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#don't mind me i'm just dying
analyticallymindedaa · 9 months
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good morning, it's hozier day and i shan't be listening to anything else for the next week
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bizarrelittlemew · 7 months
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love that they prioritized letting Ed's hair down (wonder if it was before or after taking off Stede's shirt and Ed's jacket)
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heybiji · 1 month
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dande's dying btw
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hiraganasakura · 4 months
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Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.
Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol
I put it under the read more for easier scrolling due to how long this post got!
I immediately noticed smth in the very first lines of the interaction:
Raven: "Hello, brother." Qrow: "...Raven."
You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)
On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name
It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting
Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."
Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment
Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind
Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."
Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board
Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point
Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"
A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:
Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."
And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite
Bcus they have different definitions of family
Another thing to pin (I promise this will all become clear soon)
Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."
Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!
Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!
Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"
Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)
Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow
A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him
And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving
We've finally reached the end of the conversation. Now what does all of this tell us?
And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently
Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem
Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her
I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely
As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?
Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth
As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho
And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay
This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did
Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.
And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways
I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks
But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.
In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies
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mayasaura · 10 months
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There's a weird kind of tension I feel being in the Locked Tomb fandom without being Christian. Especially having grown up in a heavily Christian part of the world, constantly surrounded by pressure to convert.
I don't only mean the constant low grade cultural pressure underpinning daily life, though I mean that too. I mean I get accosted in the street by missionaries. I mean I was first told I was going to hell when I was four years old, by a babysitter who would only let me watch Veggie Tales. I've had a man handing out leaflets follow me around attempting to lay his hands on my head or shoulders while reciting what I think a Catholic friend later told me was called the Sinner's Prayer, cajoling me to repeat after him. My grandfather died after being unable to find a support group that wasn't rooted in the christian faith, and didn't therefore require him to violate his religious beliefs.
Which is all taking the long way around to saying I don't really vibe heavy with the series' christian subtext. I like to enjoy the story primarily through other lenses.
But at the same time the symbolism is there, and intentional, and doing a lot of very interesting things. So I am paying attention to it. I try to consider it an interesting mythological theme, like the classical Greek references. It usually works, but maintaining that distance can be a struggle.
I don't really have a conclusion here. It's just a weird place to be. The draw of wanting to connect the dots, to appreciate the intricate symbolic art, at war with... all that, and with the creeping anxiety that whispers: how much of a philosophy can you know before you get filled up with it? Is there ever a point where you are what you know, whether you want to be or not?
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lunarharp · 6 months
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qifrey's birthday and silly stuff
#witch hat tag#orufrey#excerpt is from my 30k failing eye fic (link in pinned) which has a birthday scene. i revisited and edited it again and it is now 30k :)#kerplunk thing is because of a mysterious game that shirahama has drawn orufrey playing before and to me it looks like Kerplunk.#a kids' game from this 'Real World' which we live in. card game is Cheat from neopets. but it's a real game. i want to play it for real....#you lie and cheat in it..hence the name..and 'branston the eyrie you are a bold one' classic neopets tumblr post...no....ok then.....#'hey qif i know we're obsessed with witches' kerplunk but we used to play cheat all the time what happened to that??'#'oh. i just..don't like lying to you. i don't like how it feels.' 'oh haha i guess that's a good thing. ok let's play kerplunk instead ^_^'#'mm. *dying inside crying in the rain in my soul*'#i dislike trying to illustrate my writing. i resent myself for having described oru's captivating mysterious smile so perfectly#i can't draw that. i know what it looks like perfectly in my mind and i am right there on that roof but i can't draw it satisfyingly enough#writing comes from a different part of my brain. there's different things in there. i'm glad i wrote out some of what i can't draw.#then there are things that i don't write or draw but which are still a crucial ongoing facet of my orufrey mindscape.#the Written orufrey the Drawn orufrey and the Unspoken orufrey... three faces of a beautiful irreplaceable jewel in my heart...#could a depressed person do THAT.
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imminent-danger-came · 4 months
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The 1x00 AHiB -> 4x06 glowup
#this just reminded me I need to make a ''being there for your friends when they need you'' post#because that shit is EVERYWHERE#LIKE THAT'S ALL THEY FUCKING TALK ABOUT#''It's okay sandy! You're always there for us when we need you. The least we can do is be there for you when you need us.'' (4x06)#''No! Mei is my best friend. I'd never abandon her when she needs me—we're heroes! It's what we do!'' (3x10)#''You don't know! We'd risk it for sure! I won't abandon them when they need us'' (4x02)#''As long as I'm doing something to help out a friend- I don't mind what it is! I just want to be there for 'em when they need me.'' (2x08)#''Wukong only values people by how useful they are to him'' (3x08)#''No no honestly—this is exactly what I need right now. I'm trapped under a mountain- but the 6-earred macaque brought me a peach!''#(4x11)#Literally just the shit off of the top of my head#and then. And then that in contrast with#''I get it. I'd do anything for my friends! But at the cost of the world?'' LIKE GOD DAMMIT LEGOS#You took the basic bitch ''Help you friends'' theme and went ''But what if helping your friend hurt others'' like come on man#Hello#Where am I#I'm dying. I'm dying#Okay imma go do hw......I guess....whatever....#lmk#lego monkie kid#lmk parallels#lmk Sandy#lmk Mei#lmk Pigsy#lmk Tang#OH GOD ALSO. ''I will become someone they can depend on...the way I can always depend on them!'' (3x08)#AND#''But you're always there when I need you- so it's time for me to return the favor!'' (2x04)#Which also just ties into ''we'll figure this out together'' as a whole right#what. ever.
