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#god forbid a girl do anything
egophiliac · 26 days
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who is the pink lady with the hair
she's Truth from Ride Kamens! (...I'm not sure what the actual romanization of her name is. Torusu? 🙃) she's one of the villains, so she's still pretty ~mysterious~ at the moment, but so far we've been told that she's a Strong Female Cult Leader Executive who's super smart and super into herself (and who can blame her really) (her design is also more detailed than what I drew, I was just feelin' lazy)
just...look at her and listen to her voice lines and uhhhhhh basically I'm into in this Handsome Anime Man game for exactly the opposite reasons as intended
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clems-grove · 3 months
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anon isn’t hating on the term cubito?
Why do u hate silly fun and laughter and light anon
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dteamain · 10 months
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be honest did y’all unfollow bc of the snf insanities or the drantisms :/
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ministarfruit · 2 months
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day 19: partners-in-crime ♡
(femslashfeb prompt list)
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lenin-it-to-win-it · 8 months
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im making text post memes for the whole student council but nanami gets her own post bc shes gods specialest little princess
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rwsdarw · 3 months
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Outing myself as a Lila defender
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kinokoshoujoart · 8 months
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friends of mineral town intro (gba): you inherit the farm because you visited this sweet elderly man’s farm as a kid, had a nice vacation and met (future wife), when he died put you in his will
friends of mineral town for girls intro (gba): you are conned into buying a run down farm by asshole mayor. you immediately have the option to Murder Him
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seasononesam · 10 months
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Me and the 40 opened supernatural fan fiction tabs on my phone against the world
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true-bluesargent · 8 months
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if there is one thing about me it is that i hate people who hate young female characters just for being human and complex. oh you hate rory gilmore in the yale years and only love her when she is 16 and perfect and knows what she wants out of life? fuck you. oh you think elena gilbert is whiny and selfish and she doesn't deserve either damon or stefan? you are so wrong i despise you. oh you think that we should forget team jeremiah or team conrad and realise that belly is really the problem? just say you are a misogynist and go you are the worst! you think bella swan is a boring character and you only care about jacob and edward and you think she treated them badly? actually die. i will never hate a teenage girl under extreme stress who is just a normal flawed person i will love and defend them forever and ever and ever
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quietwingsinthesky · 4 months
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very funny to me when people point at ruby and castiel as the obvious intentional parallels meaning that samruby being canon = destiel when like. how it actually went down is anna was supposed to be the parallel but spn hated women too much to have two of them playing a central role in the brothers’ lives at once. what we’ve encountered here is sexism, not gay people.
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str4wberryshortcak3 · 3 months
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Amanda Young is my favorite example of "GOD FORBID WOMEN DO ANYTHING"
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flamestar126 · 5 months
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Girls will be girls
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Equius, to Nepeta: D -- > GIRL you are KILLING IT! GIRL i don't think it's MOVING ANYMORE. GIRL you can STOP BITING
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prosebushpatch · 4 days
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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ministarfruit · 3 months
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day 4: doomed by the narrative ♡
(femslashfeb prompt list)
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scattered-winter · 4 months
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the fascinating thing about the maze runner books vs the movies is that they're both tragedies, but just...different kinds. in the books no matter what wicked did, they never got close to a cure. it was all for nothing: all the torture, all the death, all the money and effort spent trying to cure something that was just unstoppable. the world burned while a few hundred immunes survived, and there was no other way the story could have gone.
but in the movies they were so close. thomas was the cure. they had it in their hands and could have saved everyone, but they were just too late. wicked was destroyed, the last city fell, and with it the world's last hope for a cure. they almost got the cure in time. they almost made it in time to save newt. they almost won.
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