Continuation/blurb/snippet from this writing prompt.
It took less than a week to get custody of the Fenton children.
Oswald expected that it wouldn’t take long with his connections, but even that turn around is faster than what he expected. He'd anticipated pulling strings, greasing palms, maybe making some threats, but before he can even think of getting things moving to do so the paperwork is signed and a social worker is calling him to sort out the travel arrangements for the kids.
It's all done local, the judge, CPS, the witnesses and lawyers, each and every one calling the town home. Each and every one pushing the case through at a speed that Oswald didn't think was possible even in the most crooked of situations. He smelled conspiracy, but not - surprisingly - a malicious one.
Amity wasn't the smallest place in the world, but it was small enough. And the Fentons were public figures, though not in the way that Jack and Maddie Fenton obviously thought they were. How long had the people of Amity been watching things go wrong for the kids? How long had they been trying - in their own, limited ability - to help? Long enough to get desperate, seemed to be the answer.
The only resistance Oswald can find as he reviewed all the information he could get ahold of, was from the Mayor - Jazz and Danny's godfather, somehow more crooked than even Gotham's elected officials as far as Oswald could tell - and the Dr's. Fenton themselves.
The Mayor was summarily denied any influence of the case by the judge on the grounds of the long standing and publicly recorded ugliness of Master's relationship with Danny - which was something else Oswald was going to have to figure out. Along with all the…ghost stuff.
Oswald wasn't sure what to make of the ghost stuff.
Honestly he was leaving it for his people to figure out and wrangle into a reasonable explanation to report to him later. It was…something, a big something, and not - as he'd originally suspected upon initial cursory research into the town - a tourist gimmick or an overly high meta population. A later problem, provided he had to co tend with it at all once the children were officially in his custody in Gotham.
The biggest issue had been the kid's parents. Or really, the biggest issue had been the shady government agency backing the kids' parents.
The Fentons were the Ghost Investigation Ward's pet mad scientists. Creating weapons and genocidal plans - against ghosts - and generally tormenting the towns' living inhabitants just as much as the undead ones. The GIW had been protecting Jack and Maddie from any repercussions of their recklessness, and were willing to butt in on an unexpected custody battle in order to keep their maniacal golden geese happily working away.
From what Oswald had heard, a representative of the GIW had shown up to convince the judge to dismiss the case, but the judge had been faster. By the time the men in all white appeared - garish and tacky in their ill fitted, bulky suits - it had been too late of course. The judge had apparently anticipated their impending appearance and had made their ruling and had everything filed tidily late the night before. Courts did not typically stay running til three in the morning, but apparently an exception had been made.
There were a great many things wrong with Amity Park - wrong in a lot of ways they were in Gotham, wrong in ways they weren't - but the people that called the place home seemed to have come to a decision on one thing: the Fenton children were not safe, and unknown or not they were trusting Oswald to get them out of there.
It was strange and a little overwhelming, for an entire population that did not know him to see him as some kind of hope. Some kind of hero.
There were many, many things wrong in Amity Park.
He tried to assure himself when everything was said and done and the kids were packed and on their way that it wasn't his problem. He was officially Jazz and Danny's guardian, in a city half a country away that even with his - nominally- cleaned up act he held a great deal of power over. He was nearly untouchable within Gotham's shadow, and no one from some half-mad town was going to be able to do anything to change that.
He made preparations though, just in case. He hadn’t gotten where he was by being stupid. The Bat could use something to chew on that wasn't one of Oswald's entirely legitimate business ventures anyway. An ethically suspect government agency that was likely to come sticking their noses in Gotham's business sooner than later would do just nicely for that, and might even earn him some kind of grace from Gotham's brooding knight without getting him in hot water with any of the city's criminal element.
All that was left at that point was actually meeting the kids in person.
His kids.
He ignored the strange, bittersweet ache that touched his heart at that. It was, after all, entirely a means of improving his reputation in the city. The kids mean an end. He'd take care of him the same he did all his people, but not any more than that.
It was just business.
If he reminded himself enough, it might even be true one day.
He suspected though, as he laid eyes on them for the first time - shadow eyed and leery, haunted in a way that ghosts couldn't manage and looking not much at all like Oswald outside the fear and the pain he did his best to forget from his own upbringing - that the point of not caring had been passed the minute he'd gotten that first call.
*
Apologies if Penguin is out of character, all I know about him is what I vaguely remember from TAS, what I’ve absorbed from fandom and what I tried to put together from a wiki lol.
