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junicai · 3 years

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Relationship with NCT Dream

➣ MARK ☾ mari

½ of the best friend crew

honestly at the beginning, mark and aria weren’t very close, having only really seen each other in passing or with johnny

but after being dropped into training together the two quickly became fast friends, and now they’re borderline inseparable

you thought you knew pain? watch aria’s reaction to mark’s graduation from dream :)

mark’s the reason why aria felt confident enough to pitch some of her lyric ideas to the team, after staying up until 4am to help her make some edits so she was as confident as possible

kinda just, rests his head on her shoulder? and wraps his arms around her waist when he’s tired

mari being confused in foreigner: ???

aria said once in a vlive that she finds mark really comforting to be around - when she feels stressed or worried about something she’ll go to mark’s room and just sit on his bed for a while

aria is so close with his parents - “ahh, how’s my favourite child” “i’m doing great mom.” “no not you, how’s aria?” “wh-hu-MOM?”

you’d swear sometimes mark is younger than her, considering the pout he puts on and how much he whines when they’re not on the same team together for promotions

mark big protecc boi but also little small cuddly boi

they’re so soft for each other ( ╥ω╥ )

in one of the fancams for mark’s solo stage during superm, someone zoomed into aria singing along with him in the wings and dancing to herself with the Proudest Smile™

he’s! so! proud! of! her! constantly! she could be walking and he’d be like “omg get it”

when aria refuses to get up and make herself food (this happens way too often, she just gets into the groove of her work and doesn’t want to move) mark gets her to by threatening to do it himself

consistently caught by czennies just standing behind her and holding her hand in crowded areas - airports, waiting rooms, etc.

FAN FAVOURITE MOMENT.

mark and aria were standing off to one side as the mc explained the rules of the game they were about to be playing. mark looked totally confused, and elbowed aria in her side before looking down and mouthing “what?” to her. aria opened her mouth, before closing it and looking down at the ground, muttering to herself, “결합… 結合….. le chéile…. le… le.. oh oh - combined! we have to put them together, markie.”and thus, a new confusion meme was born

➣ RENJUN ☾ renjaria

renjun and aria room together while she’s promoting with dream

they were so awkward around each other at the beginning :(

only really spoke in passing, or when they had to

it was renjun that broke the ice at first, asking if she wanted to go shopping for the dorm together

now it’s their thing

“no aria, we can’t get more ice-cream we’re all supposed to be on diets.” “but ｡ﾟ･ (>﹏<) ･ﾟ｡ please”

he’s lowkey soft for her but he’d rather throw himself off the roof then tell her that

piano pals

he started teaching her how to properly play once he found her messing around on a keyboard in the studio one day

they actually argue quite a bit

not about big things, but about smaller things that push each other over the edge because of stress

the first time he yelled at her, aria spent the night in hyuck’s room

hyuck yelled at renjun for making her cry

now they’re probably the best pairing for talking through their emotions instead of blowing up on each other

they’re both quite opinionated people, and they’ve learnt to navigate that well so fights don’t happen as often

does that stop renjun from teasing aria an within an inch of her life? absolutely not

“i’ll kill you” “can you, reach?” “LISTEN HERE-”

he acts like he’s 10ft tall, excuse you sir you are barely 5′6″

renjun was her mandarin teacher for a while, but then kun kindly told her that her “introduction” was actually calling herself an idiot

aria has a bad problem with saesangs go away bitches and renjun is iconic for going off on them for her because she doesn’t like to make a big deal out of it all

he gets so angry on her behalf

that was actually a topic of one of their biggest arguments smh

FAN FAVOURITE MOMENT.

aria was leaning on a pile of books to prop herself up as she leant forwards to try and hang a string of lights on her bedroom wall. renjun walked in, and immediately came to her aid, speaking with a teasing tone. “need a hand?”

aria, without ceremony just elbowed him in the stomach and used his then folded up figure to push herself up higher. “yes, thank you!”

she got hate for that one, but it was all in good fun and renjun was laughing after it

➣ JENO ☾ nori

aria is his princess and everyone else can fight him

like they’re both doyoung’s children, but if it comes down to it he will lay down his life for her

and not even in a romantic way, just a “you’re too precious i have to protect you” kind of way

czennies thought he was in love with her for the entirety of nct 2018 promotions

this boy was hanging off of her at any given second, and there was an edited video of jeno “glaring” at lucas’ back when the taller boy walked away after hugging aria

it was faked, stan twt needs to chill out

he drags her to the gym

he’s basically her big brother? but they’re the same age - its a weird dynamic but they make it work

they’re so LOUD together

not chaotic, but he makes her laugh so hard

vlive 191030: “nono-ah makes my cheeks hurt so i can’t spend too long around him. my sides hurt too ~ ♡(｡- ω -)”

any and all fanfictions written about the two are definitely either coffee shop, university or library AUs

this man walks like a bodyguard around her - boy got the arm over the shoulder, tucked her head into him, covering her face, its a whole ordeal

dispatch released some pictures of aria one day and accidentally blurred out jeno’s face because they thought he was her bodyguard

is so. so mindful of how long aria spends in the training rooms

like, yes everyone else expects her home before midnight (long story)

but jeno actively makes sure to ask people what time she left the dorm at, and texts her to remind her to take water breaks and to come home at a good time so she can sleep

these two are the creators of so many iconic vlives - they have a bad habit of going live at 1 or 2 in the morning, just doing random things

FAN FAVOURITE MOMENT.

“hi hi! so, nono and i- jeno stop it, stop it! - nono and i are walking down to the park to go feed the birds - yes we’re going to feed the bird- no! we are not going to feed the ducks, bread can kill the ducks! why did you bring brea-”

jeno pulled the camera from aria’s hands. “ari and i,” he looked at her purposefully, “are going back to the dorms because someone forgot to bring the bird seed, and apparently we can’t give bread to ducks anymore.”

*sounds of aria intermittently hitting and scolding jeno ensue*

➣ DONGHYUCK ☾ arichan

the other half of the best friend crew

absolute heathens to be around when they are together

donghyuck is the person aria is closest to, and someone she’d call her best friend (only when she was sure he wouldn’t hear her)

she calls him “the demon child i can’t get rid of” but will, and has definitely pouted when he ignored her for too long

generally aria is a pretty soft spoken person, but not with hyuck around - he brings out all her chaos energy (please pray for the patience of dotae)

the pair have a little tradition of kissing the back of each others’ hands before going on stage for good luck. they can’t even remember how it started, but now its an unnegotiable pre-show ritual

he’s so clingy with her absolutely everywhere its painfully adorable (ಥ﹏ಥ)

interviews? hyuck has a hand on her knee, or if she’s wearing a skirt he’s tucked his hand in between their chairs so she can hold it discreetly. in the dorms? full body tackle onto the couch, where he proceeds to lay on top of her completely.

because of hyuck’s nickname being the sun, and aria always being around him, czennies gave her the nickname “moon” to go with him

fans thought that aria was older than hyuck for a good year and a half before she released her birthday on a vlive, because she’s normally the one tasked with reigning his chaotic energy in during promotions (that is, if she hasn’t already joined him)

but off-camera, aria is absolutely hyuck’s baby there is no disputing that. aria’s sad?he’s there with ice-cream and a blanket and a baseball bat.

the winnie the pooh character that is on aria’s bed was a gift from hyuck for her 17th birthday, after she made him watch seven episodes of the show on netflix with her one night

yes he complained, but he slapped her hand away when she went to change it to something else

a twitter thread of a czennie comparing their horoscopes together went viral when people realized that it was quite plausible that the pair were each others (platonic) soulmates

after an incident involving blueberries, donghyuck took it upon himself to check the ingredients of every. single. food item in their dorm to make sure it was ok for her to eat

hyuck clowns her for her irish accent, and aria curses him out in japanese

tldr: they cute or whatever

FAN FAVOURITE MOMENT.

donghyuck was doing a vlive in his bedroom, sitting and talking to czennies when aria opened the door to his room quietly. she didn’t say anything, just waved slightly with almost closed eyes before she crawled underneath his covers and tucked her plushie underneath her chin. hyuck didn’t even blink at it - so it must have been a regular occurrence.

➣ JAEMIN ☾ nari

jaemin highkey flusters her

not in a oo you’re so cute, cute boy make nerves go eeee

but he’ll wink at her and teasingly compliment her and now she looks like a firetruck this isn’t fair

he absolutely takes advantage of this where ever possible

“riri, can i have some?” “no, i just made these you should have helped me (-_-)” “riri~ but you looked so cute making them i didn’t want to interrupt you~” *aria.exe has stopped responding*

but when aria isn’t trying to get her cheeks to stop being red, they’re really cute together

you’d swear aria is older, by how much jaemin whines for her attention

the mighty battles between jaemin and hyuck

hyuck’s just biding his time for the rooftop fight

kinda panics around her when she’s crying, but is always the first to offer up a hug

has a period tracker on his phone but no one knows about it

he doesn’t like to coddle her because they’re so close in age, but that doesn’t stop him from getting protective in certain situations *cough cough the fansign cough cough*

jaemin and aria cuddling when they’re drunk? more likely than you’d think

he definitely professed his undying love for her at one point while being drunk, and chenle caught it on video

“noona we’re playing that at your wedding”

designated blanket/pillow hunter at award shows, and if he can’t find one then he usually just gives her his jacket

the amount of coffee these two consume should be illegal

aria prefers to call him nana and he prefers to call her riri in the dorms, so when either of them get called by their first name by the other it means A: they’re on a schedule, or B: someone’s about to die

FAN FAVOURITE MOMENT.

nct dream on idol room were trying out jaemin’s death-in-a-cup (his coffee) and as the cup got passed around, aria grew more and more concerned with each face the members made. “jaemin if i die from this-”

he only smiled at her while passing over the cup. aria held it up to look at the black liquid skeptically, before sighing in resignation and bringing the cup to her lips to take a sip.

and then another.

“wait this is good i like this”

➣ CHENLE ☾ leri

hide yo kids and hide yo wives because leri is entering the chat

*cue aria and chenle wearing 2000s rapper clothes with backwards baseball caps*

these two are so chaotically calm

its like the energy cancels out or something

aria with hyuck is just so loud and obnoxious, and the same with chenle with jisung

so when you put those two together it just turns into le positive vibes

you ever meditated to those 132 hertz sounds? thats them in a sound

aria will hold him like a baby kitten she’s expecting to try wriggle out of her grip at any moment and its comical because he’s a good head taller than her

aria definitely has a knack for making her groupmates’ parents fall in love with her

every two weeks or so she goes for dinner in chenle’s house upon his mother’s request

they have a mutual understanding of the mental toll it takes to be around the rest of the dreamies constantly

chenle and aria sitting peacefully, watching a cdrama:

the dreamies, throttling each other: AAAAAAAAAAA

will never admit it but he misses her the most when she goes away to promote

he thinks of her as a big sister and the dorms feel empty without her there

aggressive proud hugs

so aggressive, he legit tackles her

he had to tone it down after knocking her over once backstage and she narrowly missed clocking herself on a nearby soundboard

“YAH ZHONG CHENLE YOU HAVE TO BE CAREFUL!”

he always gets a little bit anxious when they eat things outside of the dorms because he’s never seen her have an allergic reaction before and he’d like to keep it that way (`皿´＃)

FAN FAVOURITE MOMENT.

chenle was particularly restless that day, constantly shuffling about in his seat to the point where renjun forcefully tossed an arm over his shoulders to hold him still while the vlive was still playing.

not one to be defeated, chenle then turned to press his lips to renjun’s cheek playfully, laughing when the older boy turned away in disgust. he turned to do the same to aria, coming closer to her cheek before aria turned her head to face his.

“AAA-” “EW CHENLE WHY”

➣ JISUNG ☾ jiri

oh god oh god oh god

if aria could take this boy and wrap him in a blanket and keep him in her pocket she would - no questions asked

jisung knows she loves him the most out of dream sorry markhyuck and takes advantage of it every second

she used to coddle him a lot when he was smaller, but now that he’s older aria tries to rein it in as much as possible

that doesn’t mean it goes away completely though

“noona can you cook for me?” “of course jisungie! what do you want?”

*jeno gobsmacked in the background* “you just told me you were too tired to cook tonight”

aria: big baby, must protect

jisung: tiny noona, must protect

jaemin and aria are really the only people jisung is ok with seeing him be super emotional - and he flip flops between the two depending on the reason why he’s emotional

self-esteem, feeling poopy side of it all? straight into aria’s bed, letting her roll him onto his side so she can tuck his head into her shoulder and covers the two of them with her duvet the way she used to do when he was shorter

this boy cannot curse around her unless he wants to get his ass Beat

dancing bros

they go so hard in their NCT Dance duet videos

he keeps band-aids in his bag for her in exchange for her keeping an extra bottle of water in hers because jisung always forgets his own

jisung rests his elbow on her head a lot

but only briefly because the last time he stayed there for too long she stamped on his foot

tldr: aria is jisung’s emotional support gnome

FAN FAVOURITE MOMENT.

jisung and aria were doing the chicken leg battle (this one) to fight for first dibs on the rooms they were going to be sharing for the next week or so. just before they were about to start, mark started laughing and pointing at how high jisung’s leg came up on aria’s, with aria’s knee barely hitting jisung’s mid-thigh

“this is an unfair advantage! this is cheating!”

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isaacthedruid · 3 years

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Please allow me to tell you about one of my favourite cartoons through this informal essay I did for school a couple of months back.

Gravity Falls and How it Did The Unimaginable

**SPOILERS... KINDA**

The 2010s saw the creation of some of the most iconic animated tv shows ever made, the likes of Adventure Time (2010), Steven Universe (2013), Over the Garden Wall (2014) and The Legend of Korra (2012). To explain why this era’s shows are so admirable is honestly rather difficult. Yet, there are many factors that can be taken into consideration when looking for an answer.

The past decade was very successful in perfecting their craft and utilizing the animated format to their favour, creating some of the wackiest and fascinating cartoons ever made. With the advancements made in both 2D and 3D animation for film, this bled into the world of TV as well.

To mention that 2010s cartoons have stunning visuals would be an understatement. Everything about the animation was beautiful; the strong colour palettes, the clean and imaginative character designs, the colourful and immersive backgrounds and especially the mesmerizing worlds that can be found within episodes that are half an hour.

This era’s cartoons also led to a massive shift in storytelling, writing longer-running stories that spread out across seasons while also swapping out episodic adventures for serialization. This heavily aided in the popularization of these shows, due to the rise of internet fandoms and dropping the taboo that cartoons were only for kids. Many shows acknowledged their older viewers by leaving clues and even puzzles to be solved by the theorists who have a large appearance on social media platforms like Reddit, Twitter and Tumblr. As the shows progressed, their fandoms created many theories for what they believed might happen within their favourite series. The top three shows from this era all utilized these changes, being at the forefront of the shift and helping guide the creative vision of 2010s cartoons.

Often regarded as many people’s favourite cartoon, Gravity Falls presented one of the best mysteries of the decade with two seasons and only 40 episodes. Inspired by Twin Peaks and The X-Files, it’s considered as the kids’ version of these two iconic shows as this cartoon acts as many people’s first introduction to horror through bright colours and fun characters.

This series follows the adventures of Dipper and Mabel Pines, twins, who are sent to spend their summer with their great-uncle or Grunkle Stan in Gravity Falls, Oregon. This town is full of oddities like supernatural creatures, insane and eccentric inhabitants, and many puzzles. The Pines twins must adjust to the weirdness while uncovering the mysteries and protecting their new town.

While living in Gravity Falls, the twins are forced to work in the Mystery Shack, a tourist trap created by their Grunkle Stan that overcharges unlucky tourists, teaching about fake monsters despite there being real creatures all over town. On his first day in Oregon, Dipper accidentally came across a mysterious journal written by an unknown author that explains all the oddities to be found in this strange town. This book acts like an encyclopedic of the Weird for Dipper, an inquisitive 12-year-old kid who seeks answers.

Dipper is an extremely intelligent kid, his brain being far more developed than his body. He’s rather awkward and self-conscious as he often stumbles over his words or gets embarrassed trying to talk to girls. Despite this, the boy is an adventurer at heart who just wants to grow up and skip his upcoming teenage years.

While Mabel is quite the opposite in many ways, she is loud and has an in-your-face personality. Mabel is bouncy and fun, she is so excited to start high school. She is easily excitable and for the larger part of the series, she is in her boy-crazy phase. Mabel is a girly-girl as she likes all things; glitter, unicorns, rainbows, partying and crafting. Yet, she doesn’t often compare well with many of the other girls in town, they see her as weird and “too much”.

(In all fairness through, it is not too kind to either of the characters as their personalities are more complex than just awkward nerd and artsy girl-girly.)

Dipper and Mabel’s personalities are very different but somehow, they—along with their Gravity Falls family—manage to solve mysteries and save the town, multiple times.

Gravity Falls is an honestly genius series that completely changed the way cartoons were made. Originally when writing a series, you’d create a base of your story; characters, the universe and a basic plot. Yet, when creator, Alex Hirsch (who was in his early/mid-20)s and his small team first began constructing their show, they planned out everything they could possibly think of for the first season. Additionally, outlining some answers for their biggest mysteries that would be answered at the end of the series.

Despite being rated TV-Y7, this series really pushed the boundaries of kids’ television. From the teeth being ripped out of a deer’s mouth by a demon, rearranging the functions of every hole on a man’s face to an aggressive pop-rock sock puppet show that ended in a dramatic slow-motion scene of the puppets burning. Gravity Falls wasn’t afraid to get a little weird or creepy. Or create some genuine nightmare fuel.

From the beginning, Gravity Falls had built a mystery into its series, hiding secrets and clues all throughout the show. Most notably were the backwards-recorded message and cryptograms, using roughly nine different kinds, even creating two of their own.

The inclusion of cyphers and mysteries for fans to solve is possibly the reason why this series was so successful. As one of the first shows to do something like this, Gravity Falls used social media and internet fandoms to its advantage.

As mentioned earlier, cartoon fans have quite a presence on social media platforms like Twitter and Tumblr. They create theories and share fun ideas about their favourite shows. Viewers of Adventure Time, Gravity Falls and Steven Universe were all included in their share of theory fun.

Sometimes, fan theories end up being correct but when you’re Gravity Falls creator, Alex Hirsch, you don’t just watch from the sidelines as your viewers figure out the biggest mystery of your show. No, you create a hoax to get your viewers off your trail and that is what he did. Around 2013, only halfway through the first season of the show, viewers had started to follow the clues, theorizing who was the author is Dipper’s mysterious journal.

Unfortunately for the Gravity Falls production crew, the viewers were right— for the sake of readers who have never seen the show, I will not mention who the author was as it would be the biggest spoiler.

In 2013, a supposed leaked image of a tv showing a younger version of the show’s crazy old man character, Old Man McGucket, writing in the infamous journal was uploaded anonymously (by Alex Hirsch) to 4Chan.

Despite the image only being on up for a few hours, it spread like wildfire. Much to the team’s success, theorists stopped searching for the answer to “who is the author” and just accepted the image of McGucket as the truth.

To further push the fake-out, three words were posted to Alex’s Twitter, “fuming right now.”

The tweet was deleted a few minutes later and fans genuinely believed that someone from the Gravity Falls team had leaked the most important part of the story.

While doing research, I came across a Reddit post from April 10th, 2013, the day after ‘leak,’ Alex’s tweet was uploaded. In this post, user, TheoDW uploaded an image of Alex’s tweet with the caption, “It seems that Hirsch got mad at last night’s leak. He already deleted this tweet.”

