#fucking husbands
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Kremy, singing “Part of Your World”:
“Wouldn’t you think I’m a gator who has…”
“And I’ll look at the train, I guess I look at Gid…”
“…everything?”
OH. OK. WE’RE DOING THIS NOW. THAT’S FINE. DEFINITELY NORMAL ABOUT THAT.
#ouaw spoilers#they have long fucking crossed the line of denial#not even playing that card anymore#fucking HUSBANDS#WHAT THE HELL#legends of avantris#once upon a witchlight#live(?)blogging#gideon coal#kremy lecroux#coalecroux#krembrulé
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#FUCKING HUSBANDS#fire emblem engage#Marth#Alear#divine dragon alear#game screenshots#veyle#fe veyle#veyle fire emblem
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He changed his mind.
Support me on PATREON!
#another fanart hehe#Fuck Metatron he is staying with his partner#this is what actually happened#copium#brain worms#good omens season 2#good omens#good omens spoilers#ineffable husbands#aziraphale#aziracrow#crowley#good omens fanart#fanart#my art
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suggestion box
#alt title: crowley fucking dies#alt alt title: rip bozo#good omens#good omens fanart#crowley#ineffable husbands#digital art#good omens animatic
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YOU ALREADY KNOW WHAT TIME IT IS
More GOOD OMENS
#crowley#good omemes#ineffable divorce#ineffable husbands#good omens#aziracrow#aziraphale#good ineffable omens#mentally fucked#fuck off
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He’s filled his house with chintz. To keep it real I fuck him on the floor.
#good omens#aziracrow#ineffable husbands#aziraphale#crowley#crowley x aziraphale#I know that’s not exactly the quote but fuck it we ball#unable and unwilling to get them out of my head
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This is your villain? This one, right here?
Okay weirdo.
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OK OK OK I know everyone is all over sleeveless turtleneck Crowley, but for the love of God I cannot get this out of my head
(Leaves room to headcannon that he wore this after things started going to shit so that he could get his wings out more easily)
#backless turtleneck crowley#he also wore it in the 60s#aka when he was planning to steal holy water#its his “i'll fuck you up if i have to” shirt#crowley#goodomens#aziraphale#good omens#ineffable husbands#good omens 2#good omens season 2#aziracrow#turtleneck crowley
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part four of my post-canon hannibal art series that I call world's most fucked up road trip<3 you can see the other 3 parts + some comics from the same AU here
This time including: a new house in a new country, opera trips, Hannibal massaging Will's bad shoulder, some new scars that I made up for fun, and Will's hair starting to go grey a little bit (which is a sign of growing older together and living a long life btw and that's beautiful). And, of course, murder.
Jack, Alana, and everyone else are like how does Will sleep at night after doing all that meanwhile Will is spooning a cannibal.
#hannibal lecter#will graham#hannigram#nbc hannibal#hannibal fanart#murder husbands#worlds most fucked up road trip#my art
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S02E04 The Hitchhicker
#good omens#good omens 2#good omens spoilers#ineffable husbands#aziracrow#1941#michael sheen#david tennant#aziraphale#crowley#good omens 2 spoilers#gomens#gos2 spoilers#go2 spoilers#WHEN I SAW THAT TWEET#I LITERALLY DIED#THIS IS SO FUNNY#CROWLEY YOU HAD YOUR CHANCE SERVED ON A SILVER PLATTER#michael you really are a menace#michael just decided to let us know that aziraphale FUCKS#crowley you idiot#you have no idea#forgive that ? box btw my phone is terrible#mine
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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.
I have a few different things to say about that. Let's unpack them.
As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.
Also: in the naked romanticism with which he views his stars.
We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'
...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'
Ligur: It's not exactly...craftsmanship.
Crowley: Head office don't seem to mind. They love me down there.
Hm.
I'm also reminded of the M25.
The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.
That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.
Cumulatively gigantic, that is. Individually? Negligible.