I did this instead of sleeping last night because I couldn’t get the initial idea out of my head (which slightly defeats the purpose of making it a writing prompt so that I could just read everyone else’s wonderful thoughts and writings on the idea instead of getting side tracked from my other writing projects - again lol - but oh well).
I don’t know if I’ll write anymore, and as with everything else I post this is open for anyone who is interested to run with.
Tag time!
@phoenixdemonqueen @justgray15777 @gin2212 @blankliferain @meira-3919 @lexdamo @hallowsden @derpygirl64 @thewondersoflebanon @amercurio @vythika96 @my-perfect-storybook-love @apointlessbox
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sorry if youve already talked about this but do you have any views on Goose's christianity? I assume with the cross he wears and Carole referencing him going to church that he is christian, im fascinated by how that might affect his character but im not religious at all, i was raised atheist in a mostly atheist country, so the fact that the tg characters might be caught me by surprise, i know thats not statistically correct but i just assume people arent religious until proven otherwise. feel free to speak on this topic in regerds to fhe other tg characters as well or to disregard this ask completely if it doesnt interest u
yeah. Americans were more religious in the 1980s than they are today. By like some order of magnitude. 90% of Americans were Christian in 1986. And the military tends to be more religiously conservative than the general population. So, I don’t mean to correct you, but the more statistically accurate assumption would be to assume that [X American character] is Christian until proven otherwise.
On the other hand. Characters’ relationships with religion is one of those things that is so personal, it’s completely useless to headcanon. it’s like music taste in that way. Goose outwardly presents himself as a Christian & also makes passing references to cheating on his wife. That’s like one of the 10 main things God told you NOT to do. (check out a little thing called “exodus 20:14.”) So it’s pretty useless to infer any relationship with religion because everyone treats religion differently, and goose doesn’t sit us the audience down and explain the exact kind of Christian he is.
Whatever. He’s a dude in the Navy of the 1980s. Religion comes secondary to dudehood. People can be (and frequently are) hypocrites. That’s what makes people so interesting.
There’s this great military line: “There are no atheists in foxholes.” Your moral code gets a little screwy when you’re constantly facing death or the prospect of death.
I think it’s okay not to shy away from the complexity of these characters. You can let Goose be a complex person who is statistically likely to be a conservative Christian who cheats on his wife sometimes and/or lies to her about it. That was, like, a commonly accepted male archetype in the middle of the 20th century. Those guys existed. Top Gun is a military movie. It confers complexity! That’s what military movies do! It’s okay to let bad people be bad people. Their emotional beats can still hit just as hard.
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never not thinking about the interaction between moonstruck rikki and zane in 1x18 'bad moon rising' btw. rikki is feeling so utterly alone and isolated, she exiles herself to mako island in the middle of the night so as not to poison anyone else with her perceived dysfunction. yes she is literally setting everything around her on fire and has to escape for safety reasons lol but it's a metaphor for her feeling like she is a volatile force in the lives of her loved ones
then zane wanders by and gives her the last thing she would ever expect from him: kindness. compassion. empathy. arrogant, selfish, obnoxious zane sits with her in the fire and lets her speak about how overwhelmed she feels as a result of her self-imposed loneliness. not only that, but he tells her he understands, that he sees her perspective and feels that very same sense of isolation. maybe he tells her she looks a mess because he's zane lol but he does so in the same breath as gently removing a piece of debris from her hair
that same gesture prompts rikki to lean in and kiss him. of course this ends with them surrounded by a ring of fire and zane passed out cold, signifying that any attempts for rikki to find true, healthy, meaningful connection is impossible. ultimately she sees herself as a destructive force, hurting those she wishes to care for. she later proclaims to emma that she is better off on her own
then, despite all of this, rikki and zane fall in love. they share an unspoken agreement that he won't press her on things she isn't ready to talk about, that night on mako island or her inclination towards mystery. the care and empathy and mutual respect they shared that night reverberates throughout their entire relationship. they have shown one another a type of vulnerability they never display with anyone else, understand one another like two sides of the same coin. rikki herself says it best: zane gets her.
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I hate to nitpick the Atsushi hallucinating scene in the new episode cause it was SO well done otherwise, but I'm still really sad that they cut out Francis being there. Like... it's not entirely necessary, I guess, but it just adds so much to his character and to the scene itself?
The Francis in Atsushi's mind is this looming, intimidating presence, because Atsushi did of course fight against him, he was his enemy at one point, but I think it undeniably says a lot that he's even included here at all.
