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inkskinned · 1 year

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i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.

and that should be fine; but it's never fine.

i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.

for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.

we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.

i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.

restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.

#hobbies #writeblr #what stage of weirdness to write about hobbies on my hobby writing blog #although i know OBJECTIVELY i am a creative person #i often forget to label myself that bc i don't feel im an ARTISTIC person bc i don't do anything like that professionally #writing doesn't even feel like a hobby i think that surprises nobody for me to be like #it would be easier for me to stop . like. breathing.#which feels cheesy and trite but listen im running late for a meeting and all i really want to say is like #i couldn't even consider writing my hobby bc it makes my skin crawl bc it makes it sound like it's not important to me #bc we really devalue hobbies. like entirely.#it HAS to be a job. it must #also idk if this is clear but i personally get stuck in this space where i CANT create bc i am putting so much pressure on myself #to make it RIGHT #and im like ... idk i only have an hour #so probably shouldnt get involved in this thing

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starry-bi-sky · 2 months

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i have been unmedicated for the entirety of spring break and thus have had little interest in writing this down, but i have been thinking about this for the entire week (as well as a dpdc clone danny au that resulted in it becoming its entirely separate batman au that includes a teenage vigilante bruce wayne, an ocarina, and me entirely incapable of making a batman au without making bruce dirt poor but we're not talking about that) and so i've finally went 'fuck it' and forcibly grabbed my laptop. I will get this done in one sitting even if it kills me.

BUT. This is about neither clone^2 danny nor about who i am calling Ocarina Batman. This is about my Danyal Al Ghul Au and more SPECIFICALLY it's me thinking about his relationship with Sam and Tucker specifically.

Tucker and Sam? Adore this asshole (affectionate) with every fiber of their being. And it is very much a reciprocated feeling, but Danny's thoughts will not be delved into much other than he would kill for them.

Tucker? The only person currently capable of getting a deep, loud, belly laugh out of Danny. Sam can get him to smile and to laugh, but it's the kind that's a chuckle-under-the-breath. The quiet, looks-down-while-huffing laughter. Snorts once with laughter and then grins stupidly.

But Tucker? Tucker can crack a slew of stupid jokes and Danny will be incapacitated for the next five minutes because he's laughing so hard that he can't breath. He lands one well-timed pun or quip and Danny will be close to tears. His laughter is their favorite sound in the whole world.

Sam is lowkey jealous of this ability, and she's gotten a belly laugh out of Danny a few times. But alas, it is Tucker who wields this power and has gotten it the most times out of the two of them.

They're also both physically affectionate with Danny as much as possible. It started roughly around when they were 12-ish, a year since they befriended Danny, and they noticed that he sought after touch but never seemed to initiate (and was in some ways repulsed by it). They started slowly being more touchy with him. Hooking a finger around his to lead him somewhere, tapping his wrist, looping arms. Little touches, grabs, etc, to get him used to it, and once he started doing it back they started increasing it.

It's gotten to a point where he will now just. Lay on them. Like a lizard sunbathing on a rock. Leaning on their backs when they're sitting in class before the bell rings, his chin on their heads. He'll talk about anything with his arms looped around their shoulders.

If they're sitting on a couch at either of their houses, he'll lay his legs on theirs. Him and Tucker will press their feet against the other's and try and push against them (newsflash: Danny always wins, Tucker claims its the ghost strength but Danny's been winning since before his accident)

Naturally, both Sam and Tucker know where Danny keeps his weapons on his person, and are allowed to grab them off of him if they need it. His only requirement is that they don't lose his weapons if they take it and forget to return it immediately.

They both understand how big of a thing this is from Danny, and so they do their best to treat his weapons with a lot of respect and care because they know its his way of saying he trusts them.

Sam and Tucker are so fond of Danny it's insane. Like fr. That's their goddamn best friend, and they are so protective of him. Emotionally, physically, you name it. They will tear the head off a grown man if they need to, Danny's had scars since he arrived in Amity Park and Sam and Tucker both are going to find the person who put them there and make them pay for it.

One time, Tucker overheard a bunch of upperclass girls speaking nastily about Danny and about the rumors surrounding him, calling him names like 'freak', 'monster', etc. Danny was with him and heard it, and seemingly appeared unbothered by it, even telling Tucker that he was used to such rumors.

