ooohhh how i love insecure shoto who makes himself cry just a lil harder when he realizes you stay coddling and praising him that much longer.
he can’t get enough of your sweet voice, soft hands, worried frown while your chubby cheeks are puffed out while you fret and dan over him, letting his messy hair and pressing only the most loving of kisses on his wet hot cheeks.
and ooohh how pitiful he feels when he collapses in your arms, wailing and hiccuping his way through the latest rant about how lost and broken he feels, but ohh it feels so devilishly good to have you soak up all his hurt and soothe him, whispers of heaven and perfection and ‘i love you’s clouding his vision and dizzying his mind as he struggles to relax, melting away into your warm arms with a shameful shiver.
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i love that false is so incapable in every situation except combat. it is literally hilarious to me. she sees scar flying around above her base, panics, starts running around trying to avoid him with no plan, and frantically realizes she doesn’t even have a bow on her. scar is convinced she’s luring him into a trap. she takes half a heart of damage from each of his arrows because she’s in projectile protection armor but it looks like she’s just build to withstand arrows. this interaction ends with scar thoroughly embarrassed and false feeling rather sad that she accidentally violated the rules of politeness by not dying . i love her so much
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i love calling businesses. was struggling to parse the rock climbing gym's website & called instead to ask about getting re belay certified. learned from this guy that their belay certificates never expire, you can get recertified by just asking a front desk person, and it's not too busy yet with the new year but he thinks it will get worse
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he had to hurt her like that, look at the cinema he made. did he? how do you know? the ends justify the means, huh. a woman could never actually act this well, it had to be real, a snuff film. yes, she was hired for her talent - but pain will make the talent brighter, right.
he is not alone. there are men around him who think like this. who choose actresses they can manipulate, exert power over. who write scripts that demand the pain be felt. she must hurt to uphold the message.
(an aside. author's note, i guess. in poetry, when the words cannot hold themselves up, we actually blame the writers. it shouldn't matter who speaks the literature. the words should carry their own weight. be their own scaffolding.)
the men in the room all applaud each other for doing less. they say they push boundaries. they're leaders in their field. they ask the hard questions.
when they get your resume, they put it into a pile that they will put into a trashcan. when they get your screenplay, they will use it as a coaster. when they build their museums, they will have a disjointed room dedicated to "repairing" the ways that women and people of color have been eradicated from "fine arts". it will be self-effacing. we may have overlooked some artists, they apologize. but really it's not our fault that white men make better art. (those men and their works are in permanent displays. for more on this, see: the way that he laughs at your work will make you sick to your teeth). in six weeks, their apology will be scrubbed and the room will be scrubbed and all the paintings will go back into storage.
they know they are right. sure, okay. maybe we have had less opportunities. but what would we have done with them? not something like this. it took a man to do this. okay, okay. it was deranged, we can all agree about it. but look at the product.
in your life, when you wake up, isn't it grand. if they made a museum for people like us, it would be a cycle of empty frames. of ruined videos. of songs with a voicecrack. all the little plaques reading some variation of a theme. here is where my work would stand if someone like me could actually get published in this fucking industry. here is the work i tried to make, before my agency was stripped from me. here is the placeholder of my dreams, but i could not afford them in this society.
if you keep walking, out in the greenhouse out back, the whole world is full of color. every fabric and fortuneteller and feverdream we spat out in despite. centuries of brightness, of novelty, of exploration. of talent, of wisdom, of creativity.
there is only one sign here in this alexandrian library. the sign acts like an epitaph. you already know what it says, don't you. THIS ISN'T ART, it tells you.
the blankets. the chef-level 5-course meals. the carefully-colored journal pages. the abandoned works-in-progress. the library of fanfiction. the margin drawings. somewhere in there, an actress makes a face, and you think - oh shit! she's really broken! but then she smiles at you, winking. she could do it, you know. she could always act like a starbeam. it's just that his name is the one scrolling at the bottom. she hadn't wanted to undress for him. she goes home and gets forgotten. in our museum, another blank frame goes up on the wall.
they'll give him an award, looking to the camera with almost an apology. he will laugh ruefully. nobody will do anything. little white strings will drip from his fingers. young boys in film studies will continue to chainsmoke while explaining how beautiful it is that there's violence in those scenes. she couldn't have done it without him pushing, he'll tell you, shrugging.
but what if, you wonder. what if he had never existed? without him, what else could we be making? all that time and love and spirit, allowed back into the light. into knowledge. what has he taken, to give us his art?
and is it a trade worth making?
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