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#everyone in this show is a terrible person and it's extremely entertaining

negrowhat · 4 months

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BL Superlatives of 2023

Instead of doing a roundup (which I still might do) I just decided to do my own Best of 2023 for the handful of BLs I watched this year.

Series I Finished for the Couple- A Boss and A Babe. The plot had way too much going on and a lot of the pieces didn't flow well and a lot of things really pissed me off. Also the only side characters I liked were Porsche and Jack. But I LOVED Boss Daddy Gun and his Cher Bear. They filled me with joy and warm fuzzies and I loved how dependent they were on each other. Gun got was able to let his guard down and Cher found someone he could be vulnerable with.

Love Scene the Made Me HOLLER- Love in Translation. YangPhumjai fucking nasty across their freshly opened convenience store. They fucked in front of the security cameras and with the way they were slamming each other into the shelves I'm surprised more merchandise wasn't all over the floor. 10/10 love scene. Also I adore YangPhumjai.

Messiest Plot-Moonlight Chicken. Between the cheating, crying, screaming, and fighting I was thoroughly entertained. They had my emotions all over the place. I loved the series in it's entirety. (No I haven't watched OF or that would've won lol)

Dilf of the Year- Jeng from Step By Step. Everything about that man screamed 'Daddy'. He was sweet but stern. A very gentle Dom. He ran multiple businesses. He wore dad jeans on his off days. He had a beautiful smile and a BANGING body. And all he wanted to do was cook and take care of Pat...maybe teach him a few thangs. Sigh yeaaaa He was Pat's daddy idc.

Most Likely to Get Jumped- Saengtai from La Pluie. Don't you dare lie and say you didn't want to fight him at SOME point in this series. Tai was just very selfish and did not know how to apologize. He blamed everyone else for everything and he acted like a spoiled brat through most of the series. And I for one wanted to beat him up a couple of times. He's so cute tho.

Best Dressed-Chen Yi x Ai Di from Kiseki: Dear to Me. One favored collars, sweaters, and bright colors and the other had more of a biker-streetwear-combat style and somehow they ended up matching 79% of the time. They looked good together. The stylists popped off.

Most Goodest Boy- Woo Seung Hyun from the New Employee. Just a sweet 28 yr old man eager to work and be his very best. His bubbly personality is easy to love and I just want to squish his face, kiss his forehead, and hug him for hours. I see why Jong Chan fell in love immediately.

Most Sad Boy-Seo Jae Won from The Eighth Sense. He shut himself off to the people around him and allowed terrible people into his life because he didn't care enough to show them who he was in real life, he covered everything with a mask and acted the way people would expect so they wouldn't seem him crumbling inside. He blamed himself for his brother's passing and also for Ji Hyun's accident. He felt like he deserved every bad thing that happened to him and every bad person in his life. Ji Hyun brought light into his life after being shrouded in darkness for so long.

Hottest Couple-KingUea from Bed Friend. The love scenes always delivered. That kitty play scene?????? There was consent everywhere which was also sexy. King was such a green flag and they were hot together. Uea wasn't afraid to be sexy and King was a bonafide bisexual himbo who refused to be shy about sex and all it entails. They were grown and sexy type of hot.

Hottest Scene-The oil rubbing scene from I Feel You Linger in the Air. Not explicit, but extremely sensual. You can feel the desire and tension in that rub down Jom gave Yai. And then Jom going into his room to rub himself down and relive the moment that just passed??? HOT AF. Personally, I think IFYLITA was the most sensual series I watched all year. The series focused a lot on intimacy and physical touch.

Most Potential-Step By Step. This series had all the makings of a perfect plot but then everything just sort of got away from them. The office part of the office romance sort of stepped on the romance part. There was too much business involved and it made the conflict between the two mains unnecessary and annoying. Also they completely neglected the side couple and made their storyline almost non-existent. The eps were long af and yet the time wasn't placed in the right parts of the storylines and some scenes felt like a waste...even some eps. It was a bummer because I liked all the characters and first leg of the series. JengPat are top notch and I wanted more from JaabJane.

Fave Side Dish-YiwaMarine from Wedding Plan. Ooops slipped some girls in! Gawd I LOVED THEM! Yiwa was such a sweet talker! She was def a smooth operator. That line about her liking being short so she could kiss Marine better????? SWOON! I could totally see why Marine could never stay mad at her and was always blushing. They were just the perfect pair of girlfriends turned wives and I'm sad we didn't get invited to their wedding.

#bl best of 2023 #best of 2023 #sorry i didn't watch a lot of gmm series this year #a boss and a babe #i feel you linger in the air #step by step #step by step the series #la pluie #moonlight chicken #wedding plan #wedding plan the series #bed friend #bed friend the series #the eighth sense #the new employee #kiseki: dear to me

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iliveforyouilongforyouvesuvia · 1 year

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The Arcana HCs: M6 on social media

Julian

He is on all the apps, you name it, he probably uses it

He's on theatre kid tiktok

Shamelessly posts thirst traps with niche references

Too many of them are doctor inspired

Perfectly understands the female gaze and takes full advantage of that

Embraces the cringe

Malak regularly photobombs his posts and there are multiple compilations of him fighting off/cussing out a shrieking crow

He canonically has a beautiful singing voice that he does not know how to use, voice coaches love duetting and reacting to him because it is so impressively terrible

He also needs to be carefully monitored though, for two main reasons:

One, all his posts need to be reviewed before he posts them, because he's terrible about internet safety

Two, because everyone gets hate comments and he already has nasty self-esteem issues

Portia gets into so many fights in the comments on her burner account

He is quite popular and has a large and dedicated following

Asra

As much potential as they have for stardom, they are an extremely private person and they are very aware of what kind of place the internet can be

He probably has BeReal and spends most of his time on SnapChat (you know he loves watching drama unfold)

Also has a very aesthetically pleasing Instagram that they forget exists. Scroll through and you'll see random photodumps of all the places they've traveled recently, spaced six months apart

Faust has her own account

He is the type to lurk, never comments, rarely likes, prefers to save something for later to show his friends in person instead of sharing or tagging them

They do love trying out what they see though, like viral pasta recipes and room lighting ideas

Except he'll add his own flashes of creativity as he goes

Sometimes it pays off, like when they got their whole living room to feel like an oasis

Sometimes it doesn't pay off, like when he tried an already sketchy viral food hack and added charcoal

They don't mind integrating social media into in-person situations, if the only thing you have energy for is cuddling up in a pillow pile and scrolling through saved videos together, they're down

Nadia

Facebook and LinkedIn

She's trying her best, she really is, but she has places to be and things to do and she'd rather spend her free time with the people she loves or getting some well-earned rest

The screens also contribute to her headaches

All her sisters are older than her, she has Facebook to keep up with them

She doesn't know that most of them keep with the times enough to have accounts on other platforms as well

She uses LinkedIn for networking, obviously

She does enjoy being entertained though! She loves it when you tilt your phone screen towards her so she can see whatever made you smile or laugh

Regularly asks you or Portia to show her everyone else's most recent posts

Julian's tiktok page is a mystery that never fails to make her laugh

She loves to be included in your posts and is always willing to pose with you for a selfie

She is a fantastic camera woman, she can follow angles and lighting like nobody's business

She does not know how to write captions

Muriel

He doesn't have one until you or Asra sit him down and walk him through the process

He chooses Instagram because he can see cat pictures that way

And because it's the platform most of you guys have an account on, so he can keep tabs on everyone

He has all of his privacy settings enabled

Most of his posts are pictures of Innana or the chickens (mostly the chickens)

No captions, ever

Every now and then someone from the Kokhuri will stumble across his profile and send a message request

He'll wait until you're free to sit with him while he messages them

He's slowly putting a family tree together of the people he's made contact with

Heartily dislikes the reels feature, the constant stimulation puts him on edge

Honestly prefers YouTube, he got a great ad blocker and he watches nature compilations and wilderness survival videos

He also watches videos about wolves so he can take care of Innana better, but he has to be careful when he does that because if the wolf in the video howls she does too

He stumbled across a fan-made compilation of Julian's thirst traps once and refuses to speak about it

Portia

Snapchat for the gossip, Tumblr for all the novels she's become a fan of, and Instagram for Pepi and her garden and baking endeavors

She is on everyone's Snapchat story. If she spots someone new at her workplace she's already sending them a friend request

Tumblr is her guilty pleasure, she has spent hours in the library devouring novels and now she can read and write as much unhinged fanfiction as she wants to

She also loves interacting with other people who enjoy the books and characters she does

Fanart makes her squeal

She hasn't found out about AO3 yet but once she does it's over

Her Instagram is gorgeous. She posts once or twice a day with garden updates, candid shots of Pepi being precious, and baking tips and tricks

Her feed is full of the wanderlust hashtag and it's fueling her bucket list

She has a decently sized following and loves it when people message her

She also has a tiktok burner account to monitor her crazy older brother

Definitely stays on top of all the trends and incorporates them into her Instagram posts

Lucio

He wants to be famous, he really does, but everything he tries flops

Obsessed with tiktok, it's where the young people are

It's also perfect for his limited attention span

Constantly trying to hop on new trends, but always misses the mark ever so slightly

Tried to put the LED light strips up in his bedroom, but he couldn't keep them straight so they're all slightly wonky

Refuses to take them down

He fell down the "alpha male" pipeline once and it took so much work to get him back out, he was insufferable

You got Nadia and Asra to give him a good beat down while you went through his phone and deleted all the accounts that couldn't be saved

You only let him back on when he promised to share his accounts with you, and he agreed on the condition that you help him try to get famous

You suggested he post about the things he knows, like self-defense tactics and survival

He gets a boost when you post a video of him trying and failing to follow a tiktok dance tutorial while he uses increasingly creative language and it goes viral

He's got a small following now and he's so proud of both of you

#the arcana headcanons #the arcana hc #the arcana #asra the arcana #julian the arcana #nadia the arcana #muriel the arcana #portia the arcana #lucio the arcana #the arcana game #the arcana shitpost #asra alnazar #julian devorak #nadia satrinava #muriel of the kokhuri #portia devorak #lucio morgasson

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zbeez-outlet · 2 months

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This is my (unasked for) review and critique of Netflix’s live-action adaptation of Avatar: The Last Airbender. I’m not expecting much of a response, I just have so much to say and no one to talk about it with. I’m putting it here so it doesn’t fester in my brain and it’s my blog, I can talk about whatever I want.

I am going to divide it into two major sections, the first being a review of the show as a stand alone, the second being a comparison to the source material. Each section will have smaller headers so I can stay on topic and organized, I’m going to try really hard not to obnoxiously rant or flood my review with unsupported opinions. I have a lot to say, but I want to make sure I articulate myself well and don’t fall into venting without reason. If you see me doing that, please let me know.

I want it to be made clear now that these are my thoughts on the show, I’m not forcing anyone to think the same as I do or insulting anyone for having different views than me. I also want people to know that this is an extensive detailed review, I’m going to be covering a lot of very broad and very narrow topics. I’m not trying to nitpick inconsequential details, this review is supposed to focus on important and fundemental aspects of the show. I will be harsh, but I’m going to try not to be unreasonable.

This is going to be extremely long. If you’re not interested in reading it all, I completely understand and I’m going to include my initial rating and a summary of why I gave it that rating here.

My overall rating of the show: 4/10

Review Summary: While the visual effects and environments were for the most part really great, the quality of writing fell behind drastically in comparison. There were major issues with characterization, consistency, and plot development that will pose a challenge in future seasons. The dialogue was often dry and overly expository, it allowed no room for nuance, subtlety, or complexity because they’re constantly telling us what everyone is doing, thinking, and feeling. The acting was mostly subpar, but I think that was because the writing suffered so greatly rather than through major lack of talent or skill from the actors. The pacing was abysmal, 8 episodes was never going to be enough time to tell this story. For me, it has a very surface level amount of entertainment but as soon as you try to look a little closer, try to answer questions or search for any depth, the quality drops entirely.

Extensive in depth review below. Because I’m not watching the show as I’m writing this, please let me know if I’m misremembering any major details so that I can correct myself if/when needed.

Sorry in advance for how obnoxiously long this is, I tried to give clear headers so you can bounce around any specific topics that interest you.

NETFLIX ATLA as a Stand Alone Show

In this section, I will not be making any comparisons or references to previous Avatar content. I will do my best to strictly speak on what Netflix gave us and its quality in different categories.

Costumes/Makeup

Overall, I thought the design of the costumes and styling was really solid. They felt really unique and representative of the different cultures, which is always appreciated. There was an issue for me though that took me out of the show sometimes. Nothing looked lived in. There was no dirt, stains, wrinkles, or wear and tear of any kind and the colors were so bright. The actors sometimes looked like they were doing a theater play or dressing up for Halloween, not living in a struggling world at war. Overall, costuming and makeup was really good, just throw some dirt on there!

Yue’s wig was terrible, I think we can all agree.

I do have a gripe with Zuko’s design though. His scar looks like a bruise or an eye infection, not a gruesome burn scar. I know I’m not the first person to say this, and I’ll keep saying it until they listen. It needs texture, it needs to be larger, and for the love of god shave his eyebrow.

Environments and Locations

I thought the locations looked great, especially the artful cgi on the wide shots of places like the Southern Air Temple, the Fire Nation and their ships, and Omashu. Good cinematography and just really well done work as a whole. There’s a few times when the backgrounds during scenes looked more like stage sets than lived in cities or villages, but it was rarely anything so drastic it harmed the show for me. I really liked the amount of background clutter and knickknacks that helped with realism and there was always a lot of people that helped these places feel populated. Zuko’s room on his ship especially was so cool, it told so much of his story without ever needing explanation. Having a collection of avatar artifacts and plastering his walls with drawings, research, theories, maps, and plans was genius. I loved that they included animals, once again it helps with immersion and realism, and it would be really easy to just not include them for simplicity sake. Especially the funky animal hybrids, I hope to see more going forward! The use of ice, wood, furs, and bone for the Southern Water Tribe was so good. The massive rib cage for the community hut in the tribe was fantastic. I could go on for a long time. For me, the settings were probably the best part of the season.

Bending Graphics

The strongest elements of bending visually were air and fire. They really captured the movements of each, the fluidity and speed of air bending, and the aggression and passion of fire bending. Earth bending looked okay, the actors did a pretty good job of making it look heavy, but overall it felt like it was moving too slowly to me. I think the scene at the beginning of the first episode was the best example of earth bending. The fight with Bumi was very underwhelming for me.

Water bending looked terrible almost the whole time. The way the water physically looked was pretty good, but there was absolutely no weight behind it. Every time Katara hit someone with water, it splashed with the force of a Nerf water gun. The movements were slow, clunky, and so nonthreatening I probably wouldn’t have tried to dodge a single one of her attacks. Her battle with Pakku was one of the most boring battles I’ve ever seen. There was no haste or desperation in either participant. I’m hoping they’ll figure out how to do this better in the future. The ice was decent though.

As a whole, the fight choreography looked pretty good. Certainly moves I could never do. There were times when characters were completely cgi to account for difficult or impossible moves and it was really obvious. Aang in particular looked very wonky when he was fully cgi during his Avatar State moments or when he was flying around like his introduction scene. So passable but definitely room for improvement, I think the artists who work on these aspects of shows and films are very impressive.

Dialogue

The dialogue is 80% exposition, 19% repetitive conversations about responsibility and duty, and 1% misplaced poorly written humor. It’s unnatural, it’s dry, it doesn’t allow for any nuance, and there’s no room for character growth or connection when they have to waste all their words on making sure the plot is on track.

When the introduction of your main character is him looking directly into the camera and telling us the kind of person he is, there’s a dialogue problem. When so much happens off screen that you have to have characters talk to fill in plot holes because there’s just not enough time to tell the story, there’s a dialogue problem. When you put intentional pauses around bad jokes for people to laugh, there’s a dialogue problem. When characters have to say over and over that they’re family but they don’t feel like family in the slightest, there’s a dialogue and characterization problem. I’m not going to script the bad examples, I don’t have the time or patience for that, but I was very unimpressed. It felt like the first draft of a script to me.

And I dare anyone, of legal drinking age of course, to take a shot every time a character says the words responsibility or duty. I swear the floor and ceiling will switch before you reach episode 3. If characters have to keep shoving their responsibilities down our throats without actually doing anything to solve them, there’s a dialogue, characterization, and plot problem.

Also one of my biggest pet peeves with a series is when the first episode or movie ends with a line like “It’s only the beginning” and then plays crazily dramatic music. But that’s a personal preference, not an actual issue.

