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#does clara's monologue mean something??
halcyonfawn · 5 months
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okay. i was confused during this one scene because i felt like the background music was way too familiar for me.
and then it hit me. i've watched season 9 god knows how many times.
so...
WHY DID THEY PUT "FACE THE RAVEN" FROM SERIES 9 IN HERE? is it important? should i start theorising? somebody hold me, i might do something crazy-
edit: there was no one to hold me in contain so i wrote a huge post about this moment.
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queerrocket · 1 month
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"so manny"
Oh god okay so- (this is about my tags on a post about Danny)
I don’t know if this makes much sense, I’ve had thoughts about Danny swimming around in my periphery for a while and anon’s ask has brought forth a bunch of word vomit, so proceed at your own risk :)
So Danny’s main thing going for him (his character) is that he’s an ex-soldier and he perceives the doctor as a kind of general/leader figure (during his experience in the army as a person of colour suffering from ptsd he would have, imo, encountered a lot of shitty people that looked and occasionally acted like the doctor -not that the show even touches on this, like at all) he sees the whole -you don’t need a gun because you make other people use them for you- and, while he’s certainly right that the doctor does do this and he does it repeatedly (though mostly without meaning too, if he were able to pull his head out of his ass in those situations he’d absolutely try and stop someone he cared about from hurting themselves (Adeline Brook in Waters of Mars) or someone else (Clara going to kill Missy and 12 not letting her in Death in Heaven) except the point is that he doesn’t realise what he’s doing until it’s too late anywayss).
Danny’s misunderstanding occurs when he equates this defining characteristic of the Doctor’s with cowardice. If asked I’m sure the doctor would easily admit to being a coward (there’s a quote around this or something but I’m blanking), but he isn’t, of course he isn’t. Why? Because of what happened that one time he Stopped running away. TLDR: bye bye all of gallifrey. See also: 12s speech in the Zygon inversion (probably my all time favourite monologue that I’ve ever seen) (also also, in the 50th novelisation by Moffat, river wiped 11’s memory of how many children were on Gallifrey, this is why 11 says ‘spoilers’ when asked by 10, River saw the person that he was or would be with that information, she saw the general, the gun wielding -I’m no longer the Doctor doctor- and erased it (there’s an autonomy debate here, you could argue she saved him and the universe or whatnot but that isn’t the point of this post ffs) she’s actively working against the Doctor becoming the person Danny assumes he already is) And to give Danny some credit, there’s know way he could know these things.
Danny also sees the influence the Doctor has over Clara and fails to realise that it goes both ways. His first thought is that the Doctor is her space dad (lol what?), essentially he defaults to the Doctor being the authority in their (Clara and the doctor’s) dynamic. I think part of what Clara was trying to show him with that whole Danny invisible in the Tardis bit in The Caretaker was that the above wasn’t true. Though I mean obviously it is, to varying degrees, Clara not only isn’t the one flying the Tardis, she can’t, she’s human, he’s a time lord ect. Something that Steven Moffat touched on in one of the interviews he did as he was leaving the show that always stuck with me (and I might’ve mentioned it before) was how he’d try and balance the dynamic in the Tardis with a third party like river or Rory or Danny because otherwise the balance is wonky. So Danny isn’t wrong necessarily and you especially can’t blame him for looking at the circumstances through the lens of his experiences and wanting to protect Clara from a similar situation.
We also get that bit of tension in Death in Heaven when the Doctor wants to know cybermen shit but Danny can’t access it or whatever, I mean I’m not crazy about this moment but it works as a good set up/reminder of Danny’s opinions/perception of the Doctor for the audience so that when the Doctor does hand over the bracelet and control, it’s a good moment. I mean I like death in heaven so much, missy is perfect ofc but mainly for the Doctor and Clara’s dynamic. That’s what the audience cares about and Danny ultimately functions as a tool to play with this dynamic, his death facilitates that fantastic sequence with the volcano ect. This does not a great character make and if they were never going to do more with Danny (and they certainly could’ve, the Doctor generally aligns himself with friends who bring out the best in him, watching him with someone who actively expects the worst would definitely be interesting) I’m glad they used his death for what they did and I’m still glad he was in the show.
So yeah, uh thanks for the ask :) do I know what I’m talking about? Maybe not, you decide 😅.
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tryst-art-archive · 1 year
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September 2012: "Muttonhead"
Another of the monologues written for class. As before, the formatting's going to be a bit off, but it should still be coherent.
Uh, this one's weird.
------Monologue follows----->
CLARA: In her twenties, dressed as a flapper from the 1920s. Everything around her from scene to props suggests the 19th century. If doing a minimalist production, she should have a Victorian parasol which she may open, lean on, spin, etc. She does not move otherwise nor does she share the stage.
CLARA: I was volunteering in the library that day, so I was there when it happened. I’d been putting books away, and I guess Ms. Elizabeth was behind me; I just heard a yelp—people said she screamed but really it was a yelp—and I looked, and she had her skirts hiked up and there was a leg of mutton in her... um. Well. (Low.) In her unmentionables. (Normal.) Well, I was shocked and she was shocked and all these people came running, and by then she was sobbing, and everyone was asking her questions like “What happened? What happened? Did someone do this to you?” but she didn’t answer them, just kept shaking her head slowly and crying. Well eventually everyone got fed up with her and someone got her to put her skirts back down, but then they all just left her standing there. They looked at her like she was something dirty, and I don’t know how she got out of there, but I looked away a minute and when I looked back, she’d skulked off.
                 Well, after that she spent over a month bouncing around to different doctors, trying to find someone who’d get rid of the mutton for her, but she couldn’t exactly articulate the thing; I mean, it was indecent to talk about it and the whole thing was a scandal and her family wouldn’t have her—I mean, there was a mutton in her...well, y’know, and what man wants to marry that? So she’d try to explain how it was ruining her life, how it hurt her, how it smelled, but she’d start to cry, and the doctors would just say “We can’t. You have to wait until it falls out.” So I guess she got fed up then, ‘cause for three days she locked herself up in a little hotel room—she’d been living there since it happened, you know. Her family wouldn’t have her—and everyone who listened at the door could only here these grunts and moans and sometimes weird metallic noises. I guess she was trying to get rid of the thing herself, but it mustn’t’ve worked, because when she emerged, the mutton was still there, between her legs, I mean, except now she was wearing this short skirt so you could see the very bottom of the meat just under the hem of her skirt. It was obscene. The skirt, the chunk of meat, the way she strutted around, glaring at everyone like she wanted a fight, making us all look at the mutton. She was so angry, and it was so horrible. We didn’t need to see that.
                 Well, things went on like that for a good long while. People jeered at her, people mocked her, people were disgusted by her, there was so much talk and nastiness, and it all just kept on going, until the day she ran into the Harrison boys.
                 They were just hanging around the post office when she happened to walk by. They laughed at her, said rude things, like everyone did. But then Ms. Elizabeth went round a corner, into this tiny street by the post office, and I saw the boys look at each other and they followed her. Now, I don’t know what happened, and I’m not saying anything did, but no one ever saw Ms. Elizabeth again after that. The Harrison boys, though, folks say their family ate well that night; one of them stopped at the butcher’s and bought a hunk of mutton.
