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#dudebro david
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The casting of Michael Sheen and David Tennant for good omens was artful, and not just in a "they did a real good job" way.
The thing about queer media is that it's not just the film. When an actor does a queer film, regardless of whether they're queer themselves, they're somehow taken as a Representative Of The Alphabetti Spaghetti. So, to star in queer media you have to be morally rock solid, unable to be found fault with, or it seems to set queer people back? Which is ridiculous.
David Tennant is SUCH a household name, literally has been Doctor Who, and doesn't use the internet enough to care about some transphobes on shitter sorry twit sorry xitter. For him to do gomens is wild but also meant that my father, who wasn't homophobic but apathetic, has now watched queer media and vaguely understood queer issues. (This may in part be because of his queer daughter, but regardless.)
Michael Sheen is an actual angel in real life. "I give all my profit to charity" right Sheen, give the rest of us a bit of generosity- oh, and he's sold his house. For him to do queer media means nobody's finding faults in his character. For him to do queer media means it's not just another excuse for people to discriminate against queer people. Also, for him to do so well at it? Like yes, you stare at David Tennant with lovesick eyes (I mean we're all doing it, but none of us TO HIS FACE ON CAMERA WHEN WE STILL HAVE TO WORK WITH HIM-)
Anyway just a few thoughts. They rattled around my brain for a bit like tumbleweeds and I might not have expressed this well but have them.
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I am putting all the Doctors in a blender to end up with the appropriate amount of gender for me
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xenodile · 1 year
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There's a lot of scenes that can be interpreted as Alisaie having a crush on the WoL, so I can't exactly fault anyone for shipping their WoL with her, I do it too, but at the same time I am extremely judgemental about any art or writing that pairs her with a straight man because I just know that mf is going to pretend she doesn't fuck girls.
Anyway, happy pride to the Leveilleur twins, main characters of MMO for gay trans people FFXIV.
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galileo-figero · 2 years
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Biggest red flag directors to idolize, hands down:
-Lars Von Trier
-Darren Aronofsky
-David Fincher
-Eli Roth
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smoochyisdead · 2 years
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The way edward norton in fight club owns my p00sy since 2014
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malwarewolf404 · 2 years
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Just as a general rule, don’t watch any videos from anyone who analyzes war movies. They’re just going to police the marketplace of ideas until you actually want to squeeze the life out of their body with your bare hands.
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mori-no-majou · 7 months
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preemptively doing my research
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funshape · 8 days
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thinking about a few weeks ago when there was a huge dumb harassment campaign going around on twitter where bigoted dudebros were like “grrrr……this generation ruins everything….. why are woke pronoun warriors drawing gay fanart of ADULT SWIM CHARACTERS😡 that’s OUR THING they’re making STRAIGHT THINGS WOKE!!!” as if it isn’t adult swim showrunner’s favorite pastime to make Cockmouth McSnot and David Dickbreath do lines off each other’s backs in the bathroom of a gay bar every other episode
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vadersaber · 1 year
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all i can (mostly) think about now is how scary it is to be a woman. especially a young(er) girl. david is such a fucking terrifying creature because he is real. there are hundreds, if not thousands, of davids out there, preying on little girls. i don't wanna hear anything from any dudebros. being a girl, a woman, is so terrifying a lot of the time.
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jbuffyangel · 4 months
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Hot and Cold: Arrow 1x22 Review (Darkness of the Edge of Town)
There is no episode that exemplifies the disjointed nature of Season 1 more than “Darkness on the Edge of Town.”  We have Exhibit A: an OTA field op and the smoaking hot chemistry of Stephen Amell and Emily Bett Rickards igniting in an elevator shaft of all places.
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And Exhibit B: the other show. A frigid black hole I feared we’d never escape from.
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Let’s dig in…
Olicity and OTA
Let’s start with the positive since there is soooooo much freaking positive! It can take time for a television series to find its footing in the first season.  Unfortunately, nowadays if the audience isn’t binging the entire season in 24 hours, the show gets canceled. But blessedly, this was 2013. Network TV was still the supreme ruler, and Arrow was pulling big enough numbers for the CW to allow for some leeway.
Twenty two episodes of leeway. Arrow finally found its groove and latched on to the mystical “it factor” that keeps an audience watching - Oliver, Felicity and Diggle. The chemistry and dynamic between these characters and the actors who play them is undeniable and it creates an action packed, laughing out loud, and sizzling hot episode. The writers are having FUN in “Darkness on the Edge of Town" and it shows, which means we get to have fun too.
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Oliver decides to question his mother regarding the Undertaking, but she refuses to confess. So, Oliver and Diggle take a more brutal approach. The Hood kidnaps them both and beats the crap out of Oliver until she coughs up the information. It’s always hilarious when this show acts like David Ramsey can fit in Stephen Amell’s suit.
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The burgeoning relationship between Oliver and Felicity is very much in its infancy. Oliver is fully in denial about feeling any type of way toward his IT girl. Never is that more apparent then when Oliver and Diggle return from the confrontation with Moira. Diggle gets a few solid whacks in, which I’m sure felt amazing given the absolute jackass Oliver was being the past few episodes.
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Felicity has a much harder time concealing her feelings towards Oliver and it’s clear she worries about him. She is always the first to ask if he’s okay, offer a supportive ear to listen or shoulder to cry on. However, Oliver seems to draw a line in this episode when Felicity reaches to touch the bruise on his face. That small step was too much. He physically keeps her at arm’s length because the intimacy of Felicity’s concerned touch is not something Oliver is ready for. There is still a very big wall hiding all that pain, regret and unworthiness.
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Source: @lyricalarrow
Admitting he remembers the exact day they met, however, is absolutely no problem. We shall come to discover just how much Oliver remembers about that day in later seasons. I have a lot of male friends and I guarantee you I don’t remember the day we met. However, the day I met my husband is burned into my memory.