Acting

First and foremost, I have nothing against any of these actors. I’m sure they’re perfectly wonderful people and they deserve opportunities to prove themselves. My goal here is not to shame or insult or belittle any actor on this show. That being said, none of their performances were perfect and I do have critiques. This is not meant to be a personal attack on any of them or on anyone who enjoyed their performances.

I think the dialogue and overall writing really worked against the potential these actors had. I don’t know how involved the director was in the filming process or helping them with their performances, but there were definitely some failures here.

The strongest performances to me were Sokka, Iroh, Lieutenant Jee, and the Earth bender that threatened Iroh when he was captured (I couldn’t find his name, but he had an unprecedentedly good performance). By far the best was Jee, I felt his emotion more than any other character on the show and would love to see a lot more of him. Sokka balanced well enough with what he was given, but he also had the most character opportunity (which I’ll get into in the next section). Iroh I think filled the mentor roll pretty well, the writing for him leaned a little to close to fortune cookie, but he did feel wise and powerful when he needed to be, mostly. For a comedian though, his humor fell really flat to me, I wish they had given Paul Sun-Hyung Lee some freedom to improv, I think he would’ve done a good job if he could play with the character.

Katara and Azula were awful (so was Mai, but she didn’t get a lot of screen time so I’m not going to focus on her). Katara was so dull and emotionless for the majority of her role, her delivery felt so unnatural. Again, I think the writing was an obstacle, but I felt no connection from Katara at all. And certainly not between her and any of the other characters, which is a major problem for one of the main cast. Her and Sokka felt like strangers half the time, like they were getting to know each other as much as we were getting to know them. I swear Azula’s actress was reading off a teleprompter the entire time, she was somehow robotic and overacted at the same time (I’m sorry, I know that’s harsh, but she just isn’t a good actress, at least not in this).

Zuko had some really solid moments, his scenes with Iroh in particular were great, but overall I didn’t love him. A lot of people seem to be upset at his “tantrums” but honestly I think they fit the character well, though there was one or two too many. He’s an extremely troubled teenager estranged from his family and home, tantrums make sense. Again, I think the dialogue really got in the way of his potential and I don’t think he pushed his acting range enough. Almost every actor needed to show more emotion in one way or another.

Aang has some of the best moments and some of the worst. I have a lot of respect for young child actors, especially ones taking on the challenge of such a massive beloved character or franchise. It’s a lot of pressure for someone still growing up and learning how to be his own person. He handled the few childlike moments Aang was given so so well, he has the brightest little smile and playful attitude. The disconnect came with his more serious moments, he’d get these long monologues and, like Azula, sometimes seemed like he was reading off a teleprompter. I do think it’s a character he’ll grow into really nicely though as long as the writing lends itself to that.

It’s very important to remember that the director signs off on everything. Every performance, every scene, every script (that is also signed off by the lead writer). If something is off, it is not strictly the actors’ faults and should never be treated as such. Do the actors need more experience? Sure, but they more importantly need better direction, scripts, and support from the crew than what they’ve gotten. I’ve seen interviews with the main cast and they all seem wonderful with a lot of potential, particularly the actor for Aang, so clearly the director and lead writer are the ones that are slacking.

Characterization (of the main cast)

Aang

He goes through no change or character development from the beginning to the end of this season.

His water bending training hasn’t even started and he has no further control of the avatar state, so power wise he’s remained completely stagnant.

He constantly says how important Sokka and Katara are, because they’re his “friends”, but there’s been no bonding or development of their relationships. If they didn’t tell us so often, I wouldn’t even think they knew each other beyond first day of school ice breakers.

His most profound moment was his conversation with Gyatso in the spirit world, which I actually really liked. I think he really needed support from someone who knew him before. The home being deserted when Aang goes back to see him definitely hurt.

It feels like this show really really wants us to hate this 12 year old boy. Every adult or authority figure is constantly yelling or berating Aang for something he didn’t even do, it was an accident he didn’t come home and got frozen in ice. Especially from the avatar spirits who should know for a fact he didn’t purposefully run from his responsibilities. The tone is all off and I’m not sure the writers understand what they wrote.

Aang’s biggest mental hurdle will continue to be his guilt for disappearing, which he didn’t even do on purpose so the guilt is unjustified, at least the amount others are thrusting on him.

He looks confident at the end of the season, but I don’t buy it because he hasn’t earned it, there was nothing that he did or said that showed why he would feel so confident when he hasn’t learned anything and he hasn’t proven himself capable beyond getting possessed by the right spirits.

His reaction and aftermath to the death of his entire culture was very underwhelming. His grief sent him into the Avatar state and then he mutters a bland apology and the others are mad at him for falling apart when he’s literally lost everything and everyone he’s ever known. It’s something that needs to be handled far more delicately and it’s not.

As the titular character, it kinda sucks how sidelined his character development has been.

Sokka

If I had no knowledge of this series going into it, I might assume Sokka is the main character because he has the most developmental moments in the season and is easily the most well written character.

Physically handing over the protection of his tribe, while small, was a profound moment for him because he was not only going against his father’s orders, it was the first step to realizing he could be something more than a fishing boy from the south. Which is pretty much his whole emotional arc.

With Suki, he was able to prove himself as someone willing to learn and better himself as a warrior. He learned too fast considering it felt like they were only there for a day maybe, but they were on a time crunch with pacing.

In Omashu, Sokka found that his hobby for invention shows he has a talent for engineering and being a tactician. These are pretty important traits that make him a well rounded character.

By the end of the season, he’s gone through pretty profound loss and change to become the beginnings of a leader.

He was kind of supposed to be comic relief as well, but honestly to me it was done as a sloppy afterthought and almost none of the humor landed. Not just with him, but with most comedic moments.

Katara

I’m sorry, I’m about to rip this poor girl to shreds, the writing for her was awful.

She has absolutely no personality beyond the thousand yard stare she gets every time her mom comes up. Every emotion she has is weak and downplayed by exposition, she’s mostly passive and has almost no effect on the characters around her (besides Jet sort of? And I guess Pokku during the most boring fight of the show).

She adds almost nothing to the team besides being a water bender. It’s literally her only characteristic beyond dead mother.

Speaking of water bending, she did absolutely nothing to earn the title of master and no one can convince me otherwise.

She learned six moves from a scroll, trained off screen so we have to take her word for it, made one move that she copied from another bender, and never once had a single second of instruction from an actual master. Getting that title when she’s done nothing to earn it is crazy.

Teaching herself with no support or guidance is not empowering like the writers seem to think it is. It’s just lazy and so unrealistic it’s laughable. She doesn’t have any of the training necessary to be considered a master.

Also I just really dislike how every obstacle for her to be a better water bender is a mental one, first with Aang and then with Jet. Like yes, clearly emotional state matters, but it’s still a physical discipline that requires technique and training of which she’s had none of besides pictures in the scroll.

The fact she was so dismissive and disrespectful of healing bothers me too when it’s a very valuable practice. She didn’t stay for that training either, so how is she going to use the oasis water in the future? Oh wait, Katara’s “a natural” which is just so infuriating because she’s barely struggled to learn a thing the whole season. As soon as she’s in a good mood, her bending works just fine. That’s not how learning or mastering a discipline should work.

Sorry, I know I’m getting into ranting, I’m backing off. It’s just such poor character work for someone so important to the story.

Zuko

Episode 6, “Masks”, was by far the best episode and largely because of Zuko’s character work. Outside of that episode, he’s pretty consistently narrow minded and angry which doesn’t offer him a lot of depth. But it’s all packed into “Masks”.

I loved that the 41st division was his crew as it was physical proof of his sacrifice and compassion for life. Obviously his scar is also proof, but seeing the people he saved alive hits different. And the fact that he didn’t try to take any credit is very modest and honorable for him.

However, I wish he had chosen to make the 41st his crew rather than it being forced on him as an additional punishment to his banishment. I think if he had made that choice, it would have showed even stronger resolve.

His moment with Aang in the shed after rescuing him as the Blue Spirit was very well done and showed how hard it’s going to be for him to overcome his father’s influence.

Lu Ten’s funeral was a wonderful moment meant to build on Zuko’s relationship with Uncle Iroh, it was quite beautiful.

Unfortunately, outside of the moments I mentioned, there wasn’t much other opportunity for character growth because it had to be so exposition heavy.

Although he did choose to go after his Uncle instead of the Avatar in Omashu and that’s an important value in family that Zuko has.

I do appreciate that they cemented his ideals around honest and honorable glory, but it did get a little preachy and repetitive.

I think overall he has a lot of potential for growth in future seasons.

Pacing

Whoever thought 8 episodes was enough to tell this story is extremely delusional. Having more minutes does not equal having more time, 8 episodes offers no wiggle room for such an expansive story no matter how long they are. I’m so sick of production companies thinking it’s okay to so heavily compress storytelling, let your characters breathe and give them some time to develop. It’s one thing when it’s something like Queen’s Gambit (which is fantastic, if you haven’t watched it you should!) that only focuses on one person vs Avatar which is balancing four or five main characters, extensive world building, and complicated plots. It’s something that needs time, but is instead rushed so drastically there’s barely any time to comprehend one conflict or character before another one is expositing in your face. Netflix is one of the biggest offenders of this, but HBO does the same. The Last of Us could have used an extra episode or two for Joel and Ellie’s relationship to solidify more (I’m not going to get into TLOU though, so please don’t come for me for this opinion, it’s not the focus and if you want a more extensive review of that, let me know). It feels like writers think characterization and development just happens and they don’t have to take the time to actually write it in.

With 2-4 more episodes, they could have had the time to really explore the things they needed to without overloading on exposition. Ask yourself how much time did you feel like passed between episode one and eight? Did it feel like the few months it was supposed to be? To me it felt like maybe two-three weeks, and that’s not the fault of watching it so quickly. There’s never any indication of how much time passes, which is its own issue, but also ultimately confuses audiences if they have to guess.

Every interaction and conflict is rushed, why are these writers so scared to take their time? If Netflix isn’t offering more episodes, then you need to adjust your writing to compensate, not condense everything like a sardine can and then act surprised when it’s a structural problem. It’s a fundamental issue that affected the entire potential of the show.

Plot

Aang should have, at the very least, started mastering water bending. It’s stated several times in the season that he needs to in order to fully become the avatar and be powerful enough to end the war. That is the overarching plot that is integral to the story. And yet he doesn’t bend a single drop of water the entire show until he’s forced to after being possessed by the vengeful ocean spirit (and when Kyoshi also possesses him, but again that wasn’t him, that was the avatar state). Because of the time skips that’ll have to happen between seasons, he’ll probably do most, if not all, of his water bending training off screen. Which is, say it with me, bad writing!

They kept hinting at the comet but never outright said what it would do or when it would arrive. Not giving any kind of timeline for the biggest conflict of the show is really worrisome for their future plans. I understand they have to allow a certain amount of time flexibility to account for the younger actors aging, especially Aang, which I completely understand and respect. That’s why time skips will happen. But to not give any kind of timeline shows really poor planning.

Also, please tell me if I’m misremembering or if I somehow missed it during my watch through, but I’m pretty sure Team Avatar still doesn’t even know about the comet, what it means, or when it’s coming. That’s a pretty big thing to overlook when it’s the catalyst for the Fire Nation’s power.

The fact that the show kicked off with the genocide of the Airbenders, who are all conveniently in the same spot, and Aang just happened to escape it because he essentially went for a walk to clear his head and got caught in a storm that came out of no where is way too coincidental for believable circumstances. It’s, louder for those in the back, bad writing!

They had four years to plan this all out, I don’t understand why it all seems so unfinished and thrown together with pieces from different jigsaw puzzles!

Comparisons to Source Material

In this section, I will be comparing the Netflix adaptation of ATLA to the original animated series. This will be about things that stuck out most to me as consistencies, changes, and valuable moments in each rendition of the story.

Consistencies

Writing-wise, obviously they got a lot of the big plot points down, and I’m not going to list them all. If you’ve watched both, you know what they are. Pretty much the essentials…sort of. The great divide even got a shoutout which I thought was funny.

I mentioned above how “Masks” was by far the best episode of the Netflix season, well it’s not a coincidence that it also has the most parallels and consistencies with the episodes it was based on (“Storm” and “Blue Spirit” which are also arguably the best episodes of Book One). I was going to be so mad if they took away the Blue Spirit part of Zuko’s character, but clearly it’s a fan favorite and for the most part I think they did it justice.

I loved that they kept in a lot of the hybrid animals, at least in dialogue if we didn’t actually get to see them. It would have been a really easy thing to just get rid of for simplicity sake. I hope we get to see some more CGI versions of these animals because the ostrich horse looked really good. Momo and Appa for the most part looked good, sometimes a little wonky but nothing crazy, I just wish they had more screen time. They don’t feel like characters yet, just a pet and a vehicle (essentially).

I was really pleasantly surprised to see Hei Bai, I was honestly expecting them to scrap him. He looked really cool too. I do wish we could have seen him turn back into a panda when Aang helped him, but overall I’m just glad we got him at all.

I didn’t love what they used him for, but Kho was visually amazing and everything I hoped for. Absolutely terrifying, will haunt my nightmares again.

June was also a pleasant surprise, I hadn’t looked too deep into the cast list and wasn’t sure if she’d be included. I did think it was a little weird she was flirting with Iroh vs the other way around (like what was the point of that? just take out the flirting entirely if you’re going to be weird about it) but overall she’s pretty much one to one the same and I still liked her a lot. Nala should have been a little more anteater/mole-like instead of wolfish but overall not bad at all.

We got the Cabbage Man. They teased him a little a first, but we got him.

My Favorite Moments from the Netflix Version that Change or Expand on the Original

I sang its praises above, but again Lu Ten’s funeral scene was just so beautiful and really built on Iroh’s fatherly affection for Zuko. I know it’s mostly a replacement for the leaves from the vine scene in “Tales of Ba Sing Se” because they’re never going to be able to fit in that episode. So it’s nice that they deemed it a moment worth capturing in a different way.

I’m not going to reiterate exactly what I said above so go see Zuko’s characterization again if you need to, but making the 41st division his crew members was a constructive choice that I liked a lot.

I don’t know why but just the idea of Gyatso sticking around in the spirit world to be able to speak to Aang one last time hit me so hard. I absolutely loved it as an addition to building their relationship. Aang always deserved a goodbye, and even though this wasn’t exactly that, it was what Aang needed to cope with his immense loss and the pressure he was under.

When Iroh was arrested by the guards of Omashu and being taken to the pit, he had a really intense but moving interaction with one of the earth bending soldiers. I think it was such a good way to portray war and perspectives from both sides. The soldier rightfully and angrily blamed Iroh for his brother who died at the siege of Ba Sing Se, which Iroh was responsible for. He accused Iroh of being evil, of having never gone through loss, which we as viewers know isn’t true, but he doesn’t say anything. Doesn’t defend himself. Doesn’t reveal his own loss to get even. He takes the abuse and the blame and just utters that enough people have been hurt. Great performances all around, really solid writing. I wish more of the show had followed this example.

That lady hitting Zuko with a brush to stop him from attacking Aang, a child, in Omashu’s marketplace. That was one of the funniest scenes in the whole show. Bring her back!

“Everything I need is on this boat.” - ‘nuff said.

Major Character Differences (I’ll try to keep this concise)

Aang

He lost the majority of his lightheartedness which made him so lovable in the first place. He does a lot of monologues and speeches to intense music now. He’s still 12 guys, let him swim with giant elephant koi and dress up as Pippinpaddleopsicopolis the Third to get into Omashu!

I really don’t like that they changed him actively running from his title and responsibilities to just going for a jaunt with Appa to clear his head. That removes so much depth, guilt, and fear that he should have. In the original, it was his choice to run away with the intention of hiding and never coming back, in the Netflix version, it was an accident he never came home. That’s a massive character change.

People called him a coward, but he literally isn’t when it was a very coincidental accident that forced him into the ice in the first place rather than his choice to actively run from his destiny. He’s yelled at and screamed at and insulted constantly, even by people who are meant to help him, when he didn’t even do what they’re accusing him of. He didn’t deliberately run away, he accidentally got caught in a storm. And he just takes all of that guilt and blame and anger from everyone when he genuinely did nothing wrong.

Getting rid of his crush on Katara is a problem, but I’ll get into that more later.

I don’t care why they think they did it, but making Aang agree with Pakku in any respect about not letting Katara train or fight was so extremely disrespectful to both characters.

His reaction to losing his people was way underdeveloped, they gave him no time to grieve. And the fact that Katara doesn’t help him out of his initial Avatar State spiral is so damaging to the friendship they’re supposed to have. Their friendship always came first, let them interact and build that relationship!