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grandadtwelve · 2 years
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hi!! hope the pain chills out a little bit, heres a BUNCH of questions ✌
15. Do you like “Doctor-Lite” episodes?
18. Best Doctor monologue?
27. Favourite companion’s family?
35. Historical, present day or futuristic episodes?
81. Time period you’d want to go with the Doctor?
82. Planet/place you’d want to go with the Doctor?
83. Doctor you’d most like to travel with?
84. Companion you’d most like to travel with?
88. Historical figure you’d like to meet?
90. Would you travel forwards or backwards in time first?
the pain has subsided! thank u for so so many
15. Do you like “Doctor-Lite” episodes?
i do! i like a mix up in the usual dynamic and i wish we got more companion focused doctor-lite stuff. i think i really vibe with what ive heard other ppl say abt rtd era doctor who being about the companions, not the doctor? i liked that a lot 
18. Best Doctor monologue?
peter capaldis voice does something to me... i think his zygon episode monologue (though i think there are flaws in the text of the monologue itself) was stunningly acted and I tear up every time I see it.
i also really love all tens little monologues abt his life and death to wilf in teot? i know ppl have issues with tens specific response to regeneration, they think it’s immature or overdramatic or selfish and stuff and i don’t disagree? but i think it was such a rare moment of being openly weak and afraid and showing an almost childish desire to be comforted and reassured? and i loved every second of it.
27. Favourite companion’s family?
i mean…… on one hand…… river and rory…… on the other hand…….. jackie tyler…..
35. Historical, present-day, or futuristic episodes?
i don’t think i have a preference tbh!
i think sometimes the historical ones rely too heavily on the audiences recognition of a specific historical figure and if you’re not interested in that person they can fall a little flat. but on the other hand: costumes
and then sometimes the future settings just feel kind of poorly structured or planned out? but the creative aspect of them can just be gorgeous to explore
81. Time period you’d want to go with the Doctor?
somewhere like viking times or medieval era scotland? or I would actually put up with the victorian era for the chance to hang out with vastra, jenny and strax
82. Planet/place you’d want to go with the Doctor?
the library planet pre-vashta nerada :3 or literally any giant alien marketplace
83. Doctor you’d most like to travel with?
twelve :,) my beloved <3 (post-darillium)
84. Companion you’d most like to travel with?
bill bill bill bill bill! or i think martha and I would rly vibe! i wouldn’t b able to keep up with donna & tens humor and id feel like I was third wheeling if I was with the doctor & rose or amy & rory. and clara and I would annoy the fuck out of each other
88. Historical figure you’d like to meet?
idk? maybe like sappho or something? but i rly prefer like “normal ppl” to historical figures, id probably end up being like rose and just wanting to meet my uncle who passed away before I was born
90. Would you travel forwards or backwards in time first?
definitely forwards first. u gotta throw urself into it!
send me doctor who universe asks !!
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deadlymodern · 3 years
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I totally understand your worries about a sim story being a limiting format compared to the story you want to tell - for what it's worth, I think you're doing an *amazing* job at telling this story, truly, despite its limitations. The way you bypass the games' limits with your editing and staging is seriously mind-blowing. Maybe you could try exporting your characters to other formats and see how you like it? You said you wish you could write a novel, why not try that? (Or I guess I know why not - novels are awfully time and energy consuming it's literally not funny.) A storytelling format I like as well is a script/play. It's obviously very dialogue-heavy with less importance given to descriptions and inner turmoil (unless it's like, exteriorized in a v angsty monologue), but it does wonders for writing dialogue and exploring your characters' personalities. and you don't even need to write a full-blown novel with structure if you don't feel like it! Sometimes I'll just take my characters and write a 5k word snippet of them just,, being soft and domestic or something. Or I'll throw them into an AU and see how they fare. and it's so rewarding and satisfying without giving you the utter ache of figuring every little detail out if you wrote an actual novel.
Anyway, I don't even know if this is relevant to what you're feeling oof, but i'm just throwing ideas left and right in hopes it'll help. Just know we appreciate you & your story so much and you're an extremely gifted storyteller 💜
Clara 🥺🥺 You are such a darling person. I appreciate you - and everyone else who left a supportive comment on my little vent, I’ll answer everyone in a bit! - so very much, honestly!
I knew you’d all understand the feeling. Everyone here has such wonderful stories, and I’m sure we all struggle with our own OCs and wanting to put them out there as faithfully as they exist in our minds!
Everything you said is very relevant and reassuring, don’t you worry! It makes me so happy because I feel validated and, obviously, not lonely with this feeling.
I personally think novels are the perfect format for storytelling. I can see the story unfold in my mind as though I’m watching a film and, at the same time, have the privilege to know the characters’s thoughts and such. The thing, for me personally, with novels is that... I don’t think I have a good enough story, one ‘worth being told’. 
I know that every story is worth being told, but... You know what I mean? I feel like my story is just an over-glorified slice of life that doesn’t have enough strength to stand on it’s on, in a novel format... And perhaps that’s not true at all! But even if it isn’t true, and the story is alright, I feel like I am not a person who could pull it off. Not even in sims, most times 😅 I’m just a very insecure person, I know have to work that part of myself, so don’t worry! I guess everyone is overly critical of their own work... 
I do love writing pieces of my story, as you said you do, with your own characters! And that’s what I did, and what made me urge to post a bit of writing along with my latest post. I’m still extremely shy with my English, and my sentence structures, and just my abilities to connect the dots of a bigger picture. But I might do more of these, maybe just for myself even. It’s a good idea!
Thank you for being so extremely kind and supportive. You are really inspiring, I love seeing your posts, and you just make me want to write more and even have a writeblr of my own haha 🥰
I’ll keep your words near & dear, thank you again 😌❤️ x
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originalcontent · 3 years
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Oooookay. Welcome back. Posting about pathologic part 4 I think? Part 4. We just reached Act 4 too, so everything’s going according to schedule. This gaming session had some ups and downs. Ups: That good good lore, and a lot of quality time spent with my good pals Daniil  and Changeling and also Clara apparently, although she might not be my good pal after all, but w/e. Downs: FUuuuUUUUCKkkk we are so bad at video games, and also the kin folk have become A Lot, holy shit. Where to start.
Okay so this time the game wasn’t actually super stressful for me personally bc this time I kind of just handed off the controls to my sister every time shit got dangerous. She’s a lot better at video games than me. Shoutout @akpaley​ for keeping me from dying from stress in real life.
The drawback of this is that since she’s a lot better at video games she’s also a lot more willing to actually take risks rather than just running away from literally everything. Which I won’t deny, has gotten us a lot of much-needed money and resources but also.
WELCOME TO THE FUCKING DEATH SPIRAL PART OF THE GAME. I guess it had to happen eventually, right? Fuuuuuuuck us, do you have any fucking idea how much shit you have to redo when you’re randomly shanked by some dude every fifteen minutes? And they’re harder to fight every time we come back, apparently, and also our health is like permanently half gone? Fuck fuck fuck fuck fuck fuck why are there not more clocks.
Victor Kain, you were the one who made the clocks?? I could fucking kiss you. I owe you my life. Or like, six hundred of my lives. Hhh.
Okay, seriously though, the clock lore is actually kind of sick. Victor told us that they’re smaller versions of the cathedral, and we were like “!!!!!!!!!!!!!!!!!!! THaT’S WHerE wE RESET THE GaME IN THe PROLOGUE!!!!!!! METAPHYSICS!!!!!!!!!” The Kains are so cool.
(Maria Kaina got infected tho. Sorry, you. :( Although technically that happens later.)
Um, we gave the rest of our shmowder to Khan. We’re out now. We’ve been looking for more but haven’t found anything.
Also we made a random potion, and the plague showed up and was like “fuck you,” and I was like “damn, calm the hell down, you’re the one fucking killing people.”
Met with the Saburovs more. They were like “we have another suspect!” and I was like “yeah they probably don’t but w/e” and my sister was like “they’re in an infected land and we should probably save their lives” and I was like “why do we care about helping the Saburovs again, literally all they do is accuse random people of killing my dad, the Kains are obviously the best family, we should just be throwing in with them” and she was like “that’s not all they do, they also run the guards, you know those guys who patrol plague districts?” and I was like “okay fuck you’re right let’s visit them” and it turns out that that there was actually some super cool lore pertaining to the town’s mistresses. Also, god if they don’t have some cool reflections. I love everything about this town’s history.