Tucker was so furious that hacked into the school system later that night and tanked those girls grades. They were kicked out of their clubs and had to go to mandatory tutoring for the rest of the year. He made sure to leave some way of letting them know it was him who did it.

And Sam doesn't like using her money for things, doesn't like abusing that wealth. So instead, whenever her parents talk bad about Danny, she causes a media incident that has her parents scrambling to deal with. She does something wild, outrageous by her parents' standards.

She heard some boys on the basketball team making fun of Danny once, similar to those girls had. She kicks up a fuss about something eco-unfriendly at school and forcibly holds a protest on the same day of the big home basketball game, forcing them to cancel the event and reschedule to a visiting school.

She anonymously donates money so that there's new uniforms for the team but oops! Looks like she "forgot" to donate enough money for them to get uniforms for all the team members, and strangely enough those boys in particular didn't get them! Looks like they'll have to wait until more money gets donated for the basketball team to get their new, nice uniforms. The old ones look so ratty in comparison, right?

And since the football team gets most of the sport money, that might just take awhile. And if (and when) they kick up a fuss? oops! Off the basketball team you go, :) such unsportsman-like behavior is unfit for the team.

(The only good thing about how corrupt the school system is is that she can use it to her advantage too.)

The both of them know that Danny suspects them for the sudden misfortune falling on these people, but he doesn't call them out on it. He's kinder than he used to be, but not kind enough to vouch for people who speak badly of him. Sometimes, he might just congratulate them on not getting caught.

Because Danny is their wonderful, hurt friend with a "slightly" Blue and Orange Moral code, and enough scars that people have been calling him a criminal (and worse) since he arrived in Amity Park when he was ten. And they'll be damned if he gets hurt anymore.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #danyal al ghul #its kinda hard to get my thoughts in order bc i am ✨unmedicated✨ rn BUT #this is the gist of it #i could wax poetic about how much sam and tucker adore danny as their friend but alas. the wax is not waxing. it is stuck to the paper #and i am chipping it off with my nail and its getting stuck under it.#ocarina batman has been in my head since friday someone come sedate me. him and pit fighter batman too. who is ALSO a piss poor teenage #bruce wayne who instead of a vigilante and villains is a PIT FIGHTER. he fights blindfolded thats why he's called the bat #ocarina batman's Look is if you combined punk + assassins creed aesthetic together and then gave it an ocarina #the ocarina is because i thought it'd be cool if its how he and robin communicated across long distances bc they didnt have comms #because they are ✨poor✨ and live in a one room apartment in crime alley.#and also the mental image of him sitting on. rooftop ledge in the rain playing 'song of storms' from LoZ was too fantastic to ignore #like bro imagine hearing that as a criminal. you're off doing shady shit with your gang and in the distance you hear the faint and #haunting melody of an ocarina. two of them in a call and response duet. and its getting closer. and you cannot find where #siren type shit fr fr #look he has the assassins creed hood and a long ass coat that has spikes on the end that when flared out looks like the silhouette of a bat #on fucking GOD i am this 👌 close to finding an artist doing commissions to make this for me. i am frothing at the mouth #he is 17-19 years old with his little brother-son Robin. Logically Robin is Dick but in my heart of hearts the first Robin is Jason #and he has perfected the art of getting his older brother to play songs on the pan flute for him. long pitchy whine on his own ocarina #the familiar childlike 'pleeeaaaaaaase?' and he knows he's won when there is a 10s silence on the other end before his brother plays #a lullaby.#look up 'sailor moon - pan flute (relaxing) on youtube' and when there's the thumbnail of two green skinned aliens with long blue and pink #hair. click on it. THAT is the song Bruce plays.#hhhhhhhhhhh frothing at the mouth over this au sooo fucking badly

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carnivalcarriondiscarded · 10 months