Sokka

His small sexism arc that everyone is up in arms about. Do I think it should have been included? Yes. Is it the end all be all of his character? No, like I mentioned above, he got the most character moments in the show. But it was really important in its own way. I saw someone say, “Sokka may not be misogynistic, but Netflix’s ATLA adaptation certainly is.” And they’re right.

What I really didn’t like was what they did with his relationship with his father and ice dodging. Sokka had a great relationship with Hakoda built on trust, mutual admiration, similar tactical mindsets, and strength of character. He passed his ice dodging test with Bato with flying colors. There’s no reason to completely flip those dynamics, there’s already enough other conflicts to explore without giving Sokka daddy issues he didn’t have in the first place. Whoever made that choice was projecting hard.

Hakoda eventually trusts Sokka to lead the invasion in Book 3, but none of that exists here and it doesn’t feel like there’s a path yet to lead to that. (I have a lot to say about the invasion later)

They have Sokka take over a very paternal role with Katara instead of her being maternal, and he is constantly very overbearing, patronizing, and talking down to her as if she has no (or does not deserve a) mind or agency of her own. They (as in the writers) are acting like the age difference between them is 10 years instead of 1-2 years.

Also taking out the very important moment when Sokka was the one who saved an entire Fire Nation village from Jet was just wrong. Not only was it an important stepping stone towards leadership and diplomacy for Sokka, but it also showed that even on the “bad side” of the war, there are innocent people who deserve protecting.

Sokka wasn’t nearly as funny as he should have been.

Katara

Everything about her was wrong, scrap it and try again.

She had none of the passion she should have had. Katara gets mad, she yells and insults and waves her arms around to make her point. She gets jealous and petty. But she’s also so unbelievably kind and caring, she’s the only reason any of them take proper care of themselves. She’s lighthearted and fun when she can be, she plays and laughs and cares so incredibly deeply.

Katara inspires people in a way none of the other characters can, although Aang does learn a lot from her in that regard. She’s incredibly hardworking, loyal, and dedicated to those she loves. And yes, she feels immense pain and sadness for her mother, but that’s not all she is.

LA Katara felt like a hollow shell 90% of the time used for exposition, 5% mom trauma, and 5% sort of emotional. The writing just didn’t lend itself to complexity, flaws, or character depth.

She’s one of the first well written and well rounded female characters a lot of us encountered as kids and they stripped her of everything that made her who she is. Someone for young girls to look up to. It’s shameful.

For some reason they made her explicitly and directly responsible for her mother’s death, which is a very strange and damaging change to make that I don’t think they totally understand the difference of from the original.

They took away all of her maternal behavior, which just tells us what they think of maternal behavior, that it’s a weak trait for a leading character and not worth exploring in a person that had to take that role in her family and village as a whole at such a young age. It’s like the writers thought that Katara being motherly was problematic and sexist, which is a mindset that is itself problematic and sexist.

They’ve essentially turned bending into a magic that relies solely on emotional and mental stability instead of a martial arts form requiring discipline and training. I don’t even think the writers realize they’ve done this, which in and of itself is a massive issue.

Although I will say the water whip on the flaming arrow was a good use of water bending, it just didn’t feel earned to me.

For as much as they focused on her mom, they never once brought up Katara’s necklace?? They took out Pokku’s connection to Gran Gran and never mentioned anything about betrothal necklaces. There’s just so many changes they made, large and small, that feel pointless or contradictory to the source material for no reason.

Zuko

Frankly, so early into Zuko’s character arc, there isn’t a lot of difference here. Most of his development starts in Book 2. I do like the animated version a lot better, though. I am biased, but I also think that even though they hit on almost all the same points, the original just handled it with far more nuance, care, and time. With the Netflix version being so rushed, any payoffs we had just didn’t feel totally earned.

I do think it was a big shame that they had Iroh kill Zhao instead of allowing Zuko’s attempt to save him from the ocean spirit. It’s a pretty important character moment that shows how Zuko wants to help people, save people, if he can regardless of how they’ve treated him. They can make this point again if they do “Zuko Alone”, but I’m honestly really scared they’ll cut it.

Having Zuko fight back during the Agni Kai against his father in the flash back was way out of character and takes away from the severity of the punishment and the trauma of the abuse. He was a 13 year old child terrified of not just disappointing his father, but of suffering harm from the one person he should trust most. And Ozai convinces him he deserves it, so there’s no world where he would have fought back in that scene. And it changes the meaning from a father violently burning a child that has surrendered and begs for forgiveness to a soldier winning a one-on-one battle against another soldier and branding his victory, no matter how dishonorable it is.

Also, at this point, Zuko is an amateur fire bender with barely any experience or progress in his training. Him getting the high ground over Ozai for even a second is ridiculous and diminishes Ozai’s skill level. It could be argued Ozai did it on purpose to give Zuko an opportunity to prove himself as ruthless as Ozai wants him to be, but that completely goes against the precedent set by Ozai that he hates being questioned or otherwise made to look weak in front of anyone. I think I understand what they were going for, but honestly it came off as an opportunity to show off the actor’s fighting skills rather than holding the weight it should for the story.

I DO like that Zuko has a war journal (*diary*) about the avatar, history, and essentially a map of his journey. I DON’T like that Team Avatar uses it as an expository tool and excuse to not properly explore the world and learn things for themselves or through other people.

I don’t think Zuko said the word “honor” once, but please correct me if I’m wrong.

Iroh

Similar to Zuko, they hit a lot of the same surface level points with a few misses here and there.

They didn’t show us Iroh’s connection to the spirit world, they just told us right before the battle at the North Pole and we’re supposed to believe it, which we do because we’ve seen the original, but that was kind of lame. (Not including Roku’s dragon was also lame, but I digress).

They expanded on his past in a few different ways which I did like a lot and mentioned above.

The Netflix version comes off more preachy and gimmicky to me than wise, which is disappointing. I think the actor could have done amazingly with the right script.

They didn’t show him redirecting lightning, which is arguably one of the most valuable skills in the entire show and extremely important for the finale for both Aang and Zuko.

And just like Sokka, he was not nearly funny enough.

Bumi

His characterization was all backwards and wrong and I hated it.

Visually, his makeup and design was pretty good, but that’s the extent of any positives with the Netflix version.

Bumi would absolutely never ever ever have made a joke about the genocide that took Aang’s entire people. That was disgusting and disrespectful to Bumi and Aang.

He was never mad at Aang for disappearing, he was actually extremely understanding and only hoping to teach Aang further about his duties as the avatar. He quite literally welcomed him back with open arms.

The way he treated others, especially his servants, was appalling and borderline cruel.

He never stepped down from protecting his people or became complacent in a way that put them in danger, Omashu was thriving beautifully under his care. When he surrendered to the Fire Nation in Book 2, it was the best way to protect his people without bloodshed and he knew he’d eventually get their home back. He was literally waiting for the Solar Eclipse to do it (which I’ll touch more on later).

This also means that by having Bumi actively fight and lose, instead of surrendering with neutral jing, he won’t be able to realistically give Aang the advice that is supposed to lead him to Toph. Wait and Listen.

I did appreciate the lesson he was trying to convey to Aang about the difficult choices that wartime forces on us, especially leadership (like who gets what food or medicine), but they did it all wrong.

Shame on the writers for what they did to Bumi’s character, I could write an entire essay on everything they screwed up just with Bumi.

Suki

They made her into a lovesick day dreamer instead of the strong warrior and leader she was meant to be. She’s going to go off to war, don’t diminish her strength. Her being a fighter should be the forefront of her character, not a lonely girl pining for a boy and dreaming about the big world.

Her and Sokka’s relationship should have been built up over time, their kiss was so misplaced. When not much time passes before Sokka falls for Yue, it makes him seem like a player.

And that moment Suki’s staring at him shirtless is cringy and yucky, they’re teenagers. Don’t do that.

We’ll see how she is when she shows up again…I actually liked the actress quite a bit, but her writing wasn’t good. That seems to be a theme here though.

I do wish her hair was still auburn instead of black, that’s personal preference though.

Gyatso

They did him so dirty with his death, it was anticlimactic with none of the power or savagery that was implied in the original. His skeleton was literally surrounded by dead Fire Nation soldiers, I wanted to see that dangerous potential on screen and am very disappointed not to get it given how explicitly they wanted to show the genocide of the airbenders.

Jet

Jet’s vendetta is specifically against the Fire Nation. On some level I do believe he would resort to violence against a traitor giving the Fire Nation information, but I don’t think he ever would have put Tao or other innocent (non-Fire Nation) bystanders at such great risk. Maybe that’s splitting hairs though since in the original he was prepared to drown an entire village, of Fire Nation people specifically, as a whole he felt pretty consistent.

I just don’t like Netflix smashing so many plots and characters together, they deserve room to breathe in their own stories.

I hate that he was the catalyst for Katara’s bending training though, instead of her own hard work and practice or training with actual masters. Jet knows nothing about bending or how it works. It’s another instance of stripping Katara of her skill and work ethic.

Yue

As a personal preference, I hate that they made Yue a water bender. She has part of the spirit of the moon in her, so logically I understand where they’re coming from giving her those abilities. But she’s not a water bender! The spirit was working to keep her alive, not to give her powers she shouldn’t have had in the first place.

She’s a princess dedicated to her people and wanting to learn how to lead but also buckling under the pressure of expectations, particularly around her arranged marriage. I saw none of that in the Netflix adaptation, except that she likes to make desserts when she’s stressed, so there’s that I guess. It’s just still missing the depth, but again they don’t have time to really explore these topics.

They make a point with Pokku about the role of women in the Northern Water Tribe and yet somehow Yue is allowed to just call off her arranged marriage. That’s a pretty distinct cultural contradiction. It just shows me the writers don’t know how to portray misogyny as a narrative tool or how to do consistent world building.

Her wig looked awful.

They should have used what happened to Momo (which ouch, that wasn’t necessary) as an opportunity for Katara to prove that she knows how to heal, because she hasn’t done it yet and she’s supposed to bring Aang back from the dead in Book 2.

Azula

I appreciated her introduction scene where she exposes a coup against her father while undercover. It was a little cheesy with her reveal, but it does establish her character decently well early on. And the cover she chose, dead brother and mother, is really interesting narratively.

The writers for Netflix went off about how they didn’t want to portray sexism, through Sokka specifically, but then they stripped the main female leads of most of their agency (Katara, Suki, and Azula all fit this category, I’m worried what they’ll do to Toph).

Azula has almost none of the arrogance that she should have, certainly none of the calm calculated intensity that made her so fearsome and intimidating. Azula should be scary, and she’s definitely not here. She just came off as such a brat with a twitchy face and prone to tantrums.

Her fire isn’t blue, that bothers me a lot. Blue fire is hotter than red fire, it’s supposed to be an indication of not only her fire bending strength but also her temperament. Plus it’s supposed to help us differentiate between their powers when she’s fighting Zuko.

Lightning bending requires so much skill, precision, power, and focus. I don’t believe for a second Netflix’s Azula should actually be able to do it. She was only able to do it because she was mad, and that’s not how it’s supposed to work.

She definitely didn’t earn being able to overpower Bumi and takeover Omashu. Although granted it feels like they nerfed a lot of Bumi’s power, he certainly doesn’t feel like one of the most powerful earth benders in the world.

Ozai had originally sent her out to collect Zuko and Iroh, not to lead an army in a battle against one of the greatest (or what should be one of the greatest) strongholds in the Earth Kingdom. It’s unrealistic and silly. And it’s not like Bumi gave up like he did in the original, he literally said “We’ll be ready to fight” when he revealed that the Fire Nation was headed their way.

Ozai treating her like a nuisance is also way out of character. He’s supposed to feed into her ego and inflating all of her more dangerous traits because he sees them as powerful and necessary for the future leader he expects Azula to be. Zuko should be the disappointing son with no faith or support from Ozai, and Azula the gifted prodigy given every opportunity and surpassing Zuko in Ozai’s eyes. As Zuko said, “He used to say Azula was born lucky, I was lucky to be born.” Somehow that dynamic has almost completely switched and Azula suffered the most from it.

She’s very miscast, the actress was awful. I’m sorry, but not sorry enough not to say it.

Ozai

Ozai should despise Zuko, he’s far more terrifying that way. It’s way more compelling watching a son that’s been so manipulated by his traumas try to win the affections of his father that don’t even exist than the same daddy issues we see in almost every movie or show where the son is trying to live up to his father’s expectations unhappily. Ozai should have no expectations for Zuko, that’s the difference. He sent Zuko on a mission he wouldn’t come back from on purpose, to get rid of him.

That’s terrifying, how disconnected he can be from his son. Trying to make Ozai more human or sympathetic by making him care for Zuko takes away from the monster he’s supposed to be as a villain. They’re not making him more complex, they’re making him more generic.

I just kind of generally don’t like that they’ve revealed so much about him and Azula in Book 1 because part of the well written structure of avatar is that the “villains” escalate from season to season, going from Zuko to Azula to Ozai as the main antagonists. I’d rather they had kept that structure and given more time to better plot and character development.

Plus revealing him so early took away a lot of his intimidation factor for me. Mystery and intrigue is good you guys! You don’t always have to lay all your cards on the table right away.

And at the end when Ozai more or less says that the attack on the Northern Water Tribe was a distraction to take Omashu makes zero sense to me. Not only is it an arbitrary copy of what Sozin said in the beginning about attacking the Earth Kingdom as a distraction for killing all of the air benders (which is also stupid), but thematically and structurally it doesn’t make any sense. The timeline doesn’t add up at all, not that they gave us any indications of timeline. And at this point in the war, the different nations, tribes, and kingdoms are so segregated that the Water Tribe probably wouldn’t have gone to help Omashu in the first place, certainly not in time.

Also I refuse to ignore the blatant contradiction they put in Zuko’s scar story. Zuko is punished extremely severely for INDIRECTLY insulting Ozai, when he’d literally been asked what he thought of the war plans, but when Iroh DIRECTLY questioned Ozai in front of the entire court and spectators (interrupting the Agni Kai, a sacred type of battle in the Fire Nation), there’s no punishment at all. I really don’t understand what the writers are doing with the amount of contradictions.

Roku

Botched, I hated what they did to Roku.

Trying to make him funny? That, right away, ruined his character entirely. I won’t ever be able to take him seriously. He would never make jokes when Aang is desperately looking for guidance and understanding. He’s not a funny silly character, it’s like the writers forgot to add in some levity and chose literally the worst character to force humor onto.

Roku is one of the coolest and wisest characters in the series with some of the most badass scenes and they took away all of them. The future of his portrayal does not look bright.

Kyoshi

Now, I love Kyoshi as much as the next person, but she got way too much screen time.

Not only did they give Roku’s badass possession moment in the Fire Nation Temple to her for absolutely no reason on Kyoshi Island, but they made her the leading influence of Aang’s spiritual journey (he’s constantly trying to reconcile with the advice she gave him) which makes zero sense.

The hundred year war is the consequence of Roku’s legacy and mistakes, it has literally nothing to do with Kyoshi. Roku should be the one mentoring Aang spiritually and guiding him through the remnants of his choices as the Avatar.

Giving her weird future vision for the attack on the North Pole was really weird and made no sense to me, and completely shifted Aang’s motivations from learning water bending (which he never does even once) to warning the Northern Water Tribe, which they end up not even needing him to do because they’re already prepared to fight. Just a convoluted mess narratively.

She isn’t supposed to be that agro of a character, she’s pragmatic and diplomatic. They based her off the memes far more than her source material and it shows.

Making Kyoshi so much more prominent feels like such an insincere thing to do for the sake of “girl boss strong female characters hoorah” that ultimately hurts the writing.

Kuruk

I don’t really know why they decided to give Kuruk so much screen time when it should have been given to Roku or any other character for some development, but I would say it was a decent portrayal. Just an unnecessary one.

They actually used book material for him, which is surprising given the changes they made, but it was specifically for the “spirit killing knife” which was stupid and no one can convince me otherwise.

Having spiritual conversations with so many of the past Avatar’s this early on feels like they’re going to be removing, or at least drastically changing, the Lion Turtle scene in the finale which has me very concerned.

Egregious and Potentially Detrimental Changes from the Original

Removing Jeong Jeong and Aang’s First Experience with Fire Bending

Aang’s terror of fire after hurting Katara when he got too confident is vital for his development. It’s the main reason he eventually accepts Zuko as his fire bending teacher because they both struggle with having hurt people and wanting to fix their mistakes.

This was also supposed to be Katara’s first use of healing, which again I think is something really important for us to actually see she can do. Because all they’ve said is she’s “a natural” just like everything else and that’s such bad storytelling.

