#here's my thesis | Explore Tumblr Posts and Blogs

elodieunderglass · 8 months

Text

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

#this is the sort of observation I make here that people #go off and write their thesis about #so while I’m not expecting to be the first or cleverest person to say this #if you do use it as a springboard #tell me if you get a good grade ok?#I’ll be tremendously proud of you #like if you take a shitpost and use it to craft deep attentive thought on something important #I just think that’s probably the most noble use of a human brain #it makes me want to take off my hat and slam it to the ground in inexpressible emotion #it’s a cowboy hat btw #and I say something like GOLDURN IT THAT KID SURE HAS DELIVERED.#ok so don’t deny me this #especially if you correct me after a long research journey #GOLDURN IT THE KID IS RIGHT!

24K notes · View notes

stuckinapril · 5 months

Text

#think i found my blog thesis #bc yeah. yeah #i am here for u I SWEAR !!!#i

3K notes · View notes

polarsirens · 1 year

Text

plight of the honeybee

#dimension 20 #dimension 20 spoilers #d20 neverafter #neverafter spoilers #d20 spoilers #prince gerard of greenleigh #the fairy godmother #fanart #my art #aka what if i took the funniest bit in ep 8 #and made it sad. what about that #also here’s the thing. i saw some speculations about #the plight of the honeybee returning for a really sad moment in the future #and this is my thesis statement. that it has already happened #that’s all #good night

10K notes · View notes

kyoshi-lesbians · 3 months

Text

The Blind Bandit | The Bullpen

[video description: an amv of Toph as the Blind Bandit set to The Bullpen by Dessa, focused on her earthbending skills fighting in Earth Rumble VI. the ending sequence shows her leaving her home to join Aang, Katara, and Sokka. end description.]

forget the bull in the china shop / there's a china doll in the bullpen

#toph #the blind bandit #just a simple little vid this time #an ode to my favorite earthbender :)#but not a thesis statement. yk?#ive had this amv idea in my mind for Literal Years. crazy that its here now!#amv #she literally found this here ladder (earth bending as a mobility aid) and got glass floors (became best earth bender in the world)#is the thing!#vid #r.post

1K notes · View notes

fernsnailz · 2 years

Text

snapcube shadow dub my beloved...

#shadow the hedgehog #snapcube #sonic dub #sth #it's been a few months since it came out BUT might as well share these here too #fun fact the snapcube sonic dubs literally got me thru my senior thesis film lol #fern's sketchbook

9K notes · View notes

venfaaniik · 22 days

Text

thank @turtlemurmurs for sponsoring this coffee

#my art #artists on tumblr #sketches #ko-fi sketch #tma #the magnus archives #elias bouchard #the brainrot is still here btw l just have a thesis to write #once i graduate i can show how jonathan sims saved my career

519 notes · View notes

mrcowboydeanwinchester · 6 months

Text

i actually think that dean did reciprocate in the original scene but i don't think there was a destiel kiss because if there was one misha wouldn't be able to shut the fuck up about it. and jensen would be unbearable about it also. we would simply Know

#WE WOULD JUST KNOW !!!!!! here is my thesis #they said they were in love with other but there has been no lip to lip contact yet #destiel #spn #ola originals

1K notes · View notes

micamicster · 28 days

Text

In the darkness, there be dragons. But it isn't true. We can prove that it isn't true. In the dark, there is discovery, there is possibility, there is freedom in the dark once someone has illuminated it. And who has been so close to doing it as we are right now?