Seeing the reactions of these Redditors in 2013 is kind of weird and crazy to look at. “He has every right to be upset. Someone internally released a plot revealing screen shot of series breaking spoiler information,” a deleted Reddit account commented.

“This is Alex Hirsch’s biggest success by far, he spent a huge amount of time carefully planning out the series, and then in a moment someone releases a major spoiler. It would make anyone upset,” the user, Time_Loop commented.

“Seriously, this is a nightmare for a storyteller, and shows a breach of trust. I feel so bad for him–honestly, I hope whoever did the leak gets caught and appropriate action is taken. You don’t f–k with someone’s story like this. It’s unprofessional.” the user, lonelybeloved angrily commented.

In 2014, this ‘leak’ was finally disproven when viewers were given an episode on McGucket’s backstory and an amazing tweet from Alex Hirsch.

Alex had post an image of himself playfully pointing at a monitor with the supposed leaked picture with the caption, “1) Make hoax 2) Upload to 4Chan 3) Post angry tweet about "leak" 4) Delete tweet 5) Let internet do rest”

It is so interesting to look at these comments know that all of this was orchestrated by Alex.

I wish I had been old enough at the time to follow theories and fandom stuff like I do now with current cartoons but really looking at this from an outside perspective, this was insane!

The real author wasn’t revealed until 2015 and when viewers first got the answer to this biggest show on their screens, they must have freaked out!

Following the finale in 2016, a single frame of a stone version of Bill Cipher, the show’s villain, flashed in after the credits had finished.

Alex Hirsch and his team actually created a real-life statue of their villain for their viewers to find and on July 20th, 2016, the Cipher Hunt began.

By following clues, the Hunters found themselves all over the world; Russia, Japan and then travelling throughout the United States for the final 12 clues. When the hunt took them to Los Angeles, actor, Jason Ritter (voice of Dipper Pines, also a massive fan of the series) and Alex Hirsch’s twin sister, Ariel Hirsch (the inspiration for Mabel) joined in the fun helping the search.

Finally, the hunt ended on August 2nd when someone tweeted out an image of the found statue in Oregon, the same state in which the fictional town of Gravity Falls exists. The Cipher Hunt had ended but finding the statue wasn’t Alex’s goal for the scavenger hunt, it was about the journey and bringing together the viewers, more than having them actually find the statue.

Creating its own hoax, an international scavenger hunt and quite a bit of nightmare fuel, Gravity Falls was a show truly unlike any other.

The 2010s saw some of the strongest cartoons ever made, Adventure Time, Gravity Falls and Steven Universe acting as the leaders for multiple different changes in the medium; storytelling, worldbuilding, interaction with viewers, utilizing social media, representation and further pushing music into the cartoon world. From what was created this past decade and what has already been released in 2020, I’m so excited to see what comes next.

I have another one of these which is on Steven Universe’s representation and music if you would like to see that too!!

#isaac rambles #long post #gravity falls #cartoons #cartoon review #dipper pines #alex hirsch #OH MY GOD I LOVE ALEX HIRSCH'S BRAIN!!!#disney #disney channel #disney cartoons

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deans-haunted-baby · 3 years

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Dadstiel Shoulder Touch Analysis

I want to take some time to discuss something about this incredible father/son dynamic that I don’t think gets enough recognition. And that is their connection. A connection layered in so many different attributes yet primarily based on physical touch. Apologies this is going to be long. Despite my saltiness towards Supernatural as I feel the show squandered them during its run, I really love the amount of attention to detail that was put into Castiel and Jack’s relationship. It kind of has a Terminator inspired vibe going on which I can’t deny enjoying. The bodyguard and the future savior of mankind. And this bond was in development all the way back in season 12; long before Jack was born.

During 12x19 it’s through his mother Kelly, that the son of Lucifer forges an emotional attachment with the trench-coated angel whom he imprints on to be his surrogate dad. From the moment Castiel puts his hand on her belly, and feels Jack, they instantly fall in love with each other. At first touch. Trusting each other completely without the slightest bit of doubt as they sense the other’s good aura. It’s a devotion unlike anything Cas has ever experienced in his millions of years. Even more than what he’s felt for Sam and Dean. And it happens before he and Jack even get to see each other. Their bond becomes intensely essential that it boosts Castiel’s grace, allowing him to protect Kelly and her son from Dagon as well as cause a rip in time and space.

After Jack is born and in the care of the Winchesters, scared, lost and confused yet curious as an infant in an adolescent body; the child wanders aimlessly searching for Castiel. All he wants in that moment is to be with Castiel because that is who he recognizes as his father. Missing him and needing to feel that same warmth, protection and compassion he felt from inside his mother’s womb. However, following the tragic circumstances that led to the angel’s unexpected death at the hands of Jack’s biological dad in 12x23, these two are forcibly separated in the beginning of season 13. Until Jack instinctively resurrects Castiel out of the Empty through his own will and desire alone at the very end of 13x03. Proving that no matter how far away they are, the tether between them can’t be broken.

These two don’t even need an introduction from Sam and Dean when 13x06 finally reunites them for the first time. Jack immediately knows who Castiel is going off on his mother’s memories. And their reunion comes so naturally. There’s no awkwardness, no hesitation or apprehensiveness emanating from the angel’s presence. Jack just walks right up to Cas, puts his arms around him and tells him how much he missed him. Its as if they’d never been apart. And afterwards they spend nearly the entire episode practically inseparable. Getting to know each other as father and son. And that goes without saying, while Jack did bond with the Winchesters in person first, there is no comparison to the Nephilim boy’s emotional attachment towards the angel.

This special relationship is very significant to both of them. Around each other they’re at their most happiest. Castiel is constantly at Jack’s side; and ALMOST ALWAYS tenderly touching him, namely his shoulders or protectively holding him by the arm and the child wholly reciprocates this. In Castiel’s gentle physical touch Jack is given a sense of security, solace, reassurance and comfort. Same as he’d had as an unborn baby. Not only is this the angel’s way of demonstrating his affection, empathy and devotion towards his son but this is actually how he non-verbally tells Jack that he loves him. Its purely unconditional. And this gesture isn’t one-sided as I will acknowledge later. Jack desires Cas’s tangible nearness as much as his dad does which is why they’re so magnetically pulled together in all of their scenes on the show.

Even when they’re at conflict with each other or arguing, Castiel never fails to let Jack know that he’s always safe and loved. That he isn’t afraid of him. His son could be in pain, angry, or vengeful in the moment and Castiel’s affection for that child will never waver. He’ll endlessly put his own life at risk in order to reach Jack; who is far more powerful than he is via his archangel half. Like the convivence store scene in 13x23 when Jack attacks a civilian believing he’d killed his friend and Cas does his best to subdue him. Whether Jack wants it or not at the time, he needs his dad’s emotional support; and the angel can’t stand the thought of his son harmed or hurting. He’s easily saddened whenever Jack refuses his touch as shown in 13x21 when he was very upset over Sam’s temporary death and rips away Cas’s hand as he’s trying to console him.

Supernatural really emphasizes the powerful connection Castiel and Jack share using physical communication in nearly every one of their episodes. Its these wonderful details they do onscreen that illustrates the depth of love these characters have for each other. Unfortunately though, they didn’t get to interact much during season 13. Yet the small portions in their four episodes together is exceptionally substantial. While we’re on the subject, the shoulder touches are definitely a Dadstiel thing. It’s their signature sign of affection and theirs’s only. Don’t believe me, let me give you an example of a specific scene in 14x19 between Jack and Sam; which takes place in the aftermath of Jack’s accidental killing of the Winchesters’ mother Mary.

Dean and Sam conspire to trick and lock away the soulless infant Nephilim in a mystical coffin as punishment with the intention of finding a solution that will end his life. Sam is the reluctant main player in this scheme of using his influence over the child in order to gain his trust and sway him into his fate. Just before Jack’s about to be led to the room and put into the box, scared and uncertain, Sam then puts his hand on his shoulder telling him they need to keep him safe while giving him an awkward grin. And look at Jack’s expression as this happens. It reads shattered. He immediately knows something’s wrong. Sam is touching him just like Castiel…except this is nothing like Castiel. His dad’s shoulder touches are always so tender and loving.

Jack can literally feel Cas’s devotion for him in every tangibility. But here he doesn’t feel that from Sam at all. Its cold, fearful and empty just like he is on the inside. Rendering him even more nervous. Speaking of season 14 the father/son content we get between Castiel and Jack is even better that year as its all about their relationship growing and strengthening into something far deeper than it was in the previous seasons 12 and 13. It’s the year their bond is put through the ultimate test. Where Jack is made human after Lucifer steals his grace and Cas dominantly steps into his role as a father.

Providing Jack with a certain guidance, boundaries, and stability in episodes 14x01, 14x02, 14x03, 14x09 and 14x10 unlike what he’d received from Sam and Dean. Castiel takes on all the difficult tasks of parenting ranging from scolding to teaching his son about death, responsibility, self-restraint, patience and the tribulations of growing up. He doesn’t raise his voice ever when he speaks to Jack. And is completely there 100% for his son from the beginning…and the end of his life. Although Castiel is an angel he is very much a pivotal link to Jack’s humanity and vice versa as well as a link to his celestial side. While he greatly admires and looks up to the Winchesters, its through Cas’s influence that the infant Nephilim aspires to be a good person.

Jack never wants to become the monster his biological father was; desperate to break out of that mold once in for all. And he isn’t alone. Castiel is right there with Jack every step of the way. Ready to challenge and encourage his son whenever he does something decent or makes a mistake. He doesn’t hesitate to tell his son when he’s proud of him. And sometimes he’s there to coddle Jack during times of crisis as displayed in the 14x09 showdown with AU!Michael where the angel takes a second to heal Jack’s minor facial wounds. I just love that tiny focal point of Cas in the background, as the Winchesters are talking, putting his hand on Jack’s shoulder before using his powers on him. As if to keep him calm; like a parent reassuring their nervous kid that it won’t hurt.

Throughout the first part of season 14 we’re blessed with so much affectionate Dadstiel moments like the after-the-battle angst talk in 14x01 where Castiel reminds a very frustrated Jack “you’ve got me” as he declares he has nothing. Or 14x08 after Jack’s death and they’re bittersweetly reunited in Heaven with Kelly; all smiles, touching shoulders and hugging each other as if they can’t bear to be separated. Followed with that heartfelt moment of Castiel tenderly touching his son’s cheeks, sadly looking at him with so much adoration, as he sends his soul back to his body. Then there was their unforgettable father/son pep talk in regards to the vulnerability of Jack’s soul; Castiel just gives his son’s shoulder a gentle squeeze as he leaves the room. Again, this is how these two say “I love you”.

And I couldn’t very go in depth of this analysis without mentioning 14x20′s Jack death scene 2.0; Castiel helplessly touches his son, who’s screaming on the ground in agony, trying desperately to ease his suffering. Yah this was particularly very hard for me to watch witnessing Castiel going out of his mind, completely unable to save Jack from enduring such a painful end to his life. Once was already cruel enough on me. And of course 15x01 continued that vicious trend of Castiel harrowingly protecting his son’s corpse, carrying him over the shoulder in a fireman’s hold as he runs through the cemetery, then gently lays him down on the floor in a mausoleum. I get emotional watching Cas cradling Jack’s head as he positions him comfortably; letting his touch linger unable to let go. He doesn’t even care what happens to him in this moment as long as his son’s body is safe. Very strong symbolism of a parent who will never abandon their child long after they’re gone.

On a side note I want to quickly call attention to how much I revere the Dadstiel healing parallels in 14x09 and 14x14 plus BONUS: Jack almost-killing Castiel in 15x13 so he can talk to Ruby in the Empty. These just add some nice little textures in their dynamic which compliments their ongoing tradition of showing devotion through physical communication. And both the healing scenes and the temporary death scene are composited very similarly. Focused on Castiel and Jack’s hands in the process of relieving the other’s pain/life.

Touch is exhibited as being a very crucial element for both of these characters when it comes to their iron-clad relationship. That palpable part of Castiel and Jack’s connection keeps them closely-knit. Its their familial instinct and how they express their feelings for each other. If they aren’t kneading shoulders, the angel duo is often standing beside each other or firmly linked at the arms. And this usually happens during moments of extreme stress, joy, sorrow, pain or fear. Jack relies so much on Castiel’s parental presence. He respects his authority, disobeying only when his actions feel necessary, and will go to the angel whenever he wants to talk or vent. Jack is also comfortable with Castiel enough to confide his darkest secrets no matter how awful they are. That’s the foundation of the everlasting trust built between them. They’re just tethered to one another in such a way that nothing will divide them.

I’ll begin with the hospital scene from 14x07 where Castiel is being the rock to his ailing son who can barely stand on his feet. There’s so much anxiety radiating off him in this moment as he struggles with watching Jack suffer; holding him so close. Staring at his face you can tell this horrible situation is ripping him apart. Actually, the entire episode is basically just Castiel silently enduring the pain of Jack dying.

The second set of screencaps underneath are of 14x10; Jack is agitated by AU!Michael’s antagonistic claims that his family’s love for him isn’t unconditional. Reading into one of his greatest fears. But then Castiel instantly calls out to his son, grabs the crook of his arm; gently reassuring him none of this is true. And Jack doesn’t resist this as he knows his dad is sincere. He never has to question Cas’s feelings towards him as his physical touch alone is self-explanatory. But when it comes to the Winchesters, that’s a whole other conversation.

Next, we have one of my favorite emotionally-charged Dadstiel moments in 14x14; where in a fit of panic because the anti venom wasn’t working Jack, going against Castiel’s warnings not to risk burning off his soul, is compelled to use his powers to save his dad. And I love this because this time its Jack who’s the one initiating all the physical contact. Just as the recovered angel demands what he’s done, his son responds with a soft “you’re okay” and the “I love you dad” shoulder touch as well as firmly gripping his arm.

Finally stepping away from season 14 I’m going to briefly go over the caps from season 15. Let’s begin with 15x11 the Dadstiel reunion scene at the church which is so beautifully poignant. Castiel is so overjoyed to see Jack alive that he takes a second to look over his equally stunned son, touching his shoulders before they embrace. This is by far one of Cas and Jack’s top father/son moments on the show and it’s done so effectively. If you want a more in-depth description for what I love about this scene, you can read my post about it here.

After that is the 15x13 Dadstiel moment where Castiel, suspicious of Jo’s story about the Occultum, had asked Jack to temporarily kill him in order to go see Ruby in the Empty. Two things I really like about this; 1. even though Jack still doesn’t have a soul, is very concerned about and protective over Castiel because of that deal. And 2. again Jack is initiating all the touching in this scene; look at the way he grasps his dad’s arm as he returns him to life. It’s almost as if he’s hoping the touch of his hand will not only speed up the process but also reach his dad so his essence isn’t lost forever.

And then we have 15x17. We didn’t get much Dadstiel interaction in this episode but the amount of times Castiel protectively holds onto his agonized child, who’d been turned into a cosmic bomb about to go off any minute, having no regard for the danger he’s in is so visually gut-wrenching. There’s a specific moment in the scene where, as Sam and Dean are arguing, Castiel is sitting on the floor just clutching Jack tight. Trying to non-verbally soothe him.

And this is followed up in the first half of 15x18, aka THEIR VERY LAST EPISODE TOGETHER ever on Supernatural. Here is where everything about their connection comes full circle with Castiel refusing to abandon Jack no matter the situation. Demonstrating the extent of his devotion by willing to die for his child just as he’d sacrificed his happiness to save Jack from the Empty. Because that is his son and nothing not even death itself can ever destroy what they have. Much as the young Nephilim boy begs for his dad to stay away, yells that he doesn’t want to hurt him; Castiel kneeling to Jack’s eye-level doesn’t leave his side. Then when Jack disappears to the Empty and reappears back at the bunker reformed, Castiel’s hand remains firmly glued to his son’s shoulder. He doesn’t want Jack to feel afraid or traumatized any further.

This was such an intense part of the episode I mean just look at how stressed out these two were. The anguish in their expressions. Simply put, Cas and Jack cannot bare to live without the other. They’re each other’s home; two sides of the same soul. Castiel loves all of Jack; the good, the bad and the ugly. This is an EPIC father and son’s love that knows no bounds. So powerful and pure that it transcended the loss of Jack’s soul, Lucifer’s DNA, the Empty, Mary Winchester’s death and everything else in between. Oh, and guess what, their “I love you” Dadstiel shoulder touches aren’t limited to just their hands. Its in every single one of their hugs too.

Notice how their chins or faces just comfortably rest on top of each other’s shoulders. And except for 14x20 their eyes are shut, as if to savor every single second of that closeness. Jack just buries himself against Castiel like he’s never felt safer with anyone else in the whole universe. And both of them hold each other; giving and receiving the other’s love with their whole self. Like I can’t even begin to describe how much Castiel and Jack’s softness towards each other just melts my heart. Their relationship, despite the horror tongue-in-cheek atmosphere of SPN, is surprisingly sweet, healthy and endearing. They are the epitome of true unconditional love and a great contrast to the Winchester brothers. In my humble opinion Castiel and Jack’s father/son dynamic is the best thing to happen to this show in a long while.

For the closing segment of this analysis I want to do something special before I discuss the paralleled-angst driven Dadstiel shoulder touches in 15x15 and 15x18. First off, I can’t shout enough praise from the rooftops about the insanely remarkable chemistry between Alexander Calvert and Misha Collins. Just brilliant casting. They embody these characters heart and soul and make this relationship feel so real, genuine and grounded. The fact that they look so similar in appearance really sells the idea that these two could actually be father and son. Forget the scripts, the quiet subtly these two bring to Castiel and Jack is the true magic of their relationship.

Let me start with the Dadstiel centric 15x15 aka THE BEST EPISODE of Supernatural season 15. This amazing masterpiece of art is everything I could’ve asked for and more; giving me so much precious father/son content that I will cherish forever. I really enjoyed seeing Castiel and Jack in those matching ties, bonding with each other over a case while they save the day. It’s a shame this show never let these two have more solo adventures together because they’re truly a joy to watch onscreen. Fingers crossed for that spinoff.

But I digress, the car scene in question happens at the very end of the episode in which Jack reveals the alarming truth that he has to die in order to stop Chuck and Amara. And Castiel, visibly and outspokenly distraught by this news, has to be assuaged with that infamous shoulder touch by his son; who’s in just as much pain. This is without a doubt one of most emotional scenes between these two characters out of the last three seasons of the show and quite possibly one of Misha and Alex’s strongest acting moments after the Dadstiel church reunion in 15x11. They killed it with the feels here. I like the attention to detail, the shadows and the colors in the shot, the melancholic score as well as how it seamlessly switches from Jack’s perspective to Castiel’s. Seriously watching this scene always makes me cry its so devastating.

Lastly, we have the Dadstiel car scene in 15x18; and Castiel and Jack’s LAST ONE-ON-ONE together. I’m kind of disappointed by this if I’m being honest. Its not that its bad its just not that definitively great for a final scene between these characters. Especially after four seasons of development. Where are the stakes? Why don’t Jack and Castiel seem as concerned about their situation? Cute as that smile was it doesn’t fit the tone. And where’s that punch in the gut knowing something is going to separate these two any second? It’s too light and doesn’t come off like a goodbye or a cathartic bookend which is what I wanted to take away from the episode considering its title “Despair”.