Jeong Jeong is a member of the White Lotus and a really important factor in Iroh’s endeavor to take back Ba Sing Se in the finale. Could they do it without him? I guess, but it’s really disrespectful to me to just not include him.

Taking him out will affect plots all the way in season 3.

Not only that, but Jeong Jeong is a valuable example of someone born on the wrong side of the war wanting to make a difference and change his ways. It’s realistic nuance for war!

What Seeing Wan Shi Tong in the Spirit World Means to Me, the Implications for the Library, and Consequences

Wan Shi Tong, similar to Tui and La (the moon and ocean spirits), came to the physical world with the express purpose of bettering humanity. He made the personal sacrifice of staying away from the spirit world so that the human race would have access to his vast and wonderful knowledge. He couldn’t go back and forth between the physical world and the spirit world because he had to be there to keep the Library standing in the physical world in the first place, it can’t stay there without him. The fact that he’s in the spirit world, to me, means that the library may not be in the physical world at all.

Other indications that his library isn’t in the physical world are that Zhao didn’t get his knowledge of Tui and La from the library, he got it from ancient Fire Nation scrolls and records instead (which doesn’t make a lot of sense), and the sun dial that Sokka would have used to discover the solar eclipse and begin the plan for the invasion is now located in the Fire Nation instead. How is Sokka going to learn about the Day of Black Sun now for the invasion? (There’s a lot of setup for the invasion that they’ve screwed up and I’ll talk about it more in a couple other sections).

So assuming we’re no longer going to have the library, there’s a lot of follow-up implications and consequences. This means that we won’t have Appa’s kidnapping which causes a few problems.

One, Appa’s kidnapping directly leads to Jet’s death, the only major on screen death (or injury that leads to death) in the entire show. I guess you could also count Combustion Man, but Jet’s was infinitely more emotional and important to the story.

Two, Appa’s kidnapping and subsequent rescue is vital for proving to the Earth King that Long Feng is a traitor and the Dai Lee has been compromised. This leads to the Earth King trusting Team Avatar’s word implicitly about the Kyoshi Warriors which allows Azula to infiltrate, learn about the invasion plans, capture Katara, and ultimately “kill” Aang at the end of Book 2. Can the writers work around this? Probably. Do I trust them to? No.

Three, protecting Appa is how the Kyoshi Warriors get overpowered by Azula in the first place and Azula is able to infiltrate the Earth Kingdom in disguise. It’s how Suki is captured and ends up at The Boiling Rock prison.

Four, Zuko being the one to let Appa go is a massive character moment as he struggles to let go of the burdens that Ozai pushed onto him to capture the avatar at all cost to others and himself. It leads to his “metamorphosis” as Iroh calls it, leads to him giving up the Blue Spirit identity, and is what makes his later betrayal so painful. Plus, Appa likes him now which is a stepping stone later for Aang to trust him when Zuko wants to switch sides.

And five, Appa’s brief stop with the guru as he’s trying to get back to Aang leads to how Aang gets any instruction on controlling the avatar state. Which also leads to his “death” at the end of Book 2 when he tries to reopen his chakras like he was taught during the fight with Azula. Again, do I think there’s a workaround here? Yeah, but I don’t think they’ll do it well.

Where’s Haru and What it Means for the Future

Removing the “Imprisoned” storyline takes away Katara’s first and one of her most important moments of being an inspirational leader, learning how to speak up for others, and how to make connections with people outside her culture. But they’ve already stripped Katara of so much of her depth, I’m not surprised they took it out.

The more important issue is that Haru, his father, and their people (all Earth Benders) that she helped rescue were very prominent foot soldiers for the invasion in Book 3. Where are they going to get alliances to build an army against the Fire Nation now? My bet is either they won’t, which is concerning for many reasons, or it’ll happen between seasons off screen which is a massive writing problem! Vital events and plot points happening off screen shows extremely poor planning.

Indications of Removing the Swamp and More Poor Planning for the Invasion (are they cutting it out?)

I’ve pretty much convinced myself that the writers are cutting the invasion out of the plot. I’ve listed many reasons above why I think that’s the direction they’re going, but the last straw was when Sokka and Katara were in the spirit world.

I’m almost 100% sure they’re getting rid of “the Swamp”.

When Sokka and Katara are in the spirit world, they are confronted by their worst memories and most difficult emotional obstacles the same way they had been in the original when they were in the swamp. It wouldn’t make any sense to do that again, so they’re probably getting rid of the swamp entirely.

Which means Team Avatar will never encounter the Swamp Water Benders, which then means they lose even more foot soldiers and allies for the invasion. That’s two major allies that just won’t be involved. Between the potential changes to the Library, the lack of allies, and the fact that Hakoda has no trust in Sokka as a warrior, I don’t see how they’re going to realistically be able to do the invasion. If they do, I’ll be shocked and skeptical of how they manage it.

And as another personal pet peeve, taking out the swamp also removes another facet of water bending, being able to control plants by the water in them (which additionally leads into blood bending).

Other Changes That Really Bothered Me

Exposing the Genocide of Aang’s People and the Comet in Episode One

While I did appreciate (to a degree) getting to see the attack on the air benders and how the fall of the Air Nomads happened, I really don’t like that it’s the first thing we see. Like I mentioned earlier, it’s okay and often more beneficial not to reveal everything right away! I much preferred getting bits and pieces as we went along to put together the whole puzzle and have the time to process each new facet of the war. Giving it to us all at once and as the first thing we see takes away so much intricate story telling.

I really didn’t like that all of the air nomads were in the same place for the attack, that’s so unrealistic that they had to create an arbitrary festival to make it happen.

Originally, the Fire Nation attacks all four Air Temples with the power of the comet to back them up for the initial attack. It shouldn’t take one night where they’re all conveniently in the same place (except Aang) and kill them all, it should take one night to deal them such a severe blow that finishing them off over the next few years is easy. Because of course some would get away and were hunted down, that’s how war realistically works.

Removing Aang’s Crush on Katara and What it Means

Oooooh this bothers me for so many reasons, but I’ll try not to be too crazy about it.

I don’t know why they got rid of it completely, unless they’re just waiting until Aang and the actor are a little older for it to be more appropriate. But with what they did with the “Cave of Two Lovers”, I think they’re scrapping the love between Aang and Katara entirely.

Which they haven’t done anything to help them bond at all as friends in the first place except like two moments of bending instructions from Aang and a lot of dialogue about how they’re family. Aang and Sokka have had way more bonding moments together, I can believe they’re friends at least.

One of the biggest issues will be, if they somehow manage to trick Netflix into letting them adapt Korra as well, Aang and Katara’s kids and grandkids are fundamental to the plot there. But that’s getting way ahead of ourselves, let’s just focus on ATLA.

Aang’s feelings for Katara are very important, particularly for being the sole reason he stops trying to master the avatar state, only to attempt it again later to protect her, and then he ends up “dead” for it. He admits to loving her out right in those episodes.

The thing about Avatar is almost every detail is valuable in some way and dominos into a larger plot point. Their love for each other isn’t a major focal point of the show but it does matter, I just really hope they’re not planning on changing love interests.

Moving Anything from Other Seasons into Season One

I’m not going to spend a lot of time on this, but bringing anything from other seasons into season one when you already have such limited time is really irritating because that time would have been better spent on actual character development or including more vital points from season one.

Changing Lore

Aang accidentally bringing both Sokka and Katara into the spirit world with him just because they were in close proximity is ridiculous. He shouldn’t be able to do that. It makes much more sense that they’d be stolen by Hei Bai than piggybacking off Aang when neither of them are spiritually inclined.

Making Avatar shrines the only way for Aang to access his previous avatar is so limiting and irritating, he gets better at it as he becomes more spiritually connected to the avatar state (like in the ocean during the first episode of Book 3 when Aang contacts Roku, or on the Lion Turtle when Aang contacts four past Avatars). Also they completely contradict this rule letter in the season when Aang sees Avatar Kuruk for a few seconds just outside in the Northern Water Tribe. Like they specifically said it, and then completely contradicts themselves, that’s a pretty big consistency error when it’s a change they made.

They removed any significances of the solstices. Once again, giving us no timeline or indication of time passing in the world.

The reason Roku is able to control Aang’s body and powers as much as he can in the Fire Nation Temple is because of the winter solstice when the veil between spirit and physical world is thinnest. But now any Avatar can do it as long as Aang connects with them at their shrine. Kyoshi should not have been to do that to him and it replaced Roku’s very profound moment at the temple.

I don’t like that they said Tui and La are only in physical form one night a year (I think that’s what Zhao said, or something about an ice moon, whatever), and then that night just happened to be near. I can’t think of a single reason why they would make that change. There’s just too many convenient coincidences happening in this version of the story. Tui and La specifically gave up their spiritual forms for vulnerable physical forms for a reason, learn the lore!

The special spirit killing knife was stupid. I don’t know if it’s in the novels and I missed it or if the writers (more likely) came up with it, but it’s seems like really convenient and silly lore that actively contradicts a lot of what was originally set up about the spirits. And added a lot of unnecessary exposition that didn’t even tell us how Zhao got it.

In another similar vein, the MacGuffin of the statue of the many faces goddess spirit that Aang took from Roku’s artifacts to save Katara and Sokka from Kho was just so weird to me. He just eats people now? What happened to him stealing faces if you show an emotion? That was what made him so terrifying, and it was just another moment they stole from Aang and showcasing his potential. It wasn’t his negotiation skills or his self control that saved his friends, but a very convenient object just sitting on a shelf waiting for him.

None of their lore changes made sense or had a purpose to me other than to arbitrarily be different from the source material.

Mature ≠ Graphic

The writers said repeatedly in interviews and articles that they wanted this live action adaptation to essentially be a more mature version. They even likened their vision to be something similar enough to appeal to Game of Thrones fans, which to me was a massive red flag going into the show. Please, do not mix up maturity and graphic violence.

The only thing more “mature” about the live action is that we actually see people being burned alive and killed throughout the season. The original has far more mature writing because of how delicately and intricately it handles very serious concepts. The Netflix writers either do not trust audiences to pick up on subtle and complex ideas, do not trust the actors to portray subtle and complex ideas, or they do not know how to write subtle and complex ideas. Or some combination of the three. Everything is exposition, which I’ve said so many times before, but I will keep saying it until they learn not shove plot right in our faces with no nuance.

The writers simply think they’ve created something more mature because it’s sometimes violent and not a cartoon, which isn’t how that works.

It’s not mature, it’s graphic. Know the difference and you’ll be a better writer for it!

Humor

Yes the humor in the original leans a little more childish, but you don’t solve that by stripping the humor entirely in the adaptation! Almost any attempt at humor, to me, felt like an after thought and was mostly misplaced in a scene (like with Roku, I’ll never get over that). Just overall lost a lot of the whimsy. I understand that animation lends itself to way more expressive, cartoonish, and childish humor, but there’s plenty of funny live-action films and shows. Why did it have to take such a back seat? Again, that’s not a sign of maturity, it’s a sign of a very surface level understanding of how writing works and of what the original ATLA had to offer.

What Was The Point and What Could They Have Done Instead (imo)?

Being brutally honest here, I really don’t think there was any point to making this live action adaptation, especially with the limitations they put on themselves. I think it was, overall, a waste of money and resources. In theory, it was really exciting to have the opportunity to see the world come to life. And in a lot of ways I think they accomplished that between the location designs, costumes, respectful and accurate casting, and environments. I just think that was their main focus, making it look right, that the writing took an unfortunate back seat that made the whole show suffer.

There are two directions I think they could have taken instead.

One, I think they should have planned for six seasons. Every book of the original has a roughly mid season event that could act as really solid season finales. They would be able to stretch out the story and not compress or rush their writing so much. It would be structured more like this:

Season 1 Finale - The Winter Solstice and Discovery of Sozin’s Comet

Season 2 Finale - The Siege of the North

Season 3 Finale - Getting to Ba Sing Se and The Drill

Season 4 Finale - Aang’s “Death”

Season 5 Finale - The Day of Black Sun Invasion

Season 6 Finale - Sozin’s Comet and Confronting the Fire Lord

I understand that doing this doubles the length, and subsequently the cost of the show, which is a big ask. But I also think if they don’t have the resources to do it right in the first place, then they shouldn’t have done it at all. Is it better than the 2010 version we got from Shyamalan? Of course, but please allow yourself to have higher standards than literally scraping by the bottom of the barrel of quality.

I don’t expect anyone to have as in depth opinions or critiques as me, and I don’t begrudge anyone for enjoying the show or even liking some of the changes! But I will say that we all, no matter how critical a viewer you are, deserve better than mediocre quality.

The second direction I think they could have taken, and I really think they should have, is to write something completely original within the world setting of Avatar. There are quite literally dozens of avatars that existed before Aang that have no story yet! They had an opportunity to write some original that actually fits into the 8 episode limit they had while also further expanding on the history and world we all love so much.

I just think the audience, that mostly consists of fans of the original, would have been far more accepting and open to an original story rather than a middling attempt at retelling a story that’s already so beloved.

If you made it this far, I am extremely impressed and also worried for your health! This was mostly me needing to get all of these thoughts and critiques out of my head without ranting to friends and family that have no idea what I’m talking about and would get annoyed.

Anyway, that is my very extensive review that nobody asked for! If you need clarification or further analysis on anything I said, or if there’s something I missed that’s a critique for you on the live action, or if there’s anything you disagree with that I’ve said, please let me know in the comments below! But be nice, I will block anyone being mean about people opinions or thoughts. This is an open friendly space, I won’t tolerate bullying.

Thank you for probably far too much of your time!

#avatar the last airbender #atla #netflix #netflix avatar #avatar live action #my review #please don’t be mean to me if you disagree #I know this is obnoxiously long but no one is forcing you to read it

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deadgit · 8 days

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Okay, here's the post I promised based on @ocean--grey 's poll! So if anyone randomly finds this and is confused, the poll was a question about who makes Lister feel the worst about himself: Low Lister, Sebastian Doyle, or the brain-in-a-jar from "Out of Time." I went tag crazy in my reblog, and this is just what didn't fit 🤣

So, Lister was ganged up on and victimized by all of the Lows in a scene that has to have been one of the most disturbing things that ever happened to him. But one small, probably unintentional detail that I'm going to emphasize is this: all of the Lows were working together, and reasonably well. They all teamed up against him, a solid team, 4 against 1.

And so, I find it FASCINATING that this episode directly follows "Terrorform" and "Quarantine," two episodes that heavily emphasize the everyone vs Rimmer dynamic.

Social patterns can be brutal. At the end of the day, there's very little that makes people feel more together than disliking the same person, especially if they can feel justified about it. And Rimmer is extremely easy to dislike, justifiably.

But unlike Cat and Kryten, who have fairly simple relationships with Rimmer (they know they need him there, and he has a couple redeeming qualities, but they genuinely dislike him), Lister actually sees Rimmer as a human being, with feelings that matter. He wouldn't have chosen to have this guy play a huge role in his life, but he does care about him.

And, sometimes, he treats Rimmer terribly.

It's usually not just him. It's him, the Cat, and Kryten playing off of each other, having Rimmer be the odd-man-out. And he gives as good as he gets, so it probably feels fine, mostly. You can't say that Rimmer doesn't deserve to have his own terrible actions thrown into his face, now and then.

Rimmer was exhibiting some horrid behavior in "Quarantine." His treatment of the rest of the crew before the virus set in was vindictive and petty in really destructive ways. But it was also a direct reaction to his peers talking about shutting him down. (Notably, this was right after an episode where they all pretended to like him, then threw it back in his face.) He probably saw that as a genuine threat to his life, and responded to it the way he's been conditioned to, since he was a kid: weaponize rules, use every scrap of power you have, no one else will help you.

Lister has come to understand Rimmer pretty well by this point in the show. He understands that "the wrong parents" doesn't just mean that Rimmer is ambitious and vain; he knows the guy survived some genuine, serious abuse. (Notably, he's the only character who looked disturbed at Rimmer's Uncle Frank story. Even Rimmer didn't recognize how messed up that was.) Everyone has seen Rimmer at his worst, but Lister has seen him at some of his best, like in "Marooned" when he waxes poetic about friendship and sacrifice, and wants to mirror what he saw as an act of selflessness. Lister knows how badly Rimmer craves acceptance and respect, and knows that he's actually capable of being decent under the right circumstances.

But he doesn't exactly keep that knowledge at the front of his mind. Very understandable, when your bunkmate, say, locks everyone in a room for weeks without entertainment or decent food. And it's especially easy to forget about when you're with two other people who can't stand the guy.