Afterwards we randomly decided to visit Yulia for literally no reason, and she was like “I’m glad you’re here, I have a lot of super heavy important shit to discuss with you about the Inquisition that will be here tomorrow, it sure is convenient that you’re in my neighborhood for some reason even though I live in an incredibly inconvenient location?” Also she knows something about the nature of Artemy, Daniil, and Clara-or maybe the Changeling but she called her Clara? Oh yeah, Daniil was there too for some reason. Poor guy, I don’t think he’s okay. He cried on my shoulder a lot, he was endearingly open and earnest and for once I felt bad about the dialogue options wherein Artemy throws shade.
And then Clara happened to be standing outside literally right then? I wonder if that was going to be a big quest location and we just happened to arrive right before the game told us to go there anyway. I think that’s it actually. We’re so good, damn. Clara keeps pulling shit and then immediately trying to reconcile and asking for help. I really like her, but we really shouldn’t be trusting her right?
Oh Murky was also there and she set up a meeting between us and her “friend” and that night we went and Clara and Changeling were both there and I’m so confused???? What is her deal? But!! Changeling facilitated a deal between me and the plague! And Murky is now off the hit list!!!!!!!!!! Does this mean she’ll live? Anyway the plague started talking to us, and our infection rose a bit in an unhealable way, and, dumbasses that we were, said “wow this is probably all just the natural consequence of the bargain we made. Guess there’s literally nothing we can do to address this.” (Spoiler: That is not the case, the cost of the pact was literally just that we became infected and would have to cure it with fire before it killed us. We figured that out eventually, I promise.)
Fast forward to the next day after we finish the day’s entire fucking plotline, when we have done literally nothing so our infection’s increased a shit ton and it starts actually killing us. And since we only have like half our potential health bar from getting killed so much, we literally can’t survive long enough to treat it. We run around trying to cure ourselves and die like ten more times before we finally accept that we just have to go back in time to before the infection was this bad, try to get cured immediately, and redo the whole day. There’s a whole fucking skeleton out by the theatre by now btw. Fucking death spirals. This play session took a long fucking time okay?
Alright, flash backward again. After talking with Changeling, we visit Stakh because after rescuing him twice in a row he promised we could talk. We go to his house and he’s sleeping, or maybe just pretending to sleep, but either way Artemy has the absolute sweetest little monologue, just talking to him, and so much has happened but I can tell there’s still a lot of tenderness there between them even if it’s buried deep, and it’s just such a soft scene against such a harsh story.
Guess who’s dead by morning.
The next day Aglaya showed up and was like “see me immediately,” so obviously we visit Capella and then town hall first off. Daniil’s there, he bitches to me about Aglaya for a bit. So cute, we really are friends. I promise to help him with corpse duty bc Capella wanted me to visit Grace anyway. We talk to the official people at the official desks, one is collecting babies, one is giving me some lunch money as a very good reward for being a very good little surgeon, and one is telling me that actually money is illegal now but here are some free coupons that actually are too cheap to buy anything with.
Aglaya is the woman from the prologue! Hhhh things are really building to a point, aren’t they. I wonder how Yulia knows her. But damn, the whole village was out there waiting to meet with her weren’t they.
I made a deal with the rat prophet to clear some space in the graveyard so Grace would be okay. Dunno what will come of that. I’ve been seeing him everywhere lately though.
I met with Oyun and gave him my dad’s house. I met with Aspity and was like “did you kill Stakh” and she gave me some vague shit, and in general I am very upset at the kinfolk right now but I tried to save them anyway. Went to the termitary and did the whole termitary thing. Wow that sure is a place, right? God, have I ever mentioned how much I love all the screaming soundtracks  in this game.
Damn, Taya’s whole child queen vibe is unsettling.
The whole termitary is horrible, and what the kin folk have been put through is horrible, but their obsession with blood and strength legit terrifies me. I’ve spent all my time until now trying to convince everyone that they aren’t bad, and that they aren’t to blame for the disease, but now they want to kill? And they really really really want me to be a killer too. And the whole thing with Taya is creepy as fuck too, she’s just a kid. Anyway, we’re sending Vlad the older to them, I don’t know whether he or his son deserves to be torn apart more, but Changeling was really upset at the idea of Vlad the younger going there, so I guess we’re backing her. We run all around town making sure the right Olgimsky is going, and then we realize we actually have a few hours left so we take a hospital shift too! And then we die of disease like six times.
Okay, flash forward again, we’ve gone back, gotten some guy to molotov cocktail us, redone the entire termitary thing, saved the game on Vlad’s clock after sending him to his doom (sorry dude). That’s where we’re at currently.
(Only it’s not actually, we went back and spent like an hour going back and forth between the termitary and Oyun again trying to deal with their shit, and everyone was like “murder all dissenters :D” and I was like “what the fuck” and the day was almost over but then a dude stabbed us and we randomly died, and none of these places had clocks, so at that point we were basically like “yeah it’s after midnight, let’s just call it quits.”)
Anything else......oh, the warehouses are at risk again. Notkin and Sticky, what would I do if anything happened to them. I hope my medicines are good enough, I gave some to Bad Grief too but now all there really is to do is wait. :(
Oh, I once again have thoughts on how fucking theatrical is it that everything in the game is simultaneously literal and metaphorical, it’s gorgeous, and have I mentioned the costuming choices for the Orderlies and the Plague, hhhhhhhh, not to say anything nice about Mark fucking Immortell, but he knows what he’s doing with this thing. Listen if this post weren’t already way too long I would just gush about the theatrical elements again, but sadly it is too long.
Okay, that was our latest session! We’ll be back either very soon or in like three weeks.
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Hindsight: My thoughts on Loki (2021)
Welcome back! Spoilers below!
I need to clarify that I watch Loki purely as an escape. I've got a biased perspective in that regard because I don’t actively try to find fault with the show, though there are definitely things I’m not so inclined to. This is more of what I noticed and think things mean and it’s something I’m doing for fun. Anyways, here's my thoughts on episode 2 my loves.
Episode 2: THE VARIANT
Pre-title scene
Miss Minutes’ monologue in the recap is different to the one last ep.
1985 Oshkosh, Wisconsin
C-20!
“Today’s guest performances” on a board. Don’t really know if it means anything tho.
The Iconic (TM) I Need A Hero scene.
Pony.
The green tent - the lair of Loki.
I know not everyone’s a fan of the lighting, but it made sense to me. They’re still in the dark about who Sylvie is.
Why does C-20 take off her helmet? For the drama?
I hope Sylvie cleaned her blade. Narnia taught me well.
The Time Samsung (I can’t remember what it’s called right now) says that the date’s 04/12/1985.
Loki’s first mission (?)
‘Volume 26’ - how many of these does Mobius have?? #giveMobiusajetski
“ONLY at your LOCAL AUTHORIZED DEALER” - subtext about the TVA being control freaks? Jet ski safety?
I googled Wake Magazine. They’re up to volume 20 from what I saw, whilst Loki is reading volume 26, so I guess that’s something
Loki and Miss Minutes lmaooo.
Behind Loki’s elbow is the taxidermy something from the last episode. Also confirms that Loki threatened Casey at Mobius’ desk lol.
The thing has an egg?? What the hell is Mobius collecting? (He’s a Harry Hart variant lmao).
There are little twitches in Miss Minnutes’ hands. That’s so cool!
The egg timer’s a nice easter egg (I’m a comedian).
Mobius! B-15! :)
Is it just me or do the minutemen look similar, but not exactly the same. Makes sense if they’re variants.
