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rjalker · 1 year

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Dear people who aren't physically disabled who plan to write fantasy settings:

[ID: Several images taken from the Geordi La Forge yes and no meme format, with Geordi holding out a hand disapprovingly for the no section, then pointing in approval for the yes section.

The first image is the meme:

No: "Saying the existance of magic in your setting means there are no disabled people (this literally just means disabled people are killed. AKA eugenics)"

Yes: "Having disabled people who use magical mobility aids and other assistive devices. Realizing that someone is still disabled even if their prosthetic arm is made of magic instead of plastic."

This is followed by four more panels of yes section:

"Geordi la Forge is still literally disabled. His visor helping him does not erase his disability and make him magically abled."

"Toph from Avatar: The Last Airbender is still literally disabled even though her Earthbending helps her. It does not make her disability ~magically~ go away."

"Having your disability be accomodated does not mean the disability goes away. Having a prosthetic hand, even one that's made of magic, does not mean you're not disabled."

"Magical mobility aids do not mean disabled people don't exist. It just means they use magical mobility aids instead of plastic or metal ones. A limb made of magic is still a prosthetic even if it's made of the soul of the universe instead of plastic and metal."

Then another no panel: "'There's no disabled people beacuse magic'".

Then one last yes panel: "'Magic helps disabled people in a variety of ways'".

End ID.]

This also applies to science fiction; just because Luke Skywalker's prosthetic hand is super advanced doesn't mean it's no longer a prosthetic, or that he's not disabled. Same with Darth Vader - just because he has a suit that lets him breathe and walk around doesn't mean he's not disabled. (And Star Wars' propensity for making the villains visibly disabled while the heroes disabilities get covered up by super advanced prosthetics is a topic that deserves its own post, especially with how ableist some of the authors of the books are. Troy Denning is especially ableist)

Edit:

Because people keep being fucking obnoxious and ableist in the tags, yes,,, motherfuckers, if you refuse to have disabled people in your setting, that does make you fucking ableist. If you say that the magic is used to cure all disabled people and that's why they don't exist, that's fucking eugenics.

You cannot ""cure"", more like remove all disabilities without fucking eugenics. Magically automatically destroying disabled fetuses (a very fucking popular trope!) is eugenics.

The only way to fucking "cure" autism is to fucking kill all autistic people, also known as eugenics!

What about people with PTSD? Do you just fucking brainwash them so they aren't traumatized anymore?

Do you force all Deaf people to be able to hear? Do you force all blind people to be able to see? Do you force all anosmics to be able to smell?

Do you magically force everyone with a speech impediment to speak to your standards?

Do you force everyone born with bodily or facial differences to live up to your fucking standard of beauty?

You cannot fucking say "disablities don't exist in this universe because magic cures everything" without inherently saying that eugenics exists in your fucking universe.

Not all fucking disabilities need a cure. If you ""cured"" my autism I'd just be fucking dead. You'd literally just be changing me into what you think is fucking acceptable.

Stop fucking arguing in defence of ableists on my fucking post so you can pretend that eugenics has never been written about in magical settings when it is extremely fucking prevalent.

And while we're fucking at it, let your gods damned characters become disabled over the course of their story, and call them disabled within the fucking story. I don't care if they're a robot. I don't care if they have magic. Not all fucking damage can be fixed. Curses exist. Hardware can go out of fucking date and no longer be manufactured anywhere.

Let your characters become disabled and do not magically fucking cure them back to brand new every single time they get hurt. The only thing you accomplish by doing that is destroying any chance of ever having stakes.

No, "magical healing leaves scars on the mind from the memory of the injuries though!!!!" is not fucking good enough. Let your characters have scars. Let them become disabled. Stop being fucking ableist cowards.

Edit number fucking 2:

No, motherfuckers, you do not get to comment "if the disability was caused by magic it's not ableist to cure it with magic". You are the ableist this post is about. Shut the absolute fuck up, stop treating being disabled as the worst possible outcome, and just admit you're a fucking ableist. If you don't want your characters to become disabled, then don't fucking make them disabled.

[ID: The Garfield "you are not immune to propaganda" meme, now edited to read:

"If your first thought upon reading this post is, 'Oh, but it's okay to magically cure disabilities caused by magic!' Congrats…you are the exact sort of ableist jackass this post is about."

End ID.]

Edit number fucking 3:

Autistic people exist! People who are born with disabilities exist! You cannot create a setting where disabled people do not exist because we're all "cured" or "fixed" and not inherently say that you are killing disabled people as soon as they're born, or fucking aborting us as soon as you figure out we'd be born disabled! That's fucking eugenics!

There is no way to "cure" autism without eugenics! There is no way to "cure" people with body differences without eugenics! There is no way to make disabled people nonexistant in your setting without eugenics! Thinking you can and should "cure" and "fix" all disabilities IS EUGENICS!

Also:

[ID: A character shouting at the camera, now edited to read: "Shut up about Dungeons and Dragons! Shut up about Dungeons and Dragons! If the rules of Dungeons and Dragons are ableist, then fucking change them! It is your fucking personal responsability to be a better person than your bigoted society wants you to be!". End ID.]