But I think sometimes, when the others aren't there, he remembers that Rimmer is a very miserable, lonely person, who faces almost constant antagonism from everybody in his life. He brings it on himself, but I don't think Lister wants to be a person who enjoys teaming up with his buddies to pick on the group misfit.

And yet, in series 4 and 5 especially, he kinda IS that person.

And I can't help but wonder if his treatment at the hands of the Low crew (ganged up on, having his autonomy taken away, being bombarded with everything he hates about himself) wasn't, in part, a reflection of the way he feels about all that subconsciously.

#it's late so i hope this makes sense 😅#i think that series 10-promised land lister has finally found a good balance of ribbing the guy while watching out for him #which i love sooooooo much you have no idea #please don't read this as ''lister is mean to rimmer! bad lister poor rimmer!''#it's just musing about the cognitive dissonance of knowing that someone's behavior comes from deep hurt #but not being able to stop yourself from responding to it (particularly in a group dynamic)#which imo makes lister SUCH an interesting character

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deewithani · 5 months

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Put on episode 1 of TBoBF last night, ended up rewatching the whole series yesterday and today with my (slowly coming to enjoy Star Wars as long as it includes Mandalorians) hubby, who "watched" it with me when it first came out.

("Watched" means he was on his phone the majority of the time and occasionally paid attention).

Note that the last time I fully watched it was when it first aired, and I've pretty much only watched clips or specific parts since then.

Some observations:

I'm still not happy that Boba was sidelined on his own show.

I did, however, like it much much better the second time around. It held up very well, tbh. Well worth the rewatch.

I still don't really ship Boba and Fennec, but I totally get it.

To expand on the previous, I ship Boba with happiness and love (and myself obviously), and he clearly cares for Fennec very much, so yeah. I just don't seek it out too often, personally.

Hubby loved that Boba loves animals. Said that the rancor was Boba's baby and everyone should stop attacking it during episode 7, cause it was just hurt and scared.

Boba is precious. He's also an extremely competent killer. His enemies forgot that.

Hubby was heartbroken over the deaths of the Tuskens.

I would live the rest of my life in a tent with Boba if that meant he could be with his Tusken family forever.

During the siege on the Sanctuary in episode 7, hubby exclaimed 'Why don't they use their wrist weapons?' Why, indeed.

Hubby found Boba to be very humorous.

I agree. He's got a sense of humor.

The baby (the rancor) napping with the baby (Grogu) = ❤️

The mod chase is still terrible. If they fix anything in the future, they should fix this.

Mos Espa is huge, which is great, but I think there could have been more extras, tbh. This is a general gripe over entertainment and not specific to TBoBF.

The scenes in The Sanctuary get this right. It looks absolutely packed all the time.

I don't know if we'll get a season 2 or not, but the ending is open, so it could be a possibility.

#boba fett #the book of boba fett #tbobf #star wars

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ideahat-universe · 2 months

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Good Design, Bad Design: ARG edition!

Don't worry, it's just a framing device. Lets talk about a Good ARG and a Bad ARG.

youtube

Good Design

Shipwrecked 64 is one of the better examples of a ARG done extremely well but what really sets it apart in my mind is the fact that it's a real game.

A lot of indie games make game play a means to an end, most of it benefits more from being watched than played.

A meta of overcharging people to play chapters of a game where each chapter is a little under 2 hours and the game play is just put key in keyhole and run from thing has really crippled the entertainment the genre can offer.

Not so for Shipwrecked 64. You're expected to learn and even write down many things to find the answers needed to progress.

Learn a little bit about music, remember numbers and colors when they appear to you, watch the videos that show up, Read the notes made by stumbler, utilize a fan made cipher to decode Beaver-scratch (or decode the method yourself!), dabbled in the phonetic alphabet, oh and a bit of some googling.

The game can be a punishing experience for streamers who expect to knock this game out in an afternoon. Because of that though it can be fun to play blind. In fact it's very fun to play blind and the scares are edited fairly well as the the jump part of scare utilizes a very surreal screen tearing effect, meanwhile the game tries to come up with ways to sneak up on you to make the jumps really sudden.

It's very good. Sure Poppy's Playtime is a more cinematic experience, and the latest Freddy Game wasn't that bad either but there's something about a really well rounded experience that lives beyond its expectations.

youtube

UrbanSpook is. Well, UrbanSpook is a TV dinner.

Let me explain.

A few months ago I mentioned Who's Lila which was also a really well done ARG and meta mystery story which was born from Twin Perfect's reading on what Twin Peaks was supposed to be about.

The idea is that Twin Peaks was a response to how throwaway and artless television was becoming and specifically how murder stories were just a cavalcade of dead bodies and killers with nothing else to care about.

The metaphor used in Twin Peaks? TV Dinners. Whenever bad people were indulging in base desires they were eating TV dinners or other meals that lacked substance.

Yeah, I think you know where I'm going with this. UrbanSpook comes out the gate with a framing device for a gallery of artwork but the framing is bare bones and the artwork only satiates the desire to see gore. The artwork is good but in creating a story it is not judged as a series of images and is instead judged as a story.

As a story we don't know who the killer is, how they kill, why they kill (why they have to kill people to make paintings). We don't know the victims beyond them being dead, when they died, and how they died. We don't know who is primarily responsible for investigating the killings (as it is not uncommon for a specific person to be tasked with bringing a serial killer to justice).

We know about as much as you might learn in a B movie. Which brings me to what I believe UrbanSpook is. UrbanSpook is a no budget ARG Splatterpunk horror.

People come in expecting some kind of lip-service to pathos because at the end of the day people love character, not kills; and in almost every good horror story you get characterization of everyone as well as a strong theme beyond "We like violence, yes we do."

BUT in a B-movie or a cheap slasher film you want gore, you want some blood thrown around, you want TV Dinners.

I imagine though that the budget of UrbanSpook is quite limited so rather than make a completely animated venture he went for the Mandela Catalog effect.

And maybe it's a good gambit. With money he could make a better production but he's getting a Serbian film style reception which does hurt and lashing out on Twitter isn't great PR but that's beyond the art and really everyone is terrible on Twitter.

UrbanSpook isn't bad because it dares to do things that are audacious and repugnant, because the horror genre has gladly housed such films since the creation of film as a genre.

What UrbanSpook does bad is telling a story and while morally Horror can do whatever it wants, artistically there is a good design for a horror story and a bad design for a horror story and this is

Bad Design

#fandom #controversy #horror #shipwrecked 64 #urbanspook #Youtube

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allstartrekgames · 9 months

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Star Trek Online

Original Release: 2010

Developer: Cryptic Studios

Publisher: Atari, Perfect World, Gearbox

Platform: PC, Xbox One/Series, PlayStation 4/5.

I’ve played a lot of Star Trek Online in the past, so for this playthough I decided to start from scratch on Xbox. The game is still evolving with gameplay changes and new content, so my thought here are based on my original time with the game from a while ago on PC, along with finishing up to the end of the Delta Quadrant on Xbox.

The gameplay for this game is best described as “serviceable”. It’s not terrible, but it also isn’t the most exciting. It gets the job done and is just about entertaining enough to get you to the next part of the game. In space combat, you have to keep an eye on shield arcs and weapon charge while activating powers, while on the ground it plays a bit more like a shooter, but doesn’t have exact aiming (you can also play as a more traditional MMO game on PC).

The main enjoyment I got from the game was the story, having a few dialogue choices (even though they change nothing) and just interreacting with the world. The overall story arc is about a mysterious threat pushing people into war and being discovered before everyone starts banding together to investigate and stop them. Early on, voiced dialogue was rare, but is not much more common, although some missions have sections where the dialogue is just text, which creates an odd mixture of the two. There are lots of references and a lot of characters from the shows crop up, usually voiced by the same actor.

The mission lengths vary a massive amount, and you really have no idea how long a mission will be before starting it. Some just involve talking to one person while others can be a few hours long. Some can be just combat after combat (sometimes massively overstaying its welcome as wave after wave of enemies turn up) while others are more story based with lots of information to reveal, characters to interact with and puzzles to solve – these ones are worth playing the game for.

At certain ranks you get awarded a ship, you can pick a name and registry. I decided to call all mine the USS Saru, adding letters as I got new ships. You only have a choice between a few ships, while the rest you’ll have to grind by collecting dilithium or pay for with their premium currency of “Zen” – there are a lot of different currencies in the game, which kind of goes against Star Trek a lot. By the end of my playthough, I had enough dilithium for one ship.

What is nice about the ships is that you can customise them, choosing different hulls, saucers, pylons and nacelles, as well as some hull designs. Some options are locked behind premium currency, though. I ended up changing all of my ships. I would absolutely love a new game similar to Starship Creator that just let you design ships using all of the options available in Star Trek Online.

There’s plenty of Star Trek Online that I didn’t such, such as the group activities. I do remember doing a few missions in he past, including one where you fly through a massive Voth ships that is so large that it has multiple hangar bays that carry Voth city ships. There’s other kind of repeatable missions to help grind for upgrades, which is something I really don’t enjoy.

I enjoyed my time with Star Trek Online, but at towards the end of the Delta Quadrant missions I felt extremely underpowered (while up until a few missions prior, I felt overpowered) and even buying a new ship didn’t help much. I think I had reached the point of grinding or coughing up money.

You can choose not only different factions in the game (although later missions mostly are the same for all), but different introductions. A major one is the New Romulus faction, who can then join the Federation or Klingons after their starting missions. I tried out the Discovery era missions (you end up forward in time to carry on with the main campaign) and enjoyed it, you get to interact with Lorca. The tutorial mission is just a slightly reworked version of the normal tutorial, but at least you get to meet captain Shran. The ship you use also has one of the nicest bridges in the game (the ship interiors are terrible for the most part). I do appreciate that you essentially get to play a short Discovery game.

I don’t think I will return to Star Trek Online, though, due to the game’s economy and grinding. Once development for the game slows down, I would certainly be very interested in a one-off purchase “Star Trek Offline”.

#star trek #star trek gaming #star trek online #star trek tos #star trek tng #star trek ds9 #star trek voy #star trek ent #star trek dsc #kelvin timeline #star trek pic #star trek ld #lower decks #star trek snw

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glambyk · 7 months

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I’m about half way through the kdrama Nevertheless… and Miss Na-bi kinda annoying me 😫. Now I completely understand her, and she is a real ass relatable character, but I’m ready to hop in the show and sit her down with some perspective and advice at this point.

That ex was EXTREME trash!!! From the power dynamic, gaslighting, control, humiliation, flat out emotional abuse. He can go to hell 🤷🏽‍♀️. He did a complete number on her mental/emotional state and self esteem. She seriously needed to focus on herself before all the things with Jae-eon.

Now, I don’t feel either of them are terrible people, since so far I can see each perspective (Na-bi’s more due to inner monologuing). She needed to listen to those tingling thoughts to back off Jae-eon because she was not ready to entertain him. He’s not the type of guy you entertain when you have fresh trauma. Anything anyone said about him, she took it as gospel and shaped who he was as a person off that. She also was simultaneously creating a fantasy in her head about him as well. I get immediate attraction, but she got way too invested from the first moment, then when she knew their ideas on relationships weren’t lining up, she needed to let it go.

As much as she accused Jae-eon of playing a game and not caring or being too casual… she was playing the game too. The situation was laid out in front of her and she proceeded to engage. She judged every comment he made, but also wasn’t being real with herself and communicating because she wanted to stay in her fantasy bubble. She didn’t want anyone to know they were close, but was upset when people caught on, and then was mad at him about other people’s comments. People were talking shit about him as well, but she glossed over that and deemed it acceptable, since she literally doesn’t consider him to have feelings. It comes off as Na-bi not seeing Jae-eon as his own person due to projecting a lot of her issues onto him and hanging on to everyone else’s opinions. There was no point in doing anything with him if she was going to obsessively work herself up over every little thing related to him.

Jae-eon gave immediate fuck boy vibes. He’s a big flirt and a general decent guy though, so he’s a more likable fboy type. His attraction to Na-bi’s looks and personality hooked him, so he ran his usual game, but I was pleased to see him be clear about the dating/relationship stance. My problem is once you start having sex with someone, you need to be up front about hooking up with others as well. Don’t play with folks health like that, and give them the chance to opt out if they don’t like the setup. So far I can’t tell if he’s having sex with Seol-a as well, but assuming so, that’s the part he needed to be clear with Na-bi about. And names didn’t even have to be shared, but transparency on sex partners would’ve been better. However, Jae-eon wasn’t being an asshole to Na-bi, or playing her out in my opinion seeing as how he already stated he doesn’t date. No matter how cute their situation was, no one updated the status to an exclusive dating relationship.

His reputation… he played into it big time. He knows how girls view him, so it should be no shock when one decides to be hot and cold with him. In the same token though, if these girls gonna be willingly hooking up or whatever with him, the judgement shouldn’t be one sided if all parties know what it is up front 🤷🏽‍♀️. It’s also just as messed up to seek him out and use him for their own reasons as well. The way the students were gossiping and talking shit about him… Jae-eon doesn’t seem to have any real friends, and that they liked being around him for good/bad drama or fringe benefits. From his perspective, I can understand not being vulnerable with any of his peers, and riding out that toxic reputation until graduation. He appears to have genuine feelings for Na-bi, but it’s gonna require him getting real with himself and opening up with her. Just like she’s gonna have to do with him. If he wants a relationship with anyone, he’s going to have to address why he chose to to build this reputation and properly deal with past flings if they pop up.

#kdrama #nevertheless #nabi #park jae eon

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beevean · 10 months

Note

...so wanna rant about Netflix Isaac for a few minutes ? :P

My calm and collected reaction when I read this ask.

I was just debating on how to write about Isaac and N!Isaac (or Abraham, as I prefer to call him). Unlike Hector and N!Hector (Caesar), where I could prove that the latter could have been like the former if not for terrible writing… I simply do not like Abraham. At all. The more I think about him, the more resentful I feel, which I know it’s not fair because 99% of my resentment comes from people shitting on Isaac to prop the guy. I honestly simply wanted to explain why Isaac is deeper than people give him credit for, and leave Abraham aside, since, as we all know, the dude has nearly nothing in common with his canon counterpart.

… but if you ask so nicely :)

So alright. I will primarily talk about my man Isaac, because I love him and he deserves more love; by doing so, I’ll also explain why there was zero need to turn Abraham into Diet Hector :)

Since this first part mainly focuses on the prequels, as a counterpart to Season 2, it’s better to start with the biggest misconception about Isaac, and what almost certainly lead to Abraham becoming what he became: his personality.

To give a summary of Isaac as most fans know him, he’s extremely flamboyant, theatrical, cruel, consumed by hatred, but also intelligent, strong and determined. He doesn’t appear much, but he steals the scene every time he does. He acts in theory as the rival, much like his predecessors Hugh and Maxim, but he’s far more antagonistic than either of them: he’s not a friend to be saved, he’s an enemy to be punished for his crimes. However, much like the other rivals, he’s strictly connected to the protagonist, and the story treats him as a victim in its more important moments.

Kou Sasakura, who was a hired writer, kept herself fairly close to the game: you can tell not only from the accurate Innocent Devils she drew, but because, well, there’s not much difference between her Isaac and the game one. He’s already dressed in his magnificent CoD outfit, he’s pretty much a dick to everyone who isn’t Dracula, he talks about troops of people dying with glee and boasts about embracing the “laws of heresy”: clearly, he has never been particularly sane to begin with. He’s an entertaining asshole, as he should be. That’s not to say he’s completely flat, though: there’s still plenty to say about this version.

Instead it’s Ayami Kojima, who worked directly on the characters (and clearly preferred Isaac), who wrote a mini-arc to actually show what the Curse did to him. And therefore, he starts off quite unlike one would expect. These posts explain how, in Kojima’s interpretation, a non-Cursed Isaac is an honorable warrior who respects Hector even in battle, cares about a fair fight, is just as compassionate towards his Innocent Devils as Hector is, and is even sensitive to his Lord’s plight. He also uses an elegant sword, rather than his iconic and brutal Chauve-Souris. This paints him as an even more tragic character, and gives weight to Julia’s words when she says that “[her] brother is in the venomous grip of the Curse”.

… but of course who even read Prelude to Revenge :^) certainly not our man Ellis :^)

Abraham has none of this. At the start of the series, he’s not charming, nor he has hidden depths. What you see is what you get: a stonefaced, serious, no-nonsense, contemplative man who hates humankind and trusts Dracula without question and beyond reason, the latter being literally the one thing that connects him to the name Isaac. He self-flagellates, which I can only assume it’s meant to reference Isaac’s BDSM aesthetic – Abraham even changes reasons for doing so between Season 2 (a self-focusing discipline, implied to be a result of the abuse he went through) and 3 (a religious practice), before dropping it completely.

