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kylermalloy · 5 years

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My Official Unofficial Ranking of The Originals Seasons That Literally No One Asked For

So, these rankings turned out hilariously chronological. It’s not that I think each season just got progressively worse—it’s just that when I laid out the good things about each season, and the bad things that outweighed them... this is the order I ended up with.

MAJOR SPOILERS for The Originals ahead! Also, as a disclaimer: this is all opinion-based, and I reserve the right to change my mind at any time.

5 - Season 5

So...I kind of hate the last season. Part of it is my bitterness about how the writers messed up the character dynamics, and part of it is amazement that the (mostly) same team of writers wrote the masterpiece that was season 1.

So, the overarching story for this season is...? “We’re making a spinoff with Hope next year so we have to get rid of all the characters who are close to her who don’t want to be in yet another dumb vampire show”? That’s my impression of the writers’ goals when they planned this season. Although there are a few pertinent themes about hatred and prejudice (the irony of the Nazi-esque bad guys opposing Klaus when Klaus himself had a Nazi-esque crusade back when he first showed up on TVD is not lost on me) none of the themes have a lasting impact. They’re not developed in a memorable way. We get these purist losers to serve as villains for the first half of the season, then they’re unceremoniously taken out after they’ve killed a sufficient amount of main characters.

Then the rest of the season is just...wheel-spinning. A game of hot potato as we speculate who’s going to die at the end.

Don’t get me wrong, there was some powerfully good stuff in this season. I fully support the ending, even though the majority of fans didn’t like it. I loved it. I thought it incredibly fitting for the show to end as it began—with Klaus and Elijah side by side. Facing death together as they faced life. Dying for Hope. Their family’s legacy.

HOWEVER. A few good moments at the end of the season doesn’t make up for all the crap the writers pulled throughout the season. They had NO RIGHT to kill Hayley. They had NO REASON to separate Elijah from the family—the entire show, basically—for over half the season, or to make him complicit in killing Hayley. And that darn time jump from season 4 to season 5 is just...I have no words. Klaus and Hope were jipped out of so much time together, just because the writers wanted a teenage Hope. So many sloppy decisions were made in this season, both storywise and character-wise. It really calls into question the writers’ understanding of the characters they’re writing. So much of this season undercut what the last four seasons of the show were working toward. And the regressions we see in this season have no lasting impact—like Klaus’s murder relapse, or his estrangement from Hope. They’re nothing more than cheap excuses to make the plot happen.

(Clearly I have feelings.)

What this boils down to is that the narrative in season 5 has no structure. It’s a patchwork of lazy storytelling and fanservice—a few good moments between characters we already know and love doesn’t excuse that. Although the series ended with a bang, it’s clear that this final season was nothing more than the scattered, picked-clean bones of the show I fell in love with.

4 - Season 4

So this season is much better in terms of plot—the story is tightly paced and clearly planned out.

The problem is that it’s boring.

The narrative that the writers presented this season required lots of moving around and doing things and characters talking to other characters, and hardly any of it was interesting. Klaus and Elijah spend most of the season separated in one way or another. Freya is separated from her family for a large part of the season, and I’ve only just recently rewatched the entire show—so I can definitively say that Hope and Elijah don’t have a single conversation in this whole season. Elijah, the one who first believed in and fought for Hope—before Klaus, before Hayley even, really—Elijah isn’t important enough to talk to Hope. Elijah gets shunted off to his dark arc mostly with Vincent—all to facilitate a completely unnecessary breakup with Hayley.

The one thing I have zero complaints about is Klope. Klaus and Hope were flawless in this season. They were everything I wanted. Klaus’s unsure parenting, his determination to make this change-for-his-daughter thing last, his SOFTNESS around her...that part of the season was stellar.

