bitter about how the showrunners have portrayed their relationship in the show. In the book I've always seen it as kind of tyrion / Jaime relationship, in fact all of alicent's children love each other there. But in the show its seems that they are trying to turn it into Aegon iv/ naerys/ aemon . Like how can they interpret Aegon II as Aegon IV? And Aemond of all people as Aemon the dragonknight? lmao
They desperately want to make aegon hated by all of his family for some reason. Even joffery wasn't hated by all of the lannisters, his mother loved him even if it's in her own way. Aegon in the other hand is hated by everyone except maybe for sunfyre lol
I don’t think Aegon is necessarily hated by his family members, just that they are disappointed with his debauchery and heedlessness towards duty. Aegon and Aemond present a united front from the “You may cuff him about as you wish at home, but in the world, we must defend our own,” line onwards:
In the Driftmark episode, Aemond lies about who told him about the Strong bastards rumor and Aegon takes the blame without blinking, protecting both Aemond and Alicent by going along with the lie.
This background dialogue insinuates that the brothers’ relationship is pretty normal and amicable, and not at all antagonistic. Aemond confides in Aegon concerning his grievances with Viserys' actions.
When Aegon provoked Jace and Baela and Jace stood up as if to talk back, Aemond stood up as well, essentially shutting the boy up and forcing him to sit back down. Aemond was protecting Aegon here.
When Aemond starts his Strong boys speech, Aegon is the only one to raise his cup when asked, smirking all the while, showing his support of his brother’s antics to the entire room.
When the scuffle between Jace and Aemond broke out, Luke tried to head over to his brother but Aegon stopped him in his tracks and slammed his head into the table, making Luke unable to aid Jace. Aegon shielded Aemond here by physically taking part in a fight that wasn’t really his.
Aemond’s line in the last episode: “Did you really think that you could just fly about the realm trying to steal my brother’s throne at no cost?”
To the outside world, Aegon and Aemond make clear that they are loyal to one another, that they are brothers through and through, that they are one family. Such a thing was never present in Egg 4 and Aemon’s dynamic and relationship. For starters, Aegon orders a statue to be made of Aemond and Daeron after their deaths and also orders that in all chronicles and court records the title of queen is only preserved for his mother and for Helaena, calling them the “true queens.” Let’s compare these small tidbits with the dynamic Aegon IV, Naerys and Aemon had:
TWOIAF, Aegon IV, p. 95:
It was said of Aegon that he never slept alone and did not count a night complete until he had spent himself in a woman. His carnal lusts were satiated by all manner of women, from the highest born of princesses to the meanest whore, and he seemed to make no difference between them. In his last years, Aegon claimed he had slept with at least nine hundred women (the exact number eluded him), but that he only truly loved nine. Queen Naerys, his sister, was not counted among them.
Egg 4 gives his bastard son one of the greatest symbols of Targaryen legitimacy, shocking the entire court by publicly favoring his bastard over his own trueborn son with Naerys. TWOIAF, Aegon IV, p. 95-96:
King Aegon knighted Daemon in his twelfth year when he won a squires’ tourney (thereby making him the youngest knight ever made in the time of the Targaryens, surpassing Maegor I) and shocked his court, kin, and council by bestowing upon him the sword of Aegon the Conqueror, Blackfyre, as well as lands and other honors.
Egg 4 greatly disliked Naerys and all of what she stood for, and made it publicly known he did so as well. He refused her plea to separate after giving him a son and the book insinuates he did it because he wanted her to suffer. TWOIAF, Aegon IV, p. 96:
Queen Naerys—the one woman Aegon IV bedded in whom he took no pleasure—was pious and gentle and frail, and all these things the king misliked. […] Naerys was said to address her brother thus: “I have done my duty by you, and given you an heir. I beg you, let us live henceforth as brother and sister.” We are told that Aegon replied: “That is what we are doing.” Aegon continued to insist his sister perform her wifely duties for the rest of her life.
Egg 4 quite literally tried to murder Aemon when he was 1.5 years old, like, really. Fire and Blood, p. 701:
On the eve of Smith’s Day, Larra of Lys gave Prince Viserys a second son, a large and lusty boy that the prince named Aemon. A feast was held to celebrate, and all rejoiced at the birth of this new prince… save mayhaps for his year-and-a-half-old brother, Aegon, who was discovered hitting the babe with the dragon’s egg that had been placed inside the cradle. No harm was done, for Aemon’s howls soon brought Lady Larra running to disarm and discipline her elder son.
Egg 4 made up false rumors that his son by Naerys was actually Aemon’s, which is a crime punishable by exile/death, and tried to disinherit his own trueborn heir Daeron in favor of his bastard Daemon. TWOIAF, Aegon IV, p. 96:
The king’s quarrels with his close kin became all the worse after his son Daeron grew old enough to voice his opinions. Kaeth’s Lives of Four Kings makes it plain that the false accusations of the queen’s adultery made by Ser Morgil Hastwyck were instigated by the king himself, though at the time Aegon denied it. […] It was also the first (but not the last) time that Aegon threatened to name one of his bastards as his heir instead of Daeron.