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Does

Does Barnaby

Does Barnaby tell the others to get off his lawn when he's angry

psh, who do you think he is, an old man? he'd Bark, like any lively young dog

#serves them right for (playfully) arguing right outside of his house smh #hes got sensitive ears yall... probably... i wouldnt know...#i bet ya could hear that woof everywhere in the neighborhood #and feel it. its gotta be deep as hell. bass boosted boof #legend has it that a Single Can fell in howdy's store #scribble salad #welcome home #welcome home puppet show #many thoughts about barnaby and barking #id imagine that if asked if he can bark hed be like 'yeah but its a waste of effort / who has the time for That'#i doubt he ever really does it...#cause that would take effort and really when would he be in the mood to be able to do it #its like. i dont get how some people can just let out a real good yell/scream on command #if im not angry enough i Physically Cannot raise my voice in that way. just dont have it in me #and id also think that barnaby has a thick skin. takes a lot to make him That Peeved yk yk #but when he does bark. oof. thats gotta be the loudest shit ever #everyone runs out of their homes like 'what happened??? is there a thunderstorm??? did a fuckin Bomb go off??'#meanwhile barnaby is slamming his door behind him and frank & julie are speedwalking away from his house with ringing ears #thoughts thoughts thoughts Musings

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codgod · 7 months

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HAPPY HALLOWEEN ft. the misclick family <3 and gegg as the pumpkin

and here’s some extras :p

#.png #qsmp #qsmp slime #qsmp mariana #charlie slimecicle #el mariana #juanaflippa #qsmp eggs #slimeriana #fliporiana #fanart #IM SO HAPPY WITH HOW THIS CAME OUT!!!#as always my rendering skills could use work but i’m getting there i’m getting there #and yes i know it’s still a few days until halloween #consider i am impatient and finished this faster than i thought i would #mainly so it could get out of my brain and i could go start on a skin commission i have to do #i can’t do too many things at once or i’ll get overwhelmed and explode. in real life

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aroaceleovaldez · 6 months

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why are PJO characters most consistently measured in scales of Michaels?

Like. this is some of the most specific height information we have out of most characters, besides maybe Percy being an inch shorter than Jason. The Michaels Scale...

#pjo #riordanverse #nico di angelo #michael kahale #michael yew #clarisse la rue #this is some of the most specific numbers we get #also for the record i did the math and inferring based on multiple factors #(average height of a 13 year old boy / average height in 1930s italy)#so implications are: a.) Nico is absolutely never gonna break 5'6''. he is probably 5'2'' at best in HoO #and b.) presuming that. the math does add up that in comparison Michael Kahale is about 5'8'' which would put him at ~50lb heavier than Nic #with the *generous* estimate that Nico is like 120lb. which is average for 5'2''#but knowing that Nico weighs like. Nothing. he is Skin and Bones. lets guesstimate that Nico is 120 soaking wet. hes probably closer to 110 #i do too much math for these books. anyways enjoy that. wiki i want the heights updated with sources on my desk by tomorrow /j

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lemon-wedges · 1 year

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[Barok Van Zieks Voice]: Two tickets to the Barbie Movie.........Please.....

#my man is serving some SERIOUS divorced dad energy #YOU KNOW HES ATTEMPTING TO WIN HER PLUSHIES AND FAILING AT IT!!!!!!#barok van zieks #iris wilson #ace attorney #tgaa spoilers #?#the art of a lemon wedge #lil painting practice before i move onto a big boy painting huff huff #im getting the hang of clothes i think but hmmmmm #still figuring out skin #TT-TT #getting there

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rebellum · 9 months

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The whole transandrophobia discussion thing is weird bc it feels like it's a bunch of poc and jewish trans people being like "here are my experiences of how specifically being MASCULINE had affected me, and the discrimination and violence I experienced based on that. And here is how that relates to me being a racial/ethnic minority"

And then a few loud white trans people going "ohhh you wanna be oppressed so bad you *slur*. This is why there aren't any poc in your movement it's because REAL poc understand intersectionality"

#hot take white culturally christian or athiest leftests do not properly interpret white jewish ppl #like as a poc i and other poc understand that white jewish ppl often get racial privilege #but a) not always b) they experience oppression based off of their ethnicity #idk from my perspective it seems like white goyim either see jewish ppl as 'the disgusting exotic enemy' or 'basically WASPS but they #wanna feel special'#with no nuance. no recognition #look maybe this next part is bc i didnt grow up with jewish ppl and therefore didnt know until I was 18/19 that jewish ppl can count as #white. but like. idk how to say this. i dont wanna speak over white jewish ppl. but like.#jewish ppl that have obvious jewish features (whether Ashkenazi facial features OR they dont have those but wear eg kippahs)#arent like. white. idk pls correct me if this is antisemitic or incorrect or something.#but like. light skinned =/= white obviously.#i just struggle to see how my bestfriend with her lovely dark eyes and curls and nice nose counts as 'white' when ppl call her the k slur #across the street. ykwim?#like white doesnt mean light skinned. it means 'part of the in-group of white ppl'#like my ex who is white and jewish? yeah hes white. if he didnt wear his necklace then goyim wouldnt know. you know #like obvs he still experiences ethnic oppression but he doesnt experience racial oppression #but other ppl with more prominent eg ashkenazi (im singling them out bc most jewish ppl here are ash.) like i dont GET how they have racial #privilege.