I just realised the lights are built into the ceiling. Whoops.
What’s Mobius’ favourite?
Couple of things:
The racks full of identical uniforms/ones just hung up on doors.
The music has started to pick up the pace, but not in the way we see later on in the episode.
There’s a sign saying ‘FARE THEE WELL’ on it. Google tells me that it’s ‘used to express good wishes on parting’. Dang that was some good foreshadowing!
The person that looks like Agatha is still present.
I wonder whether it was supposed to be colder or whether the weather was just like that when they filmed.
The pony’s still around.
I think B-15 certainty that “a Loki couldn’t have gotten the jump of C-20” comes from her experience with them. She constantly tries to make it clear that because she’s not a variant, she’d know Loki better than he would, which (personally) makes the revelation that she’s a variant feel more devastating.
Again with the lighting, they’re still in partial darkness, constantly moving in and out of the light. Whilst what Loki says about the variant setting a trap is true, it isn’t in the context that he says it. Sylvie whoops their asses later.
The black and red-orange flags remind me of tomb markers. It’s a stretch, ik.
B-15 only has tally marks on one side of her helmet.
Mobius has fake pockets in his suit jacket. They’re the worst.
The ticking increasing in tempo as they approach red line - great for setting up tension.
I believe that Loki uses personal space like a weapon - slowly approaching them from the front, and then going behind Mobius’ back when he wants his way. It would make anyone uncomfortable, especially on a subconscious level because there’s a threat behind you.
Or maybe it’s that I have different personal space boundaries, not everyone likes being approached from behind. Loki’s movement felt intentional at least.
Getting Mobius to physically turn his way because of that might have been very subtle manipulation?
Loki looking back and forth trying to judge their reactions lol.
I liked the music in this scene, it sets up tension for Loki’s first attempt at betraying Mobius but then doesn’t completely dismiss it when it’s resolved.
Ravonna Renslayer’s office
The music here is 18 morceaux, Op. 72, No. 2. Berceuse. 18 morceaux, Op. 72: No. 2, Berceuse (Arr. For Theremin and piano) by Clara Rockmore for anyone that’s curious. I found out through Natalie Holt’s Twitter (I think).
The score is, and always will be, perfection.
Mobius’ small talk amuses me.
“Why do you get to keep all the trophies from my cases in here, you don’t think I’d love having that roller skate?” Mobius, what about the thing on the shelf behind your desk????
Ravonna seems like she’s answered these questions before, but she has a fondness for him that makes me think they’re good friends.
Also does Ravonna have multiple complete collections of the Encyclopaedia Britannica in her office? What are those books??
“I hope it’s a double.” Me too Mobius, me too (drink responsibly).
I don’t get how people think Mobius doesn’t remember leaving the stains. It sounded like Ravonna was chiding him for a bad habit and Mobius just made up a remark, not confusion.
Although he does place the cup at a different spot to the rings.
The ship flying past in the windows is a wonderful detail.
“The variant likes to stall for time.” It's very satisfying to me how everything stays relevant. Every detail advances the plot/contributes to it.
“Look, I know you have a soft spot for broken things.”
“I don’t think so-”
“Yes you do.”
Both Mobius and Ravonna only look at the middle figure when referring to the time Keepers. Either the other two are side-lined or don’t contribute at all.
“I’ll delete him myself.” At this point in time, I think Mobius is serious. As the episode progresses, his status may have changed, especially after the Jet Ski philosophy session.
Ravonna’s sash on the peg reminds me of the ones the people talking to Casey were wearing in episode 1.
Man those doors are so cool.
Peak sitting outside the principal’s office energy.
Mobius whistles at Loki as opposed to talking to him like he does later.
Any screen shot from the following scene is pristine chaotic disaster bi Loki energy featuring tired-of-your-tomfoolery Mobius.
“Isn’t that precisely why I’m here?” This marked a change in Loki to me. Up until that point, he’d tried to use what he’d known, who he’d been by scheming his way to the Time Keepers. By admitting he wasn’t sure of his purpose, we’re back with the person at the end of the last episode. It’s very Loki to try all avenues to get what he wants, and after having his world turned upside-down a few times in a short period, maybe he just wanted the familiarity of his old tricks, who he thinks he is.
Loki tensing up and then trying to assert control again reaffirms what I just said.
Man, give Mobius a holiday after all of this. Loki really tested him, huh?
Loki definitely likes validation on some level.
TVA archives (a.k.a the Salad Scene)
I can’t believe that place really exists. The looks combined with the music are just *chef kisses*.
I’m not sure if I’m thinking of the right progression, but the music reminds me of a plagal cadence. Google examples and play it side-by-side, you’ll get what I mean, maybe someone knows what it really is?
On either side of the elevators near the Time Keeper statues are the signs TVA archives.
The symmetry pleases my goblin brain.
I believe the entire show was just flexing the skills of the Loki crew and I couldn’t be happier.
“Pretend your life depends on it. I’m gonna get a snack.” This was so funny in the trailers but Mobius is dead serious (delete him myself comment). And he couldn’t even enjoy his salad.
Love that the end of credits takes from some of the scenes in episode 2.
The archivist has neat glasses.
I want some TVA stationary y’all.
It’s that moment fam.
I can’t be the only one curious by the ‘DISPLACED by 000:000:002:162’. Is that in Units? It would explain why the time line looks slightly bendy whenever we see it, especially if Apocalypses are so frequent.
IT’S THE SALAD LADS!
Mobius is reading the magazine that Loki was looking at earlier. Jet skis are Mobius’ comfort character.
“Don’t set fire to the palace.”
Tom Hiddleston has so much energy, he can move so fast.
“Oh God.” - Mobius, Null Time Zone
“YOU.” - Casey, Null Time Zone
Casey!
No thoughts, head empty, the Salad (TM).
But seriously, people only seem to be at their tables with others that work in a similar section. Not hunters and analysts eating in tandem to me, folks.
Oh Casey. Please don’t hurt him.
Aw, Mobius’ little giggle warmed my heart. Owen Wilson’s giving me whiplash with Mobius. My heart can’t take this y’all.
79 AD Pompeii, Italy
They’re both so giddy, Your Honour, I love them.
Mobius snuck them out lol.
“Bird noises?”
“BE FREE MY HORNED FRIENDS, BE FREE!” The post wouldn’t be complete without this.
Loki just throwing food at people and telling them “...enjoy your last meal while you can” is top tier comedy to me.
This is the first time we see Loki openly say nothing matters. I feel like the case file on the destruction of Asgard really pushed him to treat fate as unchangeable.
LXXIX is 79. Nice one Loki crew!
Mobius’ eye twitching as he checks the variance is a nice touch.
Loki throws away the stick that was holding the goat pen closed at the end.
TVA Archives, TVA cafeteria
Mobius picked up those files so smoothly I had to re-watch it.
Their position reflected what they were talking about - when Loki thinks it’s his individual contribution, he’s walking separately to Mobius, but they meet up when working together. I loved the blocking in that little moment.
I seriously thought that Loki was unconscious when I first saw him asleep around Mobius. I’ll admit it, it felt out-of-character for someone with such bad trust issues. Both of them seem pretty tired tho.
It’s the Jet Ski conversation comrades!
I’m beaming. Mobius talking about Jet Skis was the only time I’ve really remembered it’s Owen Wilson talking. It’s such a fun line to think about!
Loki’s smile. Adorable.
Just go watch the scene, it’ll give you good brain juices.
Mobius does it all for the Jet Skis and nothing else. I don’t make the rules, the Time Keepers do.