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The team determines the only way to stop Merlyn from leveling the Glades with a man-made earthquake machine is to find the location of the device. Unfortunately, Felicity is unable to hack Merlyn’s system so she needs direct access to his mainframe inside Merlyn Global Headquarters. LET'S DO CRIMES!
Oliver makes an appointment with Tommy (more on that later) while Felicity continues to up her adorability factor by dressing up as Big Belly Burger employee delivering lunch to a security guard otherwise known as John Diggle.
The burger is laced with benzodiazepine, so it knocks out the other security guard and gives John free reign to control the elevator & cameras. Do we know how Diggle is able to pose as a security guard? No. Do we care? Nope. Let the hijinks commence!
Oliver and Felicity make their way to the elevator, but not until Oliver unloads an unwelcomed dudebro hitting on Felicity.
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Jealousy looks so good on him. The way Stephen Amell plays this scene, with his nails-on-a-chalkboard look at the word “sweetie” to robotically knocking the papers out of the elevator, is physical comedy at its best. Something Amell rarely gets to do, but he’s great at it.  
The mainframe is on the twenty fifth floor, but the elevator only goes up to the nineteenth, so Oliver and Felicity have some climbing to do. It seems Felicity is thinking of a certain kind of climbing as well and really who can blame her?
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Source: @lyricalarrow
Oliver lifts her WITH ONE ARM out of the elevator, which is so freaking hot I cannot.
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Then, very gently, bends down to wrap his arm around Felicity’s waist and loop her arm around his neck. Oliver is moving with the precision of a jungle cat, but it also feels like an incredibly elaborate way to grab hold of someone. It has a very superhero sweep-her-into-my-arms sensuality to it. The mission is giving Oliver plenty of reasons to touch Felicity and he doesn’t seem unhappy about it, particularly when he softly tells her, "Hold onto me tight."
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Is it warm in here? Holy Moses, Oliver Queen. Get control. This man is a god to women, so he clearly understands the connotations of, “Hold onto me tight.” There’s a thousand different ways to say that platonically, but nope! Oliver charges headlong into the blinking neon lights of SEXUAL INNNUENDO.
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Felicity’s Freudian slip didn’t feel so Freudian either. She knew exactly what she was saying and leveled her full meaning in a single look. I thought the elevator was going to combust from all the heat. If you are looking for the text book definition of undressing someone with your eyes than look no further than these two. They way they hold the gaze. WOW. Can we have all the nakedness now?!!! It’s a sin against science for Oliver and Felicity not to bang regularly BECAUSE THE CHEMISTRY.
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THIS IS NOT THE BEHAVIOR OF A MAN MADLY IN LOVE WITH LAUREL LANCE.
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This scene has the classic Superman and Lois Lane feel to it.
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Source: @olicitygifs
Oliver is doing his vigilante thing, but his partner in crime isn’t the leading lady of Arrow. It’s a supporting character who’s feeling less and less supporting with each episode.
Unfortunately, Felicity is about to be discovered while Oliver is held up by Malcolm Merlyn, Thea and Roy Harper. This is a very popular day to visit Merlyn Global. Oliver’s frustration under his cool and calm exterior builds the tension nicely and we do wonder how Felicity is getting out of this jam. Never fear! It’s John Diggle to the rescue. Top notch comedy from both Rickards and Ramsey.
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Source: @olicitygifs
Their first official team mission outside of the bunker is a wild success. Felicity still has to search through all of Merlyn’s data to determine the location of the device. Despite all the heat, hilarity and hijinks on this side of the show, Oliver makes an abrupt decision regarding the other side of the show that makes absolutely no sense.
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Lauriver and Merlance
Still feeling warm friends? Well don’t worry. I have a nice bucket of ice cold water to dump on you.
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As predicted, Oliver’s love confession messes with Laurel’s mind and obliterates any clear path back to Tommy. He drops this bomb on her and they have not spoken for a WEEK. Of course, this is all Laurel has thought about and she makes a rather elaborate speech admitting she has feelings for Oliver too.
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Yeah, none of this is a surprise. Tommy knew Laurel had feelings for Oliver. We knew Laurel had feelings for Oliver. Hell, even Oliver knew. The only one who wasn’t admitting it was Laurel, so at least she’s finally being honest about things. You don’t get a love triangle if the central figure in the love triangle doesn’t have feelings for two people. The issue is who does Laurel love MORE.
Laurel: Maybe Tommy was right. Maybe he and I weren’t meant to be.
She had a clear answer last week. It was Tommy. She absolutely wanted to get back together with him, but Oliver decided honesty was the best policy on this one subject only. This line enrages me because Oliver has distracted Laurel from the man she is truly meant to be with. I will die on this hill, friends. DIE. ON. THIS. MERLANCE. HILL.
Laurel: Tommy’s a good guy. Are you?
Oliver: I didn’t have an agenda. I didn’t mean to make it more difficult to fix things with Tommy.
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Oh for fucks sake. Yes, you did Oliver. That’s exactly why you said it. This is just a straight up lie. Oliver absolutely wanted to confuse Laurel. He just doesn’t want to look like the bad guy for doing it. This is some A+ Ollie behavior.
After Laurel makes a wonderfully impassioned and heartfelt speech about her feelings for Oliver, after probably obsessing about it for seven days straight, Oliver dumps her. AGAIN.
Oliver: Nothing’s changed. My life hasn’t changed. I haven’t changed.
I am infuriated on Laurel’s behalf with this flip flopping back and forth. The time to make this speech was last week in the hospital hallway. That was the moment to let her go and put Laurel on the plane with the man she belongs with, but Oliver couldn’t do it because it was too damn hard. It was just cruel and horribly unfair to both Tommy and Laurel because Oliver has absolutely no intention of being with her. But now it’s too late. The information is out there. You can’t put the toothpaste back in the tube, my dude.
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Laurel pays her father a visit to basically get his permission to date Oliver again. Yeah, let’s make the man who lost his daughter to Oliver’s selfishness sign off on banging his other daughter again. This show.