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lipt-97 · 5 months

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came back just to post these. okay bye

#gbf #belifaa #did you get triple zero (summon)? the sanfaa scissoring summon? SSS? i sierotixed it. It was awesome. Everythung in gbf is going right for #e except for the fact that i had to sieroticket it but its alright. just the notion of so much lucilius is just enough to put me back on my #feet again it’s almsot unreal how much lucilius-centric stuff theyve pushed out the past few months. his GBVSR debut. his summon.#Omg when I saw the gbfes fashion show i was a few seconds behind zen and she told me “You wont believe this” and I was like “WHAT? BELIEVE #WHAT? WHAT? WHAYT DO YOU MEAN” and the official lucilius cosplayer walked out in his robes it felt unreal unreal like it was seeing my onl #dreams come true after years and years of being like Theres no way they’d do that. There’s no way they’d make a cosplay for lucilius in his #robes because hes in his void outfit forever. BUT THEY DID…..AND THERE WAS BLOOD UNDER HIS SKIN….AND HIS LIPS WERE GLOSSED…AND HE HAD A LIT #LE BIT OF TAREME AND TSURIME (TARIME) ACTION ON HIS EYES AND EVERYTIME HE WALKED HIS ROBES KIND OF FLUTTERED AS HE SHUFFLED ALONG I HAD TO #SIT ON THE BATHROOM FLOOR lay down on the bathroom floor and I almpst puked from how nauseous it made me i was OVERJOYED BEYOND MY PHYSICAL #LIMITATIONS OF HAPPINESS . I WAS SO HAPPY. THIS YEAR HAS BEEN UTTERLY MISERABLE FOR ME AND I HAVE NOT BEEN THIS DEPRESSED SINCE HIGH SCHOOL #BUT SEEING LUCILIUS like this genuinely blew me off my socks . I don’t know if i should be 100% thankful because I’ve been trying to figure #out how to balance my emotional state with the media i consume but #I think i really needed it. thank you lucilius for ending my 2023

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god-of-this-new-blog · 4 months

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“Sorry that it all went down like it did”

#hi! back at it with more highly specific art from The one The Only!#Apa au #Isa I am sorry I left out my true thoughts behind the scar on this one but I am trying to achieve wider lawlight audience appeal #speaking of:#death note #lawlight #light yagami #l lawliet #my art #anyway.#many a lawlight fight that dissolves into a week long stalemate ends with a shared bath #they make up in water every time I have decided #its a theme and its a motif #anyway. the whole plot of our au goes down in the song Motion Sickness by Phoebe Bridgers #also drawing this I learned I do not know a fucking thing about how to draw water or wet skin.#so uh maybe more bath art soon so I can learn to do that #thats all folks I feel like I am normally more insane in the tags #hmm #OH I know what I will over share #I think im like… going to get to into r*ck and m*orty. I liked it when I was like 13 and I was rewatching it for hahas when I couldn’t sleep #but im so scared guys that im going to get INTO it #like yesterday I felt the urge to draw fanart for it and I had to quickly slam my head on the desk until that idea went away #okay yeah this is a good amount of oversharing in the tags #I feel good

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flowercrowngods · 1 year

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day 07: free space a happy ending

Wakefulness embraces him so slowly and gently that Steve’s not entirely sure he isn’t dreaming when he sees Eddie lying next to him, watching him with an easy smile as his fingers tap out a slow beat on his pillow. Steve looks at him, blinking away the remnants of sleep, not quite daring to do anything more than that for fear of it being a dream after all, scared that Eddie would disappear if Steve reached out to touch.

But then Eddie’s smile widens. “Good morning, sunshine.”

Steve gasps a little and moves his hand to Eddie’s cheek, tucking a few strands of hair behind his ear, his breath hitching when Eddie leans into the touch.