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unheardopinions · 7 months
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oka okay so. im going as orpheus for halloween so i thought yk why not lets listen through the cast recording tonight and. i reached his kiss, the riot and yk i've always been a big fan of it. underrated imo but i love the delivery of it, whenever i hear it recorded or live the hades always does great. buT i esp love the cast recording bc of this one specific moment at the end where hades takes this one, ragged breath in between the last lines (and doubt comes / doubt comes in) like YES an incredibly vulnerable moment from this literal brick wall of a character i love to see it you love to see it.
BUT. ON THIS LISTEN THROUGH. i can't believe it took me this fucking long to realize BUT I REALIZED
that sigh isn't from the burden of making such a hard decision or pain from having to give into the pleas of his wife or whatever. he's hesitant and pained and dare i say nervous BECAUSE HE FUCKING RELATES TO ORPHEUS. he sees himself in orpheus, he sees his younger self, what he used to be, in orpheus, and that's why he's scared. because he knows what young love is like. he knows very well what it feels like. but he also knows what young love eventually turns into.
so much of the song is not just about orpheus, but about hades's life as well anD I CAN'T BELIEVE I JUST NOTICED SO I AM GOING SO INSANE OVER THE LYRICS NOW
but let there be some term to be agreed upon = love must have its barriers, its roadblocks. something must get in the way of true love. demeter HATED persephone's and hades's relationship. they were forced to live under the condition of only being able to see each other for half of the year
she's out of sight, he's out of his mind = once again being forced to see each other for only half of the year. when persephone is out of sight, hades goes mad, wondering if she'll return the following year, turning hadestown into a maze of factories just to give himself something to do, something to prove to persephone that he is worth keeping around
nothing makes a man so bold as a woman's smile = (in common versions of the myth) hades kidnaps persephone bc of how beatiful she is so. bit of a bold move i'd say
but all alone his blood runs thin = when blood runs thin you get cold easily, so you always look for warmth and try to stay as warm as possible. *gestures wildly at above statement of hades going mad and churning out factories, factories and plants that make hadestown 'way too hot', something abt being so freezing cold that no matter how much you turn up the heat, no matter how much you sweat and grind and work and work, there is chill in your bones*
AND DOUBT COMES. DOUBT COMES IN. = how would hades know that? is he talking about the natural flaws of man, of how humans always work? maybe, but if anything he's FUCKING PROJECTING. HE KNOWS FROM EXPERIENCE.
hades knows what it's like to be in orpheus's position. he knows exactly what it's fucking like to be so in love but forced to be separate. he knows the doubt that comes in on a stupidly personal level. hell, they directly consulted with him on what to do on this issue. he knows that no matter how much love you have for a person, not being able to see them, hear them, feel them, can fuck you up. that is how the world is. but maybe not always. maybe, maybe it will turn out this time. because something about orpheus. about seeing the reflection of hades's past, of the man hades once was. something about orpheus gave hades the ability to see how the world could be. in spite of the way that it is.
GOOD NIGHT BROTHERS. GOOD FUCKING NIGHT.
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stardustcrucified · 2 months
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So April 6th show was INSANE but I can't believe they played Honourable Mention of all of the insane shit that happened. Honourable. Mention. The first song on their debut EP that is a hidden gem. The EP that they don't count as an album. I don't know, that's really cool to me
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My SVSSS Peaks/ Peak Lords
Plain text: My SVSSS Peaks/ Peak Lords
(Basically a reference post for myself as much as an excuse to talk about them :) )
5. Qi Xi (栖息), the Beast Peak / Peak Lord Ye Qingzhu (叶 清竹)
Qi Xi specializes in beast rearing and mounts; they're one of Cang Qiong's money-making peaks (along with being very expensive to run, lmao), which is why they're ranked so highly. Its name can mean "dwelling" or "bird's perch" :)
Ye Qingzhu's name comes from "Ye" for leaf and means "pure bamboo"! (The very obvious nature theme is actually unintentional; my naming reference site lied to me and I'm too attached to change her name at this point, lmaoo.) She's no-nonsense and very practical, but she can take a joke!