“My own glorious purpose.” This is a recurring theme in the season. Ultimately, I think that Loki is going to run for as long as it brings in money/until Loki gets killed again. However, I do like to think that in following seasons we’ll move beyond setting up Phase 4 Marvel stuff and just get deep dives into Loki’s character, though it may happen in the later eps or not be as interesting. Part of what made this show so interesting is the new setting in the Marvel universe but it’s hard to make predictions as to whether it will last in a show featuring the God of Mischief. Whatever happens, I’m happy that we got to see Loki’s existential crisis together, lads.
The music picks up, signalling that this quiet moment is about to end.
“No one bad is ever truly bad. And no one good is every truly good.”
“Scared little boy.”
These lines mean a lot to me. Loki perceives Mobius as an equal, similar to himself but not completely identical. The TVA’s whole aesthetic is Kafkaesque (Disney+ used that word), the imperfections keeping the place from looking mechanical and orderly like what the TVA promotes itself to be. Loki wants Mobius to acknowledge it, but Mobius is in the past, not addressing what’s right in front of him, surrounding him. That’s probably because Mobius doesn’t believe, he accepts what he’s been told though Loki wants to change that. He’s still focused on his job, the variant. I don’t think Mobius will struggle against change in the ‘belief’ part as long as things are rational.
Kate Herron (director) said that the Kablooie scene was improv which makes me wish we had more B roll of Owen and Tom. They seem so professional, invested and fun on set.
“No wonder you’re so bitter.” I’m sorry Mobius you sound as salty as your salad.
‘Artificially flavoured chewing gum’ Has something happened causing artificial flavouring to be preferred?
‘Blue’ has canonically changed to ‘Bloo’ by 2050 in America in the MCU. I blame capitalism.
Why does Mobius look so tiny? I say that like Owen Wilson wouldn’t look like a giant next to me lol.
Owen Wilson is 3.5 inches (9 centimetres) shorter than Tom Hiddleston. Yet he is dwarfed as Mobius. I need to stop talking about this and move on.
There’s no ‘variance energy detected’ line in the report.
“You’re gonna take my job if I’m not careful.” Loki looks so chuffed.
One day, I’ll properly address my thoughts on the shipping. Until then, I just want no one to die.
“Yeah, he’s doing great.” Mobius is so hyped. Good for him.
Owen Wilson has dimples.
Ravonna’s screen doesn’t show the timeline like it does later.
Ravonna is the done mom friend. Sane, undeserving of this, please give her a jet ski moment.
Buckle up folks because the last twenty minutes of this episode are my favourite so far.
At 34 minutes in, we get the music fading in with “Okay. But Mobius...” and a transition to my favourite composition so far. Natalie Holt outdid herself. The soundtrack is nearly constant, there’s no break for a moment of clarity anymore. The progression of events is inevitable, tying the bow on a plot line created in an hour and a half. The little embellishment from the strings (possibly) as Mobius and Loki exit is perfect. Combined with Loki’s raised fist leading to a pan to the ceiling, it prepared the audience for everything being turned upside down.
The changing camera angles and shot lengths (the continuous shot when B-15 takes the knives, the circling behind as the briefing occurs) keep viewers on their toes. The continuous shot is fluid, B-15 doesn’t look at Loki or Mobius, her reaction is natural and that just proves that the timing on that scene was impeccable. The circling behind reminded me of Loki positioning himself behind Mobius as he did earlier, but now he’s on the same side, part of the team though he continues to distinguish between himself and the variant. The building sensation that change is coming is met by the incredible swell in the music as we watch the picturesque Haven Hills get destroyed by modern technology and face the terrifying reality that is the Roxxcart store. There’s a close up on the Roxxcart storefront with school buses with the words ‘Evacuation shuttle’ in the background as we see the TVA’s minutemen come out reinforcing that even when the end is nigh, large corporations will loom over. A storm is raging with worse to come. I can go on and on, but you get the point.
2050 Roxxcart Disaster
I love that y’all are calling this the Alabama supermarket breakup. Makes me chuckle, that’s for sure.
I too hate when people can hear my footsteps. Someone that gets the struggle.
Sylvie places the TVA Samsung over a Roxxcart Security manual. She’s overridden both and is in control.
The date is 03/15/2050.
I think that the way the Hunters and minutemen hold their baton things is so that they don’t get yeeted. Neat.
As always, the beats are slick yo.
I hope the Azaleas guy gets some Azaleas wherever he ended up.
I love the way Loki says “In this storm.” It’s so satisfying for no real reason.
The wonderful Wunmi Mosaku does not get the recognition she deserves for this scene. She switched from B-15 to Sylvie so effortlessly. They’re two distinct characters, her facial expressions, body language everything changed in that instant. Even from the one line, “No, they usually survive,” her delivery had changed in a way that was noticeable. It’s uncanny, exactly what was needed when facing a foe that remained unseen. And the smile? It’s before we know the variant as Sylvie, so naturally it’s that signature Loki smile with a hint of malice we associate with the variant. Damn y’all, Wunmi’s incredible! I really hope she’s recognised for being so talented in this series, if not in all her other work!
Mobius really cares about those people. I really want his redemption (?) arc.
It’s been pointed out that even in those conditions, Roxxcart were selling blankets and water. I think it means that by 2050, cash would be defunct. If only electronic payment existed, as long as there’s electricity they can run a business. Chew on that.
If the man they speak to is 50 to 60, he was a 90s kid.
There must be a difference in the reprogramming or kind of variant selected to be a hunter as compared to an analyst. The Hunters look after their own, but the analysts (or Mobius) go as far as empathising with variants.
C-20 is sitting in front of safety standards.
“A bit amateurish.” Loki knows that the variant isn’t as skilled with magic as he is.
As Loki and the possessed people walk, the lighting becomes brighter. He’s moving out of the shadows.
Me too Loki, I’m worried about B-15 too.
Sylvie unironically saying bless is hilarious.
Randy must be hella tall.
There’s a low angle shot as Loki and Randy face off with the flickering light above with a sign hanging above them like a sword of Damocles and a physical separation. Terror is nearly constant in Loki's life now, but he responds by letting go of his drive to survive.
The subtle swells in the music just add to my rising blood pressure.
C-20’s voice over is sad lads.
“I wanna go home,” we know she’s not referring to the TVA.
Mobius seems like a caring person.
When B-15 sits up and searches the room, I think it’s her realisation. Her shiver was from fear and shock, the music wasn’t about her not seeing Loki, it was about the TVA and what had happened to her.
The head snap and the score timing matching. So satisfying.
“I would never treat me like this. Hi.” I think that’s Loki realising that his foe is not willing to talk their way through conflict.
This fight scene contradicts all the magic we see later ik, but if he didn’t want to hurt anyone and was trying to draw out the real enemy it made sense.
Some of Sylvie’s powers must come into the people she possesses. The guy punched a glass screen and didn’t even bleed.
“I have shit to do.” Sylvie wasn’t raised with court etiquette (from what we know) and her lexical choice reflects that.
Dell computers survive into 2050 in the MCU. So do those robot dogs and Roombas. I am only happy about the Roombas. Where did the real dogs go? :(
“Mobius.”
“Where is he?”
“I lost him.”
“What happened?”
“I...”
Until now, B-15’s delivery has felt slightly rhythmic, like she was used to having the same arguments, particularly with Mobius. When she trails off however, I think it’s her trying to rationalise what she’s been through with Sylvie’s possession. Her devotion to the TVA was rooted in the fact that she wasn’t a variant, her life had a purpose and it was intentional. This must have rocked her, I’m invested in where she’ll go.
THE CUT TO BLACK OH GOOD GOSH.
Sylvie, my queen. I’d roll off a cliff for her.
The person with the moustache (you know the one) has pure fear on his face.
Ravonna knows what’s up.
And so do you, yes it’s the music, go listen to it.