After the deaths of his siblings [Aemon and Naerys], the king began to make barely veiled references to his son’s alleged illegitimacy—something he dared only because the Dragonknight was dead.
Then, this is THEEE passage which shows how different the Aegon/Naerys/Aemon-dynamic is to the Aegon/Helaena/Aemond (and Daeron) one. TWOIAF, Aegon IV, p. 96:
Matters between them [Aegon and Naerys] were inflamed further by Prince Aemon, their brother, who had been inseperable from Naerys when they were young. Aegon’s resentment of his noble, celebrated brother was plain to all, for the king delighted in slighting Aemon and Naerys both at every turn. Even after the Dragonknight died in his defense, and Queen Naerys perished in childbed the year after, Aegon IV did little to honor their memory.
Contrast that to this passage. Dangerous Women, The Princess and the Queen, p. 783:
When his grief had passed, King Aegon II summoned his loyalists and made plans for his return to King’s Landing, to reclaim the Iron Throne and be reunited once again with his lady mother, the Queen Dowager, who had at last emerged triumphant over her great rival, if only by outliving her. “Rhaenyra was never a queen,” the king declared, insisting that henceforth, in all chronicles and court records, his half-sister be referred to only as “princess,” the title of queen being reserved only for his mother Alicent and his late wife and sister Helaena, the “true queens.” And so it was decreed.
And this one. Fire and Blood, p. 561:
During this time, Aegon II also commanded that the Dragonpit be restored and rebuilt, commissioned two huge statues of his brothers Aemond and Daeron (he decreed they should be larger than the Titan of Braavos, and covered in gold leaf), […]
Do you think Egg 4 would ever honor Naerys and Aemon in the way Egg 2 did with Helaena and Aemond (and Daeron too, my poor forgotten boy...)? The relationship between Aegon and Aemond is the exact opposite of Aegon IV and Aemon if I say so myself. Both in show and book.
TWOIAF, Aegon II, p. 77:
Aemond took up the mantle of Protector of the Realm and Prince Regent after both Aegon and Sunfyre were gravely injured at Rook’s Rest in the battle with Rhaenys and Meleys. He even donned his brother’s crown—Aegon the Conqueror’s crown of rubies and Valyrian steel—though he did not call himself king.
Fire and Blood, p. 437:
And so one-eyed Aemond the Kinslayer took up the iron-and-ruby crown of Aegon the Conqueror. “It looks better on me than it ever did on him,” the prince proclaimed. Yet Aemond did not assume the style of king, but named himself only Protector of the Realm and Prince Regent.
Can you imagine Aemon doing this with Egg 4? Aegon would literally rather die than having Aemon rule in his stead and he would for sure have his brother’s head if Aemon had said what Aemond said here, lmao. Aegon IV despises Aemon and Aemon doesn’t care about mending the relationship. Egg 2 and Aemond, however, are one team. They are BROTHERS. Both in the book and in the show.
About Aegon and Helaena’s relationship… The one thing that is comparable to Egg 4 and Naerys is the fact that Egg 2 also cheated on his wife and fathered bastards. However even in that they are dissimilar because Egg 4 had public mistresses of high-rank who stayed in court for all to see together with him and Naerys. Egg 4’s bastards also stayed in court together with Daeron, his son and heir by Naerys. Egg 4 publicly humiliated his wife by allowing this and openly showed contempt towards his trueborn son Daeron by favoring his mistresses’ children over him. And I mean… By spreading rumors of Naerys and Aemon having an affair and that Daeron was the result of that affair, Egg 4 essentially tried to have Naerys, Aemon and Daeron his own child exiled/executed since such a thing is high treason. Egg 2 has not ever done such a thing. Aegon II’s affairs were only with servants and prostitutes of King’s Landing, not high-ranking noble ladies who stayed in court together with the entire family. He’s only had 2 confirmed bastards (he’s probably had more, but the book only confirms two); one with a maidservant who we never hear of again (probably sent away by Alicent with a bag of money) and one with a prostitute from the Street of Silk. Aegon’s never favored those two children over his children with Helaena in the way Egg 4 did. We actually never hear of them again outside of knowing they exist somewhere. Aegon never accused Helaena of high treason, Helaena never tried to beg Aegon to relieve her of her “wifely duties” like Naerys did, Aegon’s affairs weren’t in front of Helaena’s face all the time like with Egg 4 who had all of his lovers live in the same castle with his wife, Egg 2 canonically only has 2 bastards vs Egg 4’s 15 bastards, etc. etc.
An example of Aegon trying to protect Helaena’s honor (to be fair her honor is not being insulted, but oh well). Fire and Blood, p. 387:
Still later, the fool reports, Aegon the Elder took offense when Jacaerys asked his wife, Helaena, for a dance. Angry words were exchanged, and the two princes might have come to blows if not for the intervention of the Kingsguard.