“You’re here,” he whispers, his gaze wandering over Eddie’s features, taking it all in and looking for any indication that this is a dream.

Eddie hums. “And you’re pretty.”

It hits him out of nowhere, the open sincerity in Eddie’s voice, the fondness in his eyes, the honesty in everything about him. The love, open and free now — or getting there, at least. It’s still so raw, though, so new, that Steve doesn’t know how to handle it yet.

“Shut up,” he huffs once he’s caught his breath, rolling over to hide his face and the way his cheeks are heating up. He rolls right into Eddie's chest, though, and he's so warm, so close, smells so good that Steve wants nothing more than to bury his face in his neck and stay there for the rest of the morning. Or maybe the rest of his life.

The reflex to pull away is there. The urge to run and hide, to laugh it off, to freeze up and find something else to do, something to occupy his hands and stop them from reaching for Eddie. Years and years of muscle memory telling Steve to leave.

But Eddie's arms come around him, holding him close and pulling him even closer. And Steve breathes him in, remembering that it can be okay. Remembering that they get a chance now.

Remembering the words.

What are you doing?

Changing the world.

So he tries that, too. Changing the world. He tries by winding his arms around Eddie, too, and breathing in again and again, learning that Eddie won't disappear if he does.

Slowly, he dares to move his arms, stroking along Eddie's back in slow, gentle patterns, lulling himself into a safety he hasn't felt in a while. Maybe ever. At some point Eddie begins to hum, and Steve thinks that it's just another one of his audible smiles, inviting Steve and the rest of the world to join in if they're so inclined. But then he detects a familiar melody in the vibrations of Eddie's neck against his skin, and he holds his breath to find out what it is.

His heart jumps when he recognises the song as one he used to listen to on repeat like a lovesick fool around the time his feelings for Eddie turned into something more, something better, something infinitely worse.

It skips and he forgets how to breathe as he lets his hands travel over Eddie's back, slowly and tentatively daring to slip underneath his shirt and touch his skin.

Eddie begins to sing, then, and Steve wonders if he's even been in love with him before, because nothing of what he's ever felt compares to Eddie's gentle, hoarse, sleep-rough voice as he sings Somebody to Steve, to their little bubble, or to the world outside.

"I want somebody to share, share the rest of my lifeShare my innermost thoughts, know my intimate details."

He closes his eyes as he listens, focusing on the vibrations, on the warmth, on the closeness, on how this moment is everything he's never even dared to want. Everything so perfect that he couldn't even dream it up.

Everything. You're everything.

He needs to be closer still, so be buries his nose in Eddie's neck and breathes him in, tangling their legs, filled with a breathless kind of joyful bliss when Eddie's breath hitches, too, and he stumbles over the words of the second verse as Steve tries to climb into his skin.

"I want somebody who cares for me passionatelyWith every thought and with every breath."

You have me, Steve thinks, pressing his lips to Eddie's pulse point. It's not a kiss, not quite. It's something deeper. It's a promise.

Eddie's hands come up to hold him there even as his voice carries through the drumbeat of Steve's heart in his throat, running fingers through his hair, lightly scratching at his scalp, making him purr along to the melody.

"But when I'm asleep I want somebodyWho will put their arms around me and kiss me tenderlyThough things like this make me sickIn a case like this, I'll get away with it."

When the song ends, Eddie's words faded out, replaced once again by the gentlest silence, Steve feels raw. Vulnerable. Open and exposed. But he also feels safe, and loved, buried in Eddie's skin and held there, as though Eddie is just as scared of fading away as Steve is.

He lifts his head just slightly, enough to meet Eddie's eyes – only to find that they're closed, an expression so serene like Steve has never seen before. Mesmerised and overflowing with affection, he reaches out to trace the line of his brows, down to his cheeks and all the way to his lips, where his eyes are glued for a second.

The thought of kissing Eddie is right there. The opportunity is, too. But he doesn't. He barely dares to move as it is. But he does roll them over the rest of the way until he lies comfortably on top of Eddie, and tucks his head underneath his chin, finding one of his hands and lacing their fingers.

"You've got him," he breathes eventually. "That somebody. If you—“

"Yes," Eddie says, his other hand finding its way to the nape of Steve's neck to play with his hair again. "I want."

"Good." It's lame; far from what he wants to say. From what he has already said last night. It feels like they're doing this backwards, starting with the I love you and catching up with the slow build-up afterwards. "Good. Me, too."