I mean if they were going to follow up on that heartbreaking car scene at the end of “Gimme Shelter”, the 15x18 scene wasn’t the way to do it. So, the weight of this final interaction feels almost non-existent. Maybe if it had taken place at night and the dialogue solely focused on them not the Winchesters it would’ve faired better. But since this isn’t a rant post I’ll cut to the chase by saying that the only saving grace this moment has happens in the last part. Jack’s in tears telling his dad how scared he is that he can’t use his powers to protect anyone. Coming off very childlike and vulnerable; needing that parental protection that Castiel was always known for. And sure enough, he gives Jack that final “I love you” shoulder touch which I swear had me choked a little.

Rethinking about it now that the show is over actually makes their final moment together really sad as incomplete as it is. I not only look back on how much these characters were drastically underutilized but how much the Dadstiel storyline could’ve been executed better with all the development that it was given. Well there you have it my full Dadstiel shoulder-touch analysis. Hope you’ve enjoyed!

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the-beskar-alchemist · 3 years

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Here we go again with my recap ramblings! Had to do a bit of nip/tuck for this one, it’s a bit lengthy.

My opinions, as I've stated before, are based on my limited knowledge of the Star Wars universe. I have NOT seen anything outside of the movie franchise, so please bear with me...

- First off I would like to express my appreciation for this episode going balls-to-the-wall with Ashoka, instead of spending an unnecessary amount of time working towards her introduction. Considering we spent two episodes just GETTING to her, the fact that it was like "BAM! There she is!" was very refreshing.

- Also I would like to thank Filoni for establishing her badassery UP FRONT, instead of having her do some sort of "Surprise! These are my special skills!" maneuver. The concept hit home on the first try, and it hit HARD.

- I know people are iffy with Rosario Dawson (I'm not that caught up on her to know the details myself), but she does bring a certain......presence, I guess......to this episode, but just as the character, not really HER specifically. She seems more powerful when she's silent, versus when she speaks, her portrayal of the dialogue seems kinda monotone for my taste honestly. (I think it's worth mentioning that, while I understand people wish for Ashley, it would involve "black face" makeup on some levels to achieve Ashoka's skin-tone, I don't think it would've worked, no matter how skilled the makeup artists are)

- The ghastly forest makes me think of the lighting technique they used for The Half Blood Prince film

- As I've said, I have not seen the Clone Wars series, so I'm not familiar with Ashoka's animated fighting techniques, but I do love how practical she is with the lightsabers in a dark setting, turning them off to avoid too much attention, and only turning them back on right when she's ready to attack to really take her enemies off guard

- Din narrating to the baby has me in my feels a bit, this dude is really going through the motions isn't he? He's trying so hard to keep it together, acting like he's fine that his whole world is about to change in a way he's not fully prepared to handle.

- Can we take a moment to discuss how observant the baby is? He may not know about circuitry to help with ship maintenance, but he has the wherewithal to know when he's headed to a place that's potentially harmful. Episode 7 in season 1, when Din mentions going back to Nevarro? The baby immediately tries to adjust the ships trajectory to avoid going to a place of which his only memories consist of him being experimented on and possibly almost killed. And NOW? Now he recognizes that the name of the planet Din is taking him to will be where they separate, so OF COURSE his first instinct is to, not only avoid leaving Din's side at the pilot's seat, but to also seek out one of the few tangible objects that brings him comfort: THE METAL BALL FROM THE LEVER........baby boi is so smart, we do not give him enough credit

- Baby REALLY didn't want to leave his papa.......also DIN LET HIM KEEP THE BALL PLS

- Din walking through the town reminded me of the Two Towers when the party arrived at Rohan and Gimli was like "You'll find more cheer in a graveyard"

- I have to wonder what was going through Din's mind upon seeing the prisoners in the electric cages. I'm sure he was disgusted, but everything presented in this series is VERY deliberate, ergo Din was meant to see this to IMMEDIATELY establish that this magistrate was someone he wouldn't want to be allied with, a feat that could've been established with the intro into the town alone, but it seems that the best way to really drive home just how terrible these people are is voyeurism.

- The town versus inside the magistrates gated home? Night and day. The contrast is intriguing, how "dead" the town looks but inside the second gate there's life, somewhat flourishing.

- If Din KNEW that the magistrate was referring to Ashoka, than he basically tricked her into helping him find her under the guise of making a deal. If not, than he figured it out during their first fight upon seeing how she maneuvered around him. Either way, we stan one smart cookie.

- Lang reminds me of Number Two from the Austin Powers series

- BATU BATU BATU BATU

- I love the fact that Din is including the baby in his bounty hunting process, not just telling him they've reached the coordinates, but also letting him know to start looking, IT'S BRING YOUR SON TO WORK DAY......(but like EVERYday for him tho.....)

- Okay but like LOGICALLY I KNEW THAT BESKAR CANNOT BE DAMAGED BY A LIGHTSABER BUT MY HEART STOPPED FOR A SECOND

- DIN PACING LIKE A NERVOUS DAD IN THE DOCTORS OFFICE, POOR BABY

- I have to wonder how the baby "talks" via the Force, is it full "sentences"? Clipped "sentences"? Or is it kinda like Renesmee from Twilight where she "inserted" visuals into another person's head? I know they can "feel" each other's thoughts, but I've always wondered exactly HOW they "feel" them...

- I understand people are a little put-off by the lekku, and that cosplayers have done it "better", but we have to remember that cosplayers aren't doing (multiple) fight scenes, the head-piece has to be practical in its design, as well as authentic. There are stunt-doubles, and having to create multiple versions that not only can withstand constant movement, but also won't break easily. Not to mention when you try to do a live-action based off an animated series, it almost ALWAYS looks "wrong" on some levels (live-action anime? it's awkward af, no matter how hard you try...)

- About the Grogu controversy: I'm on the fence, but will most likely come to love/appreciate the name. Is it within the realm of what I was expecting? Nope. Is it possible that we are ALL projecting our own ideas of what name the baby "should" have had, so much so that almost ANY name they would've given him would've sounded "wrong"? VERY distinctive possibility......this is Star Wars after all, names are meant to sound "weird". Grogu sounds like a Star Wars kind of name, in fact it's kinda fitting for a species that looks reptilian-ish

- THE BABY HEARING DIN SAY HIS NAME FOR THE FIRST TIME, THE WHIPLASH IN THAT HEAD-TURN, BUT LIKE.....I love the slight parallels to Grogu's and Din's name-arc: They both went DECADES without hearing their own names, and the reveal's are so contrasting, Din hears his name during a time when he's in danger, the baby hears his while having a heart-to-heart. I'm curious about how Din was feeling in this moment, thinking about how long Grogu must've gone without hearing his own name, and how Din longs to have someone say HIS name with an almost reverent tone

- YODA NAME-DROP.....but also Grogu looked at Ashoka when she said the name, I wonder if he knew Yoda

- Some people have mentioned Ashoka's lekku not being long enough for her age, I'm wondering if they compensated with the "wrinkles" in it? Can lekku have wrinkles?

- Grogu trying to be good for his papa, but also NOT wanting to use his powers because he KNOWS it would mean that papa has to leave him (and Din's little head tilt to get him to cooperate) I JUST....I CAN'T

- Ashoka telling Din to connect with Grogu, and Din shifting around all like "LOOK ITS BAD ENOUGH I HAVE TO LEAVE MY SON WITH YOU, CAN YOU NOT MAKE THIS HARDER FOR ME???"

- FATHER AND SON GAME OF CATCH AND DIN'S EXCITEMENT WHEN GROGU CAUGHT THE METAL BALL, MY OVARIES CANNOT TAKE THIS MUCH FLUFF

- Subtle Anakin reference, given what happened to the younglings after he went dark, it's a good thing Grogu was taken.......but by WHO???

- Din calling the lightsabers "laser swords" and Ashoka's little grin like, she WANTED to correct him, but she was enjoying Din's dorkyness???

- Din trusted her enough to let her borrow his pauldron??? I HAD A MOMENT

- DIN GUNSLINGER DJARIN

- Did my eyes fucking DECEIVE ME?? DID ASHOKA CUT THE SPEAR IN HALF????? Like this is the second time I'm watching this, the first time I noticed it I was like "No fucking WAY", but I'm seeing it AGAIN, IT WASN'T A TRICK OF THE EYE....so beskar is only lightsaber RESISTANT??

- Lang vs Din was like Johnny Ringo vs Doc Holliday, "You're no daisy!"

- More name-dropping. Did Ashoka kill Elsbeth? They never show her after the exchange.

- Din could've jetpacked his way back to the ship, but chose to walk instead. The way he avoids actually waking up Grogu at first, holding him for a bit, then taking the time to get him ready. Din baby who are you fooling? You're not ready, and you never will be.

- DIN STICKING HIS FINGERS OUT TO LET GROGU HOLD HIS HAND

- Ashoka knows okay?? She KNOWS that Din and Grogu are meant to stay together

- Din calling out Ashoka for trying to weasel out of the deal vs calling out Bo-Katan for changing the deal: No malice in his voice, he barely put up a fight, then sounded relieved after she gave him an alternative, one that could lead to the baby deciding NOT to become like the Jedi and instead choosing to remain with this buir

#din djarin #mando #mandalorian #the mandalorian #the mandalorian series #the mandalorian spoilers #the mandalorian series spoilers #the mandalorian s2 #the mandalorian series 2 #chapter 13 #the jedi #ashoka tano #baby yoda #yodito #grogu #yodito jose djarin

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watchathon · 3 years

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Avatar: The Last Airbender, Series Finale: Sozin’s Comet

In case you’re finding this post just by browsing the tags I’ve used for this post, this is the Watchathon, a blog where I’m hoping to watch an episode of a TV show every weekday, with a short blog post where I write down my thoughts as I watch. Each new thought starts with a hyphen and a bolded first word.

- Like so. Now that the introductions are over with, it’s time to break that one-episode-a-day rule and finish off Avatar: The Last Airbender with the climactic grand finale, Sozin’s Comet:

PART 1: THE PHOENIX KING

- Okay, so, Katara in the intro is still saying “He has a lot to learn before he’s ready to save anyone.” I could’ve sworn they removed that part by this point... Maybe that was just something for the DVD?

- I like that the “Previously on” segment is so long. It really emphasizes how much buildup there was to this. How much the Gaang has been through to get here.

- I gotta say, I was not expecting a beach party in this episode.

- Somehow, for reasons I can’t explain because I don’t understand them myself, this ambush from Zuko made the audio of Nicolas Cage saying “Surprise attack!” in Into the Spider-Verse play in my head.

- Zuko’s really lucky that he earned Katara’s forgiveness before this violent pop quiz, seeing as just a half season ago... “You take one step backwards... one slip up... give me one reason to think you might hurt Aang - and you won't have to worry about your destiny anymore. Because I'll make sure your destiny ends right then and there. Permanently.”

- It never occurred to me that we didn’t get details on the war meeting before now.

- I’d bet hearing about this plan is the thing that tipped the scales and fully convinced Zuko to join the Gaang, and prevent the genocide of the Earth Kingdom.

- It’s so nice to see Zuko being welcomed into the group hugs. Especially when it’s Katara who invites him.

- I like that Zuko is teaching Aang to redirect lightning, the same way Iroh taught him.

- Even before it’s made explicit, you can tell that Aang’s uneasy about the idea of killing.

- Toph is just delighting in her role as Melon Lord, isn’t she?

- Someone out there has definitely written an AU fanfic where someone gets killed during this training and it’s Toph’s origin story as the malicious Melon Lord. If not, then I will write it myself, and it shall be the crackiest crack fic that ever cracked.

- Y’know what, I wish Toph could’ve actually gone on a life-changing field trip with Zuko too! Everyone else got one...

- This scene of Sokka climbing into Appa’s mouth is even more uncomfortable once you’ve... well, once you’ve grown up and... Okay, I tried to put it subtly, but I just can’t: Once you’ve been cursed with the knowledge of what vore is.

- Well, there’s a bait-and-switch if I’ve ever seen one: “Azula, you’re the new Fire Lord!” “=)” “But I am now the Phoenix King and still your superior who you will answer to.” “=O”

- Nice to see June and her Shirshu make a comeback.

- Does this mean Aang wasn’t running away on purpose? I honestly thought he was just going to that island to get some alone time, maybe meditate or contact the previous Avatars’ spirits.

PART 2: THE OLD MASTERS

- I’m not sure if this is something I forgot from June’s first appearance, or if it’s actually just never been brought up before, but I didn’t know her Shirshu had a name.

- It’s sweet that Zuko is seeking out Iroh’s help. Even if the method of finding him is, ah, well... unorthodox.

- Even Avatar Roku doesn’t know where Aang is. And here I thought it was some Avatar thing that had never been brought up before.

- It’s nice to see these people make a comeback. Bumi, Piandao, even Jeong Jeong and Master Pakku are here for the finale.

- I am surprised that we didn’t get an interaction between Toph and Bumi, though. The man Aang wanted to teach him Earthbending, the girl who ended up doing it... But I guess there’s only so much time, and I don’t think there’s any scenes that could be deleted to make room for it.

- It seems like Aang is just searching for confirmation of his beliefs, rather than actually seeking wisdom.

- I like that we get to see Bumi taking full advantage of the eclipse to take back Omashu from the Fire Nation, instead of just being told about it.

- It’s nice to see so many past Avatars beyond just Roku and Kyoshi, Avatars that we never heard of before, but now we hear their stories. But all of these past Avatars echo the same sentiment that Aang should kill Ozai, even an Air Nomad Avatar.

- What can I say about this scene of Zuko and Iroh reuniting? Forgive me for echoing a post I made on my main blog, but this is a scene that’s both sweet and sad.

Sad, because Zuko’s abuse at the hands of Fire Lord Ozai left him anxiously expecting furious punishment for crimes much less than what he did to Iroh. He can’t even comprehend the idea that Iroh would forgive him. His expression while apologizing to Iroh clearly shows he’s expecting the worst.

Sweet, because Iroh still loves Zuko like his own son, and doesn’t even need to forgive him because he never felt anger at Zuko’s betrayal: Only sadness and a worry that Zuko had lost his way, truly lost his honor. And Iroh is so clearly happy to see that Zuko has found his destiny, and joined the fight against the Fire Nation.

I could go on and on about this scene... It’s my absolute favorite scene in the whole series and it brings me to tears every single time I see it.

Gosh... it’s gonna be so awkward going back to the jokes and little mundane thoughts after this, isn’t it?

- Okay, I have officially given up on the idea of finding out what the heck this island is.

- I like the smile on Katara’s face, when she’s asked to team up with Zuko and fight Azula.

- It’s nice to know that Iroh will get the opportunity to run that tea shop, even if Zuko won’t be there to work with him.

- Okay, okay, so the island was actually a lion turtle. Frankly, I’ve still got a lot of questions. Even some new ones.

- It’s nice to see that the Netlix subtitles aren’t ALLCAPS anymore.

PART 3: INTO THE INFERNO

- Gotta hand it to the music, it can make even a scene of Azula making a fuss over a non-pitted cherry rather unnerving.

- Azula’s... Azula-ness has gone straight up to eleven with her newfound role. Hasn’t it? What with all the banishments, even banishing the entire Dai Li.

- Sokka, Suki and Toph are the real dream team.

- And we get a great final blind joke!

- I like that we get to see everyone doing their part in this final battle. All the members of the Gaang, even the White Lotus, get their moments to shine.

- The hallucination of Ursa shows that Azula, on some level, has an idea of what’s wrong with her. You can tell that they were thinking of a redemption arc for Azula come Book 4, though I am glad that didn’t happen.

- It’s chilling to see Ozai razing the forests of the Earth Kingdom like it’s nothing. And then to realize that this is what Aang will have to face.

- At first I wasn’t sure what Sokka’s plan was, but now that I see it in action, it’s really creative.

- I like the idea of a final one-on-one Zuko vs Azula duel(...a). It’s been a rivalry since Book 2, and it’s nice to finally see it get settled, even if I can’t imagine it’ll end up that easy: Otherwise, what would Katara do?

- It’s so cool to see Aang showing his prowess in all bending techniques, using them all in this final showdown.

- The background music during Zuko and Azula’s Agni Kai really sells it. It makes it sound almost tragic, and it is: two siblings pitted against each other, no choice but to fight to determine the future of the world.

- Azula might be slipping, but she’s still Azula, all too willing to cheat in what’s supposed to be a one-on-one duel.

PART 4: AVATAR AANG

- Netflix isn’t showing the intro for the individual parts, but I’ve gotta say... There’s no way that Katara’s still saying Aang’s “got a lot to learn before he’s ready to save anyone.” Right?

- I like that we get to see one last use of Metalbending from Toph in the finale.

- Dang, I hope this isn’t really the end for Sokka’s sword, or his boomerang. Especially when the sword was so cool, and one could say meaningful.

- I honestly wasn’t sure the Avatar State would ever be a factor again. But if there was ever a time, this is it. (ADDENDUM: This is probably the best time to clarify that I find and add the images at the start after writing the rest of the post.)

- And it’s so epic to see Aang bending all four elements at once.

- I like that Iroh got to burn down the Fire Nation flag.

- Since Zuko’s down for the count, I guess this means a battle between Katara and Azula, the latter powered up by Sozin’s Comet.

- To be honest, I could barely make out what Azula just said. “kjsdbksrbfkjvf family position to look after, kdcbkfh”?

- Katara may not be stronger than Sozin’s Comet-powered Azula, but she’s much more clever than Azula is right now as she loses her marbles.

- This is just the perfect kind of defeat for Azula. There’s no grace to it, no dignity, just writhing around, screaming and spewing fire as Zuko and Katara look on with pity.

- There’s probably a great practical reason someone could find for Spiritbending being a thing, but here’s why I’m glad it exists: Aang gets a happy ending. He gets to take down the Fire Lord, and hold true to his beliefs. If it weren’t for Spiritbending, if Aang killed Ozai, then he would be conflicted to the end.

And I don’t want that. I want Aang to get an unambiguously, undoubtedly happy ending, where the world is saved and that’s all there is to it.

Plus, Spiritbending is quite the spectacle.

- I’m guessing Sokka’s space sword and boomerang really are done for. But hey, there’s always headcanon. Maybe Sokka searched the forest and eventually found them.

- Weird to think that Ty Lee’s gonna be a Kyoshi Warrior.

- Again, I can’t believe Zukaang’s not the most popular Zuko ship in the fandom. Not a ship I’ll go to bat for, but it’s got all the hallmarks of a fan-preferred couple.

- It’s so nice to see Zuko’s coronation, and the official end to the war. It’s a happy ending for the whole world, the start of an era of peace.

- “Love and peace,” huh...? Now that’s funny to hear in the finale to this show, considering the next show I’m covering, come 2021...

- I like that we get to see one last confrontation between Zuko and Ozai. Even if Zuko’s question of where Ursa is doesn’t go anywhere (in the show, I know they touch on that in the comics), it’s nice to see the newly-crowned Fire Lord Zuko having evolved past a need for Ozai’s attention, or a fear of Ozai’s wrath.

- It’s nice to see the whole Gaang having fun at Iroh’s tea shop, in the end. And I stand corrected, this is where we get the final blind joke.

FINAL THOUGHTS

I’m lucky in that most of my childhood cartoons hold up as an adult. I watched Kim Possible, Phineas and Ferb, Code Lyoko, Courage the Cowardly Dog...

