Dethklok on Hot Ones:

don’t ask why this has been on my mind

Nathan: likes spicy food. Does pretty well. Is suffering by wing 6-7 but his face won’t show it. Downs the last dab like it’s nothing, but it affected him badly.

Skwisgaar: knows he won’t do too well but is determined to see it through. Suffering by wing 4, but refuses to back down. Does the last dab and spends the next day on the toilet.

Toki: does surprisingly well. Like genuinely surprising. He gets to around wing 7 before he really starts suffering. But he’s having fun. Does the last dab because it’s tradition.

Pickles: so hammered the entire time that he barely registers the spice. Makes it all the way to the last dab without breaking a sweat. Completely forgets he did this by the next day, but his burning intestines are happy to remind him.

Murderface: gung-ho and determined he can outlast everyone else. Is crying by the second wing.

The five cutest, most wholesome characters in Hazbin Hotel will still look utterly terrifying the moment you are threatening their loved ones (or you're in stabbing range, in Niffty's case).

I didn't even notice this holy shit that is fucking hilarious

on a somewhat more serious note I see a lot of people complaining about Vaggie's unhealthy perspective of her relationship with Charlie and how her whole existence is devoted to supporting her partner but I think the flashback to her losing her wings helps explain it

like of course it's unhealthy, but she has room to grow and that's what storytelling is all about, and it makes sense that she is so single-mindedly devoted to Charlie because she lost absolutely everything and Charlie was the first and only new thing to enter her life since

she doesn't have other interests or reasons for living because she lost all of that when she was expelled from heaven, but I look forward to seeing her develop as a person and the evolution of Chaggie to a much healthier place

relationships in media don't have to be perfect, it's realistic that many of these relationships have unhealthy aspects but that's what makes us root for them is that they can improve

if the agrestes weren't rich i think that gabriel would be the normal one. like gabe's problem is that he stopped running into natural limits due to absurd wealth and his obsessive nature led him to develop some kind of god complex where he won't accept that anything is out of his control. I think that if gabe was broke again and just simply couldn't afford to go on an international goose chase for ancient magic artifacts of untold power, if he had to work a 9-5 to live and couldn't just disappear into his basement lair to commit domestic terrorism and say evil monologues to himself, then he would be way more normal. he'd just be some guy. he might even let himself have a mowhawk again. but I think that emilie would be way LESS normal if they weren't rich. like emilie needs so many people to be obsessed with her so much all the time in order for her to function. and gabe would still have his toxic codependent obsession with her, sure, but that wouldn't be nearly enough. emilie has to be at the center of the world's spotlight at all times because she doesn't know how to exist if she's not performing. anyway all this to say I am so certain that if the agrestes were not disgustingly wealthy, emilie agreste would one million percent be running a massive family vlogger youtube channel

Thinking about how Charlotte Emily most likely regularly hung out with the Aftons.

William comes downstairs at 9 in the morning to see Charlie and Elizabeth with empty teacups and a teapot, and is just like, ah. Of course. Little girls love tea parties, but indulges them anyway like "what are you two up to?" Elizabeth immediately lights up. "Charlie said that we should play British People 'cause we're British!" William, now a bit more confused, "...ah. I see." Elizabeth, "oh won't you join us? Pretty please?" Charlie then pipes in that she had also asked Mike, but that he had very unfortunately said no, because "Liz plays too mean." Elizabeth, "I do not, you're just too scared to lose!" Michael, "I can't fucking lose at 'British People.'"

Charlie and Elizabeth do atrocious things to their dolls. Drama. Tragedy. They always clash on the endings though, as Charlie wants their dolls fo have a happy end while Elizabeth wants their dolls to have an even worse end

Michael doesn't know Charlie's staying over, and brings home his schoolmates one day. William Frowns TM like "I tried to tell you Henry was dropping off Charlotte today, but you were already halfway out the door." Michael later re-enters the room to find his schoolmates picking on Charlie and pulling at her hair. The closest Michael ever feels to peace is when he's with the Emilys, so he immediately spirals at the sight like, "oh god, if Uncle Henry finds out I brought people over who hurt his daughter, he might not bring her over anymore. What do I do then? What do I do if he stops liking me?" He quickly shoos off his friends, going "dude! She's a guest, leave her be" while Charlie recovers. Before he too can follow after them, Charlie asks Michael if he'll draw with her. He hesitates. The Emilys are the closest he ever gets to peace, so he agrees and sits down to draw. "What are you drawing, Char?" "Marionette!" "'S that the creepy thing that's always watching the guests come and go at Freddy's?" "He's not creepy, he's my friend. Dad made him for me :(" "ahh. You know, my father's been building something for Liz too." "You think that it'll protect her like Marionette protects me?" "Maybe."

Charlie notices how anxious CC always seems to be, and declares one day that she'll keep him safe. She makes him a drawing of them both holding hands, and gives it to him so that he may always look upon it and know that Charlie's rooting for him. He nearly bursts into tears at the kind gesture. The whole household tries to be nicer to each other whenever Charlie's around, but CC tells her about Michael's behaviour to him. Knowing how weak Michael is to her, Charlie gives Michael a look while he's grabbing cereal the next morning like "you should be nicer to your brother. He's just a little kid." Michael immediately pauses, then awkwardly closes the cupboard like "ummm. Okay." Not wanting to use Charlie as a means to make fun of CC, he just never brings the interaction up afterwards

The Emily and Afton families joining together are constantly filled with different forms of jealousy from the Aftons. William, he's jealous of Henry. Michael, he's jealous of Charlie's positive relationship with her father. CC, he's jealous of how Michael seems to like Charlie so much more than him. Elizabeth doesn't even notice her own jealousy, but deep down, Charlie's completely peaceful household... confuses her. She rationalizes the lack of favouritism or hostility as it only stemming from Charlie being an only child, rather than Henry's good parenting. Being so young as well as being the perfect golden child, Elizabeth doesn't know how to express doubt in her father. Clearly, it must be her siblings doing something wrong if Charlie and Uncle Henry are doing so well on their own!

After CC's death, the house is filled with an unbreakable tension. It's grief. It's guilt. Michael and his schoolmates completely cut ties after what happened. And as always, the Emilys feel so separate from the tension of his own home. Michael starts talking to Charlie more frequently, more often at Henry's house rather than his own. He tries not to, or at least usually tries to hide first, but he accidentally has a complete breakdown in the living room one time. Charlie hums a soothing lullaby to him until Henry eventually comes back, notices the state Michael's in, and takes over calming him down while sending Charlie off to do some other seemingly helpful task. After Elizabeth's death, Michael only really has the Emilys left. Charlie stops just being his source of peace, and becomes his best friend. His only friend. Then after Charlie's death...

It's rather lonely all of a sudden.

Later, years later, when Michael's flesh is rotting on his bones and everything is just about to finally be done with, he sits down on the edge of a cheap creaky stage he bought, and lightly knocks his knuckles against Lefty's calf. "Charlie? Can you hear me alright? It's Michael ... I'm sorry. I know I never acted like it, but... for what it's worth... you were my best friend back then. ...Whatever's beyond this, would you like to be friends again there too?"

Okay so by far the most fun part of imagining ‘Fallen Angel Emily’ is picturing Emily having so much fun enjoying all the ‘naughty’ stuff she’s spent her whole life being told was bad. All while remaining the super sweet, wholesome cinnamon roll she’s always been.

Like this is basically ‘sheltered Disney princess discovers all the wondrous things she’s been missing with wide-eyed wholesome joy’, with said things being swearing, partying, booze, drugs, sex, etc.

Put another way, imagine Emily being set up as seemingly the biggest case of ‘Christian Morality PSA about a young innocent girl about to have her life ruined by drinking/drugs/sex/rock-and-roll/gender’… and then nothing actually bad happens to Emily, aside from perhaps a comedic hangover the morning after.

I mean just picture Emily on her first night out partying with the hotel crew (specifically with Angel and Cherri) which gets VERY crazy, culminating with Emily having a wild, kinky threesome with Charlie and Vaggie. Followed by Emily spending the next morning puking into a toilet with a quite bemused Angel Dust holding her hair back.

Emily: -listing just how horrible she feels after last night in between puking her guts out-

Angel: Uh-huh. Still worth it?

Emily: -with as big a grin as she can muster- Abso-fucking-lutely –continues to puke-

To summarize; Fallen Angel Emily is basically what if the ‘Hard Drinking Party Girl’ trope was ALSO the sweetest, most adorable little cinnamon roll.

(Also the best part about all this is realizing that this could totally thematically parallel Eve getting together with Lilith and Lucifer XD)

lesbianism is my favorite kind of ism

William is so insecure in the books and he doesn't even seem to realise. His inferiority complex relating to Henry and spreading through all areas of his life is like, his leading trait. Everything he does is just because of fear and the overwhelming need to proof something, even (or especially) to people who will never think more of him anyways. The way he flexes his skills in front of Charlie and her firends in the Silver Eyes, the need to show his tortured body as Springtrap in the Twisted Ones and his suffering and scientific prowess in The Fourth Closet. Jessica points that out blatantly and he dismisses her, event though she was on point. He wants to shock her so bad, he doesn't care for her pity, maybe, but he sure does want to see her and others be uncomfortable with the idea of him still being alive but in such agony. He is afraid of death but still so impossibly reckless with his body; he needs the attention so bad. Makes you think how he was acting around Henry; did Henry ever entertain his "faithful partner's" need for attention? He must have, seeing as William performed as Spring Bonnie. But he is also such a... wavy presence when it comes to Freddy's. How resentful he must have grown, spending long hours behind his small desk in his small office, filing papers while constantly thinking of Henry's inventions. How much better they were, what genius Henry was, all to waste. It must have been like watching a God using his power for puny magic tricks, while you remain a grey, unseen mass. How he must have reveled in being seen, in waking the most extreme of emotions. After all, he was even jealous of his last nearly-victim's fear; he wanted Jacob to fear him, not the animatronics, he was desperate for it. He was truly the biggest attention seeker of them all.

william afton the type of man to look happier in photos with his robots and henry than in photos with his own wife and kids

EYECING??? EYECING. LMFAO SHUT UP STUPID CORNY BASTARD I LOVE YOU 😭😭😭😭

pt. 2 of "hey lex, how's it going?"

<- part 1 | part 3 ->

it would be wild if it was revealed that emilie had filed for divorce before falling ill

Prentiss, on the phone: Hey, Hotch, can I borrow $5000?

Hotch: Why do you need $5000?

Prentiss: For an escape room.

Hotch: What kind of escape room costs $5000?!?!

Prentiss:

Prentiss: Jail.

HAZBIN REDESIGNS (new designs and updates to a few old ones)

First, let’s get the new ones out of the way

Then we also have Adam, but I’m less confident with this one and I’ll prolly change him up when I have better ideas.

Also, this redesign has a lot to do with my rewrite’s version of him. Basically, Adam is supposed to be in Hell, but was let into Heaven by some higher being. So he is actually a demon. The exorcists wear helmets with horns to create a crowd that he can blend in with, so he doesn’t stand out as much.

But yeah, I’ll prolly update him once I can come up with something better. So yall get to have this concept.

Now on to the updated designs !

First is Charlie. I just wanted to update her to look more like her parents’ designs.

I’m not fully set on the colors, so I may update her again at some point.

Then there’s Vaggie:

Not many changes, mainly just included the new detail of the eye pattern on her hair.

Lastly, Alastor.

I really only changed small details about him. Just wanted to make him look a lil more unhinged and like he could’ve been a serial killer.

Here’s a version with color and a version with notes cuz I didn’t feel like adding the notes to the colored version

could u imagine if gabriel chose to create adrien instead of emilie and then he died via peacock disease and emilie lived. but then emilie STILL figured out some way to also die in very quick succession in a way that was somehow also adrien's fault

Fnaf au ramble yada-yada

New thought that's stuck on my mind. One of those time travel fix-it Michael AUs, except Charlie also time travelled after Pizzeria Simulator. Neither of them knows the other remembers everything, and both are too distracted trying to comprehend the sheer normalcy of their own realities to really process how different the other person's acting.

Henry's very concerned as to what's happened to his daughter, as Charlie's suddenly become much more still and quiet, lacking her typical innocent cheer. She forgets to eat or drink until Henry reminds her to, and she won't tell him why she suddenly seems so on edge all the time. She was in terrible conditions as the Marionette for years, she has no idea how she's meant to be a person again. She sits in the same room as Michael and just stares at him, and whenever she's not looking, Michael's staring at her, thinking about a strange history that no longer exists but has put a massive barrier of tension between them both.

But there's also one issue with the time travel.

Neither Charlie nor Michael can remember when any of the deaths are to happen until they're happening.

So one day, Charlie gets locked out of the pizzeria in the rain. At first she pounds on the window, but then she stops. She backs away from it. There is a powerful, suffocating dread in her chest that is so much more than just her aversion to rain, demanding her attention. Something is very, very wrong. Now becoming even more nervous, she tries to recall how she had gotten back inside the building that day.

And she realizes.

She does not have a single memory past this point.

And before a car can even turn the block, Charlie runs.

At the same time, Michael was also running. He had regained the memory of this being the day Charlie dies, and is determined to make it to her before his father can. Only to turn the corner and, sprinting as fast as he can, crash directly into Charlie who had been doing the same. Michael barely has time to regain his focus on the sidewalk before Charlie is already scrambling back up and running past him to gain more distance.

So... life successfully saved! By... herself. What changed? And why had she been running so scared if, when Michael asked, his father hadn't even seen Charlie that day...? And as time goes on for even longer, Michael slowly starts to pick up on Charlie's oddities. Out of everything, it sticks out to him that when her birthday arrives, a birthday that she had never had the chance to see before, she only makes one request:

She wants a music box.

Eventually it'll have to fall into place.

Cassidy could have also time travelled, but I'm hesitant on that because the AU might just end the second they find a fatal weapon. Then again, I could give Cassidy the added bonus of not remembering who their killer even was, so one day they just grab Evan by the shoulders like "Evan. Evan, there is an imposter among us and I have no idea who it is, I'm going to explode. Tell me if you see a murderer" and he's like "there's a WHAT?? D':"