#fitzwilliam museum 22
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The Princess of Wales in pastels🌸
#mine#royaltyedit#kate#outfits#day#ballgowns#maternity#gmhs 18#netherlands16#vogue exhibition#2016 tour#commonwealth#2011 tour#wildlife photo 14#2022 tour#easter22#garden party 22 2#wimbledon21 3#art room reception#cornwall and scilly 16#fitzwilliam museum 22#jubilee service 22
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THE CAMBRIDGE DIARIES
On 23 June 2022, the Duke and Duchess of Cambridge carried out a series of engagements in Cambridgeshire celebrating the county.
They started the day by visiting the University of Cambridge's Fitzwilliam Museum, where they viewed the painted portrait of themselves by Jamie Coreth as it was revealed to the public for the first time.
After this they paid a visit to Catherine's patronage East Anglia’s Children’s Hospices in Milton to officially mark the Children’s Hospices Week 2022.
They met and spoke to families who are receiving support and even helped out the kids with their art pieces. During the visited they also attended a small party on the lawn, so they could meet with hospice staff and thank them for their work.
Afterwards William and Catherine visited the housing charity, Jimmy's where they heard about the work the organization does in supporting people through homelessness. They spoke to the supporters of the housing charity and also with the people receiving support from the organization.
During their visit they spoke Eamonn Kelly, a Big Issue seller and visited him in his modular home.
For their final engagement of the day, they attended the Cambridgeshire County Day at Newmarket Racecourse where they took part in a little football game.
William and Catherine sampled some chocolate and a Jubilee beer before meeting members of the public while walking round a variety of stalls.
#the cambridge diaries#23.06.2022#cambridgeshire visit june 22#portrait unveiling fitzwilliam museum 22#fitzwilliam museum#jimmy's visit 22#each milton visit 22#cambridgeshire county day 22#duchess of cambridge#duke of cambridge#duke and duchess of cambridge#my photoset#british royals#kate middleton#brf#british royal family#royalty#royals#catherine middleton#prince william
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flickr
Detail of the inner coffin of Nepawershefyt.
[On a yellow coffin, Nephthys kneels on the hieroglyph for gold, her arms raised above her head. On her left is Imsety and on her right, Duamutef, both as yellow mummies with green stripes. The goddess is green and so is Duamutef's jackal head.]
Where: Fitzwilliam Museum Cambridge
When: Third Intermediate Period, 21/22 Dynasty
#Ancient Egypt#coffin#Nephthys#Imsety#Duamutef#sons of Horus#Fitzwilliam Museum Cambridge#Third Intermediate Period#21st Dynasty#22nd Dynasty#Nepawershefyt
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The Duchess of Cambridge departing the Fitzwilliam Museum during an official visit to Cambridgeshire on June 22, 2022.
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The Duke of Cambridge’s Court Circular entries for June 2022
Total: 23 engagements
Solo:
Public: 2
Private: 5
Joint:
Public: 14
Private: 2
Breakdown:
June 1: Attended the Senior Colonels’ Conference and Dinner at Clarence House
June 2: (2)
Attended the Trooping The Colour Ceremony, The Queen’s Birthday Parade, on Horse Guards Parade
Attended the lighting National Beacon at Buckingham Palace to commemorate the Platinum Jubilee
June 3: (2)
Attended a National Service of Thanksgiving for Her Majesty’s Platinum Jubilee in St Paul’s Cathedral
Attended a Reception given by the Rt Hon the Lord Mayor and the City of London Corporation at Guildhall, London EC2
June 4: (2)
Visited Cardiff Castle and were received by Her Majesty’s Lord-Lieutenant of South Glamorgan (Mrs Morfudd Meredith)
Attended the BBC Concert at Buckingham Palace to celebrate The Queen’s Platinum Jubilee
June 5: Attended the Platinum Jubilee Pageant in the Mall, London SW1
June 7: Held an Investiture at Buckingham Palace
June 13: (2)
Attended the Most Noble Order of the Garter Service at Windsor Castle
Attended a Luncheon Party for the Companions of the Most Noble Order of the Garter