Still, there’s something special about Avatar: The Last Airbender. It had a unique aesthetic and world that no other show was quite like. It had a story that was like nothing I’d ever seen as a kid.

And it doesn’t just hold up, it’s even better.

When I was a kid, it was as simple as rooting for the good guys to win, and for the Firebenders to lose, except for Zuko once he turned good.

Now, as an adult (but mostly as someone with a DVD player/Netflix account so I’m not just watching whatever reruns I can catch) I can appreciate the character development, the arcs, the entire story.

I can appreciate how Aang grew from a little boy who does indeed have a lot to learn before he’s ready to save anyone, into a hero who could save the world.

I can appreciate how Zuko was an abuse victim who did what all abused children wish they could do and left his abuser.

I can appreciate... Gosh, Iroh’s entire character and dynamic with Zuko.

Some people say that Avatar “starts off as a kids show, then turns serious”, but I’d disagree. Avatar is a show where our heroes change, where they learn lessons, where they come of age and become the kind of heroes who can end a war that’s been going on for over a century.

As relieved as I am to be (mostly) done with these posts for the rest of the year, I am still oh-so-glad that I’ve rewatched Avatar yet again, and I know that I will be whenever I rewatch it in the future.

Now, with all that said... Farewell! Until the Christmas special, at least...

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ty-talks-comics · 5 years

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The Boys Season 1 Review and Comparison

This was so cathartic.

In an age where we’re inundated with superhero media on all fronts with their bright colors, cheery jokes and positive outlooks, it’s easy to slowly become sick of it, feel the “superhero fatigue” as it were. Where Marvel ruins some stories with far too many jokes (looking at you Thor: Ragnarok) and DC is far too dreary and serious for its own good with a lack of levity, where can one turn to for a GOOD happy medium?

Well, in comes Seth Rogan and Evan Gold, the brilliant minds behind the amazing adaptation of Preacher with yet another brutal and slightly more cynical series. The Boys absolutely stuns not only by being a genuinely compelling series, but also by being one of the few adaptations that improves on the original medium in a few aspects.

Story

The story centers around Hughie Campbell and the titular Boys as they work to expose the horrific deeds of The Seven, a collective of the world's greatest superheroes, and the company that sponsors them, Vought American.

In this world, superheroes are everywhere. They're on breakfast cereals, TV shows, movies, pretty much every piece of media and entertainment imaginable while also protecting America from crime. Sounds familiar, huh? The kicker here is that, much like every asshole celebrity that lets the fame and fortune go to their heads, these heroes are massive cunts. They take performance enhancing drugs, routinely cause accidents that hurt or kill people, sexually harass people left and right and just lie to their adoring public like they’re children.

Unlike the books, however, The Boys team isn’t the well oiled machine that’s been taking down and blackmailing superheroes for years and the first four episodes are spent introducing the different team members.This is likely due to wanting to give people time to care about them individually and the limited number of episodes in the season. This definitely works in also retooling the characters themselves for TV since they may not have seventy-two issues of character development ahead of them

For the most part, the show follows the initial story beats of the comics with a few select differences before splintering off in an entirely new direction. Hughie’s girlfriend still gets blown apart by A-Train, he denies Vought America’s hush money which draws the attention of Billy Butcher and Starlight joins the Seven after the “death” of the hero Lamplighter.

This also means that there's less time to focus on smaller plotlines and teams that are referenced to in passing dialogue like the Teenage Kix, a pastiche on the Teen Titans, or Payback, the number two group of superheroes to The Seven. While seeing the team take these guys down on the small screen would have been fun, I like the idea of keeping the plot focused on just the core group of antagonists. This way, we don’t have to slog through three or four seasons of small fry and get the big bads in the last few.

After the first half, fans of the comic may start to feel a little bit of the familiar, but then things start to take a drastic turn when Billy's pride and the rest of the teams sloppiness gets them all burned and branded wanted criminals. This never happens in the books because The Boys are funded and protected by the CIA, but here they’re just another group of concerned citizens that are completely in over their heads, adding to the tension and keeping everyone guessing as to what will happen for the rest of the season and in Season 2.

Themes

The original series was written during the latter years of the Bush Administration. Tensions were high and America was still embroiled in the Iraq War. The president was a simpering fool and companies were fucking people over left and right in the name of patriotism. Reality TV and the awful personalities on our screens were on nearly every channel and all of this only fueled the anger that is Garth Ennis’ pen and Darick Robertson’s pencils. It was a product of its time and it was perfect.

We’re now in the Information Age where superheroes and social media are the only things that matter in everyone’s mind, where women’s empowerment is stronger than ever and our leaders speak bombastically with shit eating grins full of lies. Rogen and Goldberg have kept the series modern and take everything to task.

Media. Marvel and DC are everywhere nowadays with some indie companies managing to scrape up their own part of the pie. The Boys makes fun of the seemingly endless cycle of sequels and the goody-two-shoes images of America’s favorite heroes. Everything is carefully managed and curated by a media team, similar to how Disney micromanages even the smallest details of their properties to make everything so sickeningly squeaky clean.

Not only do the heroes stop crime, but they star in their own movies about themselves as well, some have sponsorships for shoes and have to compete with each other for everything. Almost everything is done for the cameras, even intimate moments whenever Vought can find a way to make it work. The heroes are never too far from the spotlight even when they want to be and oftentimes their acts can go viral without them knowing.

Sexual Assault. In the comics, Starlight is sexually assaulted by Homelander, Black Noir and A-Train in a gross scene to establish that there’s nothing good in that world. It was good for its time in its own dark way, but today there are absolutely consequences to such things as there should have been back then. In the show, Starlight is assaulted by The Deep, her childhood crush, alone.

It’s dark and makes use of the imbalance of power as The Deep threatens to have her kicked off of the team. Soon after, Starlight comes forward with what happens to her, not allowing herself to let what happened stand and unlike in the books, The Deep gets his comeuppance. Though this also unfortunately leading to him getting assaulted as well. It’s powerful and allows for Starlight to move what could have been an image of weakness, though Vought uses this to their advantage as well, painting her a feminist icon. Best for business right?

Politics. While not everything has to be an allegory for Trump, it’s hard to say that Homelander isn’t just that. He’s what the president thinks he is, a strong, blonde haired man that the entire country loves. Homelander has the people eating out of the palm of his hands and he’s only feeding them shit. He hates the common man and will just as easily let many die if it can somehow serve his interests. He’s not above a little sexual harassment himself and he is just an evil bastard.

There’s also a subplot of military application of superheroes that I feel mirrors the discussion on the use of drones in war. Drones are absolutely deadly and have caused the deaths of hundreds, even innocents when things have gone really wrong. Even President Obama was criticized for how reckless and dangerous their use could be. The world could only imagine the hell that would rain down if superheroes were allowed to duke it out over national security.

Characters

The Boys as a comic series was an unrepentantly cynical take on the superhero genre in an established universe of heroes. The creator, Garth Ennis, didn’t grow up with many superheroes and actually felt disrespected by a few of them, like Captain America. He brought on the amazing Darick Robertson and other artists to realize this horrid world of drugs, hardcore sex and brutal violence. Many of the stories are fun and hilarious, but with the unfortunate feeling of a lot of them feeling one note due to the one dimensional nature of a lot of the “heroes” and the ever escalating level of black humor to the point of being cartoonish.

Our main character cast is absolutely fantastic. Jack Quiad’s Hughie is much like his comic counterpart, aside from being like six feet tall and not Scottish. He’s surprisingly smart with a lot of awkwardness about him. He has a good heart and doesn’t see ALL superheroes as being evil, but does have a slight sense of justice that wants to see The Seven and Vought taken down.

Karl Urban’s Butcher was the absolute perfect casting choice. He’s got that wry British wit, the fury to capture Butcher’s rage against supes and can play a manipulator like nobody's business. His character arc is one of the few regressions that I can actually appreciate for how it's done, especially as things become more fucked because of him and how he chooses to blame everyone else.

Everyone else is a slight bit of an improvement over the comics versions. The Frenchman, played by Tomer Capon, is similar to his comics counterpart, but we’re given reason to care about him and The Female. In the comics, Frenchie and the Female knew each other prior, but I don’t think it’s ever revealed how they met or became close. In the show Frenchie frees The Female, played by Karen Fukuhara, from thugs that had been keeping her prisoner and he slowly gains her trust over the course of the next few episodes after her introduction. We see their friendship grow, learn a little bit of her backstory and get a better understanding of what she wants versus just following Frenchie around and being terrifyingly adorable.

Annie January aka Starlight, played by Erin Moriarty, is probably the second best change in character in the series. She starts out as a bright eyed, bushy tailed hero looking to do good, but after being sexually assaulted on her first day in The Seven, decides that it will never happen again. In the comics, Annie stays around in The Seven and takes the abuse for a little while before speaking out and fighting back against the rest of them. What makes things even better, not only does she challenge her uber Christian beliefs during an event sponsored by Vought, but she does so while also getting Vought to force her abuser into giving a public apology at the mere thought of her causing their stock prices to crash.

Consequently, Mother’s Milk, portrayed by Laz Alonso, one of the most layered characters in the comics isn’t made better, but the more ridiculous aspects of is character have been toned down. We don’t hear of his disabled mother and his addiction to her breast milk that fuels his own superpowers, nor is his wife a crack addict that makes pornos with their daughter. He’s simply a reliable member of the team that loves his wife and will give Butcher the truth when he’s acting like an asshole.

The series actually brings a lot of grey to most of these characters. A-Train never once shows remorse for his actions in the books, but in the show he's painted as kind of sympathetic, while still being seen as a monster for what he does and the reasons behind them. The Deep could go either way after his actions with a redemption arc or a full turn to villain, but is shown to be knowingly aware of how little regard there is for him. He calls himself a "diversity hire" and acknowledges his own ineptitude, but he's still an absolutely terrible person.

Queen Maeve may be one of my favorite changes that manages to be even more sympathetic than her already pretty great comic counterpart. She, much like Starlight, did want to change the world, but she let the apathy and jaded nature of the job take her over. She's an alcoholic that sees a bit of herself in Starlight. The change comes in how she reacts to what I think might be Homelander's most heinous act in the show. She shows far more remorse and guilt over what happens than she does in the comic, showing us a side of her makes you want to root for her and to see her get better.

The best character… dear Lord, is Homelander, played by Anthony Starr. Homelander is a bastard. The worst thing imaginable because of his sheer strength and power. He’s a sociopath with all of the powers of Superman and none of the goodness. In the comics he’s simply just another asshole.

He’s the most powerful of the Seven and absolutely revels in the hedonistic lifestyle that he’s accustomed to while also hating being under the rule of Vought. In the show, he’s shown as being supportive to Vought, especially it’s current Senior VP of Hero Management, Madelyn Stillwell. He has something of a mommy fetish as shown with his interactions with her and later in the series actually expresses emotions over learning of his own tragedies, but instead of trying to change for the better, he doubles down on his hatred and anger to become an even bigger monster than before.

In the comic he just wants all of the superheroes to conquer the world, but here, he just wants to hurt everyone who hurts him. He plays games like a child, threatening and revealing secrets to toy with people before absolutely breaking them. He's horrible in a very personal way and his sneering smile only makes him so much more hateable. He knows there isn't a damn thing you can do to stop him and he revels in that fact, I love it.

Pacing and Direction

Coming in at an hour for each episode, the first two to three can feel a bit slow. Getting all of the story elements to sit just right can take time, especially as new things are introduced every few minutes. This slow burn approach easily helps to build the tension before things get really crazy by episode four. By that point, the story is unfolding at a perfect rhythm, the team is mostly together, they’ve made their plans of action and it’s all so smooth.

Thankfully each episode is directed by different people to avoid each feeling so similar. The common humor and tone is kept the same, but some episodes are very hopeful almost before being met with one that absolutely makes you hate certain characters and the actions that they take. In particular, the episode where Hughie and Butcher visit a group therapy session and Butcher flies off into a rage about the weakness of the attendees as they basically lick the balls of the heroes that have maimed them was amazing. The director pulls so much emotion out of that scene and continues on as the episode moves along in a far more dramatic fashion than some of the others.

Some others lean heavier on the debauchery such as the episode where Hughie and Butcher venture into a superhero sex club and watch as these guys do some pretty amazing feats with their abilities in some really gross ways. There’s a good balance of levity and drama that makes neither feel too overwhelming.

Overall

With a great cast, impeccable acting and an unpredictability that I actually enjoyed, The Boys absolutely blew me away. I was wholly prepared to rip it apart if I felt like it didn’t do the story justice, but Rogen and Goldberg are fans and knew what we all wanted. It’s unabashedly a comic book show, but still has enough to it that people who have never heard of the series will be floored by how much they can find to enjoy.

It’s for the nihilistic and jaded comic book fan. It’s for the casual watcher who’s gotten enough of Marvel’s colorful displays of happiness and it’s absolutely for the happy person who just wants to have some fun with what they watch.

I thoroughly enjoyed this season of The Boys. So much so that I’m aching with anticipation to re-read the comic series in preparation for Season Two. It’s unlikely that it’ll follow the plot much, if at all after the ending, but with Stormfront (as a woman) being announced as the new Hero joining the Seven in the next season, I’m excited as to who else they might pull. This first season absolutely earns a high recommendation from me.

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popculturebuffet · 4 years

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The Casagrandes Reviews: Operation Dad

In my first look at The Casagrandes, We meet Ronnie Anne and Bobby’s dad Arturo as Ronnie tries to get him to start working in the city to be closer to them.. and when a genuine honest appeal dosen’t work, shenanigans will have to do. Dad stuff under the cut.

This is one i’ve had in the works since my labor day catchup binge of shows, but kept getting pushed back either due to regular coverage or specifically timed things like the bi visalblity day review of “What Was Missing. And with Halloween next month, my time to cover this is running out a bit and I feel it’s a great place to start covering this show so, pitter patter. The Casagrandes didn’t really hook me in at first: It did have two things going for it: An intresting premise A blended family coming together, with our heroine and her big bro being fish out of water in a new family situation. Wheras with the Loud House Lincoln, and by extension most of his sisters, is used to how his house runs, knows the score and knows how to manuvre around it, Ronnie Anne was being dropped into a new situation, with people she KNEW, but only likely from seeing them breifly. It’s one thing to see your cousin once or twice a year, as I did with mine at that age, it’s another to live with them. It had a lot of potential. The other thing was Bobby Santiago, Ronnie Anne’s brother, and one of my faviorite characters across both shows, an endlessly nice guy who while suffering from a terminal case of dumbass, is utterly likeable, helped by his VA Carlos PenaVega, with the spinoff and i’ts build up only fleshing him out more by giving him his job at the Mercado, and showing he has serious buisness acumen in addition to his many other talents.

But what made me wary was the lead: Ronnie Anne didn’t get the best intro on the loud house. You know this, I know this. We all know this. No sense beating around the bush: She was a bully, who had a crush on lincoln and masked it by pummeling him. And this was seen as okay by the show which isn’t as suprising in hindsight as Chris Savino clearly has messed up views about women and harassment, and is thankfully no longer part of this. She did get slightly better once she actually showed up, getting genuine chemstiry with Lincoln and being shown underneath the bully exteriror was a pretty nice kid who shared his intress. Granted it wasn’t perfect as the show madei t clear he was terrified of her, but it did at least also make it clear he no longer had a reason to be, and while she’d prank her boyfriend, or assits his sister during her dark time once a year in doing it, and if your wondering if i’m ever going to watch or cover the april fools episodes .. yeah i’m just waiting you know.. for april fools.

My point is it was kinda mixed and their solution was to soften her up a bit but also act like she and LIncoln weren’t intrested in each other all of a sudden instead of you know, dealing with her past actions and having her make up for them. It was sloppy is what i’m saying and the character while not bad wasn’t in the best positoin to tkae the reigns of her own show. They did add some intresting depth with the move though, showing that Ronnie Anne and Bobby were often on their own, and that Maria moved them to the casagrande household simply because she felt her daughter would be happier NOT having to be the strong one or take care of herself all the time and actually have someone look out for her instead. It was a good emotional reason for hte move and both casagrandes showed up ocasoinally, mostly Bobbi whose still with Lori to this day as seen in the season 5 premiere. It was an okay foundatoin but it would depend on what they did with her character.. and i’m glad to say.. they made it work. The show still has rough edges, mostly having the same problem ducktales and the loud house itself had during season 1 of juggling such a large cast: Most of them outside of Ronnie Anen and Bobby have only gotten 1 episode, and even then CJ feels underutlized despite being amazing, while the adults outside the grandparents feel underutlized. Buuut the show is funny, intresting, has good pacing and unlike the loud house, having already learned that lesson, while Ronnie Anne does get more episodes than the rest of the family, it does feel more like an ensemble show and the focus on her feels less like the show not knowing what it has and more like easing the viewers into the rest of the cast by using her as a viewpoint. Ronnie herself is better, the bully aspects gone. She can still take care of herself, and is still fairly indpentent and clever, but she’s got a sharp sense of humor and a clear love of her family and the fish out of water aspect I hoped for, while not used a ton, still comes up in intresting ways. Overall i’d say the show is off to a good start.. and it has Melissa Joan Heart and Ken Jeong as a married couple and let’s Ken play a diffrent role for once: A dorky, kind dad instaed of any degree of lunatic. That being said given his character her’s last name is Chang, I can’t help but think this and community are in the same universe and that the Changs have just had to put up with whatever insane phase Senor Chang was going througha t the time every time he visted. I mean i’d love to hear Sid tell ronnie anne the time her uncle came over in a napoleon outfit and revaled he’d taken over his community college with the help of a bunch of children. But i’m getting off topic, I gots an episdoe to cover and out of the ones I watched this felt both like a great re-introduction into the cast and was easily one fo the best with a great emotional core and great jokes and LOTS to dig into. So i’ve jawjacked enough, pitter pater. Again!

It’s with this episode we properly meet Arturo Santiago, Ronnie Anne and Bobby’s father, Maria’s ex, and owner of one hell of a beard. Ronnie mentioned him back in friended aka the pilot because fuck that airing structure but not the time or place for that moving on.

We see he video chats his daughter once a day, though today she made hte mistake of doing so on a crowded subway while with her best friend and future wife Sid. NOW we can talk about Sid. Sid was introduced in Friended! over on the loud houd house as part of that mini arc I keep yelling about and will again and again. Sid is Ronnie Anne’s clyde: A best friend whose there as her sidekick, emotoinal support and resident goofus, being a bit of a weirdo and given i’m a giant ass weirdo, you can see why I like her/want to keep her safe from the nightmare that is at last half this fandom. Plus she and ronnie anne are adorable together and have more chemstiry than she and lincoln did.. thoguh the two do have OT3 energy together in his one episode, but that’s for another time.