On his own, he’s… fine, I just think he’s pretty dull because he has no quirks or anything that makes him stand out, but he didn’t irritate me as Alucard did. I enjoyed his utter trust in Dracula, which makes him far less approachable compared to the manipulable Caesar: notably, poor Godbrand didn’t even finish airing his grievances to him before getting swiftly killed, and never mentioned again. This establishes Abraham as being strong, efficient, fanatical, and even concerned for his Master’s mental wellbeing – no point in telling him what happened, right?

As someone who is presented as being Isaac, he irritates me: he feels scrubbed down, neutered, because Ellis or whoever was responsible for the personality change clearly thought there was nothing salvageable about Isaac, and removed everything that made him iconic save for the simpness. Well, they were wrong.

Isaac doesn’t get a childhood flashback like Hector, but we see the day he found Dracula’s castle, which tells us already his priorities. His past doesn’t really matter: his devotion to his Lord does. His blind loyalty is his defining characteristic.

Look at this little baby, so happy to have finally found a place that can welcome him and his little sister <3 he has no idea what fate has in store for him <3

But yes, Isaac’s very young age in this scene tells us a lot without actually showing us what he went through. Whatever happened to him broke him far more than Hector’s own traumatic childhood: poor kid can’t be older than thirteen, and he’s already bragging that he has turned his back against God.

In CoD, Julia says that she escaped from the witch hunts in Western Europe. We don’t know if she meant in adulthood or childhood. If the latter, then Isaac was probably involved as well.

We also see that he still cares about Julia, and he wants her to come with him. Sadly we don’t know what happened to her afterwards – if we go by their canonical ages, she’d be a very young child here – but she’ll be important later. Presumably, Dracula didn’t want to take in such a young, inexperienced witch, while Isaac’s more cursed powers could already be honed.

The other half of his flashback chapter in the MF manga sets up other important factors:

Isaac is learning to Forge Devils, but he has trouble with stabilizing them: Isaac is talented, but just not enough, and it’s not a surprise that being “stable” is what gives him the most trouble (we can infer Hector never had an issue with that, as he’s more levelheaded than his companion);

The Succubus taunted Isaac that he’d be surpassed by a new boy: this establishes his inferiority complex, and while this never comes fully into play in the same way it does for other rivals, the implication is that he always saw Hector as an adversary, and it bred even more animosity in his easily corruptible heart;

isaac is the gayest man in wallachia seriously have you seen how he looks at hector

So this is Isaac. What about Abraham?

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Since Isaac’s childhood is far less defined, Abraham had to get his own unique tragic past. Admittedly, not much to point out here: he used to be the slave of a priest who abused him (because CHURCH BAD), but nonetheless Abraham fell in love with his master, and when he confessed, he got punished for it. After killing him, Abraham spent his life on the run, hunted by other people who wanted to kill him and worse, until Dracula personally rescued him. I like how this, much like the MF flashback, paints Abraham as someone who has the tendency to cling to his masters no matter what; and while I prefer the idea of Hector and Isaac knocking on Dracula’s door, I don’t mind the man himself actually helping Abraham. Indeed, Dracula treating him like an outright friend ensures that Abraham will be 100% devoted to him. (if only Dracula’s good relationship with Abraham didn’t come at the cost of the two of them shitting on Caesar…)

Speaking of Caesar! You can’t talk about Isaac without mentioning his crush relationship with Hector! And how it was turned in NFCV :)

Sadly, both mangas give us meager crumbs of what the two thought of each other before Hector’s betrayal, and they diverge quite a bit.

Not much to say about what very little is shown by the PtR manga: Isaac comes off as friendly… or as friendly as he can be:

That power... Perhaps you can become even scarier and crueler than me…

The two even have something resembling a heart-to-heart conversation: Isaac more or less attempts to calm down Hector when he’s in the middle of a morality crisis, although by downplaying his grievances. If the two were friends, they weren’t close ones, or maybe their different moralities were already driving a wedge between them.

The MF manga emphasizes the resentment Isaac felt for Hector, “from the moment [they] first met”:

When he has the confirmation that Hector is alive and has hidden himself on holy grounds, Isaac is ecstatic to face him, so much that he kills his own underlings to go against Dracula’s express order to bring Hector back to him. He is that determined to not only prove his strength to his Lord, but most importantly to kill the traitor with his own hands.

Of course, things may not be as clear-cut as he pretends to be :) He even tried to spare Hector, allegedly in the name of their Lord, but who knows :)

Yeah, who knows.

And CoD itself, while sadly barely touches on Hector and Isaac’s former relationship, gives us another little gem:

I know that Julia has some kind of divination powers, but this doesn't seem like the kind of information she could garner from them. He told her, didn't he?

I was, as you can imagine, immensely disappointed that Abraham and Caesar’s relationship is barely on the level of “coworkers reluctantly forced to share a building”. Abraham’s lack of respect for Caesar is not endearing at all: he treats him with condescension, he insults him behind his back (and to Dracula’s face, who seems to agree with him, and yet again I must ask why did he choose someone he thinks he’s a complete idiot as a General), but he still has time to make a joke about kissing him which at this point comes off as even inappropriate. Caesar, on his part, seems to ignore his existence until Carmilla reminds him of the fact. Not only this complete lack of chemistry is utterly boring, and doesn’t take advantage of the potential differences between the two characters, but it becomes a characterization issue later on.

This all culminates in the fateful moment when Hector and Isaac fight right outside the Castle, freedom and loyalty clashing! And its NFCV equivalent, which has Caesar being dragged against his will into Carmilla’s assault of the castle, and Abraham being yeeted away by Dracula. Yeah, the two don’t fight at all. Because why have a compelling relationship in this show when you can rely on snarky one-liners.

The exact events of the fight differ between the two versions, but they hardly matter in the long run. What matter is that the two fought to the death, Hector emerged superior, and Isaac discovered to his immense horror that, without him and Hector guarding the castle, Trevor Belmont and the others managed to slay Dracula.

Both versions are heartwrenching.

Not only the Curse that Dracula cast upon his death already reached his Generals, but Isaac had a full mental breakdown. You can tell he’s blaming himself for not protecting his Lord, and laments that he has to live without him – Lord Dracula was everything to him, and now that he has failed him to this degree, what else has he to live for?

Why, Hector himself. He can blame him. He was the one who ran away, he was the reason Dracula had to send Isaac in his pursuit. Sure, the Belmont is the one who physically dealt the killing blow, but maybe, if Hector remained loyal, the two could have defeated him together. Even in CoD, Isaac doesn’t direct his fury at Trevor (in fact, in the Japanese version, he even compliments him), because Isaac’s main concern isn’t not him: it’s his former friend who turned his back on him and their Lord.

And what can I even say about this masterpiece from PtR?

I won't let you say that your rebellion has nothing to do with this! Had you cut off my head as well, I would not have seen this… Hector!

Isaac crawled back in shame using his broken sword as a cane, fully expecting to be punished by Dracula for once again proving how inferior he was to Hector. He did not expect to come back to this.

Not only Hector deliberately left Isaac alive, which comes off as a humiliation (interesting contraposition to the MF version, where it’s Isaac who grants Hector mercy in the name of Dracula – they will both regret their decision)… these pages really convey just how much Hector’s defection has taken away from Isaac. In one fell swoop, he has lost his beloved Lord, the only place he could call home, the closest thing he had to a friend, and the work of his lifetime. Is it any wonder that even in this version, he seems to regret that he has to live? Is it any wonder that he’d be fueled for three years with pure hatred for Hector?

In short, Isaac has every single understandable reason in the world for wanting Hector dead.

What’s Abraham’s reason?

First of all, Abraham is, technically speaking, also partially responsible for the fall of Dracula’s castle. While Isaac lost everything through no fault of his own (yes, he killed his underlings in the MF manga and that’s fucked up, but that did not influence the chain of events at all), Abraham was also roped by Caesar into asking Dracula to move the castle under Carmilla’s request. His first reason for agreeing was even “it will stop her from making mischief”, which is a nice way to say “Iook I just want her to shut the fuck up”. Agreeable, surely, but I feel less sorry for him.

But that’s not the issue. The issue is that the Hector vs. Isaac fight simply did not happen, because Caesar did not flee on his own (because he was prevented from having agency), so Abraham was sent away by Dracula when the assault started, out of concern for his soul (or because Dracula wanted to die in peace), and Abraham only knew that Trevor, Sypha, Alucard and the Styrian forces were attacking, not that Caesar was involved.

Thematically, I like that Abraham chose to die for Dracula, but Dracula denied him the choice. He’s a tool, and he’s not even allowed to die on his own terms – much like Isaac, who was forced to live. But I’m still not satisfied.

So, Abraham gave zero shits about Caesar, knew that Carmilla was bad news from the start (but still agreed to her idea), didn’t actually see how the battle ended, actually saw Trevor and the others storm in with his own eyes, and didn’t know that Caesar “betrayed” Dracula.

Why in the fuck is he so pissed at Caesar? What weight does his revenge plan have?

This is what happens when you shoehorn a plot point you read on the wiki without understanding the context. Abraham by all means should either blame himself, or blame Carmilla exclusively. His animosity makes far less sense, and I don’t feel as sorry for him.

On top of this, his loss doesn’t feel as severe. Yes, he was separated from his Lord/friend and the castle, but he still had his immense power (even his Forging knife; he didn’t even have to, for example, find himself another weapon while living vulnerable in the meantime), and he actually has lived in the desert before, meaning he knows how to move and what to do. He also is not afraid of travelling among humans, while Isaac couldn’t let himself be seen even if he wanted to (he looks very visibly “wrong” for the average Middle Age person, and that’s not including the possibility that he was known in Wallachia). He did not lose his entire life: there is simply a big obstacle in his way.

Before I move on, two interesting scenes to compare are the different versions of the Hector vs. Isaac fight, mostly for what the latter says.

In the PtR manga, Isaac seems to be genuinely resentful of how humankind treated him:

Were we known in the human world, we would be chased away with stones… A place where we can exist… a place to cling to… Where was it?!

This is fairly in line with what you would expect from him: humans hated him, so he hates human in return, and this is why he’s outraged that Hector would even dare to turn his back to their Lord.

But the MF version has a slightly different flavor:

I pointed out different times that Isaac seems to put more focus on how humans did not respect Dracula enough than how they were cruel towards Hector and him. And indeed, Isaac rarely if ever expresses outright misanthropic views, in the same way Dracula does. This is a more interesting approach, in my opinion: Isaac genuinely doesn’t care about mankind, he’s not motivated by spite against them, he’s only motivated by the love and gratitude he feels for the first creature who showed him respect. And if said creature orders him to slaughter humans, oh well.

I have already talked extensively about Isaac’s “tool” mentality, so I won’t repeat myself. Long story short, Isaac nearly dehumanizing himself and refusing to have his own agency outside of Lord Dracula acts as a contrast to Hector, whose main goal is to gain agency over his own life.

Needless to say, Abraham gets this only halfway through. Yes, he also starts the series believing to be Dracula’s tool. Unlike Isaac, though, he spends two season unable to shut up about how much he despises mankind and considers them the root of all evil and believes that by exterminating mankind the world will be full of love. His dialogue gets incredibly repetitive in no time flat. Abraham is not endearing: he's pretentious.

So I suppose it’s time to jump to the three years between CV3 and CoD/Season 3.

In short, my man Isaac is not coping well with the divorce :’D

This post by @the-crow-binary is a great breakdown of Isaac’s mental state in the MF manga. The Curse has taken a hold of him already, and he’s ranting, obsessed, shaking in fear and rage: an absolute mess.

Still better than how we find him in PtR:

Mmh… So you can make that kind of face… I've gotten a lot better too... How many times has the moon waxed and waned, I wonder? That’s a nice expression… I'm happy. Good pain is proof of life. I won't grant you the peace of death so easily: live, spit blood, and then…

Lord Dracula is with us!

As I have pointed out, in this version, Isaac rotted the entire time completely alone in the ruins of his old home, easy prey for the Curse. He had nowhere else to go, and apparently he didn’t consider to find his sister again. Anyone would have gone mad, even without Dracula's help.

(side note, I love love love how this manga justifies Isaac's iconic outfit by showing that Hector ruined it first, and then Isaac let it fall off his body, no longer in the conditions to care:

Hector broke Isaac's outfit. Hector broke Isaac's mind and heart. It's so interesting how Hector truly is the villain in Isaac's story <3)

And speaking of broken heart! I'd be remiss if I didn't mention this small detail of Isaac writing Hector's name on the sole of his boot. Whether you interpret it as a hex or him expressing twisted romantic feelings, one thing's for certain: Hector is at the forefront of Isaac's thoughts. I cannot stress enough how personal Isaac's revenge is, much like Hector's own revenge quest will be.

This is how we feel the weight of his devious plan to get revenge on the man who took everything away from him, by taking his hard-earned happiness away as well.

So how’s Abraham doing?

This is the part of the show where he turns from secondary antagonist to full protagonist and darling of the narrative.

Season 3 is where Abraham supposedly starts his super compelling character arc, moving away from being Dracula’s tool and giving himself a new purpose. Allegedly, his ingrained misanthropy gets constantly challenged by actually experiencing human kindness, although sadly the lessons don’t quite stick. On paper, this sounds very intriguing, not unlike Hector learning what love is thanks to Rosaly (hint hint). However, I find the execution laughable at best, and irritating at worst.

This is what Abraham does in this season. He decides that he wants a big army, which means killing humans. He travels. He meets a kind shopkeeper that gifts him a mirror that tells him where to go next. He’s stopped by guards because he has an army of demons: Abraham is sad that they’re not as kind as the previous person and kills them. He travels. He boards a ship with an intriguing captain, who manages to tell him that committing human genocide would deprive the world of happiness. He’s stopped by guards because he has an army of demons: Abraham is sad that they’re not as kind as the previous person and kills them. He travels. He talks with a philosopher demon who tells him that CHURCH BAD. He meets a woman that tells him where to go next. He kills a bunch of people and kills a magician.

This is… not really an arc. Abraham allegedly takes one step forward, and then immediately one step back. He doesn’t get better nor worse. He just talks a lot in the meantime pretending to be deep.

Now, I do like the scenes with the shopkeeper and the captain, those two are well written; I also like Miranda as a look on what Abraham could become if he gets consumed by despair, ironically acting as the Isaac to Abraham’s Hector (hint hint). But this scene, one of the most popular ones for Abraham, pisses me off.

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Abraham wants to travel with a giant army of demons in tow. The guards insist that he must turn back because, well, giant army of demons. This is literally the second time in a row that this happens, hence the famous “is this the definition of insanity?” quote. Oh, but not because Abraham is stupid in expecting that humans would move out for him, but because poor thing, he really had hopes that humans could be good, but no, they keep hurting him! By doing their job! Oh no, they are slightly aggressive to the dark wizard who can control demons, how awful of them!

Sure, Abraham is correct in saying that he literally can’t turn back because he’s at the harbor, and yes the guards had no chance against Abraham, but the way this scene is framed, we’re supposed to feel sorry that poor little Abraham got confirmation that all humans are stupid and evil after all, and really, is it any wonder that he snapped and killed them all?

This is what Isaac would do. Slaughtering a bunch of humans because they were “fucking rude” to him? It’s just as cartoonishly evil as Abraham fans accuse Isaac of being. Except that in his case, it would be clear that he’s batshit insane, and not in the philosophical way Abraham pretends to be.

Abraham ends Season 3 in the same place where he started, and I have no idea how he managed to become this popular.

Most insultingly, Abraham isn’t allowed to lose. Abraham isn’t allowed to be set back. In the season where every character suffers, is traumatized, or loses something (Caesar and Alucard being by far the worst victims), Abraham ends the season happily killing brainwashed people to then kill a generic magician to get to a magic mirror that would lead him directly to his destination, along with the army of demons that he created by killing people, after a lady he happened to meet told him about the existence of said mirror.

People in NFCV can smell magic? Well, I can smell favoritism.

But okay, he’s still a bad guy, right? I’m not meant to sympathize with him, right? I’m just in for the ride because he’s “cool”, right?

Enter CoD/Season 4.

You, who gave up your powers and became the lowest of the low, nothing but mere scum.

Sadly, CoD has a severe dearth of Isaac appearances, after the iconic first cutscene. He is as I described him in the beginning: an utter bastard. However, I appreciate his overall plan that sets up the whole plot.

