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#espana cani
hidheim · 2 years
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España cañí Part_2 ---> Part_1
Let's exaggerate sitting and celebrate upcoming Labyrinth Runners~
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dozydawn · 2 years
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Pasha Grishuk and Evgeni Platov 1996 OD “Paso Doble”
music: españa cani.
“There is nothing romantic about this... and look right there, the sword going through the bull’s neck. Really they’ve interpreted this concept of the Paso Doble exceedingly well.”
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hauntingsoundtracks · 9 months
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Strictly Ballroom, directed by Baz Luhrmann
Scott & Fran's Paso Doble, David Hirschfelder & The Bogo Pogo Orchestra
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leahthedreamer · 2 years
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Katerina Mrazkova & Daniel Mrazek (CZE) RD A Evaristo Carriego, Espana Cani || Junior Grand Prix Ostrava 2022
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strictlycomedancers · 5 months
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Annabel and Johannes | Paso Doble - Espana Cani, Trad.
Score: 8,9,9,10 (36)
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Ranking the GPF programs - Junior RD edition
6 - Darya Grimm/Michail Savitskiy - Milonga Sentimentale/Tango Apasionada/ Codigo de Barra, choreo by Mariia Tumanovska-Chaika
While Darya and Michail are a lovely team, latin dances or tango are absolutely not their thing. They are a more retro team, which is surprising because they are so young, but anyway, blues, old rocks suit them a lot better.
This tango is there. It’s not bad by any means because they are very good skaters. And they did try hard to sell it, but it just doesn’t really fit.
If they were to skate to a waltz OTOH... (ISU do it please)
5 - Célina Fradji/Jean-Hans Fourneaux - Tango Gringo n°1, choreo by Karine Arribert
A yes nothing screams tango like a “Hall of the Mountain King remix”. But you know ? In a sea of questionable programs this season, amid all the Latin Wicked Games, Latin Imagine Dragons, Tango Pirates of the Caribbeans, that RD feels almost tame.
It’s fun and quirky which is very French Ice DanceTM. They seem into it. They’re happy. I’m happy.
4 - Hannah Lim/Ye Quan - Primavera Porteno, choreo by Romain Hagenauer
Defintely one of the best RDs of the season, and leaps and bounds over the rest of the junior field, including the french and germans at JGPF... And yet only fourth places here which says all you need to know about the quality of that junior field.
Hannah and Ye looked senior ready in that program. it’s mature, it’s classy, there’s breath and polish to it. Not my favorite tango music, but you can’t have everything.
3 - Nadiia Bashynska/Peter Beaumont - Spanish Waltz/Tango Grande from the Great Gatsby Suite, choreo by Carol Lane
Nadiia and Peter were iirc the only one doing a Waltz with the Tango, which was an A+++ choice. It made them stand out in the best way. It played to their strength as a lyrical team.
And I just love the opening of the program. The music for the Spanish Waltz is beautiful. Love the steps and the little waltz jump, and the sheer breath it gives to their skating.
The tango part doesn’t go that hard despite them selling it hard, but it’s still great.
2 - Phebbe Bakker/James Hernandez - Flamenco The Duel/Tango de Besame/ Concerto de Espana, choreo by Penny Coomes
Obsessed with their costumes, and with the choreo. Skating skills not as good as the Koreans, Czechs, or Canadians, but they make up with everything else. 
The most senior-looking team in this field. Their RD is fierce, intricate, and passionated.
1 - Katerina Mrazkova/Daniel Mrazek - A Evaristo Carriego/Espana Cani, choreo by Matteo Zanni
Not to be annoying but it’s a very “you had to be there” team. Had to be there at JGP Ostrava, when the Mrazkovi were not on anyone’s radars, but everyone watching the ISU streams noticed Katarina’s red dress and were dreading the inevitable disaster that could come from skating with such a long garment.
And then the Mrazkovi proceeded to absolutely demolish the RD, and the junior world record to boot!
(The disaster happened at JGPF).
That RD is genius, because it’s mad. It’s always verging on catastrophe, but when they pull it off! The speed. The power. The dress-ography. The unisson those two have. The way the dress moves during the twizzles. The final pose were Daniel is ready to execute Katerina...
Hope the madlads demolish the senior ranks.
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sunskate · 2 years
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Junior Ice Dance 2022-23 season
Anita Straub/Andreas Straub (AUT): RD: Carmen Goett- La Llorona; John Powell- Assassin's Tango; Embrujo Mestizo Music- El Vito FD: Grease (coaches: Veronika Musilova, Pavel Laurencik, choreo: ?)
Catharina Guedes Tibau/Cayden Oliver Dawson (BRA): RD: Fermin Spanish Guitar- Spanish Waltz; Juan Jose Mosalini- Bordoneo Y 900 FD: Bill Medley, Jennifer Warnes - The Time of My Life; Otis Redding- These Arms of Mine; The Contours- Do You Love Me (coaches: Carol Lane, Juris Razgulajevs, Marc-André Servant; choreo: Juris Razgulajevs, Marc-André Servant)
Nadiia Bashynska/Peter Beaumont (CAN): RD: FD: Red Violin soundtrack - John Corigliano; Jules Massenet- Elegie
Chaima Ben Khelifa/Everest Zhu (CAN): RD: Cirque du Soleil- Ardor Oris; Taalbi Brothers- Aroul FD: Chae Bo Hoon, Jeong Gwng Hyun, Nau Lee (Karl Hugo)- Stop Crying Your Heart Out (coaches: Shawn Winter, Elise Hamel, Francois-Xavier Ouellette choreo: Mylene Lamoureux, Francois-Xavier Ouellette, Charlie White)
Marianne Hubert/William Oddson (CAN): RD: Ostros Aires and Pepe Romero- Perro Viejo and Farrucas FD: Cody Fry- Photograph (coach: Tyler Myles; choreo: Tyler Myles and Mylene Girard)
Dana Sabatini-Speciale/Buelow (CAN): RD: Milva and The Tango Group- La Cumparsita; FD: Greatest Showman - Tightrope, A Million Dreams (coach: Mitch Islam, choreo: Mitch Islam, Kelly Johnson)
Layla Veillon/Alexander Brandys (CAN): RD: Johannes Linstead- Sangre Del Toro; Per Storby- The Swan Crash Concert: Still Life- The Blood FD: Dear Evan Hansen- You Will Be Found (coaches: Scott Moir, Alma Moir; choreo: Sheri Moir, Cara Moir)
Hailey Yu/Brendan Giang (CAN): RD: Gotan Project- Epoca; King Chronic vs Barrio Populaire- Tango Tanssimaan FD: Craid Pruess- Punjabi Wedding Song; Raj Ghatak- Love's Never Easy; Ganesh (coaches and choreo: Megan Wing, Aaron Lowe)
Xinyi Liu/Tianyi Liu (CHN): RD: Otros Aires; Jesse Cook- Flamenco FD: Christina Aguilera- Say Something (coaches: Guiyu Huang, Ting Li, Linshu Song; choreo: Pascal Denis, Linshu Song)
Natalie Blaasova/Filip Blaas (CZE): RD: Tango Jointz, Bellma Cespedes- Tango D'Amor FD: Michael Jackson (coach/choreo: Karolina Prochazkova)
Katerina Mrazkova/Daniel Mrazek (CZE): RD: Forever Tango, Eduardo Rovirra- A Evaristo Carriego; Pascual Marquina Narro, Andre Rieu- Espana Cani FD: Man in the Iron Mask (coaches: Matteo Zanni, Barbora Reznickova; choreo: Matteo Zanni)
Izabella Sukhovskaya/Trevor Sebastian Malkasaari (EST): RD: FD: (coaches: Julia Semjonova, Valdis Mintals)
Celina Fradji/Jean-Hans Forneaux (FRA): RD: Tango for 3 arr Hugo Chouinard- Gringo Nr. 1 FD: Dead Can Dance- Agape; Rajna- Epidauros; Bachar Mar-Khalife- Ya Nas (coaches: Karine Arribert, Mahil Chantelauze; choreo: ?)
Lou Koch/Ivan Melnyk (FRA): RD: Misia- Do Retorno I; Bajofondo and Mala Rodriguez- El Anden FD: Swan Lake (coaches and choreo: Karine Arribert-Narce, Mahil Chantelauze)
Ambre Perrier Gianesini/Samuel Blanc Klaperman (FRA): RD: Forever Tango- A Evaristo Carriego; Taalbi Brothers Music- Uccen FD: Arctic Monkeys- Do I Wanna Know?; Hooverphonic- Mad About You; Jet- Are You Gonna Be My Girl (coaches: Marien De La Asuncion, Olivier Shoenfelder, Muriel Zazoui, Emi Hirai; choreo: Marien De La Asuncion and Olivier Shoenfelder
Seclet Monchot/Chardain (FRA): RD: Piazzolla - Oblivion; Maria Mezcle- Maestros FD: Queen's Gambit (coach and choreo: Fabian Bourzat
Phebe Bekker/James Hernandez (GBR): RD: Roni Benise- The Duel, Tango de Besame, Concerto de Espana FD: Four Seasons (coaches: Nicholas Buckland, Penny Coomes, Zhanna Palagina choreo: Penny Coomes, Nicholas Buckland, Chellie Fig)
Sophia Bushell/Alex Lapsky (GBR): RD: Bellma Cespedes- Tango D'Amor; Taalbi Brothers- Uccen FD: Greatest Showman- The Greatest Show, Never Enough, This is Me (coaches: Phillip Poole, Karen Quinn; choreo: Phillip Poole)
Slatter/Ongay-Perez (GBR): RD: Gotan Project- El Capitalismo Foraneo; Roni Benise- Malaguena FD: Nick Glennie-Smith- Heart of a King (coach: Philippa Towler-Green)
Laura Hegarty/Kevin Hegarty (IRL): RD: Mala Rumba- Sombrero Blanco (Mask of Zorro); John Powell- Assassin's Tango (Mr. & Mrs. Smith) FD: Sarah Brightman- Harem (coaches: ?)
Elizabeth Tkachenko/Alexei Kiliakov (ISR): RD: Argon Bregovic- Ausencia, Presidente FD: Woodkid- Run Boy Run, Guns for Hire (coaches: Alexei Kiliakov, Elena Novak; choreo: Elena Novak, Alexei Kiliakov, Jimmie Manners)
Nao Kida/Masaya Morita (JPN): RD: Jaime Wilensky, Andres Linetzky, Ernesto Toca- Sentimientos; Juan Carlos Caceres, Romeo Music- Tango FD: Steve Jablonsky- Red Notice; Theodore Shapiro, Craig Wedren, Ivy Levon- Who Can You Trust; Ryan Shore- Rogue (coach/choreo: Cathy Reed)
Hannah Lim/Ye Quan (KOR): RD: Primavera Portena- Milonga FD: Saint-Saēns- Danse Macabre (coaches: Marie-France Dubreuil, Patrice Lauzon, Romain Haguenauer, Benjamin Brisebois, Pascal Denis, Josée Piché; choreo: Romain Haguenauer(RD), Marie-France Dubreuil(FD)
Milla O'Brien/Laurin Wiederkehr (SUI): RD: Chi Chi- Alice's Tango; Didulia- Flamenco FD: Sanjay Leela Bhansali- Nagada Sang Dhol; Alka Yagnik- Ringa Ringa; Panjabi MC- Mundian to Bach Ke (all arr. Maxime Rodriguez) (coaches: Cornelia Leroy, Alisa Agafonova)
Elliana Peal/Ethan Peal (USA): RD: Otro Aires- Otro Noches En La Viruta; Gypsy Kings- Bamboleo FD: Halo (coach/choreo: Robert Peal)
Vanessa Pham/Jonathan Rogers (USA): RD: Jerzy Petersburski- To Ostatnia Niedziela; Taalbi Brothers- Uccen FD: Scheherazade (coach: Roman Zaretsky, choreo: Igor Shpilband, Pasquale Camerlengo, Roman Zaretsky)
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catsnuggler · 2 years
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Espana Cani makes me think of two things - Spanish matadors, and Mexican cavalry.
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danceoftheday · 3 years
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Performed by: Jared Murillo and Lacey Schwimmer
Number: “Espana Cani”
Style: Paso Doble
From: “Jared Murillo & Lacey Schwimmer - Paso Doble” (2011)
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hidheim · 3 years
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Play España cañí, The Head Witch of Illusion Coven is on the stage!
A while ago, I read a comment that Illusion Head's design looks similar to a matador outfit. Since then, I can’t get over this imagery:
Showman, Traje de Luces, muleta, an arena filled with an excited crowd...
for Day 20 of #Hootober: Coven Heads(s)
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sytycdinternational · 5 years
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SO YOU THINK YOU CAN DANCE UKRAINE SEASON 1 // Tonya Rudenko / 22 / Contemporary & Aleksandr Ostanin / 20 / Tap / Paso Doble / Top 16 Week
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beforeorion · 5 years
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First dog - the Spitz?   More on Bernie Taylor’s work can be found on his web page www.beforeorion.com and in his book Before Orion: Finding the Face of the Hero.
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shoma-uno · 7 years
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Shoma Uno at The Ice, 2007 & 2012 (x)
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fabiochampioraro · 4 years
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again Arina’s in her last competitive year before retirement and she’s almost 22 and she’s as, sometimes even less, expressive as a 1st year junior. If you’re using a song like espana cani you have to show grit, determination and sensuality....yet she’s constantly smiling like she’s performing on the most cheerful song.
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endlessrain3108 · 5 years
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Gia chủ đang ngồi nhà tu luyện espana cani pascual marquina mà bốn con điên phòng/nhà bên nó cứ ra thềm nói chuyện chí choé thánh thót bên tai làm ta không tài nào tập trung được . Haizzz đời là bể khộ, đi phê pha phát!
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bookaddict24-7 · 5 years
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MUSIC MONDAYS!
A series where I recommend a book, review it, and create a short playlist to give a sense of what the book is about.
This review may contain spoilers.
I received a copy of this book from the publisher in exchange for an honest review.
The first time I saw the cover of With the Fire On High by Elizabeth Acevedo I fell in love. I’ve been blogging about books for years and never has a cover actually made me do a double-take. What worried me, however, was if the story would match the beautiful cover. And oh, did it ever. The bright colours, lush illustrations of fruits, and the strong profile of a confident mixed woman more than reflected the quality of the story. Also, oh man, that Latinx representation! I am in LOVE with the representation! It wasn’t overwhelming, or just used as a plot device. This is the kind of book I’ve been waiting for. The Spanish dialogue was correct, the religion wasn’t used as a plot device, and Emoni’s heritage wasn’t used as a way to mark her as “different” from everyone else. She just was who she was. Thank you, Elizabeth Acevedo!
Emoni Santiago has a magic touch when it comes to cooking. Somehow, she always knows just what to add to a recipe to make it memorable and special enough to feel like magic. But being a single teen mom makes life more complicated for Emoni. Her daughter is her life, but she knows she needs to do something more than just provide for her. She wants to be a chef someday and for that to happen, Emoni needs to find the time to take the new culinary class in her high school. Through life lessons that teach her that she’s not as alone as she thinks (besides her abuela, who is a constant in her life), surprising new friendships, and cooking adventures she never expected, Emoni will learn that even though dreams may seem impossible, it’s worth the fight and the hope to want better for your life. 
With the Fire On High has a special essence to it that immediately drew me in. Emoni is a single mother who has so many things against her. If someone were to look her way, they would think she wouldn’t succeed in life because of her circumstances. This could have easily become a story about the stereotypes following young mothers, but Acevedo instead introduces a story about a girl who has people rooting for her. I remember being particularly touched by a chapter where a teacher basically tells her that they know that she is capable of anything. I can’t imagine how hard it must be to believe in yourself in a situation like Emoni’s, but hearing someone you respect tell you that must have been incredibly powerful. How many women like Emoni never had someone believe in them the way this person believes in Emoni?
What drew me in even more into With the Fire On High were the short chapters. I personally find that shorter chapters tend to make the flow of a story better because it isn’t cluttered down by chapter fillers. It also made it easier for when I was reading on the go. I could pick the book up, read a two-page chapter, and continue on my way. The only downside to this is that there were instances where the story felt almost episodic--each chapter a different instance in Emoni’s life, especially at the end. 
Emoni herself is a very complex character who always put her daughter first and acted her age while still maintaining that level of adulthood needed when someone else becomes dependent on you. I liked the fact that Emoni is understandably careful around the people she lets in, but doesn’t let the drama affect her relationship with her daughter. This was especially evident when Babygirl, her daughter’s nickname, and her father’s family came into the story. 
Some of the side characters were also fun and I loved seeing the representation in this novel. Emoni’s best friend is a rock for her and I was grateful that I didn’t have to read another story about best friends who break up as a means of furthering the plot. What I also liked about the side characters is that some of them had some great character growth, while remaining true to their core being. For example, someone who is a bitch at the beginning didn’t magically become an angel just because the protagonist and her finally understand each other. 
A lot happens in this book, which felt fun but also at times overwhelming. I could tell that Acevedo is a poet because though her novel is written in prose, the way that events are introduced and even the short chapters felt segmented like a poetic stanza. Everything adds up to a whole, but events are all grouped into different events within the story. This again reminds me of my earlier comment of this book sometimes feeling episodic. 
One of my only other complaints about this book was how easily everything was concluded. I kept waiting for certain events to happen--to the point where my anxiety was starting to freak me out--because they were alluded to in the book, but they never happened. Everything just got tidied up really well and while the romantic in me is happy for Emoni and for the way everything concluded, I wish there had been a better arc for us getting to that conclusion.
Overall, I would strongly recommend this book. It was fun, heartfelt, and it was sweet watching Emoni become the woman she’s meant to be. Also, her relationship with her abuela and her daughter is the cutest thing ever. Plus, who wouldn’t want that piece of art of a cover on their bookshelf?
My Rating: ⭐️⭐️⭐️⭐️.5/5
Age Recommendation: 14+
Genres: Contemporary, Coming of Age, Family, Cooking, Friends, Romance
Add it to your Goodreads here.
See the playlist on Spotify here.
The Playlist: 
Do You Believe in Magic? by The Lovin’ Spoonful
Treat Me Like Fire by Lion Babe
Breathin’ by Ariana Grande
A Sky Full of Stars by Mother’s Daughter & Beck Pete
Espana Cani by Real Orquesta Sinfonica de Sevilla
No Scrubs by TLC 
Streets of Philadelphia by Duo Calientes
Have you read this book yet? Would you recommend it?
Happy reading!
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