Anyways as Sid helps her rangle wifi by them by doing the mecha shiva we soon find out Arturo is coming home! Home lord he’s been off in Peru for too longggg. Point is Ronnie Anne is excited, Bobby is excited, everyone’s excited except for Hector who hates him.. and honestly I can see why the contrast. For everyone else, Arturo is a charming, friendly guy who genuinely loves his kids and only is away from them because he has a lot of important work to do and even with that is still an active part of their lives. Buuuut Hector likely sees it diffrently and is likely homing in more on the fact Arturo is barely there in person for his kids and left Maria to do all the raising them by herself, with her own demanding job. It’s not a black and white situation is what i’m saying and.. I genuinely love that. It’s a complex thing to deal with: A parent who isn’t there for his kids but it’s hard to say if he’s being selfish or not. He’s not david from roseanne doing this so he can feel good about not wanting to deal with being a father or the death of his brother, Arturo genuinely just wants to help those who need him, even if he has to sacrifice a lot to do it. Ronnie Anne naturally wants him to move here though and convince him during his visit, and her plan nicely shows off the duality of her charcter: She’s clever and can easily think things through, as his originzation has it’s home office in Great Lakes City so he could still help those in need, just more from the organizational end, as well as i’m assuming GLC’s own homeless and needy. But she also has an 11 year olds understading of complex issues and thus thinks the easiest way to convince him is to take him on a fun daddy daughter day that will make him love the city. Bobby is less optimistic about the plan though.. and that’s because he’s been through this with Arturo already. Granted his job for him was at weenier on a stick because it’s bobby, the boy is a peach of a human being but has the plkanning skills and common sense of a basset hound on qualudes. He just sugest she enjoy the time. And this says a lot about BOBBY too: He’s used to his dad being out of his life, he’s probably been gone for most of it and while he loves him, he’s had ot get used to the fact he’s probably never going to be regularly in his life and while he understands why his sister’s trying this he wants to spare her the pain he went through. It’s interactions like this that to me show the series at it’s best and what it could be: deeper character interactions that really let the characters and voice cast shine, that still mix well with the usual nonsense. Arturo arrives and everyone loves him.. and again it’s easy to see why: he’s kind, friendly and to the kids, he’s their cool uncle who lives in another country and as someone with one of those, It does feel neat. Hell he was my cool uncle when he just lived in chicago or seattle, but somehow he had to top those by moving to fricking ireland. So I get where they come from and really relate to it.. I mean I met mine in high school, my family tree is complicated, but still. So while everyone but Hector is happily remeetinmg their uncle Maria shows up. And it’s awkward, the two not knowing how to greet each other, but it’s very obvious Maria and Arturo are on good terms, it’s just hard when theres so much history there. Speaking of Maria let’s talk about her since this is one of her only scene’s this episode. Maria is one of my faviorites. She isn’t used a ton, but this is more excusable than it is with the Casagrande parents, as the whole point of Maria uprooting her kids to Great Lakes City was to give them company and someone to take care of them while Maria worked the long and varied hours of being a nurse. She’s a good parent, who just picked a rough career, and made the hard decision to uproot her kids, not for her sake, as it can’t be easy living with both your elderly parents, your sister and her husband not to mention 5 kids, a giant adorable pupper and an obnoxious parrot, but so they’d be happy.. which given Ronnie Anne went from having no friends and largely having to be the rock in the house, to having a sizeable friend group plus her cousins, as well as generally being happy while Bobby went from bouncing from job to job to running the family buisness and planning to expand it when he gets older. She’s a good gentle person who still makes time for her kids, and I wish we saw more of her with her spotlight episode, which was about Ronnie Anne trying to spend more time with her, being one of my faviorites so far. I also like the fact that for once in a cartoon a parent with a time sink of a career isn’t demonized for trying to put food on the table and rather than just quit or have a mean boss or the usual cliches, Maria just found a way her kids wouldn’t be alone. She’s awesome. Ronnie Anne first tries showing him how great the city is with home cooking and a warm bed, but the first while nice is something he still gets, and the latter in a nice touch is just.. too soft for him. Ronnie meant well, but understadably he’s just not used to it and makes a cot under the stars instead.. he’s not trying to be ungreatful, he’s just sued to it.

Anyways Ronnie indeed takes him on a montage, with some cab headbonks beacause why use an uber that’s cheeper and safer huh? Anyways our father and daughter do have a montage, and hector gets beaten up by a luchadore because this promotion apparently dosen’t get not to attack the crowd. They really need to stop booking that guy.

Ending on our article image, which is really sweet and a real beautiful shot, Ronnie Anne finally gets to her Ronnie Plan. First Arturo cycles through two diffrent assumptions about what she’s asking him about. He first thinks she’s about to tell him about a special boy or girl in his life, his exact words. He backspaces to include that. She says no which.. I guess okay you have other things in mind but you can’t put off him meeting Sid forever. That aside I do think it’s a good indication Ronnie Anne might be bi, and both her parents just easily accepted it which is great. I could be reading too much into this, and I probably am, but I’ve thought I was before on nickeodeon and look how legend of korra ended.

The next is just hilarious as Arturo tries to let her down gently that he’s not getting back with maria which Ronnie Anne agrees with and was not remotely her point, but I do like as it shows their well and truly done, and it’s nice to see that sort of dynamic with a divorced couple in fiction where it’s not because of lingering sexual tension or anything, just that their apart but have kids to think about and presumibly the split was amicable if again still awkward. Finally Ronnie asks him.. but he gently refuses, since the people he helped need him as much as he wants to stay.. but part of what makes Arturo likeable, especially since he’s in the REALLY throny situation of not being in his kid’s lives in person despite having the opprountiy now, is that he genuinely tries to compromoise, saying he’ll try to up the calls to two a day, and he’ll visit more often. Ronnie Anne sadly and half heartdly says it’s fine and walks off. So Ronnie Anne vents to that girlfriend she apparently dosen’t have that he cares more about her patients than him and Sid sidgests that part of that is simple: He dosen’t feel she and bobby need him since, as I pointed out earlier, their doing better than ever. So Ronnie Anne intitates a second Ronnie Plan: to convince him she’s a troubled youth and get him to stay and reasssmbles her cousins to help. Before we move onto this plan that’s totally a good idea and not a borderline Zach Morris evil scheme, let’s talk about those cousins real quick. Quick fire: CJ is really great, a sweet kid and I wish they’d use him more and generally do nto get why they don’t, Carlota is fine but not all that defined at this point but Alexa PenaVega tries.. and why yes it is kinda weird Carlos PenaVega’s wife and the former star of spy kids is playing his sister. And Carl.. I don’t likes him. I just don’t. He did give me a really good episode, which we’ll be covering next month, but he’s just a little asshole with out the charm of fellow little asshole Louie Duck, who alsos cams people but actually gets consqeunces more often.

That quickfire done Carl does a forgery which depsite me being eh on him, clearly, is a funny bit, to make Ronnie Anne look like she’s failing, but that fails as you’d expect when he can help her with that from Peru. So it’s on to the actual plan: Which really boils down to this.

I mean.. that’s essentially the plan convince him she’s running with a dangerous crowd and is breaking bad, dressing up in punk clothes and making a scene at breakfast. She also gets a really neat new haircut, similar to luna’s but spiky which.. why isn’t this her normal hair? and why dosen’t she at least keep the cool leather jacket? I always get annoyed when a character’s temporary costume change is even better than their default design and htey fail to realize it but whatever. IT starts to work a little but clearly a breakfast tauntrum won’t be enough so Ronnie Anne enlists Sid.. who is frightend,d osen’t recognize her and dosen’t want to get shoved into a locker. .. who hurt you.. tell me.. I have a box to deliver. Just let me pop a quick H on there real quick.

Anyways, once Sid realizes “Oh that’s not a bully come to shove me in a locker that’s just my girlfriend in the middle of a zack morris grade elabroate manipulative scheme”, which happens once a week their fine, she comes up with one last plan: Have her friends, who are neat but need more filling out, dress up like punks bullying her friend sameer. This plan.. makes no sense. For one she was already a bully back home.. granted it was because she liked the kid, which no just no, but it’s heavily implied she did the same to the rest of the lincrew too. .which aside from Rusty isn’t a good look. I mean his face is punchable and he mocked hte idea of them being together despite next season hitting on Lincoln’s sisters, there’s a 1:1 chance he hit on her and she shoved him in a locker as is the natural response to anyone getting asked out by that goober. No matter how hard the show tries to pretend that didn’t happen it did. If her bullying kids didn’t get him to move home back in royal woods it won’t work now.

So they had behind the fish market for their plan, Arturo is directed there.. and sees through it. I mean she’s probably sent him pictures of her friends, he knows who they are and no amount of costumes is going to fix that. I mean you really only changed Nikki’s hair. Why not just have a dance fight. i’m legitly asking dance fights are rad and this reminds me of the venture bros episode where hank, to impress his date, has billy and white pretend to be a street gang to impress his date. Just do that for sid instead of trying to gaslight your dad into staying. But no while he pulls her into the car, Arturo knows this was a stunt and asks why. When Ronnie Anne tearfully reveals she just wanted him to stay.. he hugs his child.. and agrees. He realizes that if she’s willing to go to these lengths to get him to stay, she must REALLY miss her papa. So he plans to call the office to transfer. But then while helping her dad unpack, Ronnie Anne finds something and we get another emotional scene: Ronnie Anne finds the letters he got from the various kids he’s helped, and is moved to tears. Props to Izabella Alvarez for her performance here as she reads the letter and realizes just what her dad’s work does ,and why it means so much to him. He truly helps those who need it and she decides she can’t take that awy from it: Sure her dad won’t be around.. but other kids need her dad more. She has a big family, she misses her dad.. but she can live without her dad. They need a doctor.

So Arutro heads out with a tearful goodbye and Ronnie Anne leaves him a scrapbook of their time together. We then cut to the Santiago sibs playing cards, and being sad about their dad and all that.. when Arturo calls.. and then shows up in person. He took the Headquarters job after all, though a close friend of his we met earlier in the episode but I ddin’t mention will be taking over in Peru, and from earlier clearly wanted to get back out in the field, so it all works out. And it’s a nice character moment; Arturo realizes while his work is important, and as mentioned he does make sure a compient replacment will continue it.. his family can be too and it’s okay to think of himself and them for once. As I said he’ll still be able to help just in a diffrent way and there are probably needy kids who need him here too, if not in the same ways obviously as a doctors without borders type project. So eveyrone shares a group hug and even Hector bursts into tears. And Maria comes in wondering what she missed whiel Sergio asks who wants to tell her. oh sergio.. why didn’t you stay away when you ran away in a future episode. Final Thoughts: Not much more to say. It’s a well done episode with high emotinal stakes, great acting and some great jokes I didn’t get to, and while the plot of “Make absent parent stay by pretending things are bad’ isn’t new, it’s done well enough here. Overall just a really good episode that shows what this show can do and why it’s unique family setup makes for intresting stories a lot of shows can’t tell, and validates this spinoffs existnace. The episode also really fleshes out Ronnie Anne’s character, and givne Arutro’s been gone since the divorce if not longer, it’s resonable to supsect her earlier bullying might have been lashing out at her parents divorce. It’s just good stuff. Keep an eye peeeld to this blog for my regular loud house and ducktales coverage , and some more casagrandes this october. ANd until then, Go Team Venture!

#the casagrandes #ronnie anne santiago #arturo santiago #bobby santiago #maria santiago #sid chang #cj casagrande #carl casagrande #carlota casagrande #the loud house #reviews #animation

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coinofstone · 4 years

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2x13 The Last Dragonlord

I really appreciate that this picks up 2 days into the dragon's scourge. We were shown that Merlin knew what would happen if he set Khilgarrah free; he chose to do it anyway. There was no reason to pick up ten minutes later when everyone is scrambling trying to get a defense together while Uther demands to know how he got free. The little time jump that puts us right into the thick of it was exactly the right creative call imo.

Why IS the dragon going after Arthur? And how does nobody hear him yelling at Merlin about his magic?

Arthur taking off his gloves and sitting down in a pained relief while Uther goes off about 'rid ourselves of this aberration' is a mood. He's fighting off a damn dragon all night and then doing admin all morning while his dad is there all fresh and clean and conveniently ignoring the fact that it's HIS pet that's got out and is murdering people and destroying the castle. Like how about you do whatever you did to capture it in the first place, again?

Lol @ Gaius 'Bee tee dubs I've known who your pops is this whole time, he's not only alive but also a Dragonlord, which isn't something I thought fit to you tell you in all that time you were having campfire chats with the great dragon Uther's kept chained up in the basement for twenty years! Safe journey!'

Wtf with Arthur's magical moving bed. What were they thinking with that staging. Also, this is why you don't throw pillows at ppl. He throws his pillow at Merlin and now he must lay there pillowless.

Merlin's known his dad for five minutes and he's already lying to him about his boyfriend.

Balinor said, 'let Uther die, let Camelot fall' and Merlin is like, disappointed? But wtf did he expect? Dude lives in a cave cuz Uther's pursued him so far in an attempt to rid the world of Dragonlords. Like why would his indifference shock you?

Arthur's just blatantly flirting with Merlin in that campfire scene.

Merlin wins the award for 'most awkward and drawn out familial confession ever'

I do feel for Merlin. He's so awkward and hopeful and clearly romanticizing the perceived 'missing piece' in his life/upbringing, as tho it were a magic fix for everything that's ever gone wrong in his life. It's painful to watch, partly because Colin plays it so well.

Arthur and Merlin were gone for at least as long as the dragon had been attacking Camelot when they left. At the point when they retuned Camelot would've been under attack for the better part of a week. Kind of shocked Uther didn't have a bunch of knights turn deserters, thinking Arthur's been sent away to preserve the royal lineage.

Arthur's just blatantly flirting again. It's hard not to think he's being so free with his affection because he's fairly goddamn certain they're both going to die. I guess the argument could be made that facing a dragon who is literally burning your castle down around you might've just put things in perspective for Arthur - but really, I doubt it. They're heading back to a Camelot that's been under siege by an unkillable, fire- breathing, flying beast, for days, after having left the only man on earth who could've saved them, who refused to assist them. And Arthur is sitting there downright giddy teasing Merlin. That, my friends, is the *true* face of defeat. The further example is when Arthur is suiting up to go try and fight the dragon in a clearing outside the castle, and he's like, sort of trying to say goodbye to Merlin but also kind of flirting and playing up their usual banter - it's gallows humor, clearly. And the way he melts and doesn't even put up a token objection when Merlin says he's going with him. JUST MAKE OUT ALREADY but it's very much like that absurdist - I don't want to say nihilism, but essentially, acceptance that the odds are overwhelmingly NOT in their favor, and that they're probably going to die and nothing can be done to save them or Camelot. Once you reach that point, you've really only got two options: a) die mad b) live. Arthur really seems to be taking the latter approach, and I'm here for it.

Gotta admit, it was very courteous of Kilgharrah to come meet the knights in that clearing instead of just flying over them to take another pass at destroying the castle with Uther inside it.

That dragon said 'tonight, I'm have bbq knight'. Also I've always kinda given them shit because Leon supposedly went out with them for this, and all the knights lined up to get flambéd yet Leon is ever present in following seasons - but if you actually watch carefully it's Arthur, Merlin, and another knight that get knocked off their horses by the dragon's tail. I may or may not have rewound that part half a dozen times just now to be sure. Looks like two knights on the ground unconscious by Arthur's side.

So. Okay. I understand finding his dragon voice and I understand the whole inherent- language thing, I understand Merlin showing the dragon mercy and letting him go, I understand everything said between them and that's all fine. What I don't understand is how in the holy hell Merlin let him go without demanding answers. Answers to why he wanted to destroy all of Camelot, when he'd spent the last however many years helping Merlin save it, and save Arthur, in order to bring about their destiny. Answers to why he didn't just fucking kill Uther, why attack the lower town? Why attack Arthur who again, he'd repeatedly helped Merlin save, because he's supposed to bring peace and magic to Albion etc? Like HOW IN THE FUCK are you really just gonna let the fucker fly off without explaining himself? Maybe it's just me.

HC: Arthur was so relieved and elated when Merlin told him he'd dealt the dragon a mortal blow, Merlin came over to help him up off the ground but Arthur pulled him down and rolled him over in the grass instead.

Uther watching from the window like a maiden in a tower 🤦‍♀️ get fuuuuuuucked

Big season finale and no commentary track? 😕 probably cuz it was too gay to ignore the gay so they thought it best to just not say anything.

DVD extras in lieu of commentary track:

My favourite part of any of these BTS things are the little tidbits about the horses. And the terrible jokes.

I'm a little bit freaked out by how much Johnny Capps looks like my city councilman? I've never seen him before. If he was in the first season's extras I didn't notice him.

Why is "Cast and crew introduction to S2" on the last disc of the box set?

Googling instead of watching and I've discovered these guys did Atlantis after Merlin, which is a show I randomly started watching and fell in love with and was devastated when it got canceled so quickly.

The "secrets and magic" special feature seems to be an episode-by-episode BTS thing, which I wish I had known earlier as I would've just gone back and forth to watch the feature after the corresponding episode. Since it's too late for that now, and the runtime for the entire feature is nearly three goddamn hours, I'm just going to slog through one single separate post for the entire thing. It'll be posted late tonight or tomorrow. But I'm 1000000% checking the S3 extras BEFORE I start watching the season.

#bbc merlin #bbc merlin spoilers #merlin #merlin spoilers #merthur #2x13 #bbc merlin 2x13 #merlin 2x13 #the last dragonlord #onceandfuturerewatch

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stranger-who-writes-fiction · 4 years

Text

Alright 5x19 let’s DO THIS.

(Warning: This will probably be long.)

WE BEGIN...by visiting Leviathan’s underground speakeasy.

The shot of Lex in the glow of the Kryptonite is great, 15/10 iconic Kryptonian Killer.

But SPEAKING of things that are green and bad...Gemma’s outfit is stage magician meets Mera from Aquaman and WAIT, WAIT, I’m just now remembering that the character in the comics was linked to Atlantis. Is that why they’ve gone with a green motif for her all season?

Probably not. Either way, still gives me knockoff Mera vibes. (*whispers quietly* I don’t like Mera’s outfit either.)

(I’m reading the Wikipedia entry for Gamemnae and did you know: she was exiled from Atlantis for being blonde?)

Anyways!

That’s just a very long-winded way of saying that the costume is kind of a weird choice.

Then we’re back in Kara’s loft and finally, FINALLY...someone tells Lena that there are BIGGER FISH, STOP REMINISCING.

And then the Superfriends arrive on the scene and they are ready to throw down.

Honestly same bro, same.

Also M’GANN IS ON THE TEAM I love it please, SG, please, hire Sharon Leal full-time.

What is the current door-kicking tally--how many front entrances have the Danvers girls destroyed?

“Well the joke’s on Rama Khan and his big dumb gladiator outfit because I already defeated him once.” THIS. IS. WHAT. I. HAVE. BEEN. SAYING.

THE COSTUME IS SILLY AND NOT IN A FUN WAY.

Leviathan just has terrible fashion sense, is basically the theme of this season.

Oh my gosh M’gann being the one to suggest the multiple Karas and the WINK I love her, I love her so much.

PLEASE NOTE: That J’onn was like ‘the skirt is surprisingly comfortable’ but his response to the pants is, ‘they’re gonna chafe.’

J’onn J’onzz, Skirt Supporter.

Then the Alex suit reveal and ooof, ooooof, probably the wonkiest of the scenes, unfortunately. (Can’t decide if I appreciate the effort of the CGI Alex or if it’s simply too uncanny valley.)

Also, put a pin in the Alex suit reveal. We’ll circle back to it.

(Oh wait and also: Kara’s scream and J’onn’s reaction all A+.)

Breaking chronological order here to just touch on the highlights and maybe discuss particular chunks in detail SO...let’s get right toooooooo....

Rooftop scene with Alex and M’Gann! Nice! But also I was like, ‘Alex just...has a bazooka? ...Yeah that tracks.’ And then I remembered that she has the martian weapon...honestly kinda prefer my accidental headcanon that she just owns one.

Then back to Lena and Kara and we’ve come full circle because folks...they figuratively flew to Luthor-Corp...on a bus.