"Good," Eddie hums, and there's that smile again that Steve can't help but mirror.

They fall asleep again like that even though it’s already late in the morning; cuddling and holding and cradling each other, still trembling slightly. Maybe that's what changing the world will do to you. Maybe that's the bravery more than the love.

Or maybe it's just Steve and Eddie. Steve and Eddie. SteveandEddie.

I love you.

~*~

It takes a bit for Steve to relearn loving Eddie. To not associate it with tragedy and sadness and a bone-deep loneliness that'll leave him breathless even on the best of days.

It takes a while for Steve to learn a whole new kind of breathlessness, a whole new kind of aching when it comes to Eddie.

And Eddie's not much better than Steve, pulling away when Steve wants him closer, swallowing his words and needing a second, third, fourth try until he learns that he gets to love Steve now.

Years of unrequited love, or feelings unreturned, of words put out into the universe with no one to receive them, are not easily or quickly unwritten. But every time Steve's breath gets lodged in his throat and he wants to run away, Eddie is right there to remind him of what they can have now. Every time Steve tries to be a little less of who he really is, Eddie is right there to coax him out of his head with gentle touch and a lot of hugs.

Every time Eddie starts to doubt himself and all the ways he makes Steve the happiest person on the planet, Steve is right there with the words he only has for Eddie. Words that don't get stuck anymore. Words that finally get a recipient.

~*~

Their first kiss, the first real kiss, doesn't happen that first morning. They spend the first week only holding each other, barely wanting to let go, hiding their vulnerabilities within each other.

Steve is worried about it at first, seeing Eddie so quiet, so reverent, lacking his usual cheer, his energy and snarky comments. He asks about it one night, ready to prove right that he isn't and can never be enough for him, that all he will do is steal the things that make him Eddie.

Eddie stops then, lifting Steve's chin with a finger when he's too scared, too ashamed, too vulnerable to meet his eyes on his own accord.

"Stevie," Eddie says, his voice so gentle that Steve immediately feels stupid for doubting. "I have loved you for ten years. I've had you for three days. Let me bask in it. Let me be unable to be myself with how absolutely and utterly overcome I am with the knowledge that I have you now. That I get to hold you. That I get to kiss you and keep you and... God. I'm not unhappy. I'm so much the opposite of that that I'm not sure there's a word for it. Other than devoted. Smitten. Bewitched, body and soul."

Steve wants to kiss him then. Almost does, with the way they're just staring at each other, breathing the same air —air that smells like Eddie now. In the end, Eddie just holds him, brushing a kiss to his cheek, his forehead, his temple, and whispers, "Let me bask in it."

And so they do.

Wayne called Eddie not long after with the words, "Chrissy just told me the wedding's off. Please tell me that means what I think it means."

Eddie just blushed, reaching for Steve, tucking a strand of hair behind his ear. "Yeah, I, uh. I finally talked to Steve."

There was a very loud cheer on the other end that made Steve laugh, falling into Eddie's side, holding him tight, a weight falling off his shoulders knowing that Wayne was okay with them.

You know, I always figured it would be you.

No matter what happens, you'll always be a son to me.

It made his eyes sting again, but he basked in the moment and in the knowledge that Wayne was on their side. Always has been, always will be.

"You better come here on Sunday, and bring Robin and Chrissy, too."

"Robs and Chrissy?" Eddie asked.

"Oh, you're in for a treat. I'll see your asses on Sunday, boys."

And with that, he hung up. Steve immediately went to call Robin, hopeful and giddy with Wayne's implication, knowing that Chrissy was Robin's person just like Eddie was his.

"She loves me," Robin said, on the verge of tears, and Steve joined here right then and there. "She's– Steve. She's so– She... God!"

"Yeah," Steve laughed at the ceiling above his bed, grinning because Robin sounded so happy, not even caring that she didn't have the right words for it, because he could hear Chrissy laughing in the background, too. Laughing and saying hi to him and interrupting Robin's ramblings and groans and giggles with kisses that always left her dumbstruck for a good two seconds each time.

When the call ended, he went right back to the living room, where he and Eddie started watching Pride and Prejudice before, and fell right on top of him with a happy, happy smile.

~*~

It happens at Wayne's, exactly one week after Eddie showed up at Steve's in the middle of the night. One week after the phone call. One week after I love you.