Aegon was devastated by Blood and Cheese and cared a great deal for his children. Fire and Blood, p. 425.
In his grief and fury, King Aegon II commanded that all the city’s ratcatchers be taken out and hanged, and this was done. […] Though Blood and Cheese had spared her life, Queen Helaena cannot be said to have survived that fateful dusk. Afterward she would not eat, nor bathe, nor leave her chambers, and she could no longer stand to look upon her son Maelor, knowing that she had named him to die. The king had no recourse but to take the boy from her and give him over to their mother, the Dowager Queen Alicent, to raise as if he were her own. Aegon and his wife slept separately thereafter, and Queen Helaena sank deeper and deeper into madness, whilst the king raged, and drank, and raged.
Aegon and Helaena slept in one bed together up until Blood and Cheese tore them apart, in stark contrast to Egg 4 who “never took pleasure” in Naerys.
Aegon’s reason for accepting the crown was to protect himself, his brothers, his sister and his children. Fire and Blood, p. 398:
Only when Ser Criston convinced him that the princess must surely execute him and his brothers should she don the crown did Aegon waver. “Whilst any trueborn Targaryen yet lives, no Strong can ever hope to sit the Iron Throne,” Cole said. “Rhaenyra has no choice but to take your heads if she wishes her bastards to rule after her.” It was this, and only this, that persuaded Aegon to accept the crown that the small council was offering him.
Aegon and Helaena had an okay relationship in the book. It was affable enough. Cheating aside, Helaena never went through the torment Naerys did by her husband’s hands. Egg 2 & Helaena’s and Egg 4 & Naerys’ relationships are just not comparable to each other. Even in the show, even if there is dissent in the relationship, it’s not implied anywhere that Helaena is afraid of Aegon or miserable in her marriage in the way that Naerys was. Aegon mostly ignores her, apparently, except when he is drunk (hinting that Egg feels the need to be intoxicated in order to “do his duty” AKA have sex with her). In history, Aemon and Naerys are remembered as having loved each other (AGOT, Sansa III & Sansa IV and ACOK, Sansa VI). This is not the case for Helaena and Aemond. Those two have never been suggested as having been lovers within the canon. Those two have also literally never interacted with each other in the show… Like I’m being serious. They’ve only ever stood next to each other and that’s literally it. This H*l*emond crap is being shoved down our throats by the fandom, not the showrunners. And this is happening because Team Black wants some sick type of justification for Blood and Cheese by making Helaena’s children bastards, pretending like the Greens are hypocrites, as if Helaena and Alicent are anything like Rhaenyra. They want Jaehaerys to be Aemond's bastard because they want Daemon to be vindicated for the "a son for a son" line, instead of it being what it actually is: Daemon's senseless brutality and inhumanity. And I know this because I’ve seen it happening in real time.
To conclude, Aemond is disappointed with Aegon’s immodesty but he is still loyal to T to his brother and his throne, and Aegon supports and aids and trusts Aemond, and has mended their relationship after the eye incident. Aegon II and Aemond are the exact opposite of Aegon IV and Aemon, that’s just how it is. Their dynamics with each other just have nothing in common. Absolutely not in the book, but also not in the show.
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purplexiasphinx · 3 months
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PA headcanon dump please I want to hear you rant about the sillies
OKAY OKAY OKAY OKAY OKAY OKAY OKAY OKAY
i'm a bit rusty I haven't had severe brainrot in a bit but I do have thoughts in my brain. here are some headcanons in no particular order. This isn't accounting for most of the things that occur in patches' infurno because I Forgor. may reblog this later once I play it again
- brownie is arospec which is the highest honor i can bestow upon a character. also pansexual
- The Gang is a polycule. pawlycule if you will. it's platonic.
- it's fucked up how soft patches' fur is. that's how he gets you.
- olive collects plushies
- coco really really really likes beanie babies
- angel and patches are both aromantic also actually but angel has a healthy environment to understand himself and patches copes by obsessing over people to an extremely unhealthy degree because love and obsession are the same thing, right? this is what he's supposed to feel, right?
- sorry i made half the cast aromantic but i'm not actually sorry because i'm correct also coco is wlw
- not a headcanon just adding this as a reminder to redraw that 'you are not a burden - murder is okay' image with the PA cast
- sparky has some really bad self esteem issues actually but he's a good boy we love him
- half of the cast supports murder and half of the cast securely doesn't. angel is in the half that does surprisingly this is because he's full of Spite 💖
- speaking of spite angel enjoys sprite and it offends brownie on a personal level. this is because i enjoy sprite and one time i told my friend and they were so disappointed in me and i think that angel and brownie also live that experience regularly
- one time sparky went to a zoo and started crying. he doesn't talk about it.
okay i'll provably reblog this later with more headcanons once I remember the thoughts in my brain however I just got home and I am soooo eepy. love u anon 💖
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