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Quentin’s speech is equally as empty as any speech Laurel’s made about seeing the change in Oliver because we, the audience, have not been privy to those moments. We’re just supposed to take their word for it even though the last time Quentin saw Oliver Queen he was trying to arrest him for drug trafficking. But sure, Quentin thinks he’s “changed.”
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In order to make this storyline work, you have to give proper attention to the Lance family interacting with Oliver and the writers do not seem interested in doing that. All the important emotional growth takes place off screen and we’re supposed to accept it as fact because the characters tell us.
Meanwhile, they are organically growing the relationship Oliver has with Diggle, Felicity, hell even Roy! So we know the writers are capable of SHOWING these moments of character evolution. They just choose not to when it comes to the Lance family. It’s why the show feels so completely disjointed.
Oliver pays Tommy a visit and wants to have a chat.
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Source: @queensarrow
So it's safe to say Tommy is still pissed.
Oliver encourages him to work things out with Laurel – kind of?
Oliver: Lord knows, I am guilty of a lot of things between us, but not you are her.
What’s infuriating about this conversation is that Oliver still refuses to accept any kind of responsibility in their break up. Oliver pretends to be a friend to the all feminists and touts Laurel’s independence and free will. She makes her own choices and she chose Tommy.
Tommy’s point is clear, even if it is self pitying; Laurel is not dealing with all the information. If she did have all the information then she would choose Oliver. From Oliver’s standpoint, it doesn’t matter because he can’t be with her.
That’s not reassuring to Tommy nor is it supposed to be. If the elements keeping Oliver and Laurel apart were removed (the Hood) then Oliver wouldn’t think twice about making a move on Laurel. And Tommy knows this. These are not the actions of a best friend, which is why he’s so pissed.
Now, Tommy’s big mistake was throwing in the towel too early. He should have NEVER given Oliver an opening with Laurel, but he did and it set them on this path. No we have to watch it play out.
Oliver: I promised myself that when I crossed all of these names off the list, I’d be done, but taking down these people, it doesn’t honor him. I was just treating the symptoms while the disease festered. I stop the Undertaking… I wipe out the disease.
Diggle: What are you saying Oliver? You would hang up the Hood?
Oliver: Merlyn’s plan is what I returned from the island to stop.
Does anyone else have whiplash? Oliver does a complete about face and determines he can be with Laurel since he only needs to cross one name off the list instead of dozens. He’s just missing one step, gee what could it be? Oh! I know. OLIVER STILL HAS TO CROSS MERLYN’S NAME OFF THE LIST AND STOP THE UNDERTAKING. Talk about counting your chickens before their hatched.
A hero’s journey is a very specific type of story. Joseph Campbell outline seventeen stages in 1949 and Christopher Vogler created an updated version in 2007 for screenwriting. I’m not going through all seventeen steps, but we can skip to the very last one regarding this storyline.
Freedom to Live/Return with the Elixir – meaning the hero has faced their internal and external struggles, has conquered the demons around them and earned the right to live as they choose. From a spiritual sense, the hero lives without fear of death.
It’s similar with Vogler’s elixir stage. From a community perspective, the hero has found the magical way to heal their wounded land. They are bringing hope, life and freedom back to their loved ones. In doing so, it gives the hero a personal victory. They’ve earned the right to experience peace and joy, which can be represented in a wide variety of narratives.
Oliver is hero. Arrow has made his endgame very clear - save Starling City. Has he saved the city? Has he stopped Malcolm Merlyn? NO. So why is his leather clad ass running all the way back to Laurel Lance to enjoy the fruits an elixir he has yet to procure? If Laurel is endgame, this makes absolutely no sense. This is too fast. It’s too abrupt. It doesn’t feel earned because it hasn’t been earned.
Clearly, the initial plan was to put Oliver (Green Arrow) and Laurel (Black Canary) on parallel, if not intersecting, paths. I’m not saying Oliver cannot be with Laurel as they evolve into superheroes together. But this is the first freaking season you guys! He hasn’t done a damn thing yet! Neither has she. And yet, here Oliver is, knocking on Laurel’s door, looking for some fruit.
Oliver: Ever since I’ve been back, we’ve been doing this dance. We come together and then I pull away.  Something pulls me away, but I think finally that something might be over.
Laurel: What are you are trying saying?
Oliver: That you know me better than anyone. And that you are more important to me than anyone. I just hope I didn’t wait too long to say it.
If Laurel has no clue Oliver is the Hood then can he really claim she knows him best? It sounds good to say, and probably what Laurel is dying to hear, but it rings hollow because there’s no evidence of this anywhere on the show. Laurel was wrong about who Oliver is all season. We are just supposed to accept some verbal acknowledgment of change, that she knows him better than anyone, but without any television scenes to back it up. That’s not how storytelling works, Arrow writers.
Sorry to beat a dead horse, but I warned you I wasn’t done with this topic - Oliver is still lying to Laurel. There should be more talking. What are those things pulling you away, Oliver? Why are they over? Are you a hooded, crime fighting, serial killer who has been mysteriously stalking me all year? Those are just some ideas off the top of my head. There is no person on this planet that Oliver needs an honest conversation with more than Laurel Lance, but nope. They jump straight to sex.  
Let’s talk about the sex. This has been built up all season. These two characters belong together. They are bulldozing over Tommy Merlyn to be together because they are this passionate romance that time cannot quell. It should be like the fourth of July in Laurel’s apartment right now.
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Source: laurelscanary
Instead, of heat we get frigid. Fish have hotter sex.
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I’m willing to acknowledge "Radioactive" was the hit song of 2013 and every show on the CW was using it. It has a very sexy beat and big crescendo. It sounds like a good song to use during a sex scene.
Except for the fact that it’s called RADIOACTIVE with lyrics like, “This is it, the apocalypse.” This is not the romance your Plan A couple usually requires in a scene like this. They had Blake Neely for a composer. Where’s Oliver and Laurel’s love theme? We'll probably get it in the season finale but anything would be better than "Radioactive."