There is a lot of speculation and holes-filling to do here (I suspect he had Death’s help, at least when it came to the Infinite Corridor part of the plan, but we have no proof), but the point is, he has all the means to inflict a most terrible punishment on Hector, by taking advantage of the Curse that he’s spreading and that consumed him, and also by taking advantage of Hector himself. The two knew each other well: Isaac knew that Hector would be unstoppable in his quest for revenge, to the point that he felt confident enough to spell out his plan, which is to guide Hector so that he can regain his cursed powers (even drawing schemes to explain how to Forge, which is hilarious when you think about it). What would Hector do anyway, give up? That’s not like him. Isaac knows this. The only part he omits is that he needs those immense powers not just to make their fateful match worth it, but to break the seal that prevents the castle from resurrecting. A very clever spin on the classic “get stronger so that our fight will be worth it” plan.

(contrast this well-thought out plan with Abraham getting everything he wants on a silver platter.)

We also get a cute moment where he retreats at the sight of Julia, almost as if he was afraid of hurting her, implying that he can feel more than smugness and rage.

Sadly, the end of his story is not a happy one. By the time he faces Hector like he wanted, his former friend is absolutely livid that he had been played like a fiddle… and more important, he regained all of his strength. Which was more than Isaac’s. Oops, that part wasn’t very well thought-out. But it’s not Hector who kills him: he saves himself from the Curse taking complete hold of him just in the nick of time. No, it’s Death, who decides to use the “other one” (even making fun of him in the process) to resurrect Dracula. Either the ritual or Hector slashing his possessed body to pieces puts an end to Isaac’s madness. Despite Julia’s best wishes, Isaac never rose from the darkness that consumed him. He constantly chose loyalty to Dracula and hatred, and that doomed him. Furthermore, his own name acted as an omen: much like the Biblical Isaac, he was set to be sacrificed in the name of the closest thing to a God he worshipped.

As for Abraham… at this point in his arc, it’s pointless to compare him to Isaac, because he has officially turned into Hector. By reversing Isaac’s downfall, the writers accidentally recreated Hector’s character arc of finding agency for himself, killing the person responsible for his pain (well, he wants to, but Carmilla in true #girlboss fashion peaces out on her own terms), and then moving on from Dracula, accepting to live in full. It’s. It’s Hector. Except worse.

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What else can I say? Abraham got his revelation off screen, during a time-skip: now he wants to create, to do good in the world like when he killed the evil magician. He sets out to invade Styria to kill Caesar, but then changes his mind at the last second, and even tells him to not go with his plan of resurrecting Dracula. No internal struggle, just a ton of words. No mention of all the people he has gleefully killed for petty reasons. No remorse at all. Not an obstacle he had to overcome. Not even an ounce of self-loathing that at least made Hector more sympathetic. Abraham fails at being a good reinterpretation of Isaac, and fails at being an interesting anti-hero with a solid journey.

To be clear, I'm not saying he should have died like Isaac. Again, at this point I accept that he became Hector. But his happiness simply doesn't feel earned. He got what he wanted after a fairly small loss (Dracula died, sure, but he never got confirmation for that), and he had his character development offscreen. His narrative is a rushed version of what Hector was allowed to be through two mangas and a game, and yet he's the one hailed as the best character of all time.

Just to cap it off, I can’t help but complain about how dull and forgettable Abraham’s design is. He’s literally just a man who walked into the set and stole Isaac’s full Devil Forgemaster outfit. There is no reason for him to be associated with red (his magic), since the Red Oni Blue Oni dynamic with Caesar has been lost. His tattoos do not convey anything, and we rarely see them in full anyway. Also why does he have a different crest on his back???? IT'S A UNIFORM! It drives me mad! At least try to understand the source material for fuck's sake!

Isaac is iconic. He’s immediately recognizable in the Castlevania cast, but still fitting in thanks to key elements. He doesn’t look fully human, with his bright red hair and yellowish eyes: he doesn’t have the typical Kojima pretty face, but he has more distinguishable features such as a big nose: the tattoos tell a whole story about him and it’s fun to imagine what they symbolize – high pain tolerance? A desire to defile his own body to spite God? Some arcane symbol, the result of a ritual? And then there’s the Devil Forgemaster crest forever embedded in his back, representing his full devotion and the fate he could not escape from. He truly looks like everything Hector isn't.

This post got long. And again, I didn't even care to talk about Abraham, because I don't like him one bit and because I love Isaac independently from this overhyped character. But hey, you asked, and I ranted with great pleasure :P

also have this absolute banger

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does abraham have a sick ass theme? yeah didn't think so

#castlevania #curse of darkness #isaac laforeze #anti netflixvania #long post #like really long #like really fucking long #oh my god it took me a whole ass day #and i had to watch nfcv clips for this it did not calm me down at all #at least i got to explain why i love isaac so much in a convenient masterpost

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sanityshorror · 9 months

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Why are people so mean to you? You're literally one of the nicest people of interacted with on the internet

Long answer below cut

Many reasons, though none which are actually legitimate lol. I mean, yeah I can absolutely be a massive fuckin ass, BUT if I popped off on someone, it's because they really, really, really put time and effort into having got me to that point.

Another reason is that a certain person who used to be a 'friend,' ... Well it's a whole can of worms but ultimately, the final result was her purposely lying in order to set me up to make me look like a terrible person, then wrote an entire ass book of a callout which was 95% just blatant lies and beyond distorted 'truths' to the point it wasn't even true.

Additionally, people make just... wildly incorrect assumptions about me ("sanity thinks he's better than everyone and has the biggest ego!" Or "sanity is so mean!")... despite knowing jack shit about me. It's so baffling given the fact my blog and everything I post is my CONTENT. I am not my content, I am just the creator.

Let's see... What else...... OH! I'm very edgy boi. And have very dark humor. GOD FORBID!

Oh, another reason is because even though I don't talk about it... Like... Ever. I have been open about the fact that, yes, I do look at and watch gore tapes. However, I never brag about that (anyone who does is fucking stupid), it's not a flex. I very vocally discourage people from going to look themselves, and have never, will never, tell anyone how to find it let alone send them direct links. I've been asked by people before, I blocked all of them without replyiny. AND SO, WHY DO I WATCH GORE? I am an extreme horror creator. I am a splatterpunk author and artist who does a lot of horror illustration that include gore. It's legitimately for RESEARCH /serious. And that should be obvious to anyone. I'm also going to mention that yes, real gore footage and images are completely legal unless it involves CSA - that is beyond illegal. Just the thought of that type of gore makes me physically ill. I never never nor will I ever look at illegal gore. Kids being harmed is a massive trigger for me and ugh- i just want to puke at the idea of someone seeking it out.

Hmmm...OH! Because ASF is my favorite movie. Why is it my favorite? Because it IS uncomfortable. It portrays horrific things that happen in the real world, and shows these things graphically. It's not supposed to entertain, IT'S SUPPOSED TO UPSET YOU. Yes, I'm working on a video essay explaining the importance of ASF.

Aaand people are sent into tizzies over...😨😨 EXTREME HORROR😨😨 SERIAL KILLERS THAT ARE ACTUALLY A REALISTIC PORTRAYAL OF SERIAL KILLERS 😨😨😨 GOD FUCKING FORBID?! UNACCEPTABLE 🙄

Also, because Julius and Killian are supposedly me fetishizing mlm. I AM A PANSEXUAL MAN. And frankly, if people actually bother to read about their dynamic then go talk to MLM folks IRL... You'd realize that Julius and killian are the farthest thing from fetishizing.

Hmmm... And at the core of it all? Yes, this is going to sound up my ass but the ultimate reason? Jealously.

It seems like more people hate me than actually do, just because the ones who hate me are really fucking loud and can't keep my name out of their mouth (even though I forget or don't even know they exist until they somehow wind up on my radar). And a few certain people have about 50+ alts that they use to never stfu about me.

As for Chris Piss, that's completely different from the usual stuff. Slimebeast is...sure something.

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kiwisbell · 7 months

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getting to know me! 🥝🔔

hello lovelies!! 🫶 it occurred to me recently that, after about two months on this site, i have pretty much exclusively been using my blog to post my fics and, as a result, you may have formulated some conception of me as a soulless machine built only to churn out fanfiction. in order to combat the robot allegations, i decided to scrawl out some facts about myself! i promise you, i am a person <3

0] please spam my inbox/asks about anything and everything that's on your mind. i will readily scream and cry about whatever you fancy. my asks are always open and i am beyond happy to answer your questions and take your fic requests! - i'm currently working on one of those requests right now as a sort of milestone special, and i'm super excited to share it with you! (+ going feral for malewife!joel tbh)

1] i have seen nearly every single keanu reeves film and i could give you an in-depth treatise on his filmography

2] my favourite colours are green and pink, if my blog's theme wasn't a giveaway

3] i have about 15 WIPs right now, + a hundred assignments to tend to for uni, and i am terrible at multitasking!

4] my favourite book is obasan by joy kogawa - it's a truly beautiful, moving novel and i think everyone should read it in their lifetime!! (i am also extremely partial to shirley jackson)

5] my username actually means nothing. there's no story behind it - i just think it's cute

6] my favourite show of all time is buffy the vampire slayer. actually, it may be my favourite anything of all time. i've written essays for credit about it

7] i started writing fanfic for fun a couple years back and when it began to accumulate in my docs, i decided to offload it onto ao3, and now las mañanas is my most popular work of all time! i love you all so much for reading, supporting, and enjoying it as much as you have 🥹❤️

8] my "big 3" musical artists are hozier, barns courtney, and joanna newsom. no, i have not been able to secure tickets to hozier and yes, i have cried about it.

9] my fave pedro character is javi g! i have only written one fic for him, but he truly is my dream man. so sweet, so kind, so passionate. looks fantastic in a speedo.

10] my guilty pleasure is disaster movies. san andreas? white house down? the day after tomorrow? i'll watch them every time and they're always going to entertain me 😌

11] i'm a taurus ♉️

i love you all so very much and thank you for being here, supporting my content, and being so kind, generous, and welcoming!! xoxo 🥝🔔

#kiwisbell babbles #me #fun facts

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nukenai · 2 months

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My job is a little boring and they could pay me more I guess, and we've been insanely slammed with work since like, last July, and it hasn't let up at all.

But idk. I've been there for I think 6 years now. And I just think about things like how the manager of our department keeps making sure we know she's paying attention to how hard we're working. And has told us a million times not to break ourselves with getting more work done than usual, and to just do what we can every day, because "we know you are not robots and I will not entertain any expectation that implies otherwise" (cool actual quote)

And then I think about how the morning Oma died, I texted my supervisor, and she replied in regards to bereavement stuff, "I will handle everything, please don't worry about it". And then a few days later I received a care package from upper management with a personalized card expressing condolences for the loss of my grandmother, along with a candle, some hand lotions, and a stuffed dog. Apparently this was because my supervisor told upper management about it, and they decided to do that.

I hear so many horror stories of jobs that are awful about shit like that. And it's like, I tell my supervisor "I have to leave early today because xyz thing with animal" and she'll be like "hope everything's alright, just let me know whenever you're back!" with no further questions. Could I find a job that pays more? Probably. But would it be a job where I can work from home with my animals all day, and I really feel treated like and appreciated as a human being that means something? Probably not.

In one meeting when I expressed slight frustration over being called into a meeting because my production metric slipped, my supervisor immediately went off on a tirade about how much she appreciates me, how good of an employee I am, how I always show up and never call out and I'm extremely reliable and good at my job, and how she loves seeing pictures of Sammie in the Teams chat and I'm a joy to the team...

And I was like damn Amy I'm not quitting I was slightly annoyed LOL. But it was nice to hear, yknow?

Sorry I just saw an awful instagram reel where a woman's boss was terrible to her after her mother in law died and it hit me hard. I'm forever sending everyone I love (that's you if you're reading this) the best vibes ever and I hope you can find a job where you get stability and feel appreciated. Even if it's a little frustrating sometimes.

oh also they let me switch to a 4 day work week so I have an entire day off on Wednesday and also we have like infinite overtime available and I'm not doing anything else but making tons of extra money! lmao (the overtime is not remotely pushed. it's just like. hey who wants it. and like, i'm gonna sit on my ass at a computer anyways!)

#LONG POST #SORRY BEEN HAVING A VERY LONG COUPLE OF WEEKS #BRAIN IS FULL OF A LOT I AM TIRED

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skzhocomments · 2 months

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The Boundless Sphere of Fate - Lee Taemin - Chapter 8 - If we are soulmates

General masterlist

Story masterlist - please consult it for the summary of the story, trigger warnings etc.

Wattpad + AO3

Chapter 7 | Chapter 9

---

Chapter 8 - If we are soulmates

word count: ~2.2k words

~present day~

~third person POV~

“Argh, I’m soooo tired!” Blair shouts as soon as she busts through the door. An amused Taemin is waiting for her in the doorframe of the dance room.

“Welcome back home!” He says, making her smile.

“What were you doing, were you dancing?”

“Mhm. Want me to show you?” He asks and heads into the practice room.

He already knows Blair will say yes, since this has been their routine for the past two months. Blair goes to work, and Taemin either watches TV or tries on new choreographies for all sorts of songs and genres. When she comes back, they first go to the practice room to check Taemin’s new dances, and then either cook food together, if Blair is not too tired – which is really funny in itself, because she is a terrible cook, and Taemin’s spiritual energy sometimes runs out in the middle of pouring out salt or other ingredients into the pot, and that makes him dropping the whole thing in the food, making it inedible – or she picks up something to-go and eats next to Taemin while they binge-watch something on TV.

They enjoy doing this together; they pick a random show and watch it, and then discuss it extensively over the next few days, coming up with all sorts of thoughts and theories about what happened or what they’ve noticed. The last show they picked up was Girl from Nowhere, and it was truly funny and unexpected for both of them to notice from the very first episode that Nanno, the main character, is not a good person, nor is she supposed to be. She just brings back karma to everyone who does wrong. This, of course, steamed passionate discussions on why karma punishments are bad or good, which kept Blair up for hours, and Taemin entertained.

She doesn’t have too many friends, if any, he noticed, so spending time together is good not only for his boredom, but for her social life – or lack thereof – as well.

“Yes, I’d like to see your new dance!” She squirms happily and kicks off her shoes, following him into the practice room.

Taemin plays the music and starts dancing, moving his hips provocatively, and Blair can’t take her eyes off him. It’s like the first time she’s seen him dance: she is captivated, and he looks really good, and his shirt sometimes rides up when he moves his arms a certain way, and-

“Did you like it?” Taemin smiles and drops down next to her on the small sofa in the room. Blair bought it so she can sit more comfortably while watching him, and she’s glad she did, because they ended up so many times spending hours on this very sofa talking, getting to know each other, and most importantly, getting closer.

“I loved it. You’re so talented, Taemin!”

“It’s so much easier when you’re not getting tired,” He chuckles. “Back when I was alive, I would run out of breath so quickly – you have no idea.”

“Oh, I do. You saw me try to dance with you last time, didn’t you?”

“Poor you!” He exclaims and both start chuckling.

“I’ll look into the man who killed you. It’s simply impossible to not have one freaking clue about who he is. You were an aspiring dancer and extremely talented, so there must be something in an old newspaper about your death…”

“Don’t sweat it.” Taemin smiles. “Right now I’m really happy.”

“But not happy enough to cross over.”

Taemin shakes his head. “How I feel when I’m with you… has nothing to do with me crossing over or not…”

“I know, Taem.” She raises a hand and tries to touch his hair, but, of course, nothing happens, and it goes through. She sighs. “I really wish I could touch you sometimes.”

“Yea?” He moves closer. “How would you touch me?”

The lights suddenly turn off, the only light in the room coming from the small gap between the blinders on the windows.

“Did you do this?” Blair whispers, aware of Taemin’s proximity. She’s not sure if she’s happy or not that he’s a ghost. On one hand, she really wants to grab his face that’s so close to her and kiss it. On the other, his breath on her neck would’ve most likely made her go insane.

“Mhm. Isn’t it more intimate when it’s dark?”

“I guess so…”

“You know how I would touch you, love?” He whispers seductively, and all of Blair’s defences come crashing down. She knows Taemin is bold, but this feels very unexpected. She does like it, though.

“How?” She asks in a quiet voice, and he begins trailing his hand on her body, starting from the shoulder and going down. His hand is hovering barely 2 centimetres over her skin, but it gives Blair goosebumps either way.

“I would take off these clothes of yours so I can admire you in that red lingerie you put on this morning. You’d look so good in these big mirrors, don’t you think?” He says, and Blair just gulps.

“Would you… like to see…?” She asks cautiously, and Taemin, excited by this outcome, stands up and hands her his hand. She pretends to take it and moves in the centre of the room, taking off each piece of garment one by one, until she’s left in her underwear.

