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#early medieval art
eliorosb3rg · 3 months
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the evolution of early medieval christian art is soo interesting. the idealism of madonna and christ to highlight their divinity and the avoidence of any humanity in early pieces. artists and patrons fear of appearing like theyre comparing christ to themselves. the devotion and faith that exists even just in the act of creating art and the materials used. gold leaf background and lapis tempera paint used specifically for mary to show hierachy and her divine royalty. and then later when classical inspiration returned and humanism made its place and jesus became a son of man again, not just a son of god. the sufferering christ vs the accepting christ.ughghtgh the way you can see peoples devotion to christ changing through art grgrgrrg
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youre-dreaming-302 · 9 months
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Art by johnx
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nyxshadowhawk · 3 months
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Fifteenth century tarot cards, possibly the oldest known deck. Look how beautiful they are! These are from way back before they were used for cartomancy.
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virgocurator · 7 months
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Wild Goats, Horns Interlocked
Detail from “The Ashmole Bestiary”
1511 (Bodleian Library)
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katabay · 5 months
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JACK THE GIANT KILLER
originally this was a kind of personal visual vibe test: I'm still turning some thoughts around about jack in my head (altho I have finished assembling the skeleton of a story and I'm looking forward to seeing what happens when I start to press at it) but I really liked how it turned out so I'm posting it as it's own illustration :)
the first post about this idea is over here, but I've fine tuned it down a bit so that the story begins with jack finding the body of a giant while he's out in the woods one day, and the story spirals out of hand before he can stop it.
it's been interesting to read up on jack tales from a literary analysis point of view while I figure this story out!! and through the power of more coffee, I think. I'm close to pinning down an underlying theme I'd really like to bite into. I just need to condense it down to a couple of sentences instead of several paragraphs.
and to close this post out, here's another excerpt from the j.g. ballard's the drowned giant that haunts me!
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bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara ⭐ ko-fi
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lionofchaeronea · 27 days
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Stained-glass panel by an unknown South Netherlandish artist, created between 1440 and 1460, depicting the head of a bishop. Now in the Cloisters, Metropolitan Museum of Art.
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wildbasil · 1 month
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group therapy (they make each other worse)
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illumi-nati-png · 1 year
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1389
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epiphanypaige · 2 years
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commission of Mort and Ysabell for @operativehog 
pastel renfaire goth and forced renfaire goth fall in love. more at 11
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zarvasace · 1 year
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Please appreciate the effort I put into the patterned trims thank you
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novaraptorus · 2 months
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Colonel Allison Maverick of First Cavalry and the Violet Crown. Defender of Austin, warrior of the faith, and baddass cowgirl. A post-post-apocalyptic gal, since medieval cowgirls is a concept that kicks fucking ass
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tarteggs · 7 months
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some tristamp ww sketches cuz i miss him
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nyxshadowhawk · 3 months
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A selection of images from a sequence depicting the alchemical process, from an early modern manuscript.
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armthearmour · 2 years
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A Lance with a preserved haft recovered from a grave in Trossingen, Germany,
OaL: 11 ft 9.3 in/359 cm
Head Length: 24.8 in/63 cm
ca. AD 580, housed at the Archaeologisches Landesmuseum Baden-Württemberg.
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Episode 17: Kathryn Maude on politics, the queen as evangelist, and the 11th century Encomium Emmae reginae
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British Library Add MS 33241, fol. 1v
In Episode 17 of Inside My Favorite Manuscript, Dot and Lindsey chat with Kathryn Maude about the 11th century Queen Emma, who was married to and had children with both the English king Æthelred the Unready and his successor the Danish king Cnut the Great. The resulting political situation was complicated, and the Encomium Emmae reginae can help us understand the lines that Emma was attempting to walk as her sons grew into adulthood and prepared to take the throne. The text survives in two copies, the earliest one of which is British Library Add MS 33241, believed to be the copy that was presented to Queen Emma herself. Kathryn walks us through the manuscript and we talk about both the politics and the materiality of this fascinating text.
Listen here, or wherever you find your podcasts.
Below the cut are more photos and links relevant to the conversation.
British Library Add MS 33241, aka Encomium Emmae reginae (digitized online)
Folio 1v, the presentation of the book to Queen Emma, with her sons peeking out from the margin.
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A close-up of folio 1v focusing on Emma and her sons.
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A close-up of folio 1v focusing on the scribe presenting the book. Note that his hands are covered with a cloth. The son's hand has been added.
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A close-up of folio 1v focusing on the curtains
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Boulogne-sur-Mer, Bibliothèque municipale, MS 11, miniature of Saint John, folio 107r
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Close-up of folio 107r focusing on the curtains. Note Saint John holding the book with a cloth around it.
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Copenhagen, Royal Danish Library, Acc. 2011/5, aka Courtenay Compendium, which contains the late 14th century copy of the Encomium Emmae reginae (apparently not digitized)
Doors of Durin, drawn by JRR Tolkien.
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The Doors of Durin (Gates of Moria) from the Fellowship of the Ring film by Peter Jackson
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Middle Aged Women in the Middle Ages, edited by Sue Niebrzydowski. Gender in the Middle Ages, Volume 7. D. S. Brewer, 2011.
Folio 18r, Sven and Cnut's names are capitalized Half Uncials while the rest of the text is a regular Carolingian script.
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Folio 48r, another example. Here Emma's name is capitalized at the top.
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A king pointing to the text on folio 46r - "a manicule with a king attached" - with a note written beneath in the later middle ages, probably at Saint Augustine's Abbey in Canterbury.
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An ugly manicule (hand pointing at the text), folio 46v.
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Folio 5r, a gloss in the margin.
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Folio 60r, an emoji in the margin of a couple of eyes to annotate the word oculi (Latin for eyes) in the text.
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Close-up of the eyes.
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Folio 58v, the parchment has been mended during the parchment preparation process, before the text was written.
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Folio 54r, space was left for initials that were never added (the penciled M is probably contemporary but was never decorated)
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Folio 2r, the first page of text, featuring a zoomorphic initial (i.e., an initial in the shape of an animal, in this case some sort of dragon and a fish eating each other) and colorful capitals.
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Folio 8r, a zoomorphic initial R made of more critters eating each other. Good for a tattoo?
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Folio 19v. "Explicit Lib[er] I" means the end of book 1, and "Incipit Secundus" means the beginning of [book] two (the second book).
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Folio 50v, featuring Lindsey's ugly manicule
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A close-up of the manicule
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The Annunciation of Mary in Boulogne-sur-Mer, Bibliothèque municipale, MS 11
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We talked to Brandon Hawk about the Vercelli Manuscript in Episode 7.
A hedgehog in the Luttrell Psalter (folio 19v)! (See it online)
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"The Social Centrality of Women in Beowulf: A New Context" Dot's very first published article!
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