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Source: laurelscanary
Next issue. Black socks and jean shorts?  Wardrobe – what were you thinking? Nobody felt the need to tell Katie to take off the sox? Details matter!!
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Source: laurelscanary
Stephen Amell and Katie Cassidy kissing are like watching two pieces of flat cardboard trying to hump each other. Can they choose a direction? Are we biting or no biting? Are we using tongue or no tongue? Can Oliver unbutton his shirt or does Laurel need to help? Is Oliver going to drop Laurel while trying to get her sweatshirt off? It was just so awkward from start to finish. ZERO SPARKS.
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Source: habibialkaysani
And for the coup de grace, they leave the curtains pulled wide open, so Tommy can see them screwing from the street. The look of utter devastation on his face is heartbreaking and that’s the final image they leave us with as their love scene fades to black. Oliver and Laurel reuniting are not framed as a good thing. It’s framed as a betrayal, because that’s exactly what it is.
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Source: @queensarrow
Even worse, Felicity finds the device while Oliver and Laurel are asleep and HE LEAVES. No note. No, honey I have to run out and save the city real quick, but I’ll be back for round two later. Nothing. But please, tell me again how much Ollie has changed.
When I watched this episode live I was horribly disappointed the big reunion with Laurel and Oliver fell flat. This was really my last gasp trying to be a Lauriver shipper. And I use the term “trying” loosely. I was more or less looking for any redeeming qualities in this love story, but after this hypothermic love scene I was officially out. I could not ship these two. I could never forgive them for betraying Tommy. But I feared Arrow would never move on from Oliver and Laurel.  
Of course, their real intention becomes all too clear later. Arrow was trying to blow them up to make way for something infinitely better.
 Theroy
Speaking of flipping back and forth, these two break up every other week. Roy is clearly committed to finding the Vigilante, which leads them to Merlyn Global and a run in with Oliver, the disapproving older brother. Again, Stephen Amell’s acting is superb.
I loved the way he said “What” to Thea and the firm alpha male handshake he gives Roy, warning him to stay away.
Obviously, Roy accomplished his goal. He found the Vigilante. Roy just doesn’t know it. He thinks Oliver Queen is too much of a wimp to ever consider him as the man in the hood. Thea was good and ticked off with that “wimp” remark. Enough to dump Roy. She will not tolerate any slander of her brother. #QUEENSIBILINGSFOREVER
But this is like the fifth time these two broke up, so it’s losing the impact. This isn’t all about the Hood’s identity and thanking him for saving Roy’s life. He wants to BE the Hood, so Roy can protect the people he loves and never lose anyone again. The question is – who did Roy lose? Unfortunately, Thea storms out before we get an answer, but hopefully one is coming in the season finale. (No I do not remember who).
Long story short, yes I like these two, but the faster the Arrow writers move the characters into the Hood storyline the better. Otherwise they are just marooned on their own show like Laurel Lance Island.
Stray Thoughts
Yao Fei died! It’s so sad and traumatic. I forgot he’s shot in the head. Really didn’t need to see that twice.
Fyers is shooting down a commercial airliner to destabilize the Chinese economy. It’s always about money for these assholes.
Walter wants a divorce and I would say their differences are irreconcilable. Moira is getting what she deserves. You can’t kidnap your husband for six months and then offer him tea and crumpets when he comes home.
"Who the hell is Felicity Smoak?" Uh oh. Quentin has Felicity’s name. That ain’t good.
“Is the other archer working for Merlyn?” Please don’t make Diggle look this dumb again.
Merlyn versus Oliver battle was EPIC! The fight scenes this season are so stellar.
“Psychopaths are color coding themselves. That’s helpful.” HA!
Listen to the Watchover podcast reaction to 1x22!!!
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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!
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jackoshadows · 2 years
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Hi, so I watched GoT+ am on asoiaf 1 rn and I have a Q about Dany; why is her character so divisive? I read meta by pro Dany fans and its "Dany's compassionate, self critical, a good ruler, a political reformer, frees slaves she'll be a hero at the end" and the antis "shes entitled, vengeful, profiter of slavery, a coloniser and GRRM wont validate a foreign invasion with nuclear weapons; hes anti war!!" Like, wHAt? Surely her character cant be THAT ambigious?! These are popular opposites??
Alright, I'll try to explain this from my perspective as a Jon Snow fan. However, this will be spoilery if you have read only one book. I would suggest reading all the books before joining in on discussions about the character.
It's a combination of things.
One is most definitely sexism. I don't throw that word around lightly having been constantly attacked as a ‘sexist dudebro who hates women’ for simply critiquing a female character.
Sexism in fandom is when female characters are held to different standards compared to their male counterparts. When female characters are critiqued or disliked for doing the same thing that male characters are often praised for doing. Daenerys is subjected to a lot of this which is especially evident in the books because she has a parallel arc of leadership with Jon Snow over at the Wall - the two characters at the ends of the world. 
An example is right there in your ask. GRRM is anti-war and hence why would he validate Dany's invasion - She is therefore in the wrong. Okay. In which case why not extend that argument to every other main character in the series? GRRM is anti-war and therefore Robb Stark was wrong to wage war for Northern independence. GRRM is anti-war and therefore Jon Snow is wrong to help Stannis in his battle against the Boltons. GRRM is anti-war and therefore Tyrion is wrong to use wildfire and defeat Stannis at the battle of the blackwater. GRRM is anti-war and therefore Jon Snow is the villain of the battle at Castle Black.
I think the main thesis of GRRM’s argument in regard to his protagonists has been that there is no good or bad and instead they are all morally gray? Yeah war is bad and most of our protagonists engage in war and they are therefore morally grey characters. I mean, Jon Snow is over there taking child hostages that he has promised to behead - does that make him a baddie? Ned Stark took Theon as a child hostage. Is he a baddie? Our main characters all belong to noble houses in a feudal monarchy - a system of governance that GRRM relentlessly critiques in the books. Are they all baddies?