Yqz is middle-aged and looks it, is quite burly, and has missing fingers and scars under her right eye/over her left eyebrow from handling accidents; the former are from her disciple days. She wears vambraces and keeps her hair in a simple bun accessorized only with a hairstick
9. Zui Xian (最先), the Beverages Peak / Peak Lord Peng Qingsen (彭 清森)
This is a canon peak, but we know nothing about it, so my city now! Zui Xian is canonically where the Peak Lords meet up to have dinner (which: cute!!!), so I dubbed them a peak that produces spiritual wines and spiritual teas to sell to both other cultivators and to mortals. They probably dabble in broader agriculture as well, making them another one of Cang Qiong's money-makers!
To match Zui Xian's overall good vibes, Peng Qingsen is an amiable old uncle type, easygoing and well-muscled from field labor; he often hands out friendly shoulder pats which are varyingly appreciated by his fellow Lords, lmao. He's a good cook and fond of hosting, and his name means "clear forest," just to be on theme
10. Yuan Zhi (远志), the Arrays Peak / Peak Lord Song Qingyu (宋 清雨)
Yuan Zhi means "lofty ideal," which reflects the importance of the Peak's work-- they handle Cang Qiong's protective spells and wards! Their members are often called upon by non-cultivators to ghost-proof homes and to fortify or bless land
Song Qingyu's name means "clear rain." Sqy is fat, probably in her mid-30s, and she wins the prize for being the most-- indeed, the only-- bubbly personality of all the Peak Lords. In fact, she's so overly friendly that she’s seen as kind of annoying, but she's also so competent that everyone has to ignore it <3 Thankfully, she hasn't quite caught on that not everyone's into her morning-person vibes :')
Sqy has a personal grudge against Huan Hua bc one of their disciples snubbed her skills + Cang Qiong as a whole when she was head disciple and she never forgave them. Also, she'd never admit this out loud, but she hates having to sit next to Hong Qingfeng, since he's kind of yell-y and she doesn't really appreciate that energy
11. Zhi Man (枝蔓), the Artifacts Peak / Peak Lord Cai Qingxuan (蔡 清萱)
Zhi Man handles the creation and identification of artifacts and talismans/seals! It's very much a Peak full of mad scientists; Zhi Man's name literally means "branches and shoots," but it has the figurative meaning of describing something overcomplicated, which perfectly suits my vague imaginings of how seals work
Cai Qingxuan got her last name from the Cai Lun who invented papermaking, and her first name means "pure daylily." She's on the younger side and is kind of the prissy straight-A student type, and she keeps to herself for the most part. (She is continually besieged by sqy's well-meaning overtures of friendship; rip them both.) She has a slight tendency to act without thinking out of a mild case of arrogance, which doesn't pair well with her inability to handle flusterment. (She'd have gotten along great with Shen Jiu if he wasn't even bitchier than she is)
12. Ku Xing (苦行), the Ascetic Peak / Peak Lord Hong Qingfeng (朱 清风)
Another canon Peak, but my Peak Lord! Hong Qingfeng's name means "pure wind," but the pinyin is a holdover from when I'd originally spelled his name with a 锋 for "spear point" in honor of his canonical "fiery temper" before I decided that didn't fit the overall Qing generation's naming scheme, lmaoo
Hqf is the oldest Peak Lord, and I think he has an interest in penjing (the Chinese tree art which bonsai originated from!)
Extra notes:
My Peak order goes: Qiong Ding, Qing Jing, Wan Jian, An Ding, Qi Xi, Xian Shu, Bai Zhan, Qian Cao, Zui Xian, Yuan Zhi, Zhi Man, and Ku Xing
I envision sect meetings taking place over a long oval table with the first and twelfth peaks at the short ends and even-numbered and odd-numbered peaks placed on opposite sides. This makes sqh and sqq neighbors, and qqq and mqf are also neighbors!
I put Qian Cao as the eighth Peak because if I have to grit my teeth and accept the canon that mqf is lqg's shidi and not the other way around, I am not putting him more than one single peak below Bai Zhan, ALRIGHT
No, I still don't know what Xian Shu does. "Lesbians" is the official Peak specialty in my notes. (Realistically, I think it's primarily a safe haven for young women escaping circumstances-- it's likely split between poor younger girls and rich noblewomen trying to leave their households, and plenty are probably taking advantage of cultivation's curtailing effect on reproduction. Xian Shu, home of lesbians and spinsters!)
(Stolen joke:) Ku Xing had to be the twelfth peak because only an ascetic could withstand sitting directly across from yqy's sad cow eyes for an entire Peak Lord meeting
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theleanbean · 7 months
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izzy isn't going to die
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creative-soul-22 · 9 months
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YEEEEEEE JAMIIIIIEEE🤩🥹
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LOOK AT THIS SMILE! LOOK AT THIS SMILE!!