Darkness on the Edge of Town by Bruce Springsteen / Black Sails (2014-2017)

#black sails #blacksailsedit #bsedit #uhhhhh what to even tag this #bruce sailsteen. whateven am i saying.#here is my darkness on the edge of town thesis statement. love u all good night!#bruce springsails

460 notes · View notes

ghostlyarchaeologist · 10 months

Text

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

#leverage #leverage redemption #eliot spencer #alec hardison #christian kane #aldis hodge #i swear eliot is like a feral kitten #starts off all hissing and spitting and 'i swear i will break your arm'#and to get them used to being handled you grab them and wrap them up tightly in a towel and just shower them with affection #they hate it at first but slowly they learn to accept it #and then they come to love it #the next thing you know you have an extremely affectionate cat who initiates the contact #who's favourite thing ever is to be sprawled on your lap purring their head off #i did not mean to write a thesis on this but here we are #and yeah i could have not added that last gif and saved you all a punch to the gut #but it was getting way too mushy in here! :)#*runs off chuckling back into my pit*#ghostly'sgifs

2K notes · View notes

kaladinkholins · 4 months

Text

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

#blue eye samurai #mizu x taigen #taigen x mizu #taimizu #taigen blue eye samurai #blue eye samurai meta #hope yall enjoy my thesis on virgin mikio vs chad taigen #this was written last night when i shouldve been writing the new chapter for my taimizu fic that i promised i would work on....whoopsies...#i will get to it eventually but i just have to get a firmer grip on characterisation before i can delve further into it yk #on that note. i kiiinda regret posting the fic on a whim!#my last longfic was written better because i had the whole thing complete and could go back and edit/polish/revise before posting #so it came out much more coherent and consistent ykwim?#this fic might suffer a bit for this reason 🤒#but its fine i have to remind myself im just doing it for funsies #anyway here have another long ass meta post from yours truly #meta dissertations.pdf #shut up haydar #fandom.rtf

441 notes · View notes

pinazee · 10 months

Text

I only have praise for how they’re writing Jim Kirk in SNW. Though perhaps I’m biased because i love this character.

Admittedly, at first, I didn’t like the guy. I thought Wesley was a terrible casting choice. he didn’t have the passion that Shatner and Pine gave him, and frankly just didn’t have the look for me.

But Wesleys Kirk is pulling out that soft, kind hearted nerd that we all know Kirk is.

In La’Ans AR, he listens to Sera despite her being “unhinged,” he smoothly steps forward to put himself between Sera and La’An and sacrifices himself to save the timeline- to save Sam.

Then the real Kirk, despite getting decked, thinks first of Uhura and doesnt want her to have to explain the hallucinations. He doesn’t write Uhura off either like Chapel and Spock did , he believes her. And then inserts himself into the problem because, as La’An said, hes “the type of person who cant walk past a stranger in need”. and then sticks around to make sure she is okay.

So yeah, maybe Wesley isn’t who would come to my mind initially for Kirk, but i love his interpretation of him. His Kirk cares deeply for others and thats the Kirk i know and love. Im looking forward to how they develop his relationship with Spock.

1K notes · View notes

is-the-bug-video-cute · 8 months

Text

Craziest thing my supervisor ever told me is that the kind of enthusiasm I have for mealworms is not as common as I think it is. I kinda just figured everyone at the Bug Farming DepartmentTM was here for the bugs, but apparently a lot of people are just here for the farming. Getting excited about bugs for bugs' sake is apparently a rare thing in the agricultural departement - most people are more interested in how to use bugs, or even Number Go Up, which I've never been that interested in. No wonder my supervisor keeps agreeing to my insane projects, pushing me to publish my half-finished theses, and talking over time in our meetings. It must be like a breath of fresh air for her.

#re: that post about every mealworm article in the last 30 years opening with a blurp about how 'we have to feed a growing population'#i honestly should've realized #studying bugs for bugs' sake is what you do at the zoology departement not the agriculture departement lol #idc my supervisor gave me a glass of honey when i finished my mealworm reproduction thesis i'm thriving here