But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.
It's some clever machinery. And he knows it, too:
The Unnamed Angel and Crowley are both proud of their ideas.
(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)
In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.
Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"
11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'
(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)
Hastur and Ligur don't get it, of course. That's also consistent.
Nobody ever knows what the hell he's talking about.
It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:
He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.
(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?
...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)
Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.
Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).
Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."
To me, at least, that suggests a level of attachment that seems to be rare for Crowley.
...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?
...Anyway.
There's also the matter of the crank handle.
This thing:
This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.
The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.
He made stars with it.
[both gifs by @fuckyeahgoodomens]
If you Google 'crank handle,' you'll get variations on this:
Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.
Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.
Stopping time. For instance.
(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)
I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.
(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)
Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?
He made stars. They didn't manage to take that from him.
Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.
Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.
...And yet.
It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.
In light of everything else I've said here, I think that's interesting.
Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?
Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?
What do we name the point to which Crowley loves Aziraphale?
...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.
#good omens#ineffable husbands#aziracrow#Crowley#Aziraphale#good omens 2#good omens meta#unfortunately I do not have trains of thought#only long meandering strolls of thought#sorry about it#anyway tl;dr Crowley is a nerd#also I have a strange emotional attachment to the idea of 1500's Crowley...#...facedown in a pile of Mona Lisa sketches; drunkenly info-dumping about Aziraphale#and Da Vinci is just like. 'Ahhhh mio amico Antonio. You fucking simp.'
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#beta sissy#sissy ferminization#sissy tasks#submisive sissy#feminine sissy#feminized husband#sissifyme#humiliated sissy#sissi femboi#sissifeminine#sissy for bbc#sissylover#humiliation sissy#panty sissy#sissy fuck toy#faggot sissy#sissy cd#permanent sissy#sissy fendom#feminized sissy#sissy hypnotize#sissy loser#sissy dress
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if i had a nickel for every time a gay show gave me a gay kiss before ruining my gay life…
id have two nickels. which isn’t alot but its FUCKING DEVASTATING THAT ITS HAPPENED TWICE
#I HATE THESE FUCKING SHOWS#(theyre my favourite shows)#anyways i need them to be happy#good omens#good omens s2#good omens spoilers#ofmd#our flag means death#ineffable husbands#crowley x aziraphale#blackbeard#stede bonnet
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oh crowley, nothing lasts forever.
no. no, i suppose it doesn't.
[Image ID: a digital sketch of the Crowley and Aziraphale kiss from Good Omen Season 2 Episode 6. End ID.]
#good omens#gomens#ineffable husbands#gomens 2#good omens s2#good omens 2#im literally shaking lmao#idk what to do with myself#ik this is trash but i had to do something#i just#wow#fuck!!!!!#crowley#aziraphale#good omens fanart#*loqdraws#go#go2#go2 spoilers#gomens spoilers#gomens 2 spoilers#good omens spoilers#i want to tag this with all the spoiler warnings possible sorry if ive missed any#crowley x aziraphale#crowley/aziraphale
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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
#good omens#good omens 2#ineffable husbands#it's kinda like capt america: civil war#with Azi as Tony Stark: traumatized and trying to do the right thing#and Crowley being Steve Rogers: fuck the establishment let's go rogue#gos2spoilers#good omens meta#good omens 2 meta#go s2#michael sheen#go s2 meta#go meta#*mine#*mymeta#ineffables husbands#ineffable soulmates#*mybest
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I’d give anything to hear
You say it one more time
That the universe was made
Just to be seen by my eyes
#i really wanted to make part 2 so here it is#it’s sad time once again so now i will start drawing happier things#once i’m recovered lol#good omens#good omens 2#good omens season 2#good omens spoilers#good omens 2 spoilers#gos2 spoilers#gos2#crowley#aziraphale#FUCK THE METATRON#ineffible husbands#aziracrow#neil gaiman
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