Episode 17: Kathryn Maude on politics, the queen as evangelist, and the 11th century Encomium Emmae reginae
British Library Add MS 33241, fol. 1v
In Episode 17 of Inside My Favorite Manuscript, Dot and Lindsey chat with Kathryn Maude about the 11th century Queen Emma, who was married to and had children with both the English king Æthelred the Unready and his successor the Danish king Cnut the Great. The resulting political situation was complicated, and the Encomium Emmae reginae can help us understand the lines that Emma was attempting to walk as her sons grew into adulthood and prepared to take the throne. The text survives in two copies, the earliest one of which is British Library Add MS 33241, believed to be the copy that was presented to Queen Emma herself. Kathryn walks us through the manuscript and we talk about both the politics and the materiality of this fascinating text.
Listen here, or wherever you find your podcasts.
Below the cut are more photos and links relevant to the conversation.
British Library Add MS 33241, aka Encomium Emmae reginae (digitized online)
Folio 1v, the presentation of the book to Queen Emma, with her sons peeking out from the margin.
A close-up of folio 1v focusing on Emma and her sons.
A close-up of folio 1v focusing on the scribe presenting the book. Note that his hands are covered with a cloth. The son's hand has been added.
A close-up of folio 1v focusing on the curtains
Boulogne-sur-Mer, Bibliothèque municipale, MS 11, miniature of Saint John, folio 107r
Close-up of folio 107r focusing on the curtains. Note Saint John holding the book with a cloth around it.
Copenhagen, Royal Danish Library, Acc. 2011/5, aka Courtenay Compendium, which contains the late 14th century copy of the Encomium Emmae reginae (apparently not digitized)
Doors of Durin, drawn by JRR Tolkien.
The Doors of Durin (Gates of Moria) from the Fellowship of the Ring film by Peter Jackson
Middle Aged Women in the Middle Ages, edited by Sue Niebrzydowski. Gender in the Middle Ages, Volume 7. D. S. Brewer, 2011.
Folio 18r, Sven and Cnut's names are capitalized Half Uncials while the rest of the text is a regular Carolingian script.
Folio 48r, another example. Here Emma's name is capitalized at the top.
A king pointing to the text on folio 46r - "a manicule with a king attached" - with a note written beneath in the later middle ages, probably at Saint Augustine's Abbey in Canterbury.
An ugly manicule (hand pointing at the text), folio 46v.
Folio 5r, a gloss in the margin.
Folio 60r, an emoji in the margin of a couple of eyes to annotate the word oculi (Latin for eyes) in the text.
Close-up of the eyes.
Folio 58v, the parchment has been mended during the parchment preparation process, before the text was written.
Folio 54r, space was left for initials that were never added (the penciled M is probably contemporary but was never decorated)
Folio 2r, the first page of text, featuring a zoomorphic initial (i.e., an initial in the shape of an animal, in this case some sort of dragon and a fish eating each other) and colorful capitals.
Folio 8r, a zoomorphic initial R made of more critters eating each other. Good for a tattoo?
Folio 19v. "Explicit Lib[er] I" means the end of book 1, and "Incipit Secundus" means the beginning of [book] two (the second book).
Folio 50v, featuring Lindsey's ugly manicule
A close-up of the manicule
The Annunciation of Mary in Boulogne-sur-Mer, Bibliothèque municipale, MS 11
We talked to Brandon Hawk about the Vercelli Manuscript in Episode 7.
A hedgehog in the Luttrell Psalter (folio 19v)! (See it online)
"The Social Centrality of Women in Beowulf: A New Context" Dot's very first published article!
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Queen Emma
Queen Emma was a historical figure who lived in the 11th century and was the wife of King Cnut the Great, a famous Viking ruler. She is featured in the Netflix series "Vikings: Valhalla" as a key character.
In the show, Queen Emma is portrayed as a strong-willed and intelligent woman who serves as an advisor to her husband, King Cnut. She is also shown to be a skilled diplomat, able to navigate the complex political landscape of medieval Europe and forge alliances with other powerful leaders.
Historically, Queen Emma was known for her beauty and her extensive charitable works, including the construction of several churches and the establishment of a large hospital in Winchester. She was also a patron of the arts, commissioning the creation of numerous illuminated manuscripts.
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1880s Styles (from top to bottom) -
ca. 1884-1885 Alice Louis-Guérin by Paul-César Helleu (location ?). From tumblr.com/lenkaastrelenkaa 640X1024 @72 136kj.
Queen Emma of The Netherlands. From tumblr.com/royaland 710X1199 @72 284kj.
ca. 1880 Sea Breeze by George Henry Boughton (location ?). From tumblr.com/lenkaastrelenkaa fixed cracks w Pshop 1010X1553 @72 505kj.
1889 (27 July) Queen Alexandra (consort of King Edward VII) on the occasion of her eldest daughter Princess Louise’s wedding to Alexander Duff, Duke of Fife. From tumblr.com/royaland 700X1054 @72 302kj. This is a modern colorization, possibly by klimbims.
1885 The Organ Rehearsal by Henry Lerolle (Metropolitan Museum of Art). From their Web site 3661X2364 @150 2.3Mj.
ca. 1885 Black court dress of Empress Elisabeth of Austria made by Fanni Scheiner (Kunsthistorisches Museum - Wien, Austria). From tumblr.com/a-genteel-shade-of-green 2048X1332 @72 634kj
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