It happens in the soft glow of the fairy lights Steve and Eddie helped him put up years ago. I happens after Wayne hugged him tight once more, after he pulled Chrissy to the side and promised her that she's still his kid, that he still loves her, and that he's happy to see her smile like that. After he promised the same to Robin.

It happens when Wayne's inside to refill their drinks and Chrissy and Robin are caught up in each other that they're blind and deaf to the rest of the world. When Steve turns to find Eddie looking at him with the softest, gentlest expression.

"Eddie," he whispers, leaning in to rest their heads together, lacing their fingers and stroking his thumb along Eddie's palm.

"Yeah, baby?"

Baby. It fills him with butterflies, with the urge to scream, to shout from all the rooftops that he loves Eddie, and more importantly, that Eddie loves him back! Baby. Baby.

"I love you."

"Hmm. I love you more."

No, you don't. Just longer. "Can I kiss you?"

He can feel Eddie's little gasp before he leans in even closer, rubbing their noses together, cradling Steve's face with his free hand. "Please," he whispers.

And Steve does. He captures Eddie's lips, pouring into it everything he feels and more. Sealing the promises he's made and all the ones he's yet to make. The promises to love and cherish Eddie. To be brave. To be there. To stay and keep and bask.

It's nothing like their first kiss all those years ago. There is no question behind it this time. Only declarations, only promises, only the beginning of a shared future.

And there are many, many more after this one.

🌷🤍🌷 THE END 🌷🤍🌷

tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae @tuesdaycats @totoroinatardis @ilovebookshowboutyou @musical-theatre-gay @theluckyalien @copingmechanizm @srra @changelingbaby @sassygoop @obsessivelyme @r0binscript @hardboiledleggs @estrellami-1 @bisexualdisastersworld @space-invading-pigeon @swimmingbirdrunningrock @y0urnewstepp4r3nt @oxidantdreamboat @spilled-jar @phirex22 @littlemsterious @captaingigglyguinea @animecookie95 @sharingisntkaren @haluton @littlemsterious @animecookie95 @suddenlyinlove @bisexual-bilingual-biped @jinx-nanami @makewavesandwar @scheodingers-muppet @morcantinon @hexdbog @homosexualhomocide13

god i can't believe it's over. i thank you, every one of you, who cheered for me, cried with me, screamed and yelled at me, and stayed with me throughout this past week. i have no words right now other than thank you 🤍🌷 and i hope this is okay

#steddie #steddie fic #steddieweek2023 #steddie week fic #i feel like this one's a bit disjointed but i kinda like that about it?? little snippets that make a happy ending you know??#idk i hope you like it too (i always get anxious about endings tbh catch me vibrating out of my skin)#dio words #i cannot believe it is done. i cannot believe what a ride it's been. i'll find the words for it later i think. first we read. and we bask 🤍#morcantinon i am ENDLESSLY sorry i forgot to tag you even after you sent that wonderful ask please forgive me 😭🤍#i also forget a bunch of people who asked in the reblogs but dear god i hope you find this anyway i am all over the place #i will edit this and work in more chrissy/robin when i post it to ao3. but this is steddie week. and these are 15k words of an au #that happened spontaneously and within 2h each night of me flying by the seat of my pants. xD

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tyttetardis · 4 months

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Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

#David Tennant #Macbeth #Donmar warehouse #Cush Jumbo #I messed up this recording sooooo bad #I didn't see people pull out their phones to record it so I didn't dare do that either...#and man did I get a shitty recording out of it :(#and the audio ain't great either...Craig was sitting the furthest from me and didn't have a mic so can be a bit difficult to hear at times #Cush was sitting the closest to me (not that close - I was still in second row!) and David was sitting next to her #while I didn't have a perfect frontal view - the angle I was at did mean that I still got a perfect view of David's adorable smiles <3 #and all his other lovely facial expressions as he often looked to Cush when she was talking and replied to her...#which made it FEEL like he was looking in my direction *sigh*#and he looked so good with his comfy cardigan - skin tight jeans - and his glasses!#You know I have seen David quite a few times by now - but I'm pretty sure this was the first time I saw him wearing his own glasses!#I desperately wish I had managed to capture some pictures or a video---because OMG! He was so lovely <3 #Oh didn't know there was a text limit...or that I had written this much...guess I'm continuing in a part 2

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