[ID: White text on a dark brown background with white and black borders around the edges, that reads:

"I don't fucking know or care about Dungeons and Dragons.

This post is not about Dungeons and Dragons.

Do not fucking throw the rulebook of Dungeons and Dragons at me like it's some sort of 'Gotcha!'.

You will literally just be blocked like the rest of the ableist assholes who've already tried it.

If you play dungeons and dragons, it's your responsability to make your games not be ableist, even if it means breaking the rules.".

End ID.]

I do not fucking care what the ableist rules are in Dungeons of Dragons. Do not fucking throw ableist rules for a game I have never and will never play at me on a post I made so that people could learn how to make their settings less ableist. If the rules in Dungeons and Dragons are ableist, then fucking change them. If you don't want to change them, then stop fucking playing an ableist game.

Disabled people deserve to see ourselves represented in fiction just like everyone else, without any fucking requirements that we be "cured" or "fixed" before the story ends.

How the fuck would you feel if a trans and gay character's whole story revolved around going on a quest to become straight and cis, did so, and only then was allowed to live happily ever after?

Why do you fucking think suggesting people write stories about disabled people going on a quest to be cured because it's the only way they'll ever be happy is any less fucking offensive?

Also:

This post is NOT a place for you to talk about how disabled people in fiction should have the option of curing their disabilities. It's just not. That's the fucking default for this society. That is not a revolutionary concept. It's not novel. We fucking know this society wants us gone. A post about how disabled people deserve representation is not the place to talk about how "Well, actually, in fiction disabled people should be cured!" Like that's not the fucking universal default???????????

Edit #4:

Everyone needs to stop tagging this singing praise for Fullmetal Alchemist. A story that uses disability as a punishment and the characters are on a quest to cure their disabilities is not the amazing representation you're all claiming it is just because the character who is only disabled because of DIVINE PUNISHMENT uses prosthetics.

Read this post, and this one. Fullmetal Alchemist is a hell of a lot more ableist than you people are letting on.

guess what you can now find a PDF version of this post on the web archive.

Edit #5! August 23rd, 2023!

A) Everyone. Disabilities that can only exist in the magical setting are still disabilities.

Trying to cure the younger brother's magical disability of being a soul floating around in a magical suit of armour is, in fact, going on a quest to heal a disability!

It doesn't matter if the older brother doesn't want to get his limbs back when they're going on a quest to heal the younger brother's disability! Especially when they BOTH get magically healed at the end!

Magical disabilities that can only exist in that setting, but not real life, are still disabilities, and it's not okay to magically heal them either! What part of the Garfield meme on this post did you all choose to ignore?!

B) When you leave tags on a post you are reblogging, the original poster can see them! When you leave tags on this post, I can see them!

If you think this post is ""too aggressive"" then simply do not reblog it! Don't fucking tone police me on a post I've had to edit five times now due to the constant ableism people have been commenting since I made it!

I have been called the R slur by multiple people in response to this post! People have literally reblogged this post to defend eugenics abortions! You can't see these comments or replies anymore because I blocked the poster!

If you think minorities are being too aggressive by responding appropriately to bigotry, you're a bigot! And you should either not reblog the post at all, or at the very least, shut the fuck up and not tone police us!

Do not fucking put tags on this post complaining I'm being too aggressive! That's called tone policing and you're a bigot if you do it! Don't fucking do it on anyone else's posts either! They can see your tags too!

C) When I fucking say Harry Potter fans are banned from this post, yes, this means YOU!

Either stop supporting a billionaire who's literally using the profits from her bigoted shittily written books to fund REAL FUCKING GENOCIDE, or fuck off!

By continuing to support the Harry Potter series, you are literally giving JK Rowling free fucking advertising! You are encouraging more people to read the series and watch the movies, spending more money and giving her more fucking money with which to LITERALLY SHAPE A COUNTRY'S LAWS TO COMMIT GENOCIDE. She is literally fucking fighting to make being trans illegal! She is literally fucking fighting to have even more of autistic people's rights taken away!

You cannot fucking be a fan of the Harry Potter series in 2023 and call yourself an ally to all the minorities harmed by JK Rowling and the bigotry baked into her shitty series!

Read another book! The Web Archive has tons you can read for free! Literally every single book on gutenberg.org/ is free! Including audiobooks for some of them!

If you write Harry Potter fanfiction, simply fucking get rid of the names and identifiable features and start writing original fiction instead! It's literally free!

Not supporting a literal fucking genocidal billionaire costs LITERALLY NOTHING! And if you refuse to fucking stop supporting JK Rowling, which is what you are doing when you support the Harry Potter series and squeal over her OCs, you are not an ally to any fucking minority! No! Not even if you're trans yourself!

= = =

Edit again Nobember 28th 2023 because this comment is just. such a perfect example for all of you that think this doesn't happen.

butter-whore2 said, two hours before this edit:

kind of a fan of tumblr's slightly more algorithmically elements for reminding me of the hell's other people construct for themselves but this one hits like five of the boxes. How do people do this to themselves? it's such a bizarre way to act over media I genuinely do not believe is capable of stirring an emotional response the metaphysics of disability here are unintentionally really funny but disability is not a coherent ontological framework, it's a vague descriptor for literally thousands of different things none of which lend themselves to categorizing Moralizing over fiction is incredibly lame.

