the fact that you start the Tabris origin by literally stepping into your mother's shoes. the fact that what you get is a wedding outfit and your mother's worn boots, kept carefully intact for years, tucked away for this exact moment. the fact that you then immediately take the path she never could, leaving behind the alienage and the wedding and following Duncan (who would have recruited Adaia first, if not for baby!Tabris) to what ought to have been death.
And Then!! instead of fighting and falling as she did, cheating death and becoming the fighter she always intended you to be instead??? Reliving and simultaneously subverting the story of her life??
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In Death Note, the protagonist is granted the ability to decide precisely when and how people die; he can effectively write his own death-based RPF into reality. However, he is so mind-bogglingly unimaginative with this broad and far-reaching ability to manipulate fate - quasi-omnipotence - that he generally runs with the default cause of death (sudden heart failure), and is effectively a mediocre supervillain with an orbital satellite that hits you with a heart attack beam. Although this enables a tense cat-and-mouse detective story, it also demonstrates, IMHO, that the writers have likely not thought hard enough about the deadly implications of probability manipulation, and probably do not expect their audience to either.
In Final Destination, the antagonist is an abstract personification of Death, like the Grim Reaper; he manipulates random chance events (a la Shamrock, or more generously the Simurgh, from Worm) to engineer the deaths of people who were "supposed to" have already died in earlier incidents, people who are messing up his plans with every moment they remain alive. However, he is so gratuitously boastful and showboaty that he exclusively kills people through elaborate Rube Goldberg accidents, which they are able to temporarily escape from with some effort and situational awareness; he does not kill people with any of the numerous less narratively appealing things that could suddenly and unavoidably kill anyone at any time, like, say, a lightning strike, or a heart attack. Although this enables a philosophically-inclined (snerk) sort of off-beat slasher franchise, it also demonstrates, IMHO, that the writers have likely not thought hard enough about the deadly implications of probability manipulation, and probably do not expect their audience to either.
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"I have no sister." The words were knives. What do you know of my heart, priestess? What do you know of my sister? | Jon VI
--metaphorical knives at feigning neutrality regarding his sister
Jon fell to his knees. He found the dagger's hilt and wrenched it free. In the cold night air the wound was smoking. "Ghost," he whispered. Pain washed over him. Stick them with the pointy end. When the third dagger took him between the shoulder blades, he gave a grunt and fell face-first into the snow. He never felt the fourth knife. Only the cold... | Jon XIII
--literal knives from breaking that neutrality to save her
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Men love me for my eye bags and dead eyed stare.
Penelope Eckhart, always
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guess you could say he went out with a bang
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new video essay!
the topic is Final Destination, it's a character study of Death
give it a watch if you're feelin' it! <3
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i wanna maek moar friendz!!! like/rb if u post about…
2000s scene and emo bandz, style, and aesthetic
90s and 2000s mall goth bandz, style, and aesthetic
marilyn manson
nine inch nails
eminem
ryan ross
william beckett and teh academy is…
mcr
fall out boy and other decaydance bandz
pokémon, especially teh 90s anime
teh final destination moviez
kris lemche
weird al
death note
ashlee simpson
paris hilton
general 90s and 2000s nostalgia
90s and 2000s anime
will wood
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