I'm pretty sure I saw this discussed back when this chapter first came out, but while everything Atsushi's hallucinations say to him are framed as negative, putting him down, they can also be read as letting him know that the burden of responsibility for making such a huge decision isn't on him (hence why he decides to let Fukuzawa decide instead, because he can't make THE choice, but he can still choose to act to let someone else decide, and not simply do nothing), and Francis is no exception in this regard. Since he's naturally haughty and arrogant in his personality, this fake version of him doesn't at all feel out of character, coldly saying that "nobody expects anything of you", but again, I think this line especially can also be read as "you are not expected to do anything". In that way, it feels more reassuring, and maybe even dare I say kind -- the fact that Atsushi even considers him important enough of a figure in his life to think of what he would say to him in this moment means that he counts Francis among his allies now. Yes, they didn't get along at first when Francis lied and told him that he only wanted to revive Margaret just so she could kill Hawthorne (because god forbid he actually admit out loud that he cares about people, smh), and obviously because of the whole almost burning Yokohama down and trying to kill him and Akutagawa thing lol, but I'm pretty sure Atsushi changed his mind about him after he saw the state Margaret was in, and recognized how much Francis cares about her and wanted her to be alright. He probably still remembers him talking about his desire to bring back his daughter and save her and his wife, too. The guy still probably isn't someone Atsushi would want to hang out with and be buddy-buddy with during his free time lmao, but the airheaded vain old sport still has a good heart, deep down, and I think Atsushi has seen this by now, because he's a kind person, and so I think it speaks volumes that he unconsciously looks to him for advice here. Francis is just a really good and underrated character, and this is such a small but meaningful moment that shows his development so well, the only moment with him we've gotten or any of the Guild really in such a long time, so it makes me sad to see this cut 💔
I also just feel like not including him kind of weakens the impact of Akutagawa's appearance here?? Like, there's a progression of the order of people Atsushi hears/sees in this scenes: first, people from the ADA sans Dazai, who are all portrayed as on the same level, because he cares about them all equally, aside from I guess Kyouka (again, sans Dazai, the most important person to him). Then, there is Francis, and not to say that Francis is more important to Atsushi than the ADA, obviously not, but he's one of the last to appear because he used to be his enemy, and so he commands much more of a presence, has more of an impact -- but at the same time, like I said, it's complicated: he's not really his enemy anymore, but something between a rival and a friend, and so for that reason his words carry more weight. He is someone Atsushi, logically, shouldn't trust, after what he did to him in the past, and yet he does, because things have changed since the Guild arc, and he knows he can count on him to be there for him and the ADA now.
And then, after him, there is Akutagawa. Who is basically exactly the same as everything I just described for Francis, but times one hundred. Of course Akutagawa would be last. Of course, if there's someone Atsushi would simultaneously and paradoxically be both intimidated by and yet comforted to hear their advice because of their tumultuous history together, far more than Francis, it would be Akutagawa. The progression of ADA members > Francis > Akutagawa in that order gives Akutagawa's appearance much more weight imo than just going straight to him from the ADA members, especially with the specific framing of him standing in line behind Francis to judge/advise Atsushi.... it's just much more powerful, and I wish they'd kept it like this, for both Francis and Aku's characters.
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So, uh, Anthony was pushing way to hard way too early for the "just kill whoever is tied to the anchor" method to actually work. Like, from the get-go Tony Pepperoni was saying he would be okay with dying *as they pulled him into a condemned room nobody had checked for months.* While the kid's methods and rolls were definitely less to be desired for, the peaceful option seemed like it was set up to fail. The season 1 anchors all needed little rituals to go with them, and they didn't even try that. Plus just brazenly killing the personification of the doodler's emotional problems doesn't really fit with the theme of "working to heal generational trauma" that's going on. It's just more trauma, it's telling the doodler "he couldn't be fixed and neither can you."
So I'm looking at this like Tony Pepperoni was a sacrificial lamb. Not exactly a beloved npc, but everyone knew him and his death would matter in universe and to the characters, but wouldn't exactly matter as much as, say, any of the PCs family members (or the PCs themselves) should *they* turn out to be anchors. Someone who could get got to teach the kids a lesson.
My theory is that either: A. The anchor status gets passed on to someone else, currently alive, and the teens have to *actually solve the problem* for it to dissipate (and it's gonna get attached to someone important next), or B. Tony Pepperoni is now an undead doodler monster with the anchor curse still attached to him and they have to figure out how to fix him while he's a zombie. (Personally I'm leaning towards A)
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