Klaus’s arc of healing his relationship with Marcel was also good. I don’t think it got enough screentime, and by the end of the season it wasn’t fully resolved, but I liked how it was actually addressed. (This show has a tendency to brush off Marcel sometimes)

The other thing I really appreciate about this season is that Klaus, the main character, wasn’t given a love interest this season. After his major love interest died the previous season, the writers did not try to give him a new one, or even try to pair him up with his baby mama. His relationship with his daughter was his main focus for the season, and it was beautiful.

So, season 4. Not as insulting as season 5 in terms of plot, but this plot...and this’ll surprise everyone...took too much focus. We spend more time learning about the Hollow this season than developing Mikaelson family relationships, and that’s honestly a crime. Any story that doesn’t develop the Mikaelson family dynamics is dead in the water.

3 - Season 3

At a glance, this season is awesome. I know a lot of hardcore fans liked it. I also know a lot of fans hated it. Me, I both hate it and love it. I think the idea they were trying to accomplish was a good one, but the cost? Very high, too high. The story, though it has great stakes, is actually quite shaky in places.

Personally, I never liked the Trinity storyline. The idea of the Originals facing their first sired was not interesting to me, especially when Tristan was boring, Lucien overstayed his welcome and became annoying, and Aurora turned out to be nothing beyond a silly soap opera plot device.

I did like the ending, though. Marcel finally reaching his last straw. Rising above his creator and finally showing us what would happen if the power dynamics were reversed. It’s sick and scary and exactly what I want from a monster soap opera.

But there’s a lot of things I don’t like. I don’t like that Cami was killed. Double-killed, actually. Davina’s arc was in complete shambles the entire season. Hope was out of focus for most of the season. And the werewolf drama that had caused Hayley so much grief last season wasn’t even background noise—it straight-up didn’t exist.

Like I said, I liked what the show was trying to do, but I think the writers chose an ending and forced it to happen instead of letting the pieces fall organically. There were probably some outside factors involved too, like the fear of not being renewed, actors wanting to leave, etc. My personal theory is that, out of worry that season 3 would be the final season, the writers killed Cami in an attempt to push Klaus to glorious redemption mode (don’t even get me started on how dirty they did Cami’s arc) thus giving us the conflicting death/vampirism/permadeath Cami arc in the back half. Which makes sense—but it’s still messy from a storytelling perspective.

But despite all that complaining, there were some things I truly loved about this season. The Klelijah rebuild was solid, organic, and completely earned. They began in a fractured place, seemingly beyond repair, then forced to band together in the face of threats, and ended the season possibly closer than they’ve ever been. (their hug in the finale still messes me up, y’all. I’m weak!)

Elijah got some truly interesting stories this year. While Tristan and the Strix were both duds, I actually really enjoyed Elijah’s relationship with Aya. And his relationship with Freya! Let’s be real, season 3 was really the season of Freylijah. As weird and incestuous as the Mikaelsons come off sometimes, Freya and Elijah are the most married. In fact, I’ll just go ahead and give a shoutout to Freya altogether. A hitherto unexplored Mikaelson with a sketchy-at-best history with her brothers moves into their house full-time? This could have been an epic disaster, or at the very least could have turned Freya into Rebekah 2.0—but somehow neither happened. Freya held her own, and her addition worked very nicely.

*deep breath* I have so much to say.

2 - Season 2

(Yes this list is shaping up exactly how you think it is!) Okay. I’ve got so much love for this season, even though parts of it drive me up the wall.

I’ll start with the positives: the family feels. Almost every part of the family drama hit home. The resurrections of Finn, Kol, Mikael, Esther, and the surprise introduction of Ansel were all superb ideas, storywise. The recasts of Kol, Finn, and Esther (and eventually Rebekah too!) all worked VERY well—a special shoutout to DSharman for making me truly care about Kol for the first time! And having an old family member as the main villain works SO well for this show. Dahlia was really awesome—and in the end, almost underutilized. But Freya! The addition of Freya to the family brought forth a whole new tidal wave of emotions.

And do I even need to say it? Klope, y’all. They just give me all the feels. The midseason finale will always have a special place in my heart.