June 14: (2)
Attended a Duchy of Cornwall Meeting at 10 Buckingham Gate, London SW1
Attended the Grenfell Tower Five Year Memorial Service at the base of the Tower, Grenfell Road, London W11
June 15: Visited the Lionesses team at St George’s Park, Newborough Road, Needwood, Burton upon Trent, and was received by Mr James Leavesley (Vice Lord-Lieutenant of Staffordshire)
June 16: Held a United For Wildlife Meeting at Kensington Palace
June 21: Held a Royal Foundation Meeting via video link with the Lord Hague of Richmond (Chairman), Mr Simon Patterson (Vice-Chairman) and Ms Amanda Berry (Chief Executive)
June 22: (2)
Visited Brixton House Theatre, 385 Coldharbour Lane, London SW9, and were received by Mr Christopher Wellbelove (Deputy Lieutenant of Greater London)
Attended the unveiling of the National Windrush Monument at Waterloo Railway Station, London SE1, and were received by Her Majesty’s Lord-Lieutenant of Greater London (Sir Kenneth Olisa)
June 23: (4)
Visited the Fitzwilliam Museum, Trumpington Street, Cambridge, and were received by Her Majesty’s Lord-Lieutenant of Cambridgeshire (Mrs Julie Spence)
Visited East Anglia Children’s Hospice, 42 High Street, Milton, and were received by Mr Benjamyn Damazer (Vice Lord-Lieutenant of Cambridgeshire)
Visited Jimmy’s Cambridge, 1 East Road, Petersfield, and were received by Mrs Caroline Bewes (Deputy Lieutenant of Cambridgeshire)
Attended Cambridgeshire County Day at Newmarket July Course, Newmarket
June 24: Held an Investiture at Buckingham Palace
——————————————————————————
Current total for 2022: 121 engagements
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Day 22 in (sort of) London (7/23)!
Today was the day we were all trying to avoid- it’s off to Cambridge for Deren. Livvy, Deren and I ate at the breakfast provided by the campus and then we made our way to the train for the hour long ride to Cambridge.
The University of Cambridge is very pretty, but is practically the only thing in the entire city. Livvy and I had a very yummy lunch (at which I got a chicken and bacon sandwich) while Deren unpacked, and then we all went to the Fitzwilliam museum.
Deren left us again for the final time to go to her welcome party for her new courses, so Livvy and I explored the city center including the famous Corpus Clock and some local shops.
Livvy and I decided to catch the next train back to London after that, as there was not much else to see. When we got back to London, we went into Chinatown and had dinner at a place called Tao Tao Ju that might have been my favorite dinner food so far this trip- the pork buns were amazing!
As we were walking towards the underground to come back, we found a Korean photo place, so we took come cute themed photos and then came back to call it a night.
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Luca Massenzio Palermo
Illustratore Botanico Botanical Painter
EdUP, Roma 1998, 128 pagine, 102 tavv. col., cm 24,5x37, ISBN 9788886268547
euro 35,00
email if you want to buy [email protected]
Luca Massenzio Palermo è nato a Roma il 7 novembre 1956. Laureatosi in medicina, lascia dopo pochi anni la carriera sanitaria per dedicarsi interamente alla pittura. Ha al suo attivo decine di mostre personali e collettive tra le quali spiccano quella alla Palazzina della Marfisa di Ferrara, alla Galleria dei Greci di Roma e presso la John Mitchell& Son (Peter Mitchell) Art Gallery di Londra.
Sue opere sono custodite in prestigiose Istituzioni quali la Royal Collection (Windsor Castle), il Fitzwilliam Museum (Cambridge), la collezione di Shirley Sherwood (Londra) e l'Università Federico II (Napoli). I suoi temi sono foreste tropicali, alberi con uccelli e farfalle, ma anche bouquet di fiori, tulipani, peonie, iris, sono alcune tra le visioni che Luca Massenzio Palermo propone ai suoi ammiratori a Roma e nel resto d’Italia.
Luca Massenzio lavora a Roma da tantissimi anni ed usa con pari maestria acquerello, acrilico ed olio. Le sue immagini naturalistiche hanno sia un rigoroso carattere scientifico sia un afflato più decorativo, esplodendo spesso con colori vivaci che sottolineano la sua grande passione per la natura.