Her lingerie set is beautiful and makes her feel really sexy. It’s bright red and has a harness around the waist area, connecting with a pair of delicate lace matching garters.

“Fuck, Blair, you’re so hot. I wanted to bend you over when I saw you this morning wearing this.”

“Did you come into my room again?” She chuckles.

“Mhm. Guilty. But it’s my room too, you know?” He retorts. “Why don’t we go in there, hm?”

They head to the bedroom and Taemin guides Blair on the bed, getting on top of her.

“I really wish I could feel you, love. I would kiss your neck and leave marks all over your beautiful chest and eat you out better than any man you’ve been with.”

“My, Taem, you’re such a dirty talker.” Blair laughs out of embarrassment, as she doesn’t want to admit to herself yet how horny he’s making her. The nickname he uses, love, doesn’t go unnoticed either, but she’s trying to not focus on it too much. “What’s gotten into you all of a sudden?”

“It’s not all of a sudden at all.” Taemin laughs. “I’ve been wanting to see you naked under me for as long as I’ve known you. Well, not really. But after you stopped being annoying, I looked at you differently.”

“Annoying?!” Blair furrows her brows. “Weren’t you the one pulling pranks on me all this time?”

“Oh, well.” Taemin shrugs. “You know, Blair? I’ve been thinking of something for some weeks now… would you please take off all your clothes and show me how you pleasure yourself?”

“Wh- what?”

“Don’t act shocked.” Taemin laughs. “I know you do it all the time, love. I hear you. Is it wrong of me to want to see you as well?”

“Uhm…” Blair’s cheeks go red. “Okay… uhm… how do I…”

“Just relax.” Taemin chuckles. “Close your eyes and follow my voice, hm? Imagine me and you, entangled on this very bed. I’m on top of you and kiss your lips hastily, and I want you desperately, and you know it, and you want me too. We kiss so hard, we are afraid our lips will be bruised the next day, but we don’t care, because we want each other so bad, slow and steady is not enough for us. I go down your jaw and bite your neck softly behind your ear, and you whimper under me, just like that, baby.” He continues, as Blair starts touching herself through the underwear.

She rolls her head back and takes her left boob out of her bra, and she opens her legs and slides a hand under her panties.

“You’re so beautiful, love. It’s killing me that I can’t touch you.”

“Shh,” she says. “don’t say that. What else would you do to me?”

“I would trail kisses down your body and slowly take your underwear off-” he says, and Blair follows suit and takes off her panties. “and then I’d get comfortable between your legs, letting my tongue taste every corner of you. Fuck, your pussy is so pretty.”

“Oh my fucking God.” Blair exclaims, her eyes closed, as her hand continues to rub circles on her nub.

“And when I’d feel you’re wet enough and ready for me-” Taemin continues, and all of a sudden, Blair feels something at her entrance. Her eyes open in surprise and she notices her dildo gone from the nightstand. “I would enter you whole, and I would fuck you so good, you’d see stars.”

Taemin doesn’t give Blair any time to adjust as he makes sure the whole length of the dildo is inside her, and then he starts moving it in and out in a steady rhythm. Blair comes embarrassingly fast and is soon gripping the sheets and clenching her legs around the dildo, screaming Taemin’s name.

Her chest rises up and down as he plops down next to her.

“And now I’d cuddle you and let you know how beautiful you are when you come saying my name.”

“Fuck me.” Blair swears. “This was incredible. What the fuck.”

“I’m glad.” Taemin chuckles. “I conserved all my spiritual energy for this.”

“No way. Didn’t you do anything today?”

“Not really, no.”

“But the choreo? Didn’t you turn on the TV to dance?”

“It’s from last week, I just decided not to show it to you until now.”

“Mean.” Blair frowns.

“I wasn’t so mean between your legs earlier, was I?”

“I want the real thing.” She pouts.

“Me too. I want to have sex with you so badly.”

“I bet, with how hot you said I am. This was more similar to phone sex to you, wasn’t it?”

“Phone sex? What’s that?”

“Oh, right. I forgot it wasn’t a thing when you were alive. You call someone and talk dirty to them until both of you come.”

“Naughty. Did you have phone sex, Blair?”

“Nah, I wasn’t really attracted to other people before.”

“But are you attracted to me?”

“You’re a ghost.” She chuckles.

“If I were alive. I still have the same body. I mean, I look the same.”

“Yeah, you’re really attractive to me. It’s crazy, I think we might be soulmates or something.”

“Why?” Taemin asks.

“I mean… I never really felt attracted to anyone until now, even though I wanted to get off sometimes. But after knowing you, and talking to you, and… developing an emotional bond to you, I guess something’s changed. Damn, maybe I’ve been demisexual all my life and I didn’t know.”

“Demisexual?”

“Yeah. That’s like… a person who only feels sexually attracted to people after developing an emotional connection to them.”

“Hmm, I see.” Taemin says. “You know what? I think you might be right.”

“About being demisexual?”

“No, dummy. About us being soulmates. I really really really like you, and it’s the first time I’ve ever wanted to be alive for something else that’s not revenge. I want to be alive so I can do things with you for real, and touch you, and feel your warmth. Damn, now I’m sad.”

“Mhm… I also wished you were alive. Hey, if we’re really soulmates, do you think there are other timelines where we’re alive at the same time and are properly together?”

“I’d like to think so. I hope alter-timeline me fucks the shit out of you right now.”

“I’d slap you if I could.” Blair chuckles.

“Like you don’t want the same thing.” Taemin rolls his eyes. “Should I remind you how hard you moaned my name earlier?”

“Shut up. Yes I want it, but shut up.”

“Knew it.” Taemin smiles triumphally.

“Say, if it was really a way for me to be able to touch you, would you like me to go through with it?”

“That’s a weird question. I mean, yeah, but… how would that be possible?”

“I read something in an old book once… about a ritual that brings people back from the dead.”

“Oh.”

“It said it only worked on soulmates.”

“So, what’s the catch?”

“The catch?”

“There must be some things that would go wrong once you perform this… ritual. Also, how do we know it even works?”

“We don’t.” Blair shrugs. “But like… it either does or it doesn’t. It wouldn’t hurt to try.”

“Ok…”

“I’m not sure there’s a catch. There were some warnings about how you will be able to only interact with me, and something about me giving you a part of my soul so you can be tangible. I don’t really remember, honestly. It was really old and hard to read and smudged.”

“I don’t know, Blair… it sounds like a bad idea.”

“But you’d be alive… to me. Wouldn’t that be nice? Plus, we’d know for sure if we are soulmates or not.” She chuckles.

“I feel uneasy about this for some reason.” Taemin insists, but Blair’s mind is already made up. If there is a way to bring back to life the only man who’s ever made her feel something – even if just for her – she wants to try it.

---

Chapter 7 | Chapter 9

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digital-survivor · 11 months

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Digimon Survive MBTI

I figured I’d take my shot at figuring out the 8 kids’ MBTI types (based on the cognitive functions). Feel free to offer your opinions and discuss as I'm not exactly sure with some of them (honestly I made this because I disagreed with other people typing Shuuji as ESTJ).

Momotsuka Takuma – ENFJ (Fe-Ni-Se-Ti) As the player-controlled character, Takuma’s personality is mostly determined by the player, so it can be quite hard to type him. However, the one thing that is consistent throughout all routes is Takuma’s knack for natural leadership and connecting to everyone, traits that are true to dominant Fe. His dominant Fe also manifests in him generally staying polite and having the tendencies to not rock the boat. On the other hand, his introspectiveness and level-headedness lend themselves to his auxiliary Ni, and the combination of Fe-Ni as the highest functions in his stack makes Takuma appear more introverted than he actually is. This is why sometimes ENFJs are quite the “chameleons” and can adapt well to different environments. The reason why he isn’t an INFJ is basically because he is less steadfast in his idealism than Miyuki (INFJ) is and gets swayed more easily by other people, because of his Ni being lower in the stack.

Shibuya Aoi – ESFJ (Fe-Si-Ne-Ti) Typing Aoi as ESFJ might seem a little far-fetched considering that she isn’t as gregarious as the stereotypical ESFJs are and appears more like an ISFJ, but do keep in mind that she lives in a collectivist society with limited room for expressing extraversion, and that her reservation mostly stems from cultural expectations (it should be noted that Labramon, the reflection of her true self, has always been far more outspoken than Aoi is ever). Another thing is that for her to achieve the best version of herself, she needs to allow herself to be more assertive and step in leadership role—something Shuuji, an ISFJ, fails terribly at. Other than that, the evidence of Fe stacking higher than Si is that she defines her purpose by her connection to people and values social harmony above all. And she doesn’t just let this value affect how she carries herself—she also actively tries to maintain or even enforce it. Her auxiliary Si manifests in her very traditional and conservative approach to enforcing her values (she’s always the quickest to remind the others of the “proper” conduct). Her tertiary Ne makes her less risk-averse than Shuuji, but on the other hand, her very unhealthy tertiary Ne trait (combined with inferior Ti) comes into display in Wrathful where she overthinks and extrapolates all the things that could go wrong to justify her controlling behavior.

Hinata Minoru – ENTP (Ne-Ti-Fe-Si) ENTP is a straightforward choice for Minoru. Being a dominant Ne and auxiliary Ti, he’s enthusiastic about exploring new things and doesn’t mind entertaining bizarre ideas. ENTPs are also known for their great humor because of their tertiary Fe—which Minoru definitely possesses—though under stress they may use it to deflect from shortcomings—which Minoru is also known for. His unreasonable behavior in part 6 where he worries about Falcomon turning against him in lieu of what happened to Shuuji can be interpreted as him dealing with Si grip, where he overemphasizes a bad event happening in the past that reasonably shouldn’t even apply in his context.

Tominaga Ryou – ISFP (Fi-Se-Ni-Te) As a very unhealthy ISFP at the beginning of the game, Ryou was extremely moody, uncooperative, and selfish (dominant Fi and auxiliary Se combination). His tertiary Ni loop also contributes to him being disengaged and self-defeating very early in the game. Combined with his Te grip, he’s very belligerent and disparaging as well. However, when he’s allowed to improve, he can be very sensitive to the feelings of others and is loyal (dominant Fi supported by tertiary Ni), though he shows this through actions more than words (auxiliary Se). Despite his sensitivity, he doesn’t hold back when addressing mistakes and flaws very honestly, something Fe users like Takuma, Aoi, and Shuuji are unable to do. On another note, him committing to helping the group by practical hands-on skills (e.g. helping Aoi cook) is rooted in his auxiliary Se trait.

Kimishima Saki – ENFP (Ne-Fi-Te-Si) ENFP is everything Saki is—ENFPs are often described as warmly enthusiastic and see life as full of possibilities (dominant Ne). On the other hand, her dominant Ne (combined with an unhealthy tertiary Te) also manifests in Saki being avoidant of negative consequences—her main maladaptive behavior. Saki’s auxiliary Fi makes her nurture an empathetic and sensitive attitude, while also still enabling her to be honest at the same time–sometimes perhaps a little too frank.

Kayama Shuuji – ISFJ (Si-Fe-Ti-Ne) Shuuji may initially appear like an ESTJ, but one needs to keep in mind that ESTJ is what he wants to be thanks to pressure placed on him (and he fails really badly at it), not who he really is. His personality is actually very textbook ISFJ. Him being dominant Si means that, at his worst, he’s extremely risk-averse and neurotic in the face of the unfamiliar. On the other hand, his dominant Si makes him a good textbook learner thanks to their observant nature and attention to details, and this is demonstrated in both him excelling academically and him being a capable aid to the Professor in uncovering the truth about the Holy Beasts. His auxiliary Fe manifests in him always letting other people mold his decision-making, even when he may not like it or disagree with it. He also tends to value the collective good like Aoi does, though unlike Aoi, he isn’t actively enforcing it on other people. His tertiary Ti manifests in both good (acumen for logic and researching) and bad (overthinking tendencies that leads to negative spiraling, which is also fed by his inferior Ne) ways throughout the game.

Shinonome Kaito – ISFP (Fi-Se-Ni-Te) Kaito is particularly hard to type because a lot of his character revolves around Miu than around himself, though ISFP fits his personality the best. Kaito is a slightly different breed of ISFP from Ryou is. His dominant Fi trait mostly manifests in his strong personal values that aren’t influenced by external factors, though it isn’t like he is incapable of being sensitive as well—Wrathful demonstrates the best that side of him when he confronts Aoi. ISFPs can also come off as being more intuitive than the typical sensors because of Ni being their tertiary function, and this is true to Kaito with how well he’s able to trust his instinct most of the time (most evident during part 5, where he senses something is off with Shuuji). His obsession and single-mindedness with regards to Miu can be attributed to him being trapped in his tertiary Ni loop (combined with his unhealthy dominant Fi trait) as well. His inferior Te grip is shown through his belligerent attitude, especially in Harmonious.

Shinonome Miu – INFP (Fi-Ne-Si-Te) INFPs are known to be drawn to their own world and can be pretty eccentric, and this is very true to Miu. INFPs make up a relatively small portion of the population, and combined with their desire to be unique despite their sensitive nature (thanks to being dominant Fi), it’s easy for INFPs to feel lonely—something that is also very true to Miu. Her auxiliary Ne makes Miu particularly interested beyond what is already known, which explains her interest in occultism (her auxiliary Ne also manifests unhealthily in how she uses fantasy to escape from practical concerns).

#digimon survive #digimon survive spoilers

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inklingofadream · 2 years

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hi, i'm curious what malevolent is? I originally followed you for tma, but whenever the interests of someone i follow drifts, I like learning about that too. (i actually found out about tma from an undertale blog XD) So if you would be willing to infodump about it, i think that would be cool, you know? (sorry if this is weird, and also I love your writing! i've reread Cult, little eye, and tma fairy au tons!)

! Malevolent is one of the lesser-known Rusty Quill podcasts. It draws pretty directly from various Lovecraft Mythos and adjacent works, particularly Robert Chambers' short story collection The King in Yellow.

It's about a private investigator named Arthur who comes to unable to see and with a voice in his head after reading a Spooky Book. Personally I think this is one of the podcast's most brilliant qualities, since the entity in Arthur's head (eventually dubbed John) has control of his eyes and Arthur has the rest of the body John has to describe what he sees so Arthur can navigate the world, giving plenty of opportunity for lyrical descriptions of surroundings you generally don't get to hear about in an audio drama. They start investigating the book and where John came from with the aim of getting John out of Arthur's body and giving Arthur control back, encountering all kinds of Lovecraftian nasties along the way and unraveling the cults and conspiracies that led to John being imprisoned in a book in the first place.

The most unique/interesting facets of the show are that the entire thing is written, produced, and voice acted by one guy, with the aid of considerable voice acting talents and a variety of vocal filters (I initially thought it was a limited cast and only caught that John and the King in Yellow were the same actor and Arthur and Kayne (cosmic entity who's here to cause chaos, everyone's problematic fave 💗) were the same with different filters), and the patreon. For patrons (yes, I was sucked into rearranging my entertainment budget and signing up as soon as I finished the publicly available episodes, lucky me I had some other patreon subscriptions I'd been thinking of cancelling) segments of the show are published roughly once a week. On a monthly-ish basis the shorter patreon segments are edited into the hour or so long public episodes. I think at 3 or 5 bucks a month you get access to the sections and at $10 a month you get to VOTE.

It's extremely fun, because in-universe Arthur is The Most Reckless Man. Constantly poking his nose in places it shouldn't be and getting chased by monsters because of it. He is a private investigator, after all! IRL, patrons get to vote on things like "there's a fork in the path with bloody footprints going from the right branch leading down the left, do you want to go left or right?" and "let this injured animal die slowly or put it out of its misery [both options are tremendously angsty]" and "release the prisoner and hope they don't attack you or go on your way, leaving them to a likely-terrible fate", with occasional open-ended questions like "why is Arthur the most special boy" where the best answer was rewritten into the show as dialogue in response to a character asking that question. This has led to stuff like a series of patron choices leading John to be less overtly sinister and more Arthur's New Bestie.

If you like TMA and my cult au I HIGHLY recommend it, because it's prime "the horrors beyond my comprehension are kissing me with tongue" content. In any flavor of horror beyond your comprehension you like, from trying to ruin your life because you're like a petty insect, to discovering that humanity is Pretty Neat, to causing problems of purpose for humans and cosmic horrors alike because if you have unfathomable power you should get to make your own fun.

#malevolent #malevolent podcast #ink post #asks #sorry this took forever to post i was debating making one of those comic sans powerpoints instead

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