That’s not to say I don’t have my problems with this season. The narrative structure comes from a very bold place—in typical TVD fashion, the terrible threats we started out fearing are soon rendered obsolete by this much huger looming threat. Alliances are formed, backs are stabbed, hearts are broken, and the end of the season leaves us and the characters picking up pieces of our hearts off the floor.

I very much like the idea that Klaus, obsessively paranoid and fearful, would turn on everyone he loves to protect his child. However, I don’t think the necessary steps were taken in the narrative for us to actually reach that point. There was too much werewolf drama—for Hayley to care about them so much, shouldn’t we know more than three of them by name? And speaking of Hayley, I kind of hated the back half of her arc. As she ascends to werewolf queen, she loses all the braincells that got her this far and decides to trust Jackson and her new family over the Mikaelsons, the oldest, most ruthless and feared supernatural beings in the world. Huh?

Altogether, I just don’t think Elijah, Rebekah, and Hayley all turning on Klaus was well-deserved in the writing—especially considering how well they all worked together in the beginning of the season. I think it was another case of the writers establishing an endpoint far ahead of time, then pushing all the characters and events to fit their plan. Still, I liked this season a lot. Not as sloppy as season 3, but still not as masterful as season 1. And without further ado...

1 - Season 1

Here it is! The masterpiece. My baby. The year of television I can rewatch at any time and enjoy so thoroughly I forget the other million times I’ve seen it. And I can wax poetic about it for days, much to the dismay of my followers.

I’ve heard some people—fans, even—call season 1 unfocused or disorganized, cluttered, still figuring itself out...but I disagree very strongly. Since TO is a spinoff, and the three main characters were already well-established by the writers (well, as consistent as the writing on TVD ever was) I never saw TO as a show that had to figure itself out. It knew who its characters were, it knew exactly what it was trying to do, and it did exactly that. It just was never what the audience expected, and it took a storytelling route that we as viewers aren’t quite used to.

This show took on the monumental task of trying to redeem one of the biggest, baddest fantasy villains on television. A thousand year old mass murderer who had long since lost any drops of humanity. A tortured soul, sure, who’d made a few cursory steps toward semi-goodness, but still damaged beyond repair...or so we think.

Klaus’s redemption comes through this child that he fathers. But it doesn’t come for free. I often say that Klaus is both the protagonist and the antagonist of season 1, because no one is working harder against his betterment than he is. We as viewers have to learn quickly that Klaus accomplishing his goals is not necessarily a good thing. We expect his struggle with Marcel to end in triumph at the season finale, because that’s what generally happens with pilot plotlines. But instead, Klaus wins the Quarter in less than eight episodes, and his rule falls apart multiple times before the season ends. (I’m especially grateful for Marcel’s character not falling into the trope of “Klaus created a monster who ended up being worse than he is!” because that’s stupid— and why Lucien, who does fall into that category, fell so flat for me. It just doesn’t work with a character like Klaus. Nobody out-monsters him.) We expect him to get everything he wanted—because he’s the main character and things work out in the end, right? No. The entire season is a slap-in-the-face wake up call for Klaus. He can’t be worthy of this child that he can’t deny he wants unless he changes who he fundamentally is. He expects to rule the Quarter through his sleazy condescension and his larger-than-life threats, but he finds himself challenged and even overpowered at every corner. He expects to mistreat his sister, walk over her and rage at her like he always does, and ultimately win her inevitable forgiveness—but she can’t take it anymore, and she leaves him.

He expects to be able to control everyone around him, placing himself at the center of everyone’s universe, and that ought to create a suitable environment for his child to grow up in. But when she’s born, he can’t even keep her safe on her first day of life. And that’s when he realizes he can’t do this anymore. Despite being a master strategizer, this can’t be how Klaus lives and acts as a father. The season finale is a beautiful culmination of this realization, as he does what he’s never quite been able to do, and trusts the people around him—release control.

Of course, this realization isn’t the one-and-done redemption story. The walk back is long and arduous and full of setbacks, as the subsequent seasons prove. Klaus’s old temperaments get the better of him over and over and over again. He learns and unlearns and learns again. And I could just go on and on about how much I love this season.

