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#he's proud of his son
trash-raccoon-boy · 7 months
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Wukong wishes to show you his son, he is very proud of his son....
He made the clothes himself
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artsysurvivor · 2 years
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David, at Gilan's graduation: You've changed so much over the years, Gil.
Gilan, a little teary eyed: Don't worry dad, I'll always be your favorite disappointment.
Crowley, spitting out his coffee:
Halt, used to this shit by now:
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etoilesdeglace · 4 months
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One day. One day when he's ready. When he knows who he is, and where he belongs. And fate has revealed to him his true path. On that day, I'll be right by his side.
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autismmydearwatson · 27 days
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Every time I watch Dune I forget about it but I'm foaming at the mouth over how Paul has a vision of himself as a powerful, respected, divine figure with millions worshipping him and he just says "Somebody help me"
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lilislegacy · 26 days
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headcanon that percy and annabeth’s first baby’s favorite toy is a rubix cube. and when he’s an itty bitty baby, he just likes to hold it and wave it around and look at the colors. but then as he gets a little older, and you know, develops fine motor skills, he starts twisting it. he probably solves it for the first time when he’s like 1, which makes percy jump up and down over how genius his baby boy (OR GIRL @screenshotsonpinterest) is
and i don’t know why or when or how, but i know for a fact that at some point, that baby chucks that thing right at zeus. and it hits him square in the forehead. perfect shot.
i don’t make the rules
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incognita-soul · 1 year
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Darrell's first day as a ship's cat and bosun's mate on the tall ship Lady Washington!
Here he is inspecting the quality of coils, making sure passengers were heeding the "no smoking" rule, and standing bow watch through the anchor hawse.
He looked very dapper in his PFD and sunglasses! (I highly recommend looking into Surfer Cat for harnesses and PFDs made to fit cat bodies specifically. their gear is well designed, and they are a small company with excellent customer service!)
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thel0llip0p · 4 months
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behold baby galahad!
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fure-dcmk · 8 months
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osaka police department's golden boy
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"GOD, TAKE ME INSTEAD!"
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Luke + smiling because of Jess
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nabtime · 3 months
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Okay hear me out. Fenton parenting “i support my son being trans but i draw the line at him being a ghost” type situation yeah? Yeah. So like.
They still vivisect him and all that. But also give him top surgery. Since they’re already there and all.
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Do you see my vision
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bxnnie-bxwl · 8 months
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Evil Bonnie would absolutely see Gregory as his son when he sees how he's both willing and able to commit war crimes "because he feels like it"
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otaku553 · 3 months
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Thinking very hard about an AU idea of mine. Reluctant king Sabo AU!
In which Sabo isn’t saved by Dragon, but survives long enough to drift ashore and be saved by the doctors of Goa Kingdom, who do so only to ransom his medical bills from Sabo’s parents. Sabo’s parents take him back, thinking that his amnesia makes him a clean slate, but Sabo, young and stubborn and unsure of his entire identity, knows that everything is wrong and runs again, and again, and again.
Until at some point, he meets the Revolutionaries, and realizes that he can be useful to them, provide them information, make something good of an inescapable situation. From then on, he starts acting the noble that he was born as, in order to be a more useful informant to the Revolutionaries, until sunk cost fallacy hits and he believes that being a noble is the only way that he can be useful to the Revolutionaries. So at that point, why not take it all the way?
At 17, Sabo becomes one of Princess Sarie’s suitors, and at 17, he has doubts about using the princess for his own goals. Sarie is a romantic, and she wants a dramatic fairy tale of a romance, and she was already charmed, but the moment Sabo opens up to her about not wanting to use her to get to the throne, having lofty ambitions of helping the people (just not the people she thinks he’s talking about), Sabo becomes the one she simply must marry, because surely if she tries hard enough, she can make him love her back.
Soon after, the king and his son die. Sarie’s father and brother die. And while Sabo conveniently ascends to the throne, he also swiftly implicates his father, Outlook, in the assassination of all heirs to the throne, resulting in Outlook’s arrest and subsequent execution. And thus, at 18, Sabo becomes king, and begins to gradually institute great changes to Goa Kingdom.
Design-wise, Sabo wears an eyepatch because his damaged eye is considered a grotesque sight by nobles’ standards. Under the eyepatch, he wears heavy makeup to hide the burn scar. These are both at the behest of his birth parents, who spin a story about Sabo having been born half blind to hide the fact that Sabo had been shot by a Celestial Dragon and save face. To those who have seen his scar, they fabricate a second secret story that he was unfortunately kidnapped as a child. Sabo never does find out, until he regains his memories, where the burn scar is actually from.
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calinaannehart · 19 days
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bowyooo · 6 months
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disco elysium x hamilton crossover?? whaaaaat?? *in my best impression of lin-manuel*
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erisenyo · 5 months
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"could you please come and get me?" I'm BEGGING🙏🙏🙏
For this prompt game! (And also this one!) (Andthis one too lol)
(Can be read as a follow-up to this)
“…and, like, everyone goes through phases!”
Hakoda hastily unfolds from his very undignified stretch at the muffled sound of Sokka’s voice, wincing at the protest of his sore back. Bato keeps saying he’s eventually going to value his posterior chain enough to stop taking red eyes no matter how cheap they are, and one day Hakoda is actually going to listen instead of making jokes about posteriors.
“—and sisters, you know? They never let go of anything no matter how old you all get, and they always take things too far—”
Hakoda glances again around the dim lit, tidy shop as if maybe the angle of the sunlight will have changed, vaguely pleased and surprised that Sokka is here so early as the faint jangle of the admittedly-huge keyring filters through the door.
It’s hours past when they usually open, of course, but judging by the timing of Sokka’s late-night-scarfing-down-dinner phone calls, he’s been working plenty past when they usually close.
“—not in a creepy way or anything, obviously. Just a joke. A bad one!”
Not that Hakoda was really worried. And he was right to now really worry! There’s nothing blown up, no scorch marks or tools missing because Sokka really needed a good shearing weapon for his robot-killing robot, no half-deconstructed engines and piling-up repairs because Sokka is sure he’s figured out a way to get more efficiency out of the whole system.
“—and that one is totally new, anyway. I had no idea it was even there! And so, um. High definition.”
Those this Audi sitting in the middle out of the shop, which is very out of place for Wolf Cove to begin with, let alone in Hakoda’s shop…
“And I mean, you know how sisters are!”
Hakoda does have some questions about that.
That Jesk kid better not be involved, or whatever his name was...
“Or—right?” Sokka’s voice is suddenly clear as he finally finds the right key to unlock the office door. “You—maybe? I mean—you—or—”
“Yeah,” a husky, raspy voice cuts in, faintly amused, and Hakoda pauses in surprise as he realizes Sokka isn’t on the phone. “I have a sister.”
Hakoda glances curiously through the office window as Sokka flicks the lights on, bright light illuminating the office and the break room and the car bays one by one, revealing his son—dressed for work, not starving, not injured, good—and the lean, black-on-black clad boy behind him, and Hakoda feels his eyebrow jump up in surprise.
Ah. He recognizes a pretentiously pre-worn designer leather jacket when he sees one. That would be where the car came from, then.
“And,” Sokka hurries on, darting nervously around the office as he wakes up the computer and sets down his coffee and Hakoda’s other eyebrow slides up to join the first. He can recognize Sokka’s cover-his-ass voice anywhere. “It’s not like I would recognize you out of context anyway without, you know. Or with, or—and so, like, it's not like I was being weird or anything, or like, trying to lock you in the basement or something, or—fuck.” Sokka scrubs his hands over his face before pasting on a bright, game smile and marching toward the car bays. “Yeah, I’m just going to stop talki—Dad!”  
“Sokka,” Hakoda greets him, giving the other boy—not a boy, Sokka hates being called a boy, he reminds himself—a curious look. “And…?”
“Oh,” the boy blinks, freezing a little. “Uh—”
“I didn’t realize you were coming back,” Sokka hops in, hurrying over. “Is everything okay?”
“Yeah, I just wanted to grab a few things from the house, see you and Katara a bit,” Hakoda assures him, reaching out to give Sokka’s shoulder a squeeze and offering a smile to the other boy as he trails Sokka after a moment across the shop floor. “Who’s this?”
“How’s Gran Gran?” Sokka asks as the boy hesitates, mouth half-open.
“She’s doing well, things are coming along,” Hakoda says, cocking his head to get a better look at the boy. He’s definitely familiar—not surprising, with those nearly-gold eyes and scar and the kind of cheekbones that Sokka loves to trip over—but Hakoda can’t quite place… “Are you one of Sokka’s college friends?” Shit, Hakoda should know those. He at least knows it isn’t…what was his name, Tamu? It’s definitely not him…
“Ah, no,” the boy says, shifting on his feet and flicking a quick look to Sokka. “Wh—"
“How long are you back for!” Sokka says over top of him, eyes wide with interest and that’s definitely his cover-his-ass voice again…
“Just a few days,” Hakoda says absently. Is it one of Sokka’s high school band buddies? They used to always be hanging around the basement and crowding into the kitchen. “I haven’t seen around town,” he says slowly, the sense that he knows this kid niggling at the edge of his thoughts.
“…No,” the kid agrees after a beat, equally slow.
“Yeah,” Sokka says quickly, voice coming out high. “He’s not from around here!”  
“This is your car?” Hakoda asks, because the kid might not look much like a trombone players but he does look like a speed demon.
“Uh, yeah,” the kid says, glancing at the sleek red lines where Sokka’s set the Audi out with pride of place dead center in the middle of the shop. “Sorry?”
“Sorry?” Hakoda blinks, momentarily distracted from the nagging familiarity of the kid.
“I broke down,” the kid shrugs, apologetic, and Hakoda can only give him a bemused look.
“It’s what we’re here for,” he says. And they’re certainly going to charge him for it, with a car like that—and Hakoda will be making sure he’s charged. He recognizes that look on Sokka’s face…
“Right!” Sokka says, overly bright. “Car repair!”
“A full-service operation,” the kid murmurs, cutting Sokka a sideways look.
“We strive to be,” Hakoda says proudly, giving Sokka his own curious look as his son chokes a little, blushing. Oh yeah. Hakoda is definitely making sure this kid gets charged.
“Car repairs!” Sokka says loudly, clearly powering through…whatever is going on. “We’ve had a lot of those! Want to—” he glances quickly around. “—the books! Want to see them? Or the—I can get you up to speed?” he suggests half-desperately. “On everything?”
Hakoda makes a vaguely affirming noise, listening with half an ear and mostly watching the kid who is in turn watching Sokka, looking faintly bemused by and more than a little curious about Sokka’s immediate, exhaustive, relieved, highly detailed account of the past month.
Maybe he’s a new teacher in one of Sokka’s art classes? He thought they were all old men by Sokka’s description, but this one seems like an artsy type. Though why he’d be here and not back in Republic City…
The kid gives Sokka another sidelong look through his lashes that really isn’t all that subtle to anyone other than Sokka, and ah, that could be a reason.
And he can tell Sokka likes his friend back from the fidgety, half-nervous, half-hyper way he’s shifting his weight and playing with his bracelets and rings and he better be fucking taking those off before work, Hakoda’s not trying to have anyone lose a damn body part inside an engine. At least the earrings are out…
Hakoda thinks, though, that he really would have heard of the kid if he’s following Sokka cross-country to keep him company. But then, maybe that’s why he has the persistent, nagging sense that he’s met or at least seen this kid befo—
“Oh!” Hakoda suddenly exclaims, snapping his fingers as realization hits. “I know you!”
“You—!” Sokka trips a little as the kid startles, giving Hakoda a half-surprised, half-cagey look. “You should really hear about theorderthatPakkutriedto—”
“You’re the boy from the poster over Sokka’s bed!” Hakoda says, triumphant and Sokka cuts off with a high, strangled noise, the kid opening his mouth and nothing coming out.
“The one where’s he’s all shirtless and oiled up?” Hakoda prompts when Sokka doesn’t say anything, pleased to have placed it. “Remember, you got that fancy photo editing program for it? So you could cut him out of the full shot and enlarge the size? And Bato took you to that special print shop in Whale Harbor to get it done out on the special poster paper?”
The kid slowly transfers his stare from Hakoda to Sokka, who is looking more and more like a deer trying to freeze to avoid the notice of an oncoming car.
“You know, for your eighteenth birthday?” Hakoda reminds him, concern fluttering in his chest when Sokka doesn’t immediately latch onto the topic like he always does. “Because you couldn’t find any magazines big enough to see from that far away?” He definitely isn't misremembering, he knows he isn't...right?
The kid slowly closes his mouth, eyebrow inching up higher and higher.
“And you’d filled up all your wall space, so you needed to move to other surfaces? And Katara said you weren’t allowed to put anything up in the shower?” No, he's definitely right. Hakoda had been quietly and intensely relieved by the shower edict enough to be sure.
“I,” Sokka finally says, mouth working, “I, uh.”
“Didn’t you recognize him?” Hakoda frowns, reaching out to feel Sokka’s forehead.
“Yeah, Sokka,” the kid—shit, Hakoda still doesn’t know his name though—says, pointed, “Didn’t you recognize me?”
“I…need to go now,” Sokka announces, suddenly fumbling in his pockets.
“What?” Hakoda blinks, confusion threading alongside his pleasure at finally placing the face.
“What?” the kid half-laughs, startled.
But Sokka just whips out his phone, already marching away, his face crimson and voice echoing off the high ceilings, “Katara? Yeah, I’m—yeah, I’m still in town. Yes, I know that you're on nights, I—yes, I—look, could you please come and get me?” A pause. “No, I—actually, yes. I need to go die now, please. Not here.”
Hakoda stares after Sokka as he finally shuts the office door behind him, bemused, scratching the back of his head and shifting his attention to the kid who looks like he doesn’t know whether to worry or laugh again.
“Well, I’m Hakoda,” he eventually offers, extending his hand and biting the bullet that it’s okay to not know this one’s name, they probably haven't actually met before, “I’m his father.”
“Zuko,” the kid says after a beat, accepting his handshake—strong grip, callouses, no eye contact but that’s okay considering he’s looking after Sokka. “I’m, uh. The guy from the ceiling?”
Hakoda huffs, half-amused and giving him another quick look—and then his hand a slightly harder squeeze. “Grown up a bit, have you?” A lot less oil, too. And a lot more clothes.
Same cheekbones, though.
“Uh—so has he? Since then?” Zuko hazards, glancing toward the office where Sokka is…screaming into a pillow, by the looks of it.
“One could say that," Hakoda says after a beat, thinking of Sokka’s last trip to Whale Harbor and the poster tube he’d come back with happily cradled in his arms. “But maybe not as much as you’d think.”
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