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🥹😭
And OMG this one is like a magazine cover! 😳
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In courtsey of jamieleecurtis/instagram 👇
instagram
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sbd-laytall · 1 year
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xyriscomplanata · 3 months
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"Why do you not want to go on a late night (freezing cold btw) walk with me?☹️"
Disabled.
"Wow after I forced you to go on the walk you don't look good at all and immediately collapsed on your bed and are in a bad mood, I wonder why?"
Disabled, hope this helps.
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mrmallard · 1 month
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I know the song Superman (It's Not Easy) by Five for Fighting is like metaphorically comparing the struggles of the narrator with that of Superman - being a figure who's expected to be seen as invincible and infallible, heavily implied to be like a new parent who wants to give their kid everything, but having struggles and anxieties that they wrestle with to provide that illusion and fill that mythical role. Yes, I am an immovable rock who will never shatter - but men weren't meant to fly with clouds between their knees. I'm more than a bird, I'm more than a plane. Even heroes have the right to bleed.
But it works so well because it's such a great portrait of Superman himself. He too is only a man. He dreams. He's bold and heroic and fantastic, but he understands the frailty of human life and he knows that he's just one guy trying his best. He's just as much the man in the song as he is the figure who the figure is comparing himself to.
He does a lot of good, but he's still Clark Kent, the man who reminisces fondly about his deceased dad. He's Clark Kent, the guy who gets along with Lois Lane and who would take both halves of the world and hold them together under the sheer magnitude of his strength if it were falling apart around her. Now, he could probably physically do that - but it's the weight of how he feels about her that matters. It's something he shares with all of us at our most idyllic selves, with the fantastical element of actually being able to make good on his promise if he needs to - but he's still Clark Kent, the man. He still worries, and regardless of his supernatural ability to help them if he absolutely needs to, he still fiercely wants the people he loves to be okay.
Everything that makes Superman special is - for the last labored lyrical reference in this Tumblr post - the special things he's looking for inside of himself. He works as the impossible figure of a hero that a person might always strive to meet, to keep his family happy and comfortable and safe while keeping up the facade, but CLARK KENT IS ALSO THE GUY. HE'S A GUY. HE'S GOT A HEART PUMPING BLOOD AND EVERYTHING THAT'S AWESOME ABOUT YOU AND ME.
So like the song is a great case study of a man trying to live up to impossible standards and become infallible, which is fallacious and impossible by the narrator's own admission due to the human flaws that are screaming to come out against his efforts to be that sort of figure, but it's an outstanding case study of Superman as the man and the myth. The pretty face beside a train and the guy who acknowledges that men like him aren't meant to fly above the clouds.
And the weight to which I feel that this song exemplifies the duality of Superman so well is only exacerbated by the 10+ years of "what if someone killed Lois Lane and Superman became a fascist", or "what if Superman actually wasn't Superman but was actually Casual Murder Is Okay Man because real people would actually Commit Mass Murder if they were Superman", in almost every significant cultural depiction of Superman.
Like yeah, Evil Superman is a cool concept. But that's all he is to most people nowadays. If Evil Superman existed, who's SO MUCH COOLER and MORE INTERESTING than 1950's NUCLEAR FAMILY BOYSCOUT SUPERMAN, how would BATMAN have to KILL HIM????? Would he drop a KRYPTONITE MOON on him?????? It feels like that's all anyone says or feels about Superman any more.
So like, the song Superman (It's Not Easy) by Five for Fighting maybe isn't meant to be a commentary on the duality of Superman. Superman is explicitly a reference point, the narrator compares his efforts and struggles with the huge feats that Superman accomplishes despite the very human doubts and shortcomings that comes with being a guy in uncharted water who's just trying to do his best - but it's not explicitly "the guy is Clark Kent". It's just a metaphor for this regular-ass dude to vent his insecurities about being a supportive figure despite his insecurities. The comparison is invited, but it's not Literally a song about Clark Kent's relationship between himself and his persona of Superman. I'd even say that this is explicitly not the case.
But viewing it as being a comment on the duality of Superman, it's still one of the most cohesive and straightforward depictions of the guy in the last 20-ish years. It is a superb fucking song.
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freneticfloetry · 9 months
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Just when I thought Francesca couldn’t destroy me any more, this man and his accursed album order went and paired it up with First Time as a lead-in.
remember once i told you about how, before i heard it from your mouth my name would always hit my ears as such an awful sound
some part of me must have died the first time that you called me "baby" and some part of me came alive the first time that you called me "baby"
I MEAN. THE NERVE, THE AUDACITY, THE GUMPTION, AND THE GALL.
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