Liking harry potter is also incredibly lame, it's not morally wrong nor transphobic and you do not get to decide that lol. people literally do get "cured" of their disabilities all the time, many of them have a positive experience in doing so. this is not what eugenics is.

the anti abortion stuff lol

Literally how do you live like this? you guys don't even read real books I don't get it.

Archived version of the comment for posterity.

So yeah, lofl, block this fucker.

#long post #described images #fantasy #writing #writing tips #writing advice #fantasy writing #writing fantasy #scifi #science fiction #also applies to scifi #Luke Skywalker's not magically abled because his prosthetic hands advanced #disability #disabled #physically disabled #neurodivergent #<- so more people see it #and beacuse a lot of just neurodivergent people are really fucking ableist towards physically disabled people #especially people who only have ADHD or are just Autistic #and if me saying that pissess you off guess what? You're probably the exact sort of person I'm talking about.#Newsflash: I'm autistic. I have ADHD. I'm also physically disabled.#And I constantly see people wiht ADHD and autistics being ableist as shit #to both physically disabled people and other neurodviergent people.#You are not immune to being ableist just because you're also disabled.

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atlabeth · 4 months

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bleedin' me dry | luke castellan

runaway with luke ending here!!

summary: luke has a proposal. it doesn't go over well.

a/n: so um. obviously im a huge percy jackson stan ive got annabeth in my name and ive literally wanted to be her since i read the books in second grade and by virtue of being an annabeth stan i hate luke but i also think he is so interesting and so good for angst and i also love the pjo resurgence we’ve got going on here from the show!! so here you go. here's some angst

title from vampire by olivia rodrigo

wc: 2.8k

warning(s): fem!child of demeter reader. luke is his own warning lmao. pushy and manipulative behavior, not the healthiest relationship! and no happy ending

“You know I love the forest,” you mused, “but you have to have a reason for bringing me out here.”

He gave you a wry smile as he squeezed your hand. “Do I have to have a reason? You said you love it—that’s gotta be reason enough.”

“I love it, but there are monsters here.” You twisted your free hand and flowers sprouted up a few feet away. “It does give me a chance to show off, though.”

You were in your cabin helping Katie clean up everything—it was the last day of summer and most of the Demeter kids had already left—when Luke knocked on the door and asked you to accompany him on “a little adventure”. Despite the teasing of your siblings, you bashfully accepted.

It wasn’t the smartest thing, admittedly, to find yourself in the forest with your boyfriend with a couple hours ‘til curfew when you still weren’t even sure if you were leaving or not, but you had your dagger. Luke didn’t have his sword, but you had been practicing.

It wasn’t like it really mattered, anyways—he probably just wanted to make out with you. It was far from the first time, and for all he knew you were leaving for the school year in a few hours.

He chuckled but didn’t say anything. You looked up at him, a slight frown creasing your brows, and nudged him with your shoulder.

“Is everything okay, Luke?” you asked. “You’ve been… oddly quiet.”

Again, it took him a moment to respond before he just shrugged. “I’ve been thinking, I guess.”

“About what?”

“Life,” he said. “Our lives.”

“Very philosophical for the hour,” you said dryly. “Are you sure you’re okay?”

“Yeah,” Luke nodded, “yeah, I’m fine. I just wanted to ask you something.”

“Ask away.”

“Have you ever thought about leaving?”

“I’m still deciding whether I want to go back home for school or not, but—”

“Not after the summer,” Luke interrupted. “Leaving camp. For good.”

You frowned, a chill running down your spine. “Of course not. Camp Halfblood saved my life, Luke. I could never leave.”

“Says who?” Luke stopped and your intertwined hands pulled you back, stopping you as well.

“Says all the monsters that tried to kill me last time I went home,” you said slowly. “Don’t tell me you forgot the dracaena that nearly got me on that field trip.”

“‘Course I didn’t forget,” he said, inclining his head. “I just think you’re good enough now to make it without this place.”

“Luke,” you said with a strained laugh, “you— you can’t be serious.”

He shrugged. “Why wouldn’t I be?”

“Because if we leave, we’ll die,” you said slowly. “I barely made it on my own out there.”

“You’re more powerful now. And you won’t be on your own,” he said, tugging you closer. Despite it all, warmth bloomed in your chest. “I can protect you.”

“Luke…” You trailed off as he cupped your cheek with his other hand, bringing your gaze back to his.

“What’s the point of staying here?” Luke murmured, an unmistakable softness in his eyes. “Just so we can sit around at summer camp for the rest of our lives? I mean, it’s not like that’s gonna be much longer, the way Chiron tells it.”

“I ha— we have friends here,” you said, huffing another laugh as you took a step back from him. It was easier to think when he wasn’t touching you, when you were still able to sever the string connecting the two of you. “We have a life here. A safe life, Luke, where we don’t have to look over our shoulders constantly.”

“Not me.” Luke shook his head as he moved a step forward in tandem, and he took your hand again, his grip tighter this time. “You’re the only thing I’ve got keeping me here.”