Oh if only that was the actual goal of this entire plot. I would applaud it.

SG writers, always: REAL threats come in groups of THREE.

I actually don’t mind it. They aren’t given a big introduction and amount of screen time, so it’s pretty unobtrusive.

Then we get a Luthor-Corp lab scene AND a good look at Alex’s suit so LET’S CHAT.

Okay first and foremost: not opposed to vigilante Alex! Especially if it means she can work with Kara a bit more directly.

Love the color scheme! Love the hood! Love that the boots are no longer the stealth wedge heel but are just...heels. Good, yes, good! Also love that you can see it’s basically built on top of her DEO suit which totally makes sense, as...I guess Alex is building the suit mentally, not physically, technically, but she’d still be using stuff she’s familiar with to put it together in...her...mind?

I also think the top portion sits better than the DEO suit, which had that awkward...square-ish portion that covered the front of the torso.

But hmmmmmm the eye makeup is...a statement.

Confused as to why they didn’t go with a domino mask...maybe it was an actor comfort thing but HMMMMM not my personal favorite, admittedly. (Also don’t love the lace up look on the front portion but that’s because it’s reminding me of some of the terrible costumes from Arrow.)

And then the hair clip, which. Okay. As someone who has been struggling to find a way to pull back short hair during this time of no haircuts...can’t be mad about it.

In fact, catch me over here, taking notes.

Alright, costume rambling OVER sorry for the tangent but, you know. New super suit, it’s always exciting.

I like that Kara had to deal with not being able to be out fighting the threat! That’s a good bit of character stuff there.

“William went after Eve ALONE?!?!?” “No super hearing!”

“Please, be careful.” “You know me.” “Yeah, exactly, that’s what I’m worried about.” And then a HUG and they’re just the best.

Dunno if I’ve mentioned it yet but I love the effects they use for Gemma’s ‘true form.’ Very cool and creepy.

Does Andrea just...not question Gemma’s evil villain outfit...or...?

Much like Alex’s super suit we’re puttin’ a PIN in the Brainy plot we’ll get there but FIRST...

THE KARA AND LENA CONVERSATION.

Do I think it should’ve come earlier in the season? Yes! Do I care at this point? ...Okay, still yes! But that’s another pinned point I’ll get back to, right now let us just bask in the beauty that is specifically, verbally laying out all the CRAP Lena put Kara through, and Kara making sure Lena understands THAT is what hurt her, not ‘working with Lex.’

“You never understood.” BINGO. “I know I hurt you by waiting so long to tell you my truth but what about all the ways you hurt me?” EXACTLY.

“I made one mistake, one mistake that was only ever meant to protect you and in return, all you did was hurt me in every way imaginable.”

Then Lena finally apologizes. For, you know, the stuff that was actually upsetting Kara. So. We got there. ...Eventually.

Then it’s off to save William and he’s talking down Eve! We love a noble journalist.

Kara cauterizing the bullet wound and William being like ‘DO IT no wait DON’T DO IT’ and Kara’s just like, ‘TOO LATE, IT’S DONE.’

RETURN OF THE POWER RANGERS SUIT NICE.

And theeeeen a lot of scenes that are fine but it’s mostly just legwork to get us to the bigger parts of the episode sooooo we’re jumping to...

Andrea! Pleasantly surprised with her part in the action of this episode. Had that nice moral conflict we saw in the front half of the season. It’s a little crammed in here, at the last minute, but. Still enjoyed seeing it.

A personal quibble on the visuals: I prefer the simple elegance of the season one hope speech, (Just a lone camera, in a rundown radio station XD) but I understand they had to convey ‘scale.’ Still think it’s a little much.

Oh man, totally forgot to mention, loved Nicole’s line read for, “Maybe you should’ve been meaner.” It was GREAT.

So there’s the fight against Rama Khan and his buddies, and Kara’s trying to talk people out of a MMORPG, AND Andrea shows up ready to kill somebody.

The drama! The suspense!

THE SCORE.

I have another quibble with the cutting back and forth on the hope speech and it’s largely to do with perhaps inadvertent implications regarding who has to grow from pain and what pain in particular, but that might just be a ‘me’ thing, reading the scene a particular way, so I’m just gonna move on and say LOVE TO SEE A HOPE SPEECH.

Also:

Supergirl: “I believe in you.”

The VR peeps and us, the audience:

Alright time to talk about BRAINY.

Admittedly haven’t loved double agent Brainy, which felt more like a, ‘let’s add some drama’ move than anything else.

I do still stand by my assessment that Brainy being a few steps behind Lex made sense given his distress re: Nia and the Superfriends.

But also...was a little wild, IMO, that he didn’t have...some way to at least circumnavigate the radiation shield? Or at the very least limit it.

But again. DRAMA.

All that said...wow. Loved the two Brainys at the end, there. Genuinely touching.

“Will you stay with me?” “Till the very end.”

BRAAAAAAAIIIINNNNNNNNY.

How do you make another Luthor reveal work when you ALREADY pulled the, ‘It was Lex all along!’ like, twice before?

You MAKE IT LILLIAN.

Like, dang it, I enjoyed it. How dare you, SG.

But THAT’S IT. NO MORE SECRET LUTHOR REVEALS.

The terminator look and death shriek for Gemma was fittingly creepy very nice.

But also WOW, she never interacted with Kara. I am DISAPPOINTED.

So anyways, that second Lena and Kara conversation!

It was fine. It’s fine. This is fine. It’s...it’s fine.

(Except that it highlights a problem with the way this whole thing was set up and it’s not something unique to SG! It’s a problem I’ve noticed with a lot of redemption arcs--which seem to be all the rage, as of late--and that is a disproportionate amount of bad things done by the one character, and putting off the turn until like, the last possible minute to increase the drama factor and thaaaaat...is not a super satisfying conclusion because it’s a HUGE amount of build up for a relatively small pay off. Like, as Kara is listing the stuff that Lena’s done, it’s kind of a stark reminder that Lena physically and emotionally hurt Kara on purpose which. Is a glaring red flag. That’s the kind of thing that needs to be unpacked, maybe! Given some space!

Which isn’t to say that characters should never be forgiven, or that they need to be excessively punished. It just needs time. So saving the ‘redemption’ part for the very end where the characters NEED TO BE HEROES RIGHT NOW IN ORDER TO HELP OUT it’s...hmmmmmm. Too rushed.)

AND SO, SOME FINAL THOUGHTS ON THIS, THE SEASON FINALE, AND THE SEASON AS A WHOLE:

Wow but I did not like the focus on Lena. Not fun. No thanks.

Which is only made worse by the trashfire that is the SG fandom.

Loved the moments of growth and agency for Kara, though.

Loved the big crossover! It kinda made for a wonky set up of Earth-38 plot vs. Earth Prime plot but honestly anything the writers set up in the front portion of the season was going to be at the very least interrupted, if not completely derailed simply given the nature of what they intended to do with the merging of the earths.

Like give me SG’s approach to handling the front half of the season over Flash’s any day.

Still too many characters! Still too much plot! Still weird pacing issues! XD

Forget it, Jake, it’s Supergirl.

Oh, honorable mention: The handling of Kelly! She was integrated so well into a nice intersection of plot points and characters that when she’s there to hack into the Obsidian stuff in the finale it’s like, ‘well naturally she’d be here.’ EXCELLENT WORK.

William and Andrea win ‘most improved over their intensely unlikable introductions.’

To be clear: I liked this season finale! And the fact that it all came together as well as it did is a testament to the skill of all the folks involved, considering the awful extenuating circumstances.

Though, upon further introspection, I think I really do dislike the CGI Alex. Too far into the uncanny valley, sorry.

IN CONCLUSION: Very, very sad that it’s gonna be a whole year, or possibly longer, before we get new SG content but, glad that the actors will have a little more time off than they usually might, and I’m all for holding off the production as long as possible, in order to keep folks safe.

WHAT are Lex and Lillian up to, like, specifically, and WHAT is Alex’s superhero name??? WILL the folks in charge of the new Superman show remember that it’s a Supergirl spinoff?!??! Find out NEXT YEAR only on SUPERGIRL! (And Superman & Lois!)

EDIT: I used the word ‘quibble’ twice which feels like one time too many, but also it IS a fun word to say. ‘Quibble.’ Ha. XD

#SG post #long post #supergirl spoilers #5x19 spoilers

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ayankun · 4 years

Text

AoS S2 Rewatch Briefest of Thoughts

Maybe watching a thing five times is too many times lololol

First I have to admit, I found myself spacing out through a lot of this season. I mean, my annual rewatches are typically always in the background of other activities, but this time through I definitely just didn’t pay attention to a lot of it.

Even so, here is a list of Things I Noticed This Time:

Not sure if watching S1 directly before this really made a difference or not, but this time I have a much clearer understanding of “S2″ and “S3.” When I first started watching this show, I shotgunned 2 and 3 back to back, and have done that once a year since, causing the two seasons to feel like one mega-season in my mind. Not this time!

A lot of the stuff I consider to be “the show” is introduced in S2, sure, but isn’t developed until S3.

Daisy Johnson

Terrigenesis & the Kree (wow my new band name)

Mack and Daisy brotp

FitzSimmons as an actual item

Collecting/protecting Inhumans

Talbot and Creel

The Monolith

Lincoln (gross)

And a lot of the stuff in S2 doesn’t even make it into S3!

Cal :<

Raina :<<<

Afterlife and all those poor fools who just wanted to grow up and get wings or whatever

Edward James Olmos

Agent 33 lol GOOD

Fitz’s brain injury

And of course there’s also big S3 specific stuff that hits you right away in the season opener, like Rosalind and Maveth.

I feel like ultimately I’ll have to say from now on that S3 is my favorite season. More on this as it develops -- only just started ep 2 today.

A note about Lincoln. Since actually he’s going to be way more important in S3 than he was in S2, let’s talk about his introduction. So far, there’s really nothing about the character that warrants my knee-jerk dislike. The character is supposed to be good for Daisy! He’s soft and patient and sort of cool and is one of the first people she’s met who is honestly supportive of her new situation, a situation that he understands from experience.

I guess maybe I don’t like the trope of pairing people up with their primary physician? There’s a conflict of interest there, I think.

Also that dude’s performance rubs me the wrong way (and I only found out like 35 minutes ago that he’s Australian so I’m going to blame it on the fake American accent?).

There’s no narrative symmetry in the structure of S2. I got really excited at first because there’s a ship in ep 3 and I know that the season ends on Edward James Olmos’ ship, but that was about it.

However, they did purposefully split it down the middle, 10 eps and a break for Agent Carter, and then the last 12 eps.

The story of part 1 takes us to Daisy and Raina’s Terrigenesis, and part 2 is about A) Daisy has superpowers now whoops and B) Edward James Olmos is in charge whoops and these two storylines smash together at the end.

But the story of the whole season is trust. Not an exploration of the concept, not “what does it mean to trust” or “how is trust earned” but a literal “man nobody trusts nobody and it’s probably for the best.”

Heck the season straight up tells us we shouldn’t trust anything by opening with with Team Coulson monitoring a black market deal between an ex-SHIELD agent and some mercs -- the mercs are also SHIELD agents and it’s a sting -- the sting team doesn’t know Team Coulson was sent as backup etc etc

Ward swears never to lie to Daisy ever again

Fitz can’t trust his own physical self

Nobody can trust Simmons because she’s undercover at Hydra

Nobody can trust Coulson because he’s whacka-doodle (see what I did there) cray cray

Hunter whining about his she-devil ex-wife, but she’s delightful and perfect

Hunter’s ongoing and ACTUALLY QUITE VALID protestations that he can’t trust Bobbi when it comes to her angle on their relationship

Brainwashing is a thing now

Hydra’s still doing Hydra things and blaming them on SHIELD

Man, anything either of the Ward brothers say at any moment is to be distrusted as a Rule

The heads of Hydra can’t trust each other

Daisy gets powers and she and Fitz decide they can’t trust anybody else with this information because errybody acken’ cray cray

Simmons is SO MAD that Fitz didn’t trust her with this information

Daisy is never quite sure if she can trust her dad (because he cray for sure)

You can’t trust May because half the time she’s Agent 33

You can’t trust Bobbi and Mack because they’re working for Edward James Olmos

Edward James Olmos doesn’t trust Coulson AND doesn’t trust that Fury left SHIELD to Coulson and also I guess just doesn’t trust Fury

Turns out Coulson was doing some secret stuff, too, so better not trust him even if he’s not crazy anymore

Nobody can ever trust Ward, no matter which side you’re on, even if he’s actively helping you at the moment

You can’t trust Raina’s vision until you can

You can’t trust Jiaying after all!! Edward James Olmos wasn’t going to be the bad guy!!!

I think a lot about how this show has such active characters. Like, there aren’t just plots for plots sake or characters for characters sake*, events happen to shape character motivations, and then character motivations go on to shape events. I’m thinking about how Fitz’s condition in the first half is almost complete plot-less -- he’s just a character living through some stuff, and it effects ... his interactions with other characters, mostly. There’s no narrative “point” or payoff to it (other than to remind that Ward Is Bad), until -- until Daisy comes through the mist and

12 episodes of frustrated aphasia, feeling like he’s letting the team down and they’re letting him down, of struggling to cope with Simmons’ abandoning him and then struggling even more with her return ... until ep 12, the only real, uh, utility Fitz’s condition brings to the story is as a means to introduce Mack as 100% Best Guy.

And then ep 12, getting to see these two beloved OG characters have this moment that only the two of them can have

.... as far as moments go, second best only to the Skimmons quake/hug in 4x15. My ship sails, my dudes.

I got way off track here, sorry

Anyway my point is sometimes, in other shows, giving a lead character a brain injury is probably a Major Plot Point that is Meant To Be Resolved (and within 40 minutes if at all possible), but on our perfect show, characters are allowed to Just Be -- and the things that they Are will always manifest in narratively satisfying turns of events.

I’m trying to think of any of my “this time I noticed” items and

Not to be all down on 2/3 of my OT3, but especially after watching their siblings dynamic in S1, and seeing just how painfully awkward their relationship is throughout S2, the Simmons-has-feelings-for-Fitz moment REALLY came out of left field.

S1 gave you the Exact Moment that Fitz realized that his crush was on Simmons instead of Skye, and you saw him live with that information for like 16 episodes.

Knowing that they end up together AND always starting my series rewatch with S2 makes her coming to him at the end not just reasonable but inevitable.

But lol no? They literally never talk about it for the duration of the season? Fitz talks to Mack and Simmons talks to Bobbi, but they never talk to each other. Her change of heart is strictly subtext. Which isn’t the worst, but given their literal text is either antagonistic (see: his reaction to her abandoning him; her reaction to his hiding the truth about Skye) or just ... their regular schtick.

They’re antagonistic until Edward James Olmos comes on the scene, at which point they bond enough to play the I’m-on-to-your-plan doublespeak shenanigan, and the sandwich moment is arguably the best thing to happen to this ship up until that point BUT she made him away mission sandwiches when he was just her friend too so!!!

Ok when they see each other next there is a specific moment mentioning The Sandwich in the context of love that makes sense (unlike whatever it is that Agent 33 and Ward have) -- but it’s very subtle and the scene is really just a set up to Simmons’ plan to splinter-bomb the hell out of Ward as revenge.

Their next scene together is bonafide FitzSkimmons OT3 grilling Sky about her time at Afterlife which, again is vanilla S1 schtick, and it’s immediately hijacked by Ward and Mission Talk anyway.

It goes straight into the mission where their only interaction is Fitz telling Jemma to be careful but not in a way where she can hear.

Next they debrief Mike Peterson after rescuing him, which is just an excuse to see Simmons not own up to her killing Bakshi on accident.

New episode, now they’re just stalking Skye and (rightfully) giving her new boyfriend the stink eye, then they talk to Agent 33 about her brainwashing -- just a moment for Simmons to feel guilty about never admitting to killing Bakshi/setting up the fact that Bobbi saved Simmons and not Agent 33 so that Agent 33 has a revenge plot for the remaining 2.5 episodes of the season

THEIR NEXT SCENE TOGETHER IS ANOTHER OT3 MOMENT WHERE SIMMONS PRESENTS SKYE WITH THE HULA GIRL ORNAMENT FROM SKYE’S VAN AND FITZ RIBS SKYE ABOUT HAVE EARTHQUAKE POWERS -- FITZSIMMONS DON’T EVEN DIRECTLY ADDRESS ONE ANOTHER.

Ok and then Fitz makes up a reason to go talk to Simmons, and opens up to her about how he’d have tried to kill Ward if he’d been a lesser man, only to find out that Simmons DID try to kill Ward and is actively upset that she failed, so they’re still at odds, philosophically at least, at this point.

Then they split up again and aren’t on the same continent until a third of the way into the next episode, where they’re STILL talking about Agent 33.

The only other thing they do on screen together in this episode is to fight Skye’s dad like they’re on Scooby Doo running away from a guy in a monster mask

Season finale, they have two scenes working with Coulson on mission stuff in which they don’t speak directly to one another, and then

As Fitz is gearing up for his mission, Simmons pops up out of nowhere and drops her bombshell on him

ok, no lie, as I started compiling this and getting closer and closer to the end, I figured it out:

everyone was so collectively heartbroken at the prospect of Bobbi not making it that they all had to go talk to their loved ones before it’s too late. May does it, too, and it’s framed with Hunter standing over Bobbi’s hospital bed in the background, and Simmons goes directly from Bobbi’s bedside to Fitz to say “because I just saw Hunter with Bobbi, and it made me realize” --

ok, my bad. I did state up front that I wasn’t always paying attention, okay?!

I take everything back. We do see the moment Simmons realizes she has feelings for Fitz. It just comes at the tail end of a string of episodes where they barely interact, is all.

Man, I gotta pay better attention next time.

Anyway this is not as brief as I thought it would be, nor have I covered all the thoughts I had. Real quick, though:

Agent 33 is the worst. I’m not sure what else they would have given Ward to do (gross double entendre intentional :< ) this season, though. But did it have to be this? Did you notice that when she picked faces, it was either May or Daisy? And then used them on Ward, someone who sexually and/or emotionally manipulated both these women in the previous season? Gross gross gross. And obviously the grossness of this pairing is literally called out by several in-world observers, but, still. I’m not sure that they actually wanted me to believe that there was still some humanity in Ward, that there was still a person who could settle down and buy succulents to put on windowsills in houses he shared domestically with another human being, but mostly I’m wondering why they thought they wanted to want me to believe that.

*as stated previously, one of the weaker parts of S2, that I still find weak having rewatched S2, is the use of the character of Trip. POOR GUY. Watching S1 first doesn’t do him any favors, either. At least when you forget exactly the contents of S1, his being in S2 just feels like “guess this is how things always were, oh wait, sucks he's dead now.” BUT NO things were NEVER like this. We don’t know who this guy is at all!!

His purpose in S1 is to be Not!Ward,

and his utility is to have some sort of internal logic to the team getting their hands on the low-tech WWII spy gadgets.

and he’s a very slight catalyst to Fitz’s needing to get his act together and get Simmons off the market before it’s too late (which is a couple of different yikes in my book, as far as "here’s what this character’s here for”)

So I kept my eye on him in S2 and the results were not good. I think the only time he had lines was to ask questions to allow another character to respond with exposition, or to make jokes that any character could have been on screen to make.

I want to say he was a side character dressed as a lead character, but HELL he shared scenes with a Koenig and those fools got WAY more character building/backstory/motivation over the course of the series than what Trip got.