1K notes · View notes

its-your-mind · 3 months

Text

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

#tma #tmagp #the magnus protocol #tmagp meta #tmagp analysis #the entities #robert smirke #smirke's fourteen #mind write a meta post that doesn’t turn into a fucking essay challenge #I literally thought about citing my episode sources here but decided that would get too FUCKING long.#anyway I’m pulling mostly from Gerry’s statement (111) and #and the Big Elias Group Confrontation (92)#and Annabelle’s statement (147)#and then finale - 196 / 197 / 200 #there are other little lines that I grabbed - tbh feel free to ask about anything I’ve said bc I feel like I’m ready to defend a thesis #I’ve been thinking about this on and off for a few weeks since the desire thing started going around #I have an obsession with Themes as they relate to Worldbuilding and now I have subjected you all to it as well #I am serious tho if anyone wants me to pull the specific parts I’m talking about (whether cuz you have Questions or you wanna ref them too)#lmk #my hyperfocus on silly media brain might as well come in useful somehow #aight peace ✌️

223 notes · View notes

jakkenpoy · 1 year

Text

#one piece #icepaulie #icelucci #that twelfth night picture huh #i labored on this for six months. aka i had the idea six months ago and didn't stop thinking about it #and then started the actual drawing two months ago #here...my icelucci v icepaulie thesis #my art #opfanart

1K notes · View notes

kyoshi-lesbians · 3 months

Text

Ty Lee | all-american bitch

I know my place and this is it

[video description: an amv centered on Ty Lee set to “all-american bitch” by Olivia Rodrigo. The video focuses on Ty Lee's dynamic with Azula throughout the years, and juxtaposes Ty Lee's bubbly flirty persona with her extremely efficient chi-blocking fighting style and shrewd observations. end description.]

cw for flashing. extended video description under the cut

First verse contrasts scenes of Ty Lee, Azula, and Mai as children with scenes of Azula threatening Ty Lee in Return to Omashu, and from then on being a weapon for Azula in her mission. Scenes mainly pull from the trio’s early book 2 action as they chase Aang.

First chorus: on “Forgive and I forget”: Ty Lee mid-air doing a flip cuts to young Ty Lee landing a flip. young Azula pushes young Ty Lee to the ground and laughs. Ty Lee chi-blocks a kyoshi warrior on "And I act like it. She flirts with Sokka on “Got what you can’t resist” and chi-blocks Katara on “perfect all-american”

Second verse features mainly scenes from the end of book 2 when Ty Lee, Azula, and Mai are in Ba Sing Se disguised as Kyoshi warriors. Many of the scenes show Ty Lee being undignified, contrasting with the lyrics (but fitting the ironic tone of the song). These scenes include Ty Lee jumping into the sludge during The Drill, her covered in mud, and flying through the air with Mai after Appa flaps his tail at them.

Second chorus: “Forgive and forget”: Ty Lee after her circus performance agreeing to join Azula. Other clips juxtapose Ty Lee during The Beach with Ty Lee fighting during The Boiling Rock.

“I know my place”: Rapid cuts of Ty Lee and Mai beside Azula, cut to Ty Lee anxiously looking side to side during The Boiling Rock confrontation. On the second “I know my place”: Rapid cuts of Ty Lee hugging Mai, and Mai and Azula preparing to fight.

“And this is it”: Ty Lee chi-blocks Azula.

Bridge: Scenes from the fallout of Ty Lee betraying Azula - Mai and Ty Lee being arrested − cut together with Ty Lee’s emotional outburst during The Beach campfire scenes. During the screaming and fast-paced music, there are rapid cuts of Ty Lee fighting and moments beside Azula, in between cuts shots of Ty Lee crying.

Outro: Ty Lee bowing to Azula during Return to Omashu. Then Ty Lee crying during The Beach party, and Azula apologizing to her.

#it's finally here... my ty lee thesis statement :)#apologies again for bringing usamericans anywhere near atla ...... but . you know. empire for an empire #this is literally the first time i've edited a video on any program at all in over a DECADE #and of course the ideas/moments that inspired me to do this whole thing were the most technically complicated to do lmao #i learned so much for this please clap #finally. shoutout to o who I literally could not have done it without!#and to every atla fanvid I studied... mutuals you are all so skilled! <3 #flashing cw #ty lee #amv #r.post

381 notes · View notes