“Please,” you said in disbelief. “You’ve got a whole cabin of siblings that adore you. You’re the best swordfighter here. I’m pretty sure even Mr. D has a soft spot for you.”

“Please,” he mocked, “you can’t seriously believe that.”

You shrugged. “All I know is that when you finally asked me out, I gained a whole lot of enemies.”

“Like that means anything,” Luke said.

“The kids love you too!” you exclaimed. “Their eyes light up with stars whenever you help them with their sparring. You’re a beacon of light to this place— where is all of this coming from?”

“I’m tired,” Luke said roughly. “Tired of the gods ignoring us when all they’ve caused is pain.”

You frowned, but he continued on.

“You’re telling me you haven’t noticed it?” he asked. “When’s the last time you ever saw my dad give me any kind of attention besides some fun-colored smoke? He ruined my mother’s life— he ruined my life! And our cabin is damn near overflowing with unclaimed kids. Where are their parents?

“Luke—”

He shook his head as he forged on. “And you can’t say that Demeter is any good either. I bet she makes your cereal tastes real good in the morning, but she’s abandoned you for your whole life.”

“Luke, where is this coming from?” you asked, your frown deepening further and further as you let go of his hand and took a step back. “You— you know I’m not a fan of them, but you can’t just go around saying things like this. The last thing I need is for my mother to— to smite me, or strangle me with vines or something because I’m not appreciating her enough.”

Luke huffed a laugh. “That would be the most attention she’s paid to you since she claimed you.”

“She’s a goddess,” you said. “She’s got more important things to do than send me emails asking how my day is going.”

“Really?” Luke asked, his eyebrows rising.

“Yes, really,” you enunciated. “I expect it. I consider myself lucky she claimed me at all.”

“Do you even hear yourself?” he marveled as he said your name. “Your mother has never been there for you, and you think you’re lucky?”

“Luke—” you started, but you couldn’t even finish as he continued on.

“Demeter wasn’t there for the year you spent feeling like the scum of the Earth because you hadn’t been claimed yet. Demeter wasn’t there for the childhood she gifted to you then abandoned you for.” He pushed forward still. “Demeter wasn’t there for all those sleepless nights you spent in the Hermes cabin wondering if you were ever going to know who got you into this mess.”

“Luke, stop,” you finally managed to get out, moving back in turn.

“You know who was?” He continued to forge on, capturing your wrist when you tried to take another step back, eliciting a shaky exhale as you flinched. “Me.”

You ripped your arm away from him, fire in your eyes and blazing in your blood. “Don’t ever touch me like that again.”

“I’ve been here for you since the moment you stepped foot into Cabin Eleven!” Luke’s voice rose, and you’d never been more aware of the dagger hanging off your belt. “Through every tear, every tirade, every godsdamned rant about the gods—”

You stumbled back, and your heart stuttered in your chest as your back hit a tree. Your jaw was clenched, attempting to stop your tremors trying to wrack your body.

“And you’re telling me,” his voice suddenly lowered until it was scarily soft, little more than a whisper as he leaned over you, noses nearly touching, “that you would still choose them over me?”

“If you do not get away from me right now,” you said, quiet and even, “what we have, and anything we could have, will be over.”

Luke didn’t move. “Answer me.”

For a moment, it was just that—you and Luke staring at each other. His chest rising and falling just so from the effort of yelling, his beautiful eyes devoid of any previous softness. You thought your teeth might crack with the pressure in your jaw.

“No,” you said. “I wouldn’t choose them over you.”

And for an even shorter moment, his eyes do soften.

“But I won’t leave my family,” you whispered. “Not for whatever cause you think you’re fighting for.”

And just like that, the armor went up again.

“So that’s the way this ends,” Luke said evenly, and when he moved a few steps back, you felt like you could finally breathe again.

“You know who I am,” you argued, though you couldn’t make yourself move. “My siblings are my family— my friends are my family. I’d never leave them.”

“Oh, I should have expected it,” he said offhandedly. His laughter was a cruel thing. “I always knew you were a coward.”

“Don’t you dare turn this on me,” you spat. “Why do you even want to leave in the first place?”

“Because I’m sick and tired of all the bullshit that goes on here!” Luke yelled. “We’ve been here for years, and what the hell do we have to show for it? A couple scars? A lot of near death experiences? Some deadbeat parents that ruined our damned lives?”

“I have a family that I never could’ve dreamed of!” you exclaimed. “I have sisters and brothers that love me, friends that understand me, and—”

Your voice broke for a moment and you swallowed the lump in your throat, forcing the tears back. Some of the fire burning through your veins had been extinguished as you continued.

“And I thought I had a boyfriend that was there for me.”

It was there again—his eyes softening ever so slightly when he looked at you. But then he clenched his jaw. “And I thought I had a girlfriend that was there for me.”

“I won’t leave,” you enunciated. “I’m not going to help you with whatever crusade you think you’re meant to lead against the gods!”

“You don’t understand,” he insisted.

“You don’t understand!” you exclaimed. “You’re ready to leave all of this behind, and for what?”

“I don’t want to leave it all behind,” he said. “I want you by my side. We could be something truly great together— can’t you see?”

Luke took your hand again and pulled you away from the tree, gesturing with his hand around you. “You can control all of this. The whole world is your domain—we’d be untouchable.”

“Luke, you sound crazy,” you said roughly. “Where is all of this coming from, seriously?”

“I just know that we can live a better life,” he said. “Together, without the gods.”

“Witho—” You couldn’t even manage to finish the word, shaking your head at the pure absurdity of it. You hardly recognized your boyfriend purely because of the insanity he was spouting. “Luke, we don’t need to leave! We don’t need to stand against the gods, or— or whatever this is!”

This time, you took his hand as you tried to smile. “We can make this work, Luke, and we can make it work here,” you begged. “I promise.”

“Things need to change,” he said, voice steely, pulling his hand away. “And they’re clearly not going to change here.”

“Yes, they can,” you insisted, your hands clenching into fists at your side. “I want things to change too, believe me! But going off on your own isn’t going to do anything for it. We can start it here—together.”

His eyes were colder than ever as he looked down on you, and you truly didn’t recognize him. The glint in his eye and edges you would cut yourself on and the insanity he was spouting for no damn reason. You didn’t know what in Hades’ name had gotten into him.

“All we do is sit around and wait for that hag in the attic to spout prophecies, and then Chiron sends some kids off to die, and then we sit around and wait to do it again,” Luke said. “The gods keep making kids and the kids keep dying because they leave them in the world alone— we’re practically grandparents here because we’re lucky to make it past sixteen! The gods don’t do a damn thing about it, and neither does Chiron.”

He shook his head as he stared right into your eyes. “You’re not as smart as I thought if you think you can change anything here.”

“So— so what?” you asked brazenly. “You’re just gonna leave?”

Luke shrugged. “I was always gonna leave. It just depended whether you were with me or not.”

He turned around and started walking, and for a moment you were fully dumbstruck, unable to move. Then something snapped inside of you, and you moved your hands straight up through the air. Vines sprouted from the ground and tangled around Luke’s legs, stopping him and nearly causing him to fall.

“You don’t just get to walk away from me after spouting this bullshit,” you fumed as you ran to catch up with him. “What in Demeter’s name has gotten into you, Luke? Gods— this isn’t you!”

“See?” Luke smiled, ignoring your question. “You are powerful.”

“Answer me,” you seethed.

He shrugged, that small smile still on his lips. “It’s always been me. Maybe you’ve just been too stupid to realize.”

“Where are you going to go?” you asked, ignoring his jab. “Not home, clearly.”

It was a deep cut, something you never would have said under normal circumstances, but his expression didn’t change.

“I’ve got plans,” he said, ignoring your jab, and he huffed a laugh. “And I guess they don’t involve you anymore.”

All you could do was stand there, stunned as you stared at him. It was cliche, but it really wasn’t him, because you loved Luke and he loved you.

He’d always been a bit spitfire, always a little sharp around the edges, but you loved that about him—and he softened those edges for you. He was strong-willed and caring and passionate about everything, and you didn’t want to lose him. Not like this.

You knew what he’d been through. You knew what happened to his mother, what happened to Thalia, everyone he’d lost and every reason for every scar. But you never thought—

Gods. You never thought he’d actually do… this.

“Let me go, will ya?” Luke asked, tilting his head. “Or else what we have will be over— or whatever it was you said back there.”

The vines receded against your will, like his words just connected to your subconscious. You stayed rooted in place as he continued walking away.

But then he stopped. Turned around, looked right at you.

And for a moment you were fourteen again, feeling alone and forgotten going into your third month in the Hermes cabin. Grumbling your way through sword practice because the excited camp counselor who just happened to be your age refused to let you sulk for another day.

It was days after your fifteenth birthday, and the golden sickle with sheaths of wheat had finally appeared over your head at lunch. Luke had lunged at you, wrapping you in the tightest hug possible, and looked at you with all the stars in your eyes as he congratulated you. He helped you move your meager belongings into the Demeter cabin the very next day.

It was the first time you decided to go home since arriving at camp, and Luke was sidled outside your door, making wry comments every so often as he kept you company while you packed.

It was him kissing you right before you went over the hill because he said he couldn’t keep his feelings in any longer. It was you kissing him right back wondering why he waited so damn long.

It was three years of the best thing you’d ever experienced, of the most steadfast companion you could’ve had by your side—three years of Luke Castellan’s love.

Then you blinked, and you were back in the woods. Luke’s expression had softened, but the brimming tears in your eyes blurred your vision.

“I really did love you, y’know,” Luke finally murmured. “But you should know that love isn’t ever enough.”

He was out of your view before you could even muster the strength to move again, and then you were running through the forest faster than ever before.

But when you reached Cabin Eleven, there was no sign of him. And when you checked the pavilion and the forge and the amphitheater and the training arena and every other godsdamned place, you were just as disappointed.

But by the time you got to Chiron and found out the chaos that had spouted in his wake, that he had wanted you to be a part of, it was much, much too late.

Percy Jackson was fighting for his life. Camp had been left in complete disarray. Luke was working for Kronos.

And the man you loved was truly gone.

#this is especially funny to me bc luke is all for kronos but kronos literally ate her mom #couple goals!!#also she spent like 30 minutes looking for him after which is plentyyy of time for him to try and kill percy #luke castellan x reader #luke castellan fic #luke castellan angst #pjo x reader #x reader #sadie writes

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stargirl230 · 7 months

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Take a break!

This is for anyone who's been working hard (me, because once exam season starts it never ends...)

(no reposts; reblogs appreciated)

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chironshorseass · 3 months

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the thing is, we were never meant to sympathize with luke when he betrays percy. we aren’t meant to see his inner turmoil. we aren’t meant to see hesitancy, or regret. it’s meant to be a slap in the face. luke takes percy to the woods knowing full well what he’s about to do. in tlt kronos orders him to kill percy because he’s too volatile; kronos said so himself when percy hijacked luke’s dreams and began to figure out there were bigger things at play. the thing is, when kronos orders luke to kill percy, he doesn’t hesitate. that’s the point!!! it is essential that luke is so blinded by rage and vengeance for the gods that he will stop at nothing to get what he wants (the god’s destruction). percy accuses luke that kronos is using him, but he just retaliates that the gods do the same, and they do!!! but see, the thing is, luke’s whole point is that he’s so focused on the god’s injustices that he forgets what’s important. he goes for the “greater good” but he destroys his family, his life, in the process. by attempting to dismantle a system, he turns to another system that follows the same oppressive logic. THAT is why luke fails. THAT is why it’s so important he be blinded by rage, because it’s his inevitable, tragic end. he’s doomed by the narrative from the start. yes, we’re meant to be surprised by his betrayal because of how cold and calculating it is, but also it’s important to set the grounds for luke’s character to be this angry, vengeful boy because later on we come to understand why it is that he made those choices. we see annabeth’s side of things and percy’s side. we see luke’s side. we see many sides. we see a man who is too far gone yet comes to understand, in the end, that he’s been doing more harm than good to those he was supposed to protect (annabeth is the most obvious example). we get a complex character who won’t hesitate to kill but who also won’t hesitate to sacrifice himself so that he can save the family he has left.

the thing is, luke was supposed to be angrier in the show. percy was supposed to be angrier in the show. they’re both foils. luke is what percy could become, if percy lets his anger win. so, to change—even if it’s only slightly altering—their characters, is to change the point of the story. because luke tries to kill percy in his betrayal and later percy tries to kill luke but then percy starts to understand luke…until luke is gone and kronos is gone yet the gods don’t change but percy does. and percy’s initial anger is supposed to transform and he’s supposed to see what luke saw and the cycle continues. the thing is, it’s not even one of the worst changes the show made, yet it’s still so, so telling that they failed to see why it’s important to let your characters do bad things, to make mistakes, because that’s how a story can carry on. that’s how you give a story depth.

#pjo adaptation #pjo tv show #rick crit #i have a lot of thoughts #pjo show crit #luke castellan #percy jackson #im talking abt pjo her btw even if i do reference hoo yet hoo wasn’t good either so all the conflict abt the gods not changing was there ye #never adressed. percy sympathizing with luke was never adressed either #yet it’s what would be natural especially since it was mentioned once #THATS ENOUGH FOR ME THO. u can’t tell me percy came to understand luke and that he’d do the same if he were in his shoes and annabeth or #some other loved one was taken from him because of the gods U JUST CANT

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not-with-you-but-of-you · 4 months

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“I wanna pay you back… all the money...” “You don’t have to.” “I want to. And I appreciate it… everything — the money, living here...” “Well, it’s good to hear, but I kind of knew that.” “Yeah, but, in a relationship — any relationship —, it’s important to let the other person know you appreciate them so you don’t create barriers that delay any hope for reciprocation.” “I think I read that somewhere.” “Yeah?”

LUKE DANES and JESS MARIANO in GILMORE GIRLS | 4.21 - “Last Week Fights, This Week Tights”

#luke & jess #luke danes #jess mariano #gilmore girls #lukedanesedit #jessmarianoedit #gilmoregirlsedit #my gifs #*#I wanted this hug documented in its entirety #Jess’s eyes were so shiny throughout this whole interaction #especially in the third gif #my boy was getting emotional :')#Luke’s apartment is the ugliest setting in the show btw #it’s so goddamned yellow

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lovegrowsart · 3 months

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it's pretty wild to me that people don't see that aang running off to save katara in CoD is his luke in empire strikes back moment, where he runs headlong into his want and attachment and he's narratively punished for doing so and not learning his lesson - aang runs after katara despite guru pathik's warning, like luke runs after leia and han from yoda on dagobah despite yoda's warning; similarly, as a result, things go to hell in ba sing se like they do on bespin - aang enters the avatar state before he's ready and gets killed, and ba sing se falls to the fire nation, luke fights vader before he's ready, loses a hand, and symbolically commits suicide after vader tells him he's luke's father.

the difference between their character arcs is that george lucas and co. actually went thru with luke's hero's journey and understood the fundamental difference between attachment and love, whereas I don't think bryke understood this difference and then dropped this from aang's arc pretty much completely and replaced it with aang digging in his heels into his want and attachment and he gets rewarded with energy bending from a lion turtle, the avatar state from a random pointy rock, and his forever girl from the self-indulgent white men that couldn't bring themselves to give their hero a compelling character arc that meant he might not have gotten everything he wanted at the end.

#the wasted potential of aang's arc gets to me so bad #the narrative and thematic set up is entirely there and they just shove it in the bin lmao #it especially irks as someone raised buddhist and dealing with writers that invoke these themes out of a fascination #with the religion and philosophy but then a complete unwillingess to actually commit to what those themes require of the character arcs #anyway sorry to say it #but zuko's arc does a better job embodying buddhist themes than aang's does in the end #despite all misappropriated aesthetics to the contrary #aang critical #but its really the writing like i LIKE aang i love his potential i hate how self indulgently he's written by the end of the show #atla critical #meta*#holly talks bs #also yes it would've been better narratively for aang katara zuko to the go the way of luke leia han #even if katara couldn't have been revealed as aang's surprise secret twin lmao #the thematic conceit of the triangle is the same in that luke and aang get over their infatuation with the first pretty girl he sees #and becomes the hero he needs to be #meanwhile hanleia and zutara are saving each other and being cool and kissing #anyway

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hugheses · 5 months

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24 hours until these babies all play in an nhl game

#i spent so long editing this... it's a combination of 5 different screenshots blended bc i wanted it as high quality as possible LMAO #i would PREFER this edited version not be reposted all over twitter and especially fckn pinterest without credit. but i have no faith lol #quinn hughes #jack hughes #luke hughes #my edit

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llyfrenfys · 3 months

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See, I personally find this quest to find pagan/pre-Christian elements in Welsh/Irish literature quite unnerving - I don't know about anyone else.

There's something to be said about genuinely discovering pre-Christian elements in a narrative or story and that being where evidence and study has led you. But I see some people on this fruitless quest to find pagan elements in very Christian texts and sometimes it feels like if no pagan elements can be found, people start making stuff up out of whole cloth - and that can be very dangerous for already not-well known texts in minoritised languages!

There's already so much misinformation out there about Irish/Welsh texts and literature in general - so it hurts to see people carelessly adding to the misinformation either out of ignorance or lack of respect for the source material.

I promise you the source material being Christian doesn't ruin it - you can in fact, enjoy these myths without making them into something they're not!

#I feel like general ire towards (particularly) colonial Christianity has informed how people think of and view anything that is associated #with Christianity - and ire towards some of the ills committed in the name of Christianity is very valid actually #but what it isn't is approaching any text written in a Christian context and immediately disregarding it for having anything unique or #insightful to say. And in a Celtic languages context #this can be especially othering and almost fetishistic of an imagined pagan Ireland and Wales which was 'covered up' by Christianity #and that desire for people outside of Ireland and Wales to impose a kind of 'pagan faerie culture' onto the modern countries directly feeds #into false depictions of Ireland and Wales as 'lost in time' or as magical places full of latent pagan culture &c. which can be really #damaging in its own way against people who live in Wales or Ireland or who speak Welsh or Irish #this goes for other Celtic speaking nations too like Scotland Brittany Isle of Man and Cornwall #But Wales and Ireland tend to be the most focused on for this kind of treatment #luke's originals #Welsh #Wales #Cymblr #Irish #Ireland #welsh mythology #irish mythology #irish literature #welsh literature #Arthurian legends #arthurian literature

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jonasiegenthaler · 2 months

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mtl@njd | 24.02.24

#nico hischier #jesper bratt #luke hughes #devils #bratter is so tiny #especially next to luke #.gif

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david-talks-sw · 1 year

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What's 'Star Wars' about?

A while ago I got an 'Ask' that concluded with "what is Star Wars about, if not the Jedi, right?" And weirdly enough... I have to disagree.

I mean... to me? Yes. Star Wars is about the Jedi. A Jedi-less, Sith-less, lightsaber-less Star Wars movie or series will struggle to get me on board (which is why I was surprised that I loved Andor so much).

But if you read everything George Lucas said, if you think about the Jedi's place in his two trilogies... they're not front and center, right?

Sure, there's Luke Skywalker... but he's a learner, in the Original Trilogy. Same goes for Anakin Skywalker and Obi-Wan Kenobi, in the Prequels. They're going through character arcs.

Otherwise, the Jedi are either used as mentors to the protagonist...

... or to deliver exposition...

... but they're mostly vectors Lucas uses to present his thesis.

Functionally-speaking, the Jedi are important in that they embody the Buddhist philosophies the movie's themes are based on.

But when it comes to the plot, they're secondary. That's because the the themes of these films are bigger than the Jedi themselves.

So the question becomes... what's are the themes?

The primary goal of the Star Wars films is to inspire kids to start thinking outside the box and teach them a set of values and psychological motifs that have been passed down through mythology and fairy tales.

These values can be summed up in the dichotomy between greed and compassion / selfishness and selflessness / pleasure and joy.

We all have both aspects and need to strike a balance between the two. After all, being greedy ultimately comes from fear and being afraid can happen to all of us. Problem is, unchecked fear can lead to anger, hate and a whole lot of suffering.

The more selfish you are, the more you want things and the more you're afraid that you'll lose everything you have, you'll get angry when someone tries to take it and that will hurt everyone around you.

In other words, fear is the path to the tempting/addictive Dark Side.

Thus, seeing as we'll be inevitably tempted by the Dark Side and give in at some point (because nobody's perfect), we should aim to be as selfless and compassionate as possible for our own good... but also for the greater good, because we're all connected to a life energy. You can call it Qi or God; in Star Wars it's known as the Force.

As such, we all form a symbiotic circle and working with that in mind is better than putting ourselves first and draining from everything and everyone around us.

But we also need to be careful because there will be people who give in to that selfish side and will try to control everything. When the time comes, we must stand up for what's right.

So that's Lucas' thesis.

If I had to sum them up, the six movies illustrate it as follows:

The Prequel Trilogy is about the consequences of greed, explored through Anakin on a smaller scale and the Senate on a larger one.

The Original Trilogy shows the triumph of compassion, through Luke, Leia & Han and the Rebellion's fight against the Empire.

Lucas talked about it multiple times, the Prequels are about how Anakin becomes Darth Vader and how the Republic becomes the Empire, and in both those cases, it happens because they're greedy.

The Senate is greedy in the more classical sense. They could give a shit about "symbiosis", no they're taking bribes, letting corporations dictate policy, using loopholes to keep themselves in power and halting any meaningful progress out of fear that the new status quo will conflict with their own self-serving goals.

Anakin's greed manifests in a different way. He turns to the Dark Side because of his attachment. He wants to stop Padmé from dying... but not because he wants to save her, rather he wants to save himself from feeling the pain of loss again and will do anything to not have to live without her, her own wishes and the natural cycle of life and death be damned.

In both cases, they cave under pressure orchestrated by Palpatine, but nobody puts a gun to their head. They make a deliberate choice that comes from a selfish place, and neither one takes personal responsibility for it, they blame others, the Separatists in the case of the Senate and the Jedi in Anakin's case.

The Republic becomes an Empire with thunderous applause, betraying the people it was meant to protect.

And when faced between doing something he knows is right and giving in to his selfish desires...

... Anakin elects to do the latter, thus betraying his family and leaving the Force in darkness.

These selfish choices impact the galaxy as a whole, including the only characters in the trilogy who were doing their best to be compassionate and live in symbiosis: the Jedi, Padmé and Bail.

These champions of the Light Side are stuck playing catch-up or helplessly witnessing the events unfold, throughout the trilogy. They're playing by the rules and Palpatine uses this to his advantage.

Thus, as the galaxy tears itself apart because of Palpatine's manipulations, the Jedi and Bail are ignored and gradually weakened until they're either rendered irrelevant or killed.

A new order is born, one built on blood, lies and greed: the Empire.

But a new hope remains.

While before, the Jedi and people like Bail stood alone as everything around them became willfully corrupt... now, a Rebellion inspired by their legacy has banded together to overthrow the current order. But they don't fight for power or personal glory, they fight for altruistic, compassionate reasons. There's a sense of general responsibility that moves them, they're all doing their part.

On a larger scale, we focus on the Rebels, who are tired of seeing people suffer and decided this needs to stop. They have gone from being passive, to proactive.

On a more personal scale, we see the evolution of Luke, from naive farmer to a hero, and guess what? More and more selfish people - like Han or Lando - are inspired to join the Rebellion, after seeing the exploits of Luke, Leia, or even Ben.

It all culminates in the final film, wherein:

The Rebels band together with the Ewoks - literal teddy bears whom the Empire, in their arrogance, never even considered to be a threat - to destroy the Second Death Star and free the galaxy from imperial tyranny.

At the same time, Emperor Palpatine pressures Luke, who is tempted by the Dark Side like his father was.

But instead of giving in to his selfish desire to kill Darth Vader for all the horrors he's done...

... he finds the strength to rise above it, instead showing compassion for his father, which, in turn, inspires Anakin to do the same.

He faces a choice, like he did in Palpatine's office, two decades prior...

... and this time he chooses right.

Children teach you compassion. Anakin lets go of his fear and anger, and saves his son at the cost of his own life, finally bringing balance back to the Force.

Good triumphed over evil. Its champions achieved victory by being selfless, hopeful and fighting together / helping each other.

And that's it, that's how the movies thematically tie together.

As you can see, the Jedi aren't that directly impactful on the overall plot, because it revolves around Anakin, Luke and the respective factions/institutions around them.

But what the Jedi do bring to the table is their ability to teach and inspire others, both in-universe and out. They're spiritually impactful.

The Jedi are the epitome of compassion, and it's partially through them that George Lucas teaches his values to the audience.

#to be clear: Star Wars doesn't HAVE to be about all this #This is just me trying to summarize what Lucas said in all his interviews and speeches #The post-Lucas Star Wars transmedia franchise made the Jedi more central than they were originally meant to be; especially in the Prequels #You see this in interviews from current SW creators /writers #but also small stuff like renaming the Prequel era “Fall of the Jedi” when it was originally named the “Rise of the Empire” era #meta #george lucas #star wars #jedi order #the force #anakin skywalker #luke skywalker #prequel trilogy #original trilogy

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