Dearest Trip, our very own Red Shirt. Rest In Pieces

#Agents of Shield #a long and winding rant #about nothing in particular

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five-wow · 5 years

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10.01 thoughts (or basically a rambly recap, very spoilery, with a lot of caps lock abuse) under the cut!!! :D

JERRY’S BEEN SHOT. that’s not actually a surprise at this point in any way, but oh gosh, poor guy. “it hurts more than i thought it would.” oh no. :c

i’m confused though - grover’s there calling an ambulance, jerry is bleeding, steve is keeping pressure on the wound, but where’s danny? clutching his heart out of frame? OH WAIT he could be arresting ezra hassan, i suppose?

on screen: 2 weeks later. jfdkfjdk they resolved that cliffhanger in like, under thirty seconds.

love jerry’s longer curly hair! REALLY LOVE that jerry and junior are playing battleship, omg.

jerry thought about HIS DND BUDDIES WHEN HE GOT SHOT. i love him. (i’m also both worried about his mental health and glad they’re showing him actually feeling some repercussions from getting shot, aside from the flesh wound.)

tani and junior!!! are going to the opera!!! wonderful, i’m into it.

AH. here we have steve on his date, omfg. it all looks so pretty - the background, the restaurant, the date, steve. REALLY AWKWARD conversation though, fjdkfd. steve’s been hanging with danny too much - as soon as someone asks “what are you thinking” he just opens up his heart.

“it’s just crazy, you know. things that happen at work.” FDJKFDJF i’m glad he’s seeing that AFTER NINE YEARS.

DANNY CALLS. i’ve seen the clips that were drifting around tumblr, so i knew it was going to happen, but still. DANNY CALLS. IN THE MIDDLE OF STEVE’S DATE.

“i think it’s best,” steve says, about taking a phone call from danny while he’s in the middle of a first date with a really pretty woman who seems very kind about his total awkwardness, oh BOY

the WAY danny says “hi” just already has me in stitches. i die. and then steve’s “dude! i don’t know.” he sounds so frustrated! poor guy.

“words are kinda just, they’re falling out of my mouth, i don’t know why.” OH STEVE. also: that’s 80% of all fic in which steve finally confesses his feelings to danny ever. thank you, canon, for giving us a steve who is canonically prone to this.

“do you have any game at all?” danny asks, of steve, WHO HE IS CALLING IN THE MIDDLE OF A DATE. the co-dependency here is HIGH and it’s probably unhealthy but i’m enjoying it a lot, truly.

okay so, steve says “you’ve called twice, we haven’t even ordered!” and then DANNY SAYS “if you answered my texts, i wouldn’t have to call” and that’s just ALL SO BAD. they are TERRIBLE together and that woman should probably run far away.

danny! way to build up steve’s confidence on this date by telling him his thing is awkward and messing things up, holy shit.

I’M SCREAMING. “that was danny. who i love. very much.” I AM YELLING. YES. GOOD. PREMIUM CONTENT.

just. i love “i love you”s, okay. i love them. we got one (1) in s9 at the end of 9.01, but we’re off to a good start now in 10.01, with steve telling his frigging date that he loves danny, oh my.

IT GOT WORSE. i paused like, in the middle of steve’s sentence, and then as soon as i hit play the date said “sounds like my ex” and steve says “you know, it’s funny that you say that, because it’s kind of like a marriage” and uh, hello steve, i made a gifset about that the day before yesterday, thank you for giving me an update, but also just. wtf. wtf holy shit

i. i just. this is supposedly steve on a date with a woman being all heterosexual, but it’s really an extremely mcdanno scene, like ten times more than i was prepared for, wow.

real talk though, i’m almost certain this relationship isn’t going anywhere, but this woman seems really cool!!! i love her so far.

tani is actually enjoying the opera and junior seems to be paying more attention to her than the stage and i have no idea if this is actually an officially official date between them or if they’re still “just friends”, but it’s all so cute. and then, of course, some anonymous guy shows up with a sketchy briefcase that’s inevitably going to contain weapons, but oh well, it was nice for how long it lasted.

a slightly updated intro!!! katrina law is already in it (which i like) and the new group shot is kind of crowded but really nice, but fjdkfdjkdf they chose a really awkward moment where adam is supposedly typing something on the tech table but he’s REALLY OBVIOUSLY just randomly tapping his fingers on it. that’s going to haunt me. oh dear show runners, why.

danny... says steve was blowing his date, as they arrive on the crime scene that junior and tani found, and steve says he has a second date and danny goes “you got a second date?” incredulously and almost dismayed and that just really sounds like he WANTED steve to blow it. what is this, danny, setting steve up with a pretty woman from steve’s school to test him? see if he’ll say no and fall in your arms instead, and when he doesn’t, you’re disappointed?

even the lighting in this random stairwell gun fight chase scene is kind of pretty! the blue and red? i like it.

oh NO, steve, you’re not even ten minutes into a new season and you’re chasing some suicidally parcouring bad guy across roof tops and into a jump that’s REALLY going to give danny a heart attack, jesus.

fdjkfd danny telling steve that ten years ago he would’ve made that jump? telling him he’s forty? i’m not sure if that’s kind of mean or really good, but it might be both.

plot stuff happens, but i keep getting distracted by all the grey in steve’s beard and his new, longer hair. it’s good.

i like quinn’s introduction!!! i really do, more than i’d expected. and honestly, that déjà vu thing lenkov was talking about is very faint to me, to the point where it’s mostly just there because danny says it out loud in the text and then forcibly makes it so. they’re not in steve’s garage, it’s the wrong car they’re standing next to, there are three people instead of two and there’s no “one, two, three” and showing badges, but steve yeets his badge over the windshield of the car in quinn’s direction. the similarity isn’t that strong.

danny going “i gotta follow him” about steve and “i don’t know [shrugs]” about where they’re going is beautiful.

i’m about halfway through the episode now and steve and danny have spent SO MUCH time together and it’s really good but also has me slightly worried that they’re pushing all the steve&danny content for the entire season in one episode, omg. it’s good, though. i’m happy for now.

adam is still doing yakuza stuff. i get it, because it’s the one big thing they’ve given his character, but i do get kind of tired of it. he’s supposedly out, but every time they need it for plot reasons, he still has connections somewhere that are willing to help him for whatever reason.

and then quinn shows up and pulls a gun on adam, fjdkfd. listen, i know i said i was getting tired of him doing the yakuza thing over and over, but shooting him would be a little drastic.

danny: “this is good, we’re chasing a monster truck. that’s totally normal, right?” how is it that NOW they’re both suddenly realizing their lives are kind of crazy? they weren’t crazy before, guys? guys??

HAH, the guy in the truck drives over a dozen cars. that’s ridiculous, but a lot of fun, omg.

danny, when he finds tani and quinn in the same room at hq: “oh good, you two have met.” YES. MY SENTIMENTS. except i’m perhaps a little more exuberant about it. TWO MAIN FEMALE CHARACTERS IN ONE SCENE YES GOOD I LIKE THIS. we haven’t had this since... season 4, maybe? when catherine was briefly part of the team?

oh SHIT. danny: “are you sure you’re not related to steve in any way?” okay SO. we’re all assuming quinn is steve’s new love interest, but quinn being steve’s secret half sister somehow? also nonsense, but nonsense i’d like. and i mean, they need to keep the mcgarrett family drama alive somehow, so this could be fun.

quinn: “can’t this thing go any faster? [steve looks at her weird] what?” steve: “nothing. just never had that complaint before.” that is a LIE. i know for a fact that that’s a lie, because i have a stupid amount of knowledge of h50 of the top of my head and one of the things i know is that in 8.01 tani pops up between steve and danny while she’s in the backseat of the camaro and ALSO asks if it doesn’t go any faster. i know what they’re going for here, setting quinn and steve up as equals, and i like what they’re trying to tell us about quinn as a character in theory but come on, if you’re trying to convince us steve is all impressed by this woman that you might be setting him up with romantically, at least do some continuity fact checking on your own show, guys.

anyway! i do like that it’s canon that all women in five-0 think the camaro isn’t fast enough. get wrecked, steve and danny, HA.

when steve said to the bad guy “my friend lou here is going to put some handcuffs on you” i thought at first that he said “liu”, as in quinn’s last name, and oh man, first they had tani and junior’s last names as rey and reigns, which was close enough, but now they have lou and liu, gosh.

!!! this talk between steve and quinn in front of kamekona’s?? i LIKE IT. A LOT. we get to know a little more about quinn and steve genuinely does treat her as an equal and a capable colleague and there’s nothing especially romantic about this, which is good this early on even if they’re doing that later because i do feel like it could possibly work but right now it would just be really weird and very forced and i’m just really relieved that’s the dynamic they’re going for. this, this is good.

OH BOY. “we’re breaking up with you, danny” steve says. i... wow.

FAIR THOUGH. it’s probably a REALLY GOOD idea of steve to maybe involve danny a little less in his dating life if he wants to, well, actually have one that’s viable for life, but oh GOSH. danny going “you can’t cut me out” when steve tells him this? danny is just. so interested in steve’s romantic life, damn.

tani: “mom and dad are fighting again.” fdjkfdjk YES. this time it’s not even junior saying this to eddie behind steve and danny’s back, it’s just tani saying it out loud to the entire group and nobody says anything about it so uhhh that’s accepted fact then, within the team. GOOD.

ohhhh jerry is leaving. also not a real surprise and it’s probably kind of good that the team doesn’t endlessly keep growing if quinn joins this season, but ahh, i’m sad, anyway.

GROUP HUG. i love EVERY SINGLE THING ABOUT THIS.

oh gooood, somebody put a bomb in the champ box in steve’s garage. that’s harsh.

final thoughts: i LIKED THIS. very much!!! i’m relieved about that, tbh, because at least i’m happy about the start of the season, which seems like a good sign, haha. i love quinn so far, there was REALLY GREAT mcdanno stuff in this, i love that steve is dating again, tani and junior seem to be dating, jerry is fairly healthy and happy - all around lots of good stuff.

i do kind of think that cliffhanger from last season got extremely little attention (we didn’t even see ezra hassan get arrested, and what happened to her kid? where was danny? idk it was weirdly short and quick), but it’s still possible they’re coming back to that in a later episode, idk.

#h50 #10.01 #h50 spoilers #episode rambles

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slothcritic · 5 years

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Dragon Ball Z Abridged - Episode 4 Review

Hit-or-miss introduction makes way for some golden moments.

The opening skit for Snakeway to Heaven has a satisfactory comedic weight to it, though upon re-watching it for this review, I noticed an editing mistake I had never noticed before, despite becoming a fan of the series in 2012. When Goku falls off Snake Way, the scene actually freezes on that frame. It wouldn't be noticeable if the truck itself hadn't frozen as well. Small gripe but I thought it was an interesting observation to share.

[Title Sequence]

Goku's scream carries over into the first few seconds of the intro and resumes near the last few seconds, which I found to be a well played editing decision.

Once Goku has stopped falling, we're treated to an amusing take on the filler ogres from hell. The blue one is given the Swedish Hansel-und-Gretel accent while the red one speaks like a German or Austrian. And puritan as ever, KaiserNeko made sure to use the original, unedited footage. It would’ve been funny to see them maybe have a scene or two with the ogres wearing their different HFIL shirts, or maybe a bit more fun poked at the Ocean Dub, but no such luck in this scene.

TFS doesn't spend too much time on this scene at all, really. It’s filler, and so nothing here really matters to the story aside from laugh-factor. The comedic nature of this first scene is that it’s rushed. Goku swindles the two ogres out of a fight, like he’s trying to swindle the show into skipping this filler arc, as he immediately guns it for the exit... and then stops?

It would've been a much more emphatic punchline if the scene had changed right here. Instead we have an awkward stop-and-go motion to the scene they're trying to orchestrate and it feels stilted. A lot of this scene after Goku finds the exit I find to be entirely unneeded. Raditz has already been established as being in Other World so the callback here wasn't necessary, the special King Yemma fruit could be argued for having no plot relevance as it never existed in the manga, and we didn't really need that post-Goku scene to get the hint that these ogres were very chummy with each other when it came to subjects like oil wrestling and speedos.

But then, where would they put that great joke about the Blood Fountain? And the small dialogue about Dabura I did find risible as a fan of the original DBZ, despite my usual curmudgeonly take on yet-to-be-established jokes. Like many things, this does get much better as the series continues, eventually turning some moments of sequence-breaking into moments of well-crafted foreshadowing. This is just a funny pointless joke, and a nod to fans of DBZ, that has no impact on the actual story of DBZA itself.

Again, this isn't too much of a big deal. Just a whole work-with-what-you've-got bizarre scenario likely due to bizarre source material. Yet this was all deemed funny enough to edit, voice and keep in the episode instead of trimming it out like the other 90% of this mini-arc. I'm not convinced the presentation was done to par, but I do feel that the inclusion of "Goku in Hell" is necessary for the sake of tying loose ends together. Also, it would've been a far more egregious decision to have that cold open end in a do-nothing cliff hanger. So, a goofy scene and perhaps iffy writing, but not terrible.

We then return to the person who has so far been the breadwinner of the series, and Piccolo hasn't let up on either the humor or Gohan. Kind of a contrast to how somber he is in the show. It's not whack-a-doodle humor, it's exaggerated frustration and exasperation, which lands almost dead-center on my humor nexus.

But even better than Piccolo has to be this next scene - Debatably the first "meme" or seriously quotable moment in the show's history: Popo's Pecking Order.

On paper this doesn't look like it'd be necessarily funny, but when you attach to it a very do-nothing character like Mr Popo and turn him into a sadistic dictator, combined with the special emphasis and excellent delivery of the line, it's simply outstanding, and raises the bar for this entire episode.

Now I've said before that the source material of Z shouldn't factor into the end product that is DBZA. If I were to show this episode to my mother, I shouldn't have to show her all 291 episodes of Z so she can understand it. The show should be able stand on its own. That's not to say parody should have zero factor in the writing of this, or that there should be zero references at all, ever. By god what a silly thing to imply. But people can still enjoy Spaceballs even if they haven't seen Star Wars.

However, in the case of Mr Popo, DBZA does a good job of setting up Popo in the same way Z does. He initially speaks in a low, subdued tone, and is spoken of by Kami as some kind of adviser, or perhaps a respected peer, but as someone who is indirectly and respectfully implied to be below him. After all, it's called Kami's Lookout, not Popo's Lookout, and Kami is literally regarded as "The Guardian of Earth" while Popo just appears to be... there.

That all changes the second Kami leaves the outdoor area and Popo is entrusted with the reigns of the new Z Fighters. LISTEN UP, MAGGOTS!

The Krillin Owned Count also chimes three in this scene, and shows its first signs of picking up momentum.

Back on Snake Way, Goku gets eaten by the head of snake way, which leads into Jadoshin's palace. This is such a quick, cheesy, quirky but funny edit that I'm not sure what to say beyond I enjoyed it. It just hits you and then boom, you're in her castle.

The joke of Jadoshin being voiced by Solid Snake (Princess Snake, Solid Snake, on Snake Way) seems like a bold strategy but I think it's one of the better jokes they've committed to that ended up being really good, at least this early on. The voice even lends itself to the awkward dialogue that would've simply lost its charm or fallen flat otherwise.

Unrelated, but one of my favorite lines from the dub happens in this scene, where Jadoshin's attendant simply says "I've got something to show you. And it's my gun.", and then kills herself with it. I didn't expect to see that in this scene, but a small part of me did hope.

When Goku finishes up in the hot springs (with a Metal Gear Solid box gag to boot) and tries to leave, Jadoshin then states that she wants Goku inside her. Goku is confused, of course, and smash cut to Goku flying for his life from a massive green fire-breathing snake trying to eat him.

Jadoshin however still has the voice of Solid Snake even in this form, complete with periodic grunts as they maneuver through the air. This eventually transitions into Jadoshin saying waka-waka, and the backdrop changes into a Pac-Man map. The Pac-Man skit was perhaps a bit overdone, with Goku finding meat instead of the normal fruit, but on the whole this was a very "solid" scene.

During the Ozaru scene, I feel like Piccolo just screaming "MOOOOOOOON!" in the DBZA Kai version is funnier than the "Stop mocking me!" we got in DBZA proper. Also, donkey kong barrel, really? It's not bad, but it's an "oh, brother" moment, like hearing a very bad pun.

When Gohan transforms back into his human (or Half-Saiyan technically) form, his junk is censored with a Dragon Ball. This is an interesting contrast in philosophy over the years, as KaiserNeko explained the decision "to not censor baby dicks" in a Episode Breakdown livestream on the Broly Abdridged movie, where Broly's baby wiener can be seen uncensored in a few scenes of that movie.

The episode ends with Goku continuing down Snake Way, having tied Jadoshin up into a tangled ball, prompted the GAME OVER screen and someone yelling "Princess Snaaaaaake!"

Conclusion

Despite my lackluster thoughts on how Hell was handled, this episode had a lot going for it compared to it's predecessors! Most of the episode was spent on two strong scenes, and while I didn't think the Ozaru scene was anything special, it didn't feel out of place or off-kilter, but provided more insight and I suppose world-building into the relationship between Piccolo and Gohan and the constant reminder that they're training to eventually face off against the Saiyans. This is further reinforced by Stinger #2 with Nappa and Vegeta en route to Earth.

This was almost opposite to Episode 3, which I felt had strong bookends. While I didn't find the end of this episode to be bad, it was simply "alright" when compared to the Popo and Jadoshin scenes. Characters are starting to have stronger internal identities instead of simply being parodies of their original counterparts. Though it is noteworthy, and rather obvious, that this only applies to characters with speaking lines. Tien, Yamcha and Chiaotzu made their first appearances but had nothing to say. Maybe it would have been cluttered or detracted from the pacing of the Popo scene, but it may prove challenging to properly attach sentimentality to these characters in the short few episodes they have before the inevitable happens.

Because y'know, nobody watched Dragon Ball.

Score: 73

Passing Thoughts

I liked that Stinger #1 dealt with the actual ramifications of DESTROYING THE MOON unlike the series proper did. I guess it was just no diff for the Dragon Ball world?

"He made a horrible mess of the blood fountain." "Looks fine to me." "IT USED TO BE WATER!"

"I killed everything here with my bare hands. Including the bear hands." -Pictured in the top left of the frame are actual bear hands.

"Stop grunting, it's creepy!"

"CLOTHES BEAM!" and “That is easily my most metro attack.”

#slothcritic #dbz #Dragon Ball Z Abridged #tfs #teamfourstar

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circuitlover · 5 years

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Neon Genesis Evangelion: The End of Analysis

Is this a ridiculously naval-gazing post about Evangelion? Yes. Is it an accurate assessment of the franchise as a whole? I have no idea. I tackled this as an unknown initially, starting the series with zero contexts beyond the usual recommendation of “you should watch this.” Which is part of the reason why I’ve been a little hesitant about even broaching this subject to begin with. I’m so removed from the zeitgeist, both in terms of not being a regular anime viewer, as well as it being long past Evangelion’s relevance as a franchise, that it seems everybody already has their opinion on Evangelion all figured out. So at least indulge me, as I scramble around for something.