This double standard is particularly glaring when Dany's battles in Essos is about helping the little guy - the slaves who are under the worst kind of oppression. The WOT5K (War of the 5 Kings) on the other hand was about personal power, ravaged the land and lead to much devastation and suffering. However, for some strange reason when fandom discusses the books and the author being anti-war they focus particularly on Daenerys - that strange reason is sexism.
If you have watched GOT, I am sure you would have noticed those obvious  double standards yourself.
Tyrion standing there making sad faces makes it look like Daenerys is doing something wrong when she executes the Tarlys - two treasonous traitors. However every other House does the same! Jon Snow executed the mutineers at the wall - even a child. After the battle of bastards, he mentions the Karstarks and Umbers having been killed in battle or else they would have been executed. Sansa wants to punish even their children!! But for some strange reason [(i.e) sexism] a female leader executing traitors is evil. That she does so without crying (Something the show runner David Benioff points out in an BTS interview) means she is evil. Jon not crying when killing people = badass, Dany not crying when killing people = evil.
Daenerys in battle with Jaime Lannister to get the Iron Throne = evil. Starks fighting against the Boltons to get Winterfell = Yay! Awesome. Thousands die in both battles - in one battle they die, burned by dragonfire. In the other one they are hacked to death and die with their guts hanging out. In both cases, people die.
The show quickly moves past Jaime Lannister, the Tarlys and their men massacring everyone of Olenna's men and piling their bodies high and sacking and looting the place. However, the show takes time to linger on Tyrion's sad face with the sad music and the men dying when Daenerys is attacking those same men on the battlefield.
I am not even getting into season 8 because it was so, so bad and full of puke inducing sexism that will need 10 pages to outline. I think you have got the gist of why sexism is such a large factor in how Dany's character is otherized and analyzed by fandom at large and made worse by Benioff and Weiss' rampant misogyny shining through in the show's writing.
I mentioned this in another post and I will say again - removing show Tyrion from show Daenerys' narrative would reduce the sexism in her story arc ten fold. He was D&D's mouthpiece in the series after season 5 - there to tell us that Dany was evil for doing all the things the male characters did.
And yes, Nuclear weapons are bad. Nuclear weapons can also be a deterrent and prevent war. Nuclear weapons can also be useful in a fantasy, magical world dealing with an existential apocalyptic threat. This is why I find one to one comparisons like these to be ridiculous. The Starks also have some fiercesome beasts that the author has indicated will be used in battle. Are we calling them evil?
The rest. Colonizer? They should look up what that means and whether it applies to Dany's story in Essos. Profiting off slavery? If one reads the books one knows this is blatantly untrue. Entitled and vengeful? No more than any of the other main characters who belong to noble houses in Westeros.
Daenerys has her flaws, not saying that she doesn't. That's what makes her a three-dimensional and relatable character. It's easy to criticize the character because she does self-reflect and introspect, is sometimes crippled by self-doubt and wants to do things differently and try different options - something that makes her human and real and very well written. Leadership is not easy and she’s 15 in the last book.
The other aspect is a flaw in the writing with respect to the setting of Daenerys' story in the series. She's the only main POV character in Essos until Arya and Tyrion get there in ADwD. And there is a lot of orientalism in GRRM's writing for Essos - meant to represent the East while Westeros represents the West.
There's much to say about how he writes the Dothraki as savage barbarians. While he gives POV characters for the Ironborn with Theon and Asha and characters like Mance, Tormund and Ygritte for the Freefolk, where's the equivalent of all that for the Dothraki? Oh but look, they are eating honeyed locusts! How exotic! There's lots of cartoonishly evil slavers who kill puppies! GRRM keeps otherizing their customs and culture as being savage and cruel and different - highlighted by the fact that we don't have a single Essosi POV giving us their side of things.
I do find GRRM's orientalism distasteful and off putting, especially as Essos is just a prop, a stepping stone for the characters before they move onto Westeros where the real story is happening. That is however a critique of the writing, not of the character. People tend to conflate the two. A middle aged white man writing in the nineties about a fantasy eastern world does not make Daenerys a 'white savior' or a 'colonizer' and it's clear from various interviews the author has given that this was not his intention either.
Daenerys is also the only Targaryen POV in the books. Think about that. The Starks have 6 POVs in the first book. The Lannisters get 3 by AFfC. The Greyjoys have 4, the Martells have 2. The only major house worse off than the Targaryens are the Baratheons with no POV characters.
We see Jon Snow through Arya and Bran’s POV. We see Arya through Jon’s. We get none of this for Dany. The Starks have a home and a loving family. Dany meanwhile is starting off the story at her lowest point - an abusive brother and forcefully married off to a Dothraki. While the Starks then end up losing that security, family members die, one of them is a hostage and the other is on the run - they still have memories of each other. Danerys meanwhile, slowly and painfully works her way to the top. 
Reminds me of a post I responded to the other day, where the OP said that Arya and Jon cannot be underdogs because they are winners (Whatever that means). That’s the attitude that a lot of fandom has towards Daenerys - now that she is queen and has power, she has it easy compared to the likes of Sansa and the rest of the Starks. Ignoring that when the books started Daenerys was in a way worse position than any of the Starks.
This is a fandom that thinks that Sansa Stark deserves to be Queen in the North because she’s beautiful, has good manners and is a Stark. And this is the same fandom who think that Daenerys, who worked her way to the top - with no family to help, no happy childhood, no teachers, no security of food and shelter, who were beggars and on the run at one point - the Daenerys who is currently spending an entire book ruling a city state, making trade deals, dealing with an insurgency and famine, engaging in marriage diplomacy to sue for peace for the slaves she freed, that Daenerys is entitled. Do you agree?
I am a Jon Snow fan and even I can see how utterly ridiculous the fan discourse around Daenerys is. When the show was on, I was only posting about Jon and there was so much anti Dany stuff on the Jon Snow tags I had to wade into discussion about the character. And the more I defended her, the more I ended up re-reading her chapters, the more I ended up loving the character. There’s so much hypocrisy and sexist double standards where the character is concerned.