THE RED LIGHTING
The zoom out to that incredible hallway shot and then stopping behind the time door. It was never about him after all, he was in the background of her plans.
Sylvie’s wave in Roxxcart vs. Loki’s on the train. Discuss.
The blackout, thunder and Loki’s pause under the flickering red and white light, do y’all really want me to talk about the s y m b o l i s m????
He’s conflicted, you know it, I know it, Mobius knows it.
Speaking of Mobius, there he is, we cut back to Loki and see him make his decision, zooming back in on him.
And with that final flourish in the score, we are done with episode 2!
Cue the most amazing end credits score you’ll ever hear.
Do yourself a favour, listen to all of it, including the part after the main credits, both are Works. Of. Art.
Ep 2 review
In case you didn’t notice, this is my favourite episode so far. There are parts I didn’t take to as much, but details from the previous episode being used in the plot as well as others being explained by Sylvie in episode 3. Rewatching it was easier than episode 1 though it left me wanting more. It will get more interesting from here, but until then, that was a fun romp.
See y'all next time. I hope whoever's reading this has a wonderful day!
Part 1, Episode 1 extend review link:
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mintypineapple · 3 years
Note
dw ask game 1-36 and 38-100 DON'T ANSWER NUMBER 37 I DON'T WANT TO HEAR ABOUT CRYING
DaThanks, anon who is probably @truestoriesaboutme!
CHILDHOOD
1. Did you like DW as a child?
Depends. What do you consider a child? I saw Doctor Who for the first time when I was 16 or 17. Does that count? Let’s say that it does. I did enjoy it.
2. Your age at the time of the revival?
16.
3. First DW episode you ever saw?
An Unearthly Child. I wanted to watch it all in order! Still do! My first New Who episode was “Blink,” as forced upon me by @raisegrate. I did enjoy it.
4. Did you have any of the toys?
I didn’t at the time, but I do now. I have a couple of screwdrivers, a Fourth Doctor, an Ice Warrior, and not-quite-Legos of Doctors 1-11. (-WD)
5. Which DW character did you play on the playground?
N/A.
6. Monster(s) that scared you most as a child?
N/A. Nothing scares me.
7. Joke/story you didn’t get as a kid?
N/A. I get all jokes/stories.
8. DW opinion that has changed since you were a kid?
That the only way to watch it was from the very beginning. I eventually gave in and watched New Who before finishing Classic Who.
9. Who introduced you to DW?
Pretty sure I heard about it initially on a forum I went to called The Douglas Adams Continuum. That’s when I started watching the First Doctor. Again, @raisegrate showed me my first New Who. Eventually, I started watching New Who in its entirety with @catastrofries and they started watching Classic Who with me for @rassilonwatchathon.
10. Did you like Sarah Jane Adventures as a child?
Didn’t even know it existed as a child. But I liked it as an adult.
Read more under the cut. There’s a lot!
DOCTOR
11. Who is your Doctor?
One. He’s the first I saw and I’ve went through some of his more than once, due to the podcast, so he has a special place in my heart.
12. Your favourite Doctor?
It varies depending on the day. I quite like Two, Eleven, and Twelve, though.
13. Least favourite Doctor?
Possibly 5 or 13? More because they don’t get a whole lot to do, than them being bad.
14. Best regeneration?
Technically speaking, there’s something about that first one that is still so good. Emotionally speaking, Two’s regeneration is terrifying and I quite like Twelve’s speech before regenerating.
15. Do you like “Doctor-Lite” episodes?
Yeah! They’re all pretty good! Even “Love and Monsters!” Yeah, I said it! (The end is bad, but the rest is good.)
16. Who is the most human Doctor?
One calls himself human a handful of times. Does that count? If not, definitely Five. He seems the most like a regular guy in a weird situation out of all of them.
17. Best multi-Doctor story?
The Day of the Doctor, for sure.
18. Best Doctor monologue?
Eleven’s speech to young Amy in “The Big Bang.” That episode is just solid all around.
19. What do you think TenToo/MetaCrisis Doctor is doing now?
He’s definitely fucked off somewhere and abandoned Rose. He runs a cat cafe that is definitely a front for something, but no one can quite figure out what.
20. Best Doctor/companion pairing?
One/Barbara, Two/Jamie, Three/Jo, Four/Leela, Five/Tegan, (haven’t seen enough of Six, any of Seven, and I honestly don’t remember the companion for Eight), Nine/Rose (that’s the only option!), Ten/Donna, Eleven/Amy-Rory, Twelve/Clara, Ruth/Thirteen.
COMPANIONS
21. Favourite companion?
Classic Who: This is hard. Jamie? Sarah Jane? Leela? New Who: Donna Noble.
22. Favourite secondary companion?
Not sure what this means exactly... My second favorite? If so, I gave three for favorite Classic Who, so one of them. New Who: Rory.
23. Least favourite companion?
Classic: Ben Jackson or Peri. New: Ryan.
24. Best TARDIS Team?
Classic: Two, Jamie, and Zoe. New: Eleven, Amy, and Rory.
25. Most underrated companion?
I love Steven Taylor. I feel like he doesn’t get mentioned enough.
26. Most overrated companion?
Probably gonna get some hate for this, but Romana II. She’s good and I like her, but I was expecting a lot more. I honestly prefer Romana I.
27. Favourite companion’s family?
I love Rory’s dad.
28. Who should have been a companion but wasn’t?
Kamelion. AM I RIGHT? But seriously, Amelia Rumford from “The Stones of Blood.”
29. Favourite (canon or non-canon) DW universe relationship?
Amy/Rory.
30. Who did you not used to like, but really like now?
I hated Tegan when she first came on, but now I love her.
EPISODES
31. Favourite episode ever?
“Heaven Sent.”
32. Least favourite episode?
“Time-Flight” gave me a literal headache.
33. Which episodes do you skip?
NONE. Of course, I’ve not done any rewatches. YET.
34. Best two-parter?
“The Empty Child/The Doctor Dances” are the first New Who episodes that fully sold me on the show.
35. Historical, present day or futuristic episodes?
Give me the future and make it weird!
36. Episode that will always make you smile?
“The Myth Makers.”
37 HAS BEEN REDACTED.
38. Best run of episodes?
“Vincent and the Doctor” through “Day of the Moon” is pretty solid.
39. Best cliffhanger?
“Vengeance on Varos.” Hands fucking down.
40. Favourite Christmas special?
The answer to question 37. “A Christmas Carol.”
SERIES
41. Classic Who or New Who?
Yes please! (Though New Who will take this a little just because the pace is generally a lot better.)
42. Favourite series?
I’m not sure about Classic (I have a harder time thinking of them as different series), but New is definitely 5.
43. Least favourite series?
11.
44. Which series do you skip?
See 33.
45. Favourite series opening?
“The Eleventh Hour.” It’s just a lot of fun.
46. Favourite series finale?
“The Big Bang.” IT’S A GOOD SERIES.
47. Best series arc?
So I don’t sound repetitive and say Series 5 again, Clara’s arc in her last season is great.
48. Thoughts on series 11/12?
I find it largely boring and not well-written. Though there are some things I like! I love Ruth a bunch.
49. How much of Classic Who have you seen?
I’ve seen from “An Unearthly Child” to “The Two Doctors.” And the movie.
50. Who should have had another series?
Doctor: Nine. Or Eight. Or Ruth. Companion: Kamelion, but done better.
MONSTERS
51. Favourite monster/villain?
I love them Fuzzy Chicken Nuggets. (The Yeti.)
52. Most creative monster?
The Silence are an interesting concept.
53. Monster(s) that scares you most?
OAK AND QUILL from “Fury From the Deep.” Fuck those guys.
54. Monster you think is too easy to defeat?
I hate power level questions. Next.