‘The End of Evangelion’ is a certainly a gratifying conclusion, as we finally get to see much of what was being concealed behind the veil (well, as much as one could reasonably hope for). It also reminds us of some long-standing questions. Why do the Evangelion possess such a bizarre tendency to be ill suited for battle? How do NERV’s continue to run unabated from governing bodies? What exactly is the mystery surrounding the origin of the ‘Geofront’? These were all broad strokes of why I felt unsatisfied by the original conclusion (the hastily arranged make good of the final few episodes of the series), and though I don’t expect every minor detail to be answered about such a multi-faceted world, I still feel these were questions pertinent enough to have been resolved in some fashion. Now I’m a little more aware of the troubled events leading up to that ending and it’s quite admirable that they managed to deliver something, despite the haphazard nature of those final two episodes.

It’s clear that End of Evangelion intends to underline the original series from the start, dropping us back at the critical juncture where episode 24 had left us. Even if one could feasibly state that we reach the same point after the events of EOE, I’d argue that we inhabit a vastly different headspace by the time we reach it here. It’s not difficult to surmise what happens between the gaps left between the final two episodes, though everything is lent much more credence here, now that we are left to witness the macabre reality of what the entire series has been building towards. NERV headquarters is finally attacked by SEELE, and with this, we finally see the bloody climax. Now free to depict the attack in full detail, the opening half is certainly full of action and excess, though far from mindless, with only the most unflinching of viewers (or those divorced from its context) likely to derive any sort of baseless enjoyment from these scenes. The various lingering shots of deaths sit uncomfortably here, but nonetheless punctuate the finality of it all. If anyone could have accused the series of taking a wholly unexpected (and saccharine) turn towards it’s finale, then EOE is it’s biting rebuttal. As cold as the NERV headquarters is, with almost everything bad that has occurred almost exclusively originating from within it’s walls, it’s still disconcerting to see such a familiar setting being callously destroyed in a matter of minutes, along with it’s inhabitants. The conflict has essentially existed as a faceless one; both the audience and Evangelion’s protagonists seldom knew what they’re truly been up against. It’s a war being played out by the pawns, and here we see the severity first-hand.

As their headquarters are crumbling, so are the pilots. Shinji is in no fit state, evidenced by his own bemusement over his actions towards a comatose Asuka. It may be shocking, and his actions are far from admirable, but given the context, it’s hardly surprising. After all, his confidence had been built up; only to be meticulously broken the instant Kaworu reared his head. This compounded with his earlier apprehensions after Toji’s departure, his various disingenuous, failed, and otherwise doomed relationships leaves his mental state in tatters. I personally don’t like Shinji, but then again, it’s quite clear to see that you’re not really supposed to. Even without Hideki Anno’s spiteful intent of wanting to deconstruct the typical shonen hero propelling Shinji’s arc, it’s quite safe to assume that anyone who had any lingering empathy for Shinji will almost certainly have abandoned such notions at this point. The Shinji we were first introduced to, awkward, unlikeable, with an overriding sense of hate and self-loathing, has now given way to complete apathy. “I’m so fucked up” seems to ring more an acknowledgement, than it does a realization.

Like Shinji, Asuka too has succumbed to her trauma, but on a much more literal scale, being broken in both mind and body. They are two characters that are seemingly analogous to one another. But again, first appearances can be deceiving, as by the point of Asuka’s introduction, we are already keenly aware of Shinji’s nature. He openly laments his position; Meanwhile, Asuka is brash and outspoken, embracing her identity as a designated hero, rather than cowering behind it. How they choose to define themselves is different, but the underlying reasons are gradually revealed to quite similar. Both driven by an inherent self-loathing, we witness the pair at varying levels of despondency, though rarely at the same time. In fact, for as consistent as emotional turmoil is through NGE, it is rarely overt, leaving most characters to wallow in their own abject misery. Almost everything operates on a certain level on duplicity, some of which, admittedly, isn’t apparent upon first viewing.

Rei is ostensibly disconnected from the very beginning, though that makes the act of attempting to interpret the character, quite difficult. Very little is revealed about her, and most of the development is concerned with what she is, rather than what she does. Her role is pivotal to the overall narrative, and the themes being explored, as she is, by design, a doll that emotes. Which I guess is where her appeal lies. The mystery intrinsic to the character is never completely done away with, even at the very end. And the case could be made if the third incarnation of ‘Rei’ is even the same character that we’d become accustomed to, as her eventual rejection of instrumentality is a stark contrast to the cold pragmatist that bookended the TV series.

The (quite literal) congratulatory nature of the series conclusion was always conspicuous in its inclusion. Evangelion had never been a work that had an interest in servicing its audience, at least in terms of a ‘happy’ ending. Which isn’t to say that wasn’t a possibility, but the tonal dissonance in which it was delivered never quite rang true. As an audience, we were conditioned to cautiously enjoy any brief respites afforded to our characters, as more often than not, it was simply a prelude to the turmoil that was soon to be heaped upon them. All of which (keeping with tradition), means the course correcting of EOE ups the stakes by an order of magnitude. The imminent attack is at the worst possible time, with each pilot being indisposed. The first big sequence, the assault on NERV, is a veritable massacre. Everyone’s fates are conclusively played out, whilst the Evangelion units become the focal point. 01 is promptly captured, whilst 02 (along with Asuka) is sunk to the bottom of the lake. This leaves Misato to attempt to galvanize an unstable Shinji. It’s kind of galling to see Shinji act so despondently in the face of her imminent death, though his selfishness probably obscures that fact until it’s too late. For me, Katsuragi is probably the most well meaning of the entire cast, but tragically, is someone woefully inept of providing the emotional support that others around her need. Her own weaknesses are clear to see, and although many of her problems are often emphasized for comic affect, she is still one of the few who straddles the line between her duties and profession life, perhaps the most convincingly. Like most other characters, she serves as juxtaposition to Shinji’s own conflict, and highlights how everyone is dealing with their own issues, just with varying levels of inadequacy. Her final actions echo her previous (failed) attempt at comforting Shinji, with her own loneliness giving way to fleeting intimacy.

Everything hits a crescendo once the Evangelion finally make their appearance, quite literally. Asuka awakens, and with it, her centrepiece battle takes place. I’m sure that it isn’t really something that I need to go into exacting detail about, because the following scene is enduring all by itself. Though it is notable as a culmination of the various elements all coming together; music, animation, along with the story. This is where EOE leverage’s its theatrical status for all its worth, eschewing the patchwork TV production in favour of something grander. The actions scenes are often impressive and horrifying in equal measure, and there is probably no greater proof than here. Asuka’s death is certainly disturbing, and much of that is down to how they chose to portray that violence. For me, it recalled earlier moments, where the eldritch abomination like nature of the Evangelion had been evoked. These moments give the audience a brief pause for thought, where much is suggested of how horrifying their (The Evangelion) unshackled nature truly is. The unease, which these moments produce, suggests that something is terribly untoward. Most of which is conveyed in how we (the audience) see others react, gleaning what we can from cutaway shots of onlookers recoiling in horror. If recollections of Unit O1’s previous ‘feast’ already served to perturb, then this surely toys with our imagination yet further. We only see Unit 02 itself being devoured, and now knowing what we do about the distinctly human aspect of the Evangelion, the horror of Asuka’s fate here, trapped inside, now inhabits an altogether more unsettling space. The series ending, try as I might to appreciate it, was never going to suffice. It was nice to see Shinji’s own paradigm being settled, but I felt like it would have been more effective with a little more of that ambiguity stripped away. For as much as Neon Genesis Evangelion likes to steep itself in duplicity, this is where it’s felt like it was something of a compromise. The inner turmoil was my key takeaway from the work as a whole; it forms the crux of every relationship, and dictates the course of every action. It’s a lonely show, something that if not apparent from the get-go, slowly permeates throughout the narrative. Shinji is an initially an awkward character to relate to, bumbling his way through his scenes, though much of this weak nature is revealed to be a product of his environment. The world in which this all takes place is irreparably damaged, and even if the true extent of the second impact isn’t made expressly clear, it becomes quite apparent that humanity lives on in its own self-inflicted dystopia. It is this inherent contradiction that defines nearly every relationship, as each is unwilling (or unable) to acknowledge their true feelings. It is ultimately a self-destructive existence for the likes of Shinji, who permeates multiple meanings to his interactions with people, the paradoxical nature of which is explored in the conflict that defines the multiple endings and interpretations. Shinji is our proxy, but even so, it can be difficult to empathize with him. A hero he may be, but it’s more by designation than by design. It’s a role, which he consistently questions, as he exhibits almost none of the values we typically associate with someone tasked with such a mammoth task. He ostensibly comes of age throughout the series, gradually gaining some semblance of self-worth, though it a precarious act as he constantly seeks assurance from his father, and later anyone (which becomes something that Asuka resents him for). No character is treated like a proverbial puppet more than Shinji. In fact, it is SEELE themselves, who objective turns out to ultimately “break” Shinji, rendering his ego to naught. For all intents and purposes, it could be argued that the whole world is literally against him, at least by his own perceptions. His relationship is Asuka is extremely strained, initially showing hints of affection, with their hilariously depressing kiss encapsulates this dichotomy; Neither the circumstances (nor the characters) allowing for anything to take place. Even the slight reprieve offered in the finale (Asuka’s acknowledgement amidst the fallout) is obfuscated by the context in which it’s delivered.

Shinji’s journey dictates the ending, first, in the original series, where his perspective colours the ambiguity from which we see the fallout. Thematically this works (and I can see why some may prefer the agency it gives the audience), though I feel that the abstract nature of this ending, robs it of some emotional resonance. This conclusion is also hampered (at least for me) in how abrupt it is, with certain story threads left dangling. In my opinion, ‘End of Evangelion’ lives up to it’s billing as it gives a much more balanced and subjective conclusion, where we see first-hand “The Human Instrumentality Project” in effect. I was suitably invested to the point where I wished to see how the end was reached, and of course, see something that wasn’t cobbled together with recycled animation or slight of hand. I can certainly appreciate the original ending as a companion piece, which serves as a more personal and intimate resolution. But the fact remains, a lot of the fascination surely lays with how incomplete this all feels, with each finale, seemingly answering as many questions as they create. That said, I find that both endings offer up a surprisingly optimistic message. The original may be more overtly upbeat, but I think that EOE’s is lent more credence by virtue of the horror that precedes it. The life affirming message is delivered in the most tragic of circumstances, and I perhaps find that most heartening of all. By no means does ‘End of Evangelion’ end on a positive note, but I think it’s enough that it carries the promise of one. The somber sentiment may be more prevalent for some, though my rebuttal would point to the fact that, for as depraved and unethical the means may be, everyone ultimately wants to be happy. There is something to be said about the apparent theology that makes up a large part of Evangelion, and even if it has no real implication beyond the aesthetic (those initial warnings from long-time fans that, yes, a lot of the pseudo Christian imagery is window dressing at best. ), I still feel that its prominence casts a large shadow over proceedings. If nothing else, it certainly lends a morbid atmosphere to the show. When one starts to take this aspect into closer consideration, it’s easy to see why theory regarding Evangelion has become so prevalent. One of the constants throughout is the titular Evangelion. Though they remain a focal part, their function, both narratively and thematically, are constantly shifting. Initially agents of change, they are presented as a mysterious, if helpful force. Gradually this is peeled back, as various allusions are made to what they actually are. Throughout, we see how their pilots are affected by their experiences in their cockpits. Shinji is continually drawn and repulsed by the idea of piloting his Evangelion, seeing it as a means to forge something meaningful, whilst at the time, also aware of how dependant he becomes of his new role. Rei is driven by a sense of twisted duty, one that routinely sees her sacrificing herself (needlessly) for the cause. And Asuka perceives her role as raison d'être to obfuscate her own past, this being both a strength and a weakness. For better or worse, the Evangelion define them, and as the story progresses, we see that this takes on altogether more sinister connotations. When viewed as an allegory, I think Evangelion holds multiple meanings, depending on what part is being referred to, or indeed who is viewing it. My initial impressions were pretty much taking it at face value, though I think the misdirection of the opening is a deliberate ploy for the most part. I’ve read that some take it as a deconstruction of the very genre it inhabits, though not having much experience with that myself, I choose to focus solely on the emotional aspects. Indeed, the psychological (and philosophical) strands become much more prominent as the series progresses, as it steadily veers into becoming a wholly oblique affair. Humanity may live on, but in spite of itself; something which is made abundantly clear, throughout.

Though its message initially seems quite muddled, I still feel it one that still manages to remain pertinent. I certainly can’t fault it for ambition. And there is something to be said about a piece of work that I simultaneously feel, is one of the most bleak and uplifting things I have witnessed, flawed or otherwise. I appreciate the themes that it chooses to explore. I like the characters, even in spite of everyone being contemptible in some glaring way. And in that respect, this series is nothing, if not a parade of characters struggling to deal with their emotions. But maybe that’s why I like it amidst all the abstract craziness; it retains a very human message.

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rkness · 5 years

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september 23rd, 2019 ; weekly idol filming !! gif credit (x)

there's a thrum of excitement in her bones. something that's screaming at her, you can do this, you can do it! the nerves are there, as they always are; but it's the exhiliration, the happiness that she's beginning to feel at having schedules to prepare for their comeback. it's almost there, so close; just a couple of weeks and they'll be back on the stage. vanessa's craving it, for a taste back in the limelight doing what she loves best, with six other girls she adores.

the staff are professional, but nice on the set. very welcoming, vanessa feels. she's never been uptight around strangers, never been too tense around staff-- too much tension means she's too stiff, too off-putting. she's much easier to bear and easier to read if she acts comfortable, so she does her best to ease into it, feeling content at the way everything goes through.

it's a fun recording, regardless. it starts off easy-- with a lot of laughs to the hosts, who she can tell enjoy their job a lot. her smile is in place, eyes flitting from the hosts, to her groupmates, watching and waiting; watching and waiting. when it comes to their personalized introductions, she waits for her turn and:

"ah, hello~" she greets with a grin, holding up her hands in a wave as she nods her head in her introduction. "i'm k.arma's leader, the--" in a quick motion, her hands fly up to her face, forming around her chin prettily as she turns her head and smiles just the slightest bit. "-- mona! like mona lisa~ i was born in australia, and i am one half of our main vocal line." she chances a glance at sohee down the line, clapping her hands together. "as one of the older members of the group, i like taking care of our younger members." her brain cuts off after, and she smiles awkwardly towards the camera as she nods. "...yeah!"

it's hard not to be embarrassed by small things like that, hard not to laugh at her own awkwardness. but she pushes past-- continues on.

the random play dance is what she worries the most about. her dancing isn't perfect, she isn't the best-- so she's absolutely sure she's going to fail. she does alright, for the most part; she's obviously very nervous, and she does end up bumping into one of the girls as she steps back into place-- and acts confidently, as if she didn't do it at all. she hears the discussion from the hosts, the loud call outs but they continue on until they're inevitably stopped for a mishap. when it's called to her mishap, be honest, who messed up? she's quick to raise her hand-- and the laughter she hears along with the bop of the rubber hammer on her head has her laughing.

the episode is fun. watching the other members makes her feel nice-- makes her feel at ease; she can't help the soft comments of cute~ you're doing great ~ when the other girls show off their talents, she's waving her hands around and yelling out obnoxiously.

when it comes to writing profiles and going through, hers is relatively easy, relatively simple. she tries not to let her body tense up when the introduction of mona, k.arma's leader-- real name, lee siyeon hits her ears. she knows its been years since the incident, knows that there are only a handful of rumors still around about a lee siyeon, but they still sting at the thought of it possibly being brought up. they move through it, and when given the showcase to show another talent, she hums.

"to sing with a rock type of vibe or feel." she says simply, cracking a grin. she goes to show a little off, singing the chorus part of ticket with a very over-exaggerated "rocker" voice sort of sound. it sounds...off to her ears, so she busts out with laughter as she waves her hands around as the hosts continue on over her playfully. she lets them, holding her hand up to her mouth as she giggles through it, focusing on the rest of the episode and how it goes.

all in all, by the end of it-- vanessa feels that it went by extremely well.

#k.arma:sept19 #*k.arma;#ness;solo #( this got long oof jhdfg )

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ryuspike · 5 years

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Twelve Forever Thoughts

So, Twelve Forever is out on Netflix right now. 25 episodes and I am about halfway through. The show is as good as I hoped it would be. Way back when it was just a Cartoon Network pilot, I got a feeling that the show will have conflicts where the main character, Reggie, has to struggle with the idea of puberty and growing up. The full show is here and my thoughts were absolutely right.

When the trailer came out, there are a couple big changes between the show and pilot. The big one being that Shane, a white kid with big glasses, was replaced with the darker skinned Todd. There are plenty of people online that are upset with this change mainly because a lot of them feel like it is the show trying to pander to the “woke” crowd. And... I don’t know the answer to that. I can’t read the minds of creator’s or know what goes on behind the scenes. For me, it doesn’t matter if Shane is white or Todd is brown. They both share the love for guitar, they would probably be best bros. In fact, lets have fanart of both of them together playing music. Fan goals right there.

Esther is the new character that joins the Forever Duo and for a bit, I was skeptical when she was presented on the show’s poster and trailer. Fear that she would just be a third wheel in their adventures filled my mind before I finally got to see the show. While her introduction was about as awkward as a nerd trying to rap (Esther being that rapping nerd) she found herself a nice grove in the cast and also a massive dork. You people will like her. Trust me.

This is mild spoilers but should be fine cause it comes up really early in the series. Reggie and Todd have been going to the mysterious world of Endless before the show began. Yeah. I thought that the first episode will be about them discovering this place, but turns out that they are regulars there. I don’t why or how they got there, but they are without the show telling us anymore than that. Clues have been hinted and dropped throughout the first half of the season so I feel like the origins of Forever might be revealed near the season finale or season 2.

My last thought is everybody’s favorite/least favorite subject... shipping! By shipping I really mean the character’s ability to connect and have affection for others in an intimidate manner. In this cartoon’s case, it is an eventuality rather than a maybe. Reggie is set up to be very anti-romantic cause that sort of stuff is icky and gross. Todd is indifferent about it while Ester is swooning over hot guys and the idea of being in love. This is important.

There was a part in the official trailer that sparked some debate. There was a scene where a girl (possibly Latina?) was shown then it cuts to Reggie blushing. There are people psyched that Reggie might be into girls while the other half are skeptical cause it might be Netflix queerbaiting again. I think we can all agree that companies are pretty bad with this. Flash gay couples in front of us like jingling keys and expect us all to think that is progressive. Or worse, just have one of the main leads just turn out to be gay right out of nowhere without any sort of hint or build up. Then do nothing with them in both cases. So I wisely didn’t put any eggs in that basket.

Watching the show halfway, I am beginning to rethink that possibility. Right off the bat we are given our first gay couple (mild 1st episode spoilers) and there is no ambiguity about their couple status. There is also many moments where Esther is shown to be attracted to hot guys while Reggie doesn’t even register the hotness. Reggie falls into the tomboy personality and practically revels in it. Especially the gross stuff. This naturally conflicts with society’s idea of what girls should be like, and is going to be why I believe that Reggie is going to develop feelings for girls. While coupling up will go against her Peter Pan mentality, I do believe that she will develop a crush that will provide conflicts within the realm of Endless and her battles against the Butt Witch.

So overall, you should all check out Twelve Forever. It is a fun reminder of why puberty sucks. I am planning to binge the rest of the episodes tomorrow and hope that I am not wrong about Reggie! It is a cartoon about weird kids dealing with their flaws in a sometimes unhealthy manner. Fun. Go have it.

#twelve forever #reggie #todd #esther #butt witch #thoughts #raw opinions

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