Now, after all that gushing, I still don’t know how much of the season was planned, or if outside forces (actor contracts, availability, etc.) had a hand in shaping the story, but either by tight plotting or happy coincidence, the stars aligned and this season is darn near perfect.

There are definitely flaws and shortcomings, but the overall story is just so good that I can easily overlook them. Catapulting off TVD, which relied so heavily on shallow drama, TO did what most spinoffs can never do, and surpassed their parent show. This first season? It’s to die for.

(I realize this was far too long, and I don’t really care. I’m aware of my inability to move on from shows that have ended, and I also do not care.) I’d love to hear thoughts, discussions, opinions, anything!

#the originals #original groupies #another example of ‘why we shouldn’t let kyler nightblog’#i get incredibly long winded and emotional #i always say tired-me is what drunk-me would act like (if i ever got drunk)#there’s so much i didn’t even talk about #this show is just so darn BUSY #kylerrambles #also yes I am still working on rankings of spn episodes #i just had to get this out first #rankings

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bigskydreaming · 7 years

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addition to your post about tw killing off characters played by actors who wanted to stay on the show: SINQUA WALLS. he said that he would've LOVED to stay on the how and it wasn't his decision to leave so idk why they killed him off when DSharman literally left like half a season later WILLINGLY??

Ohhhhhhhhh anon, my issues with their handling of Sinqua and Boyd could keep me ranting for DAYS. It has, in the past. I’ve talked about it before, but not in awhile, but if you rewatch S2, just look at how much they built up Boyd and his attitudes towards Scott, Derek and everyone else in the first half of the season while Isaac was still just being Generic Asshole Dude.....and then that totally flipped halfway through the season, starting with the rave.

Like before that, Boyd was very visibly built up as Derek’s number two, the one Derek trusted to be smart enough and practical enough to take charge after him. And similarly he was very much built up as the one of Derek’s pack who was leaning towards Scott most, who had the most doubts about things and was visibly making up his own mind about Scott and Derek and what both of them had to say about any given subject. Isaac was on par with Erica for the first half of the season - they were there for the snarky rejoinders, but on board with Derek and his aggression and his attitudes towards the hunters, humans in general and Scott.

But all of that flipped on a dime starting with Raving, with them suddenly shoving a connection between Isaac and Scott to the forefront and advancing Isaac to the front of the ‘torn between Derek and Scott’s ideologies’ line while suddenly Boyd and Erica were relegated back to the terrible twosome role. Even just look at the sudden contrast in how Derek’s pack were paired up.....first half of the season, it was always Erica and Isaac who were off together being snarky....when they were after Lydia, it was those two who were wandering down the hall together dragging claws across the lockers...while Boyd waited out on the field with Derek. Second half of the season, suddenly Boyd and Erica are inseparable, while its Isaac who’s out and about with Derek...and thus is the one around all the time to witness Scott’s interactions with Derek.

My theory has always been this turning point coincides with the show’s renewal for an extended season with S3, and with whatever happened behind the scenes to make Davis think he was only going to have room to keep one of Derek’s betas around longterm and advance them as a character, if he wanted to go forward with all his other plans for S3. Like, it’s the only thing that makes sense to me. Back when Davis first introduced the Beta Trio, he was very much interested in using Boyd as a foil and possible later ally for Scott while Isaac and Erica fell in line with Derek. But it seems to me, the second Davis decided his future plans didn’t have room for all three betas to stick around in an equal capacity, he flipped and moved to prioritizing his personal fave (Isaac, for what are painfully obvious reasons to everyone here, sigh) while suddenly Boyd and whatever he’d intended for him originally was downgraded instead.

AND I HATE THAT SO FUCKING MUCH BECAUSE HEY I LIKE ISAAC BUT I HATE ISAAC IN THE ROLE THAT WAS CLEARLY INTENDED TO BE BOYD’S ORIGINALLY.

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