55. Least favourite monster/villain?
I get really tired of the Daleks sometimes, y’all.
56. Monster you want to return?
Chumblies or quarks.
57. In your opinion, what makes a monster good?
The writing. You can do great things with most of them. Even the ones you dislike. Like, I hate the farting aliens, but they are occasionally used well.
58. Daleks, Cybermen or Weeping Angels?
If I had to pick, I’d say... Cybermen. Daleks are very samey and loud. Weeping Angels get less interesting every time they are used. But there’s a human element to the Cybermen that, when utilized, can be very effective and unsettling.
59. Best Dalek story?
The one where Two rides around on ones he made nice.
60. Best one time villain/monster?
I don’t know what it is, but whatever it is in “Midnight.”
ADDITIONAL MATERIAL
61. Torchwood or Sarah Jane Adventures?
SJA is more consistent, but the highs of Torchwood are higher.
62. Favourite Torchwood Team member?
Owen. But like... not season one Owen.
63. Which Torchwood death made you saddest?
See 62.
64. Do you rewatch COE or MD?
I haven’t rewatched anything yet. But I would rewatch COE before MD.
65. Favourite SJA Team member?
Clyde.
66. Mr Smith or K-9?
Mr. Smith is way more interesting. He had a villain arc!
67. Maria or Rani?
Rani.
68. Do you read the comics/novels or listen to Big Finish?
Some. I’m doing them as Patreon bonus episodes for @rassilonwatchathon​. I haven’t done much though.
69. If you do, your favourite additional stories?
“The Chimes of Midnight.” I’ve listened to it twice.
70. Do you like DW analysis (video essays, fan theories, etc)?
I do DW analysis for @rassilonwatchathon AND The Dipp. So yes. My fave is TARDIS Eruditorum, though.
I’LL ANSWER THE REST AT A LATER TIME. I MUST BE WITH MY PEOPLE NOW.
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minimoefoe · 3 years
Note
Thirteenth Doctor
THIRTEENTH DOCTOR
Why I Like Them; I love how she really does try to live up to Twelve’s last requests. I love her when she is being happy and awkward and when she is the complete opposite and goes off into a massive speech/rant. She has The Range. I really love everything about what they’ve done with her character.
Favourite Episode; The Haunting of Villa Diodati.
Favourite Season; Probably Series 12 but I really love both of Thirteen’s seasons. I did a re-watch last week and honestly, Series 11 was so much easier to watch than Series 12 because it wasn’t very heavy, all the episodes were chill and the Doctor was happier, which is something I would have complained about before we got Series 12 but now that it’s nice to go back to the simpler times.
Favourite Line; Honestly all of her monologues are up there with my favourite lines. If I had to pick just one line though, maybe in 11x01 where she first says she’s the Doctor and talks about everyone being capable of change.
Favourite Outfit; Either the Spyfull tux and bowtie or Coatless!Thirteen
OTP; Thirteen x Yaz. I just...… The potential. I don’t expect or even want Series 13 to be Doctor Who; Space Wives Edition. But there is no way they can go the whole series without something being addressed. Yaz very clearly feels something for the Doctor. I don’t know where I’m at with if the Doctor feels anything back but I’d like to think she does and is just holding it all back and not planning to say anything because she knows it probably won’t end well. And I also do think the Doctor is able to notice that Yaz has got a bit of Clara vibe and is becoming more reckless.
Brotp; Thirteen x Ryan. The Doctor is his surrogate dad and I just love them so much. I really think he might be her favourite. A series of Ryan as a solo companion would have been 10/10.
Unpopular Opinion; While I think her giving the Master over the Nazis is majorly fucked and the writers just shouldn’t have included it, I’m kind of able to ‘justify’ it when I look at it from the Doctor’s perspective. From the perspective of the writers I’m like, literally why have you done this?? But for the Doctor it’s like she’s just spent 70-odd years trying and (as far as she knows) failing to make the Master good and now he’s here again fucking shit up and just generally being a dick head and she just isn’t interested, especially so soon after The Doctor Falls. So she just wants to be done with him. And I think after not sharing anything about him with the companions and kinda keeping ‘the real her’ under wraps, the Master showing up definitely threw her off.
I think there is an argument of ‘Oh, the Doctor is an alien, she doesn’t know how serious it would be to do that to someone.’ But I don’t believe that for a second. She has spent enough time on Earth to know about the Nazis and I think she’s smart enough to know how much trouble she could have got him in. I’m also kind of okay with the idea that doing that what she did a bit OOC for The Doctor but it’s what we’ve got so I’d rather try and figure out her reasoning for it than write it off as being OOC and not something she ever would do. Because she literally did it.
A Wish; Wish she’d fuckin talk about her feelings to someone. 
An Oh-god-please-don’t-ever-happen; I can’t really think of anything where I’m like no, I don’t want Thirteen to do that. I guess maybe something to do with her and Yaz becoming girlfriends or something. Like, as much as I’m in love with Thasmin, I don’t need major romance in Doctor Who to enjoy it. Yes, at this point not doing something with Yaz and Thirteen would be kinda fucked and queerbaity on the writer’s part so I need some kind of resolution to it but I don’t want them running around holding hands and snogging all the time. I mean, I can’t imagine Thirteen doing that anyway but still, I don’t want it.
Thanks for asking! :D
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smallcowplant · 4 years
Photo
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[ P A R T  T W O ]
my favorite thing is monsters (book one) by emil ferris 🧟‍♀️🔍🧛‍♀️
quick synopsis: adult (coming-of-age story from the perspective of a young girl, but definitely targeted at an older audience)/graphic novel. set in late 60′s chicago, the fictional graphic diary of ten year old karen reyes recounts her experiences as she tries to solve the murder of her beautiful and enigmatic upstairs neighbor, a holocaust survivor.
page count: 416
rating:★★★ (this is a hard rating for me...think 3.7-3.9....oscillating to a 4....4.2....I don’t know, man)
review: I keep doing this fun and cool thing where I buy a book without realizing it’s the first in an (unfinished) series, and then end up being cast woefully adrift by reality. that’s what I did with this one. purely based on the artwork alone, I can tell you that this book is a treat for the eyes. a lot is going on here, and there’s something so engrossing about being swept up into the chaotic pen strokes and colors. the story is an interesting one, and not entirely what you expect. the characters are all distinct and layered---really riveting people who feel near-painfully real. as the first book in a two (?) book series, it leaves off with the central (and now additional) mysteries unsolved---which leaves the reading experience feeling unfinished and kind of disjointed. I’m stuck in a bit of a confusing mid-zone with this one, where I truly....well, I can't say I enjoyed it, since this story is so much more than that? I was...fascinated? enveloped? I’ll be reading the next one, definitely.
one of us is lying by karen m. mcmanus 🥜🚓📱
quick synopsis: young adult/contemporary mystery/suspense. five students walk into detention. only four make it out alive. who did it...and who is lying?
page count: 361
rating:★★★ (firm 3.7)
review: the breakfast club....but with murder? if you’re down for that, you’ll enjoy this book! it certainly kept my attention. and MAN was this a suspenseful and super stressful read. (if you need a book that’ll make you go “wow, I’m glad I’m not in high school anymore”, this is it lol!) there’s a bunch of really interesting character studies going on in this one, and it definitely lends to a tense and involving read. the only reason the rating isn’t any higher is just that certain elements of it didn’t work...entirely...for me. that doesn’t mean that they were bad...just not what I...wanted? there’s two more books in this series, and while I’m not anxious to get my hands on them, I’m fairly sure I would read them!