And I have not even touched upon the obnoxiousness that is ‘Jonsa’ - group of morons who think Sansa is the main character in a book series called A Song of Sansa and Sansa and Jon is secretly in love with Sansa who is going to be Queen with executioner/personal spymaster Arya Stark and her consort Jon Snow who will sexually manipulate and murder Daenerys for his great love Sansa.
Sansa fans make up the vast majority of asoiaf fans on Tumblr and the majority of them dislike Daenerys and Arya or see Dany as Sansa’s antagonist - even though these two characters have no connection in the books and I doubt they would ever interact. If you look at most of the anti Dany posts on here, they will be made by someone with a Sansa pfp. There are posts about how Jon will kill Dany or how Arya will kill Dany, and if you look at their blogs they will be big Sansa fans.
These are the same people who write essays on how Arya is not a real girl or is ‘male-coded’ or who write essays on how Daenerys only uses ‘threats and force’ whereas Sansa is apparently a political genius who uses ‘Soft Power’ - a foreign policy concept - because she talked down 13 year old idiot Joffrey that one time. When in the actual books, it’s Daenerys who has used Soft Power in her marriage diplomacy with Hizdahr and Sansa has never engaged in any kind of politics with actual adults.
Notice that these kinds of ‘metas’ are popularized by fandom bnfs using blogs like asoiafuniversity. There’s this very popular idea that’s propagated in fandom that Sansa is kind and compassionate when in the actual books there are more instances of kindness and compassion from Arya and from Daenerys. This is once again an example of how sexism and misogyny in this fandom has worked to give the wrong impressions of these characters. Arya and Daenerys are seen as more violent compared to Sansa even though Daenerys’ entire arc for two books has been about helping an oppressed population. The mind boggles!
It’s the same when it comes to love and romance. Arya and Daenerys are not considered worthy of love, romance and marriage because they are the wrong kind of girls. And let’s not bring age into this considering Sansa is 11 at the start of the books and she is the fandom bicycle shipped with every Tom, Dick and Harry.
I am not even getting into the slut-shaming and victim blaming that Daenerys gets in the fandom. There was actual discourse in this fandom on how Dany was not a good rape victim like Sansa because she brought up her rape in conversation! Daenerys is somehow seen as less than because she can’t possibly have children - that apparently makes her less of a woman and a bad partner for Jon Snow unlike Sansa Stark who will surely have ten babies!
The worst part is that’s it women who engage in this kind of discourse and the same women who turn around and gaslight the fandom into thinking that Sansa is unfairly targeted because of sexism.
There’s also the usual dislike from the fans of other characters.
There are Jon Snow fans who see him as the prophesied hero and main protagonist, who don’t like Daenerys coming over and taking away main character status. I personally think there is no one main character. IMO, Jon, Dany, Arya, Bran and Tyrion are all tier one main characters, who will work together against the Army of the Dead. [Note: This works the other way as well. I have seen Dany fans who dislike Jon Snow as well and think he is unimportant in the grand scheme of things]
There are Stannis Baratheon stans over on the Asoiaf subreddit who will excuse everything Stannis does - including burning people alive for his God - and then nitpick every single policy decision of Dany’s in order to argue she is evil or a bad ruler. 
There are house Stark fans who hate House Targaryen and see them as in opposition to each other. There are fans who believe in Northern exceptionalism i.e the North is special and Dany is a threat to that specialness because she wants the 7K etc. etc.
This turned out to be a long post. On the whole, the answer to your question on why Daenerys is such a polarizing character is mainly because of sexism. There are other factors like the setting and isolation of her story, the lack of other POVs etc. The main reason though is sexism and ship wars.
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hermanunworthy · 6 months
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!DNDADS S2 EP46 SPOILERS!
im getting to listen to this right as it drops. and frankly. i am TERRIFIED. ive heard about Bad Things Coming and i fear this episode may kill me. pray for me guys
- WTF DOES THIS TITLE MEAN. WHY LINCOLN
- NO ONE WILL DIE THIS EPISODE #AFFIRM
- MATT. NOT THE TIME.
- THE CLUSSY???
- WILL BEING AN ADAMANT CASS DEFENDER. U ARE SO REAL MAN
- I HATE LISTENING TO THIS AT HOME IM LAUGHING TOO LOUD ALREADY
- THE MOANING. QUIT IT ALREADY IM GONNA CRY
- SCAMSTER ORIGIN STORY WTF????
- we already knew this. but. evil. they are so silly and awful
- 3/4 NOOOO I WAS HOPING FOR HERMIE DAD ARC..... but ofc were not gonna get it
- NOT WILL GETTING EXCITED ABOUT ACTUALLY FIGHTING TAYLOR. FUCK
- SWIFTLI AND NORMSCARY YESSS
- WILL WHAT IS THIS VOICE UR DOING
- the fact that theyre not remembering hermie as the actual next in line is killing me im ngl
- FREDDIE RANDOMLY MAKING NPCS W DUDEBRO VOICES IS MY FAVE THING
- MATTS LAUGH WHEN HE ROLLED THAT NAT1. GOD I FELT THAT IN MY SOUL
- OH *ABRAHAM* LINCOLN??? IS THAT WHO THE TITLE IS REFERRING TO 😭
- WTF IS THIS EPISODEEEE I KNEW THEYD DO SOME CRAZY DUMB SHIT TO GET OUT OF TJIS
- HERMIE HERMIE HEMRIE
- WHY ARE U ONLY JUST NOW REMEMEBRING HERMIE
- ISTG IF THAT IS HERMIES ONE ONLY LINE THE WHOLE WPISODE IM GONNA KILL
- NOT TAYLOR INHERITING THE CLOSE FIGHT BETTING INSTINCTS
- FIND JODIE????? IM GONNA DIE
- hang on hold up. breakfast break
- ANTHONY "BC HE PUNCHED U REALLY HARD" "YEAH FUCKED UP RIGHT??" IM CRYING
- WHAT IS THE FANART FOR THIS FIGHT GONNA BE LIKE.
- NORMALS IN DEATH SAVES NOOOO
- "HIM LOOKING BACK ON HIS LIFE, HIM GETTING DUNKED ON 24/7" STOP IT WILL STOP IT I DONT NEED THIS RN
- oakicks nation were winning ig
- "THATS BRISK BABY" SCREAMING
- SO THE JEZZBALL WASNT BC OF HENRY.... ☹️
- NO NO NO PLZ DONT HURT NORMAL MORE
- PLZ IM SO STRESSED I NEED NORMAL TO BE SAFE
- MATT IS JUST SO UNHINGED THIS EP
- IS LINK GONNA KILL SHMEGAN???
- RON IS STILL HERE???
- TAYLOR IS SO USELESS NOW HELPPP
- THIS EPISODE IS SO DUMBBBB
- NOT ANOTHER EXPLODING HEAD DEATH
- NORMAL IS OKAY!!!!
- HE LOST HIS MUSTACHE LMAOOO
- david lovesatan will NEVER be jodie foster >:[
- NOOOO THEYRE GONNA TAKE DOOD
- SHMEGAN IS DEAD
- NORMALS GONNA GET FUCKING HIT AGAINNNNN I CANT DO THIS
- DOOD UNLEASHED?????
- THIS IS DOODS 100% EXPLOSION FOR ALL MY FELLOW MP100 FANS OUT THERE
- .....is it too early to say that this episode is NOT as bad as i feared
- bc i seriously thought henry would be coming back and shit would happen w hermie and it would be super awful evil but ig thats NEXT episode. god
- TY BETH FOR REMEMBERING HERMIE 🙏🙏
- WHERE ARE THEY???
- okay fbi office okay..... okay....
- WHAT???? HERMIE?????? WHAT
- WHAT
- WHAT
- AM I GONNA GET SOME AWFUL HERMIE CLIFFHANGER. I WILL KMS
- WHY IS HERMIE CHOKING WHAT
- WHY IS HERMIE BLEEDING OUT?????
- IF HERMIE DIES I WILL DIE. DONT DO THIS TO ME WHAT IS HAPPENING
- HERMIE GOT SHOT
- OH GOD OH NO
- ANTHONY. COME ON.
- HERMIES CALLING OUT FOR FUCKING NORMAL??????
- WHAT THE FUCK
- PLZ DONT KILL HERMIE PLZ
- NO
- GUYS.
- GUYS
- IM GONNA KMS
- HERMIE IS DEAD.
- HERMIE LIKES NORMAL BACK AND HERMIE IS DEAD.
- guys im done
- i literally cant even process this i cant even cry yet im just
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anti-ao3 · 2 months
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What is the worst fandom you know about?
Oof... that is a very hard question to answer, lmao.
Out of the fandoms I've been a part of... well, S/outh P/ark probably takes the cake for me. Both the dudebros and the ppl on Tumblr who insist that the show is super progressive are incredibly annoying. I hate to say that I was part of the SP Tumblr and I drew fanart and even wrote fanfiction (mostly dumb romance but nothing harmful I believe).
Another one I despise that is worth mentioning is D/etroit: B/ecome H/uman. That fandom is incredibly racist. The game itself is horrible, appropriating American Black History, making "pacifism" the only choice that will get the "happy" ending, treating the female characters horribly (typical from David Cage), and other writing issues. But the fandom? It's even worse. They only care about the buddy-cop part of the game and they transform it into B/rooklyn 99. They also care more about two white characters who barely have development or screentime than the other two main characters - these being Kara, the female lead, and Markus, the one who leads the Android Revolution. Just so you have an idea, I didn't even know who Markus was before I actually played the game.
Now for fandoms I'm not a part of... besides fandoms ruled by dudebros like Star Wars, I would say H/arry P/otter, D/SMP, T/aylor Swift, H/azbin H/otel, and O/FMD for now. I think they all have something in common. Like their fans will act like you're oppressing women and other minorities if you say you don't like any of these interests/people or if you point out real problems in them. And O/FMD really got on my nerves when someone made a fucking petition to bring the show back - and I think that person just ended it and took everyone's money. So.
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cipher-fresh · 10 months
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I want to go up to a 10th doctor dudebro doctor who fan who thinks that David Tennant returning to Doctor Who as the “14th” doctor is on par with the Second Coming of Jesus and be like “hey do you miss David Tennant? Do you want to watch a show with a similar character played by him? Take my hand” and get them to watch Good Omens
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phantomenby · 2 years
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Huh?
Request: Could I have an imagine with the poly lost boys with a gn partner who is very good at making people feel dumb? They can insult anyone and make them double check their words as they didn't realize reader was insulting them.
Make sure to stay hydrated and please message me if you need more clarification. Stay well!!
Thank u I am drinking dehydrate jooce
TW: violence, othering, a bit gory
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David's eyes flickered in your direction when he heard your deep intake of breath, watching your face grow darker as the college guys Marko and Dwayne had chosen for the night went on and on about their stupid college-business-internship-shit you didn't care to hear about for another second.
So far one of them had wrongly explained both the stock market and tax laws, while the other boasted about how his parents think taxes are just used to give handouts to lazy people.
David nudged you as your fists began to curl, "wanna go?"
No you shook your head subtly, you didn't want to leave you wanted to murder them.
Even the usually hardy Paul had begun to make less than playful jests towards the pair a few times, one of his hands slowly gripping Dwayne's thigh tighter in order to make his intentions clear.
I mean, they're going to die anyway, sometimes they would survive, you didn't need to eat often but when emotions were high and someone particularly grated on your nerves they practically wrote their own death sentence.
Deciding to finally butt in you leaned forward, bare arms crossed on the old wooden picnic table, taking your chance as 'Darren' or 'Dudebro numero uno' was in the middle of a spiel about how the government was really full of communists who hated America-
"Hey, you know what I just love," everyone's eyes lifted to look at you, dudebro numero dos giving you a less than enjoyable glance over, you flashed your teeth at him before moving back to Darren, "I love how easy it is just just like, print more money, and fix the economy."
You were, how did Marko put it last time, 'talking out of your ass'? Like honestly, who even needed to take some boring, stressful economics class when money was- wait you should be saying this-
"I mean, money isn't real," numero dos - or Moe as you now recalled - clenched his jaw, "so we can just print more y'know, then everyone is ri-"
"Thats not how it works-" Darren tsked, making Marko smirk beside him as he turned his eyes back to his date, "if you actually went to some form of um, education-"
"Actually I went to Yale," that was true, only it had been back in 1873 and you were most definitely not there as a student, more of a diner, "and trust me, none of those dunderheads treated money like it was real."
At least not until they were begging for their life.
That stunned them both for a moment until the two of them decided to go for you together, mimicking your pose, but draping themselves much futher across the table than you had.
"If you went to Yale then what college were you in, hmm?"
You scoffed, shrugging and responding just as plainly, "the business one obviously-"
"There isn't a business college."
"Yes there is."
Moe straightened up, irritation lining his brow, "no there isn't-"
You cut him off, "did you go to Yale?"
The human spluttered, caught "well- well no but that-"
"So how would you know?" You had them now.
Moe tried again, "that doesn't matter, it's public information-"
"Yet you, and your genius friend, don't know all twenty-three Yale colleges?" There were only fourteen. Max.
The man might as well have combusted into fire and ash on the spot with your last few words.
Darren brought you back to him with a long, drawn-out breath like he was trying to suck everyone into his lungs. "Listen, bud, people like us know more than people like you-"
"Yet you didn't know that there was a business college at Yale, sounds as though people like you don't know as much as you think you do."
You stood from the table, hearing the two men follow you while your pack waited behind, letting you enjoy yourself with them.
Paul turned to Marko while you disappeared into an area hidden by some trees and thick overgrowth, "told you they were duds dude."
Marko rolled his eyes, letting his gaze move to Dwayne who was lighting up a joint, reaching for it as soon as the brunette was done.
He knew Paul was right, he just didn't like when it meant him being wrong.
The four of them listened on as the far-off screaming began, musing about their day like you hadn't just stomped Moe's femur while Darren garbled through his lack of vocal cords.
It didn't take long for you to finish up, returning to them with a few extra stains but just in time to finish the third smoke that had been lit in your time away.
"Next time we should just eat them."
Dwayne grinned in agreement, looking where you stood across from him, "next time."
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spacefunclubs · 6 months
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Actually makes me so upset looking up YouTube and Twitter in the Doctor Who and David Tennant tags and seeing so many transphobes and bigoted losers complain about the latest specials being "woke" over that small scene of Fourteen asking the Meep its pronouns and the metacrisis resolution between Donna and Rose.
It's actually so disheartening, seeing so many people missing the fucking point of Doctor Who, and these are also the same people who shat on Jodie's entire run bc BWAAAA, WAHMAN NO BE DOCTOR!!1!1! and lord knows what's gonna happen when Ncuti's run finally begins and what he'll have to endure with these bigoted losers with a huge ass victim complex. Doctor Who is a show that has been vocally anti-fascist since the beginning with episodes reflecting the UK recovering from the effects of WWII with the Daleks being a metaphor for Nazis, feminism, or hell, even episodes in the new run of Doctor Who way back when it started in 2005 talking about themes of slavery, government corruption, and even subtle LGBT+ themes with Jack Harkness being an openly flirtatious bisexual, Bill Potts being openly lesbian, and hell, even Martha being the first black companion in Doctor Who history (Bill being the second). Not to mention the Twelfth Doctor, who these "fans" claim they stopped watching the show after he regenerated but completely gloss over this fact, sucker punching a racist who was harassing Bill. Not to mention the Doctor as a whole character growing more love and empathy with every new regeneration and not being afraid to emotionally express themselves with love instead of having to hide it, something these "fans" fail to have or even see and understand. So yeah, your "pwecious wittle show" has always been this way, believe it or not!!
And I am SO tired of seeing posts of these bigots asking how much David Tennant got paid for saying that pronoun line or even seeing dumbass video thumbnails of David Tennant saying stupid shit like "RIP DOCTOR WHO" when these assholes gloss over the fact that not only would his character (or any incarnation of the Doctor in general) would HATE these types of people, but also David in general. This whole year, he has been openly showing his support for the LGBT+ community, ESPECIALLY trans and nonbinary folks, between pride pins, the "Leave Trans Kids Alone" shirt, and even voicing his support at certain conventions. AND not to mention his lips were on Michael Sheen in the last season of Good Omens this summer (and his character being a genderfluid demonic entity similar to the Doctor) AND even WAY before that (Richard II) AND playing a trans woman A WHOLE 3 decades ago WAY BEFORE his Doctor Who fame. So no, he wasn't paid to do this shit, he's been doing this for FREE, which is what it costs y'all to not be an asshole. And, not to boast, but when I met him at New York Comic Con last month, I felt so safe around him even with just those few moments when I met him. He's the most kind, humble, gentle hearted soul on this planet and basically the only celebrity I stan bc of all this, so no, I don't think he would support your ideals bc you're just sad and pathetic chronically online cry babies that never felt a touch of a real person.
So fucking tired of dudebros feeling like they're entitled to their "pwecious wittle show" over being "woke" (which BTW, that word has been so overused to death, I don't even think these people know what it even means anymore and just use it as a meaningless insult) when really, they're just coping and seething over the fact that this show ain't for them and wanna be angry for the sake of being angry. So by all means, fuck off and take your anger elsewhere bc we clearly don't need it and it's making me and every other sane fan uncomfortable with your unprovoked anger. It's a trend that I've seen grow between this fandom, the Star Wars fandom, or any other geek-centric fandom online ever since Trump was in power, and it's really sad to see this type of bigotry grow in fan spaces like this. Y'all are better than this, get some help.
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