19/04/22
orders to: [email protected]
ordini a: [email protected]
twitter: @fashionbooksmi
instagram: fashionbooksmilano, designbooksmilano tumblr: fashionbooksmilano, designbooksmilano
#Luca Massenzio Palermo#illustratore botanico#botanical painter#bouquet fiori#tulipani#peonie#iris#fashionbooksmilano
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A beautiful Pappenheimer Rapier,
OaL: 52.4 in/133.2 cm
Blade Length: 43.2 in/109.6 cm
Blade Width: 1.5 in/3.8 cm
Hilt Length: 8.7 in/22 cm
blade made in Toledo, Spain, Flemish or German hilt, ca. 1630, housed at the Fitzwilliam Museum.
#weapons#sword#rapier#pappenheimer#europe#european#germany#german#flemish#flanders#spain#spanish#toledo#hre#holy roman empire#renaissance#early modern#fitzwilliam museum#art#history
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Fuji aus den Bergen von Isu, No.22 aus der Serie 36 Ansichten von der Fujisan ( Fuji Saryu Rokkei ), (Farbewoodblock Druck)
von Utagawa Hiroshige
Fitzwilliam Museum, University of Cambridge, UK
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22 Works, Today, June 14th. is John Frederick Lewis' day, his story, illustrated with footnotes #162
22 Works, Today, June 14th. is John Frederick Lewis’ day, his story, illustrated with footnotes #162
John Frederick Lewis (1804–1876)A Syrian Sheik, Egypt, c. 1856Oil on panelH 43.1 x W 30.4 cmThe Fitzwilliam Museum
Leaving Rome early in 1840, Lewis travelled to Constantinople, seeing Albania, Corfu, Athens and Smyrna en route. He spent the best part of a year in the Levant, but in November 1841, at the age of thirty-six, he sailed for Egypt.
John Frederick Lewis RA (London 14 July 1804–15…
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The Duchess of Cambridge battled the wind during her visit to Cambridgeshire | June 23 2022
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The Duke and Duchess of Cambridge talk to little kids as they depart the Fitzwilliam Museum where a portrait of themselves has been revealed to the public on June 23, 2022.
#british royal family#british royals#duchess of cambridge#kate middleton#brf#catherine middleton#royalty#royals#my edit#will cambridge#cat cambridge#children's princess cat#willcat#cambridgeshire visit june 22#duke of cambridge#prince william#portrait unveiling fitzwilliam museum 22#fitzwilliam museum
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Ireland & Scotland Trip
While waiting for 24 hrs before the trip to get our boarding passes, I thought I'd give you an overview of our trip.
There are three of us going: Carol, Sharon, and Kathy. We've traveled together before and got along very well, so we're doing it again.
Here's a day by day overview:
8/13/17 - arrival in Dublin, stay at The Fitzwilliam Hotel thru 8/15.
8/14 - Trip up to the very north of Ireland to the Giant Causeway. Drive through Northern Ireland on the way back with a brief stop in Belfast.
8/15 - Pick up car and drive from Dublin to Galway, via a stop at Waterford Crystal. Stay at The g Hotel & Spa for two nights.
8/16 -Travel north to the Shrine of Knock and to Strokestown Park National Famine Museum then back to Galway.
8/17 - Leave Galway for Killarney. Stay at The Malton Hotel for two nights.
8/18 - Drive the Ring of Kerry and the Skellig RIng and return to Killarney.
8/19 - Drive back to Dublin. Stay one night at the Brooks Hotel.
8/20 - Fly Aer Lingus to Edinburgh.
8/20 - 8/27 Stay at an apartment in Edinburgh.
8/22 - Attend the Royal Edinburgh Military Tattoo 2017 in evening.
8/24 - Meet with Fr Eamon, a friend of Sharon's, in Glasgow.
8/27 - 9/2 Trafalgar's Best of Scotland Tour. Ends in Glasgow.
9/2 - Aer Lingus flight from Glasgow to Dublin.
9/2 - 9/4 Stay in apartment in Dublin for 2 nights,
9/4 - 9/10 Driftwood's 7 Day Treasures of Ireland Tour. Starts and ends in Dublin.
9/10 - 9/11 Final night's stay at The Fitzwilliam Hotel (see how the circle completes?)
9/11 - Leave Dublin and arrive in LAX at 6:05 pm of same day.
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Walter Hoyle
Walter Hoyle is in danger of being one of the forgotten Great Bardfield artists due to the lack of information on him.
Hoyle was born in Rishton, Lancashire in July 1922. Hoyle's artistic education started at the Beckenham School of Art in 1938,
I persuaded my local art school to accept me, and presented as evidence of my serious intent, a series of drawings much influenced by Walt Disney. †
From Beckenham, Hoyle gained a place at as a student at the Royal College of Art from 1940-42 and again from 1947-48 after serving in the Second World War. During Hoyle’s time at the RCA one of his tutors was Edward Bawden, who encouraged him to develop watercolours and printmaking.
Walter Hoyle at home in Great Bardfield, NPG, taken by Geoffrey Ireland.
It was 1940, the phoney war was to about to end and the college was evacuated from London to Ambleside in the Lake District, famous for poets rather than artists. It was here that I was first introduced to printmaking – lithography – by a friend called Thistlethwaite, a fellow student from Oswaldtwistle (although these names are true, I mention them only because I like the sound they make). He prepared a litho stone for me with a beautiful finely ground surface and instructed me how to draw in line and wash. †
In 1948, During the RCA Diploma show, a visitor was so impressed by Hoyle's work that he was offered seven months' work in the Byzantine Institute in Istanbul, Hoyle accepted, the work he saw there made a strong impression. Italian art and architecture also influenced him at that time.
Walter Hoyle - Church Moon, Little Samford (In My Collection) ,1957.
Early in 1951 when Bawden was commissioned by the Festival of Britain to produce a mural for the Lion and Unicorn Pavilion on the South Bank, it was Hoyle that he chose to assist him on account of his great talent. During that summer Bawden invited Hoyle on a holiday to Sicily.
Edward asked to see my watercolours. He looked very carefully and quizzed me about them, and in general was complimentary and encouraging. I felt I had passed some kind of 'examination. ♠
It was this holiday together that Hoyle would scribe into a limited edition booklet of 10 in 1990 and into a book in 1998 - “To Sicily with Edward Bawden” a limited edition of 350 copies with a forward by Olive Cook.
Walter Hoyle - Hill town in Sicily, ex Cambridge City Council, 1951.
In 1952 Hoyle took over the painting of another mural, the dome of St Mary Abchurch, London. The church had been blitzed in September 1940, and the original mural was being restored by E. W. Tristan, but when Tristan died, Hoyle completed the work. ‡
Walter Hoyle - The cover for the Great Bardfield Exhibition booklet.
The move to Great Bardfield:
Hoyle moved first to Great Bardfield in 1952, living for a time in a farm cottage on the outskirts of Bardfield near Great Lodge Farm. He lived and worked in the Great Bardfield area for twenty-two years and exhibited with the Bardfield artists in 1954, 1955 and 1956 when they would open their houses to the public for one weekend a year, rather than relying on London galleries. Hoyle met his wife, the ceramists and poster designer Denise Hoyle at at one of the Great Bardfield “open house” exhibitions in 1956, when his work was on show at George Chapman’s house.
It may have been Edward Bawden's painting classes and lectures at Brick House, or being in the hilly Essex countryside but it around this time that Hoyle became interested in English romantic painting: the work of Turner, Blake and Palmer and also in French art. Like other members of Great Bardfield, Hoyle designed for interiors with wallpapers and fabrics for Coles, Sandersons and the Wallpaper Manufacturers Limited.
One of Hoyle’s most popular works for book illustration came with a commission for the Folio Society in 1968 with Shirley by Charlotte Bronte.
Walter Hoyle Design for Sandersons
Teaching:
Walter Hoyle has taught at various art schools: St. Martin’s, London, 1951-60; the Central School of Art, London, 1960-64; and the Cambridge School of Art, 1964-85.
Walter Hoyle left Great Bardfield and moved to Bottisham, Cambridgeshire, to teach at the Cambridge School of Art in their printmaking department. While at Cambridge, he launched the Cambridge Print Editions, publishers of the magazine of the Cambridge School of Art, “Private View” co-edited by Warwick Hutton, which he started and which included interesting extracts from the work of famous artists and writers such as Patrick Heron and Edward Ardizzone, as well as articles by students and graduates of the school.
Hoyle took over the collection of ‘Original Works for Children in Cambridgeshire’, an art project for City of Cambridge Committee for Education. Hoyle donated a picture and convinced other artists to give works to the project too. He retired from teaching in 1985 to move to Hastings and Dieppe. Hoyle died in 2000.
Walter Hoyle - Great Lodge Farm, 1952 (In My Collection)
Exhibitions and Collections:
Hoyle exhibited internationally working outside of the Bardfield set. Exhibitions were not only at the Byzantine Institute Gallery in Paris in 1950, but in 1952 he showed at the Leicester Galleries, London. He was featured in many mixed exhibitions in London and the provinces, including the Royal Academy summer exhibitions and Kettles Yard, Cambridge (1972). Walter Hoyle is represented in many public and private collections, among them the Bibliothéque Nationale, Paris, the Victoria and Albert and the British Museums, the Tate Gallery, the Walker Art Gallery, the Whitworth Art Gallery, the Fitzwilliam Museum, the Sheffield Art Gallery, the Manchester City Art Gallery, Editions Alecto Gallery, London, and the Palace of Westminster and the Fry Art Gallery in Saffron Walden.
He painted murals for the Natural History Museum, for the Jamestown Festival, USA, and for the Sealink ship “St. David”.
Editions of his prints have been commissioned by Editions Alecto, Christie’s Contemporary Art, Neve International, the British Oxygen Company, the Folio Society and St. Catharine’s College, Cambridge.
Walter Hoyle - St Catherine’s with Acanthus, (In My Collection), 1966
† Printmaking Today, Volume 7, 1998. page 9-10.
‡ https://en.wikipedia.org/wiki/St_Mary_Abchurch
♠ To Sicily with Edward Bawden, Previous Parrot Press, 1998.
The Great Bardfield Exhibition by Gerald Marks, Realism, August — September 1955
♣ http://www.fryartgallery.org/the-collection/search-viewer/691/artist/15/Walter-Hoyle--/22
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Small dish with broad rim and shallow well. Contains a tin-oxide glaze.
Nicola de Urbino
Date commissioned unknown, date of completion sometime around 1524.
It was commissioned by Isabella d’Este and is decorated with stories from classical mythology and personalized with d’Este’s coats of arms. Interestingly only 22 sets like these survived and only two of them are decorated with religious themes while the rest depict historical or mythological stories. While dining on dishes like these guests would not have missed the immense amount of wealth their hosts had, which was the point to having dishes like this. Furthermore, this work was not copied however in 1938 the museum where it rests had to restore it.
The Fitzwilliam Museum, Cambridge
http://www.fitzmuseum.cam.ac.uk/collections/ceramics/47188
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Top AJBlogs Posts From The Weekend Of 12.24.17
Merry Christmas: The Annual Gift
My Christmas painting for RCA readers this year is Domenico Ghirlandaio’s Nativity from the collection of the Fitzwilliam Museum at Cambridge University. It’s dated c. 1492 and was bequeathed to the museum by Charles Brinsley ... read more
AJBlog: Real Clear ArtsPublished 2017-12-24
Brownlow’s Christmas Music, By Request
When we posted this visit with Jack Brownlow a couple of years ago, response was enthusiastic and dozens of readers asked if we planned to make it an annual feature. I’m not ... read more
AJBlog: RiffTidesPublished 2017-12-24
Three Christmas Albums
For some reason, this year did not bring the wide collection of celebratory albums that usually flow into Rifftides headquarter during the holiday season. But here are acknowledgements, if not full-fledged reviews, ... read more
AJBlog: RiffTidesPublished 2017-12-23
The Case of James Levine: Taking Stock
When a pianist plays the piano, when a violinist plays the violin, when a conductor conducts an orchestra, the performer channels music through a network of personal traits. This should be self-evident. It has ... read more
AJBlog: Unanswered QuestionPublished 2017-12-22
Jeanine Durning was the Best Thing Ever in 2017
In 2017 I wasn’t able to get out to the theater often (so I reviewed film and book and other events as well). I maybe saw 10 concerts, including the big bubbly premiere of American Balllet Theatre’s “Whipped ... read more
AJBlog: Fresh PencilPublished 2017-12-22
Article source here:Arts Journal
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