murder at morrington hall: a stella and lyndy mystery by clara mckenna 🐎🍵💏
quick synopsis: adult/historical mystery. 1905. stella kendrick, a lively and confident american heiress, is tricked into an arranged marriage by her coldly ambitious father. her groom-to-be is viscount “lyndy” lyndhurst, who is both roughish and financially strapped. despite this rough beginning, they find themselves oddly drawn to each other. could they actually be a good match? however, all courtship is set aside when the pair discover the vicar who was  to marry them----dead in the library. now they must work together to solve the crime and find the culprit.
page count: 304
rating: ★★
review: ugh, it pains me to say, as I thought I was signing myself up for a fun turn-of-the-century murder mystery/romance...but this was just...meh. a meh story. I feel like it had potential to be an enjoyable, soapy romp with a dash of sensuality...but it was none of those things? (basically, I wanted a self-indulgent and delicious slice of chocolate cake...but I ended up with a week-old raisin muffin.) it didn't help that I had some issues with certain things the writer included. in particular, I REALLY didn’t like the equating of fat = mean/ugly and the repeated use of the word “bulbous” to describe certain characters noses----I had to do a quick google search to see what the hell the author was talking about. still not sure if she was trying to imply that the characters had rhinophyma/rosacea or just that they had bigger, “ugly” noses, but neither is good lmao. whenever you put a “plain/regular-degular person” with a big nose up against your array of stock White People™ characters with thin noses and angular faces, AND make those “plain” characters play the “wow, I’m so ugly but these characters are so pretty oh woe is me” bullshit in their inner monologue, I’m dipping. I’ve collected my paycheck, clocked out, left the building. (your story is already about a bunch of rich, straight, white people in 1905...I’m already skeptical, don’t test me. jk, but also not.) I’m fairly sure this would have caused a decent amount of people to DNF this book, but I’m a stubborn little bitch, and if I paid actual money for the hardcover copy at goddamn Barnes and Noble, I’m reading it. this is all to say that....if I’m being thrown out of enjoying your soapy historical murder mystery to gripe about random shit, there’s a problem. other than that? carpet was described a lot, the twist was decent, the romance was okay (no smut---or anything even vaguely close to romantic/sexual tension---and the kisses were not described at all, so I have no clue if either of them do more than press their lips together while admiring each others pale necks, but whatever), and the setting was the most interesting thing about this book (a crumbling english estate in the countryside?? sign me tf up). I won’t be reading anything more in this series, but that cover is pretty cool isn’t it? (I don’t know that the vase had anything to do with the story I read, but it does look really neat.) sidenote: hate to be a smarmy asshole, as I know full well how much work goes into writing, and I’m in no way trying to shame the author...this book just didn’t do it for me.
wilder girls by rory power 🌳🦷🥀
quick synopsis: young adult/horror/mystery. on an isolated island off the coast of maine, raxter school for girls is under quarantine. a mysterious disease has wracked the island, leaving teachers dead, students twisted and changed, and the woods that surround it dangerous and wild. while the disease consumes the island, the girls wait---for help, for the cure that was promised to them. but when hetty’s best friend disappears, she must venture out of the safety of the school, past the gate that separates them from the woods---and what she finds will change everything.
page count: 363
rating: ★★★★★
review: powerful, blistering, and utterly terrifying. that’s what immediately comes to mind when thinking about this book. I read it in a breakneck pace, devouring the whole thing in a feverish five? hour haze. once it was over, I sat bleary-eyed, the air around me feeling different than before, my hands tense and my stomach jumping. “you were a good one.” I said softly, kissing the spine. so yeah, it’s good. it’s very good. heartbreaking and awful and shockingly beautiful. this one hurts. I felt this one in my bones, in my soul. read it.
lovely war by julie berry 🌷💥💞
quick synopsis: young adult (but the youngest character is 18...so I think this could comfortably slot into adult)/historical (with a touch of fantasy). the intersecting stories of hazel, james, aubrey, and colette: a classical pianist from london, a british would-be-architect-turned-soldier, a harlem-born ragtime genius in the u.s. army, and a belgian orphan with a gorgeous voice and a devastating past----told by the goddess aphrodite, who must spin the tale or face judgment on mount olympus.
page count: 468
rating: ★★★★★
review: do you know how many times I CRIED while reading this book? because I certainly don’t! I lost track, as there are simply too many painful and beautiful things contained in this book. heart-wrenching, sumptuous and intoxicating, vivid in the best and worst ways, sharp and soft at the same time. I met my boyfriend while he was still active-duty military, so the wartime/seperation themes hit me very personally....but even without that, this book is excellent. expertly weaving together mythology and history in one gripping piece of art, it left me with a wistful smile on my face and a faint ache in my heart. it’s good. very good.
we have always lived in the castle by shirley jackson 🏡💀🐱
quick synopsis: young adult? adult? who knows!/mystery/horror. mary katherine blackwood is eighteen years old and lives with her sister constance. she has often thought that with any luck at all she would have been born a werewolf, because the two middle fingers on both of her hands are the same length, but she has had to be content with what she has. she dislikes washing herself, and dogs, and noise. she likes her sister constance, and richard plantagenet, and amanita phalloides, the death-cup mushroom. everyone else in her family is dead.
page count: 146
rating: ★★★★ (4.5/4.6!)
review: delightfully creepy and utterly odd, with a full cast of extremely unlikable characters and one of the strangest protagonists I’ve ever read. at NO TIME did I have any idea where the story was going, which lead to an completely bizarre (but fun!) reading experience. twilight-zonian/gothic...but better. very eager to read more of shirley jackson’s catalogue, because that lady sure knew how to weave a tale. very glad I read this one.
sadie by courtney summers 📻👥🎙
quick synopsis: young adult (mc is nineteen, and imo I feel like this slides into adult tbh)/contemporary/true crime. told from the alternating perspectives of nineteen-year-old sadie, who runs away from home to find her younger sister’s killer, and a true crime podcast exploring sadie’s disappearance.
page count: 308
rating: ★★★ 
review: sad, awful, raw. that’s this book, simultaneously bright red and angry and deep blue, sadness upon sadness. this book reminds me of every true crime documentary I’ve ever watched---how it wraps itself up in a depressingly soft way, all the emptiness left behind and everything forever-changed. gives me the same icky voyeuristic feeling consuming any true crime content always leaves with me---this peculiar feeling of peering in to others heartbreak, of their horrors. this is a hard book. it’s difficult and not easy to stomach---and it never lets up. know that before you go in. what you may expect/want is NOT what you’ll get. and that’s the trueness of this book. I have my own personal feelings regarding the story, thus the three star rating, but that’s on ME. this book is incredibly well-written and insanely gripping. I finished it the same night I started reading it. if you want a gritty, intense read set in the very bleak reality of our world, this is your book.
FEBRUARY
BOOKS READ: 14
PAGES READ: 4225
# OF 2020 BOOKS READ SO FAR: 17/50
in reflection: my goal for this month was to read ten books, and I did that ...plus four more! so I’m pretty proud of myself, lol! there were a lot of stellar reads this month, and I had so much fun discovering them all! definitely a TON of new favorites to add to my bookshelf! :^)
disclaimer: all fourteen of the books I read this month include/focus on potentially triggering content, although they do fluctuate on the scale of intensity and subject matter. my wrap-up reviews do not contain spoilers/a comprehensive list of potential triggers. I urge everyone to do their own research regarding the content of these books if you’re interested in reading them, and I’m always available for questions. my reviews are just that, reviews, and books that work for me may not work for you (and vice versa).
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halcyonfawn · 5 months
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the meaning behind "face the raven" theme in "wild blue yonder" and more
a continuation of this post. i need to talk about this otherwise i'll explode.
some people have also said that this theme is playing in "last christmas" and "hell bent" (thank you for pointing that out, i'm going to die) which makes it all even worse (better). therefