*clutching head* rodya and meursault would have such a good dynamic actually
I wonder if rodya would initially see meursault's indifference as like. a simpler version of her own feigned carefreeness and as a deliberate attempt to place himself as an outsider... only to realise that No, he really Is just Like That. and then she gets annoyed because it turns out that people who don't care about anything don't seem to be any fun.
(ofc he does actually care about a lot of things, just not necessarily his grander place in the world lol)
idk. nihilism vs absurdism. fun duo 👍 rodya would find meursault's genuine comfort with being a speck of dust in the universe baffling, while he would probably find her desire to assert her own importance pointless, but they could probably bond over little things like their shared desire to live in the present and appreciation of/indulgence in earthly joys. and meursault would probably listen if rodya wants to rant about anything without asking any uncomfortable questions. I think they could appreciate each other's presence.
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so my friend and i are currently chatting about how i just discovered me referring to weed as "pot" makes me sound like a suburban mom even tho i didn't realize it was an "old-timey" term (??? it sounds just as normal as "weed" to me???)
and i just realized the reason i say pot is specifically because 1. watching kids in the hall (and other things from that era) and 2. talking about pot with the kids in the hall (the ones i know irl still use that word)
so for everyone's information i do NOT sound like a suburban mom for saying "pot" i sound like an old canadian gay man!!!!
but anyway that conversation moved on to talking about weed and the kids in the hall and now i must bring a poll to tumblr
(even if you have smoked before this is about placing yourself in the hypothetical situation i'd be in bc i've never been stoned before and my friend and i were joking about how my first time getting high would be with one of the kids in the hall lmao)
also in your opinion is saying "pot" weird???? literally so confusing to me like damn i guess all my interactions with weed are through the lens of 1. media from the 90s or 2. people who were young adults in the 90s
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Linebeck is the Maui to Link's Moana. Or more accurately the Peter B Parker to Link's Miles Morales. He could have the most interesting and heroic past, but he has the vibes of Just Some Guy. I'd kill for a game set after Phantom Hourglass (but before Spirit Tracks) where we learn more about Linebeck's history, and how it plays into his newfound parental relationship with Link
Linebeck being more or less Just Some Guy compared to Link being this weirdly competent pre-teen is a fun part of their dynamic a lot of the time. There is a lot of time between PH and ST and that obviously is an opportunity for more storytelling between those characters, plus considering that we have very limited information on Linebeck's history or... anything, exploring him further is always a lot of fun, and could make for an interesting subject for anything before or after PH (or during), and further going into his relationship and dynamic with Link has a lot of potential for... a lot of different stuff!
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@koschyei said: ❛ You know, this is an interesting and efficient method of murder. I need to write this down. ❜
The smile on her lips doesn't meet her eyes, and she tries to ignore the churning in her gut; she knows better by now than to trust anyone, let alone another politician, but she wants to, and badly. She can feel it in him, some sort of power that is at once old and incomprehensible to her, and there is a part of her that wants to sit at his feet and learn, and another part of her, a greater, a louder part of her, that wishes there were some way to sink her fingers into his chest and rip it out of him to keep for herself.
She has been powerless before and has learned to survive, even to thrive, in spite of it, but it did nothing to dull her hunger. She imagines power sometimes like an organ and she imagines what it would feel like to tear the power from another person and swallow it hole, blood staining her teeth, magic burning her tongue. She is a creature of want above all else. She always has been.
"I'm afraid I'm little help to you when it comes to the Anchor's power." Not technically a lie, but certainly not the truth. Astoria's left hand pulses a gentle, glowing green, and she thinks, not for the first time, that her blood sounds different now that it's been infected by the Fade.
But it was not the Anchor's power, this time; it was her own, and a power she understands plenty well. One need not tamper with the blood as a whole when one can tamper with the things that make it, and there is plenty of water in blood. To manipulate. To move. To boil. Not technically blood magic, but she knows enough by now of the chantry to trust that not technically blood magic is hardly a solid defense. She takes in a deep breath and immediately regrets it as the euphoria of battle fades and she feels the sudden and sharp pain in her chest that means her ribs have broken again.
The dead men at her feet steams like cooked meat, their skin reddened and bursting from the heat that had poured out of her and into them. Around them, the snow has melted enough to reveal the hard, barren ground beneath it. Had she known Koschei was near, she would have been more cautious, but the Venatori had caught her by surprise. Astoria tucks her hands into her sleeves and shrugs apologetically.
"If I knew better how it worked, I would use it better. Unfortunately, much of Solas' research into rifts is beyond me. I never received a formal training in magic and I'm afraid the theory seems rather muddy compared to what I learned at the augur's knee." She raises her eyebrows, retracts her left hand and holds it out to him, palm up, as if in invitation. (In challenge.) "Though if there's knowledge in Buyan that has yet to cross the Wilds, that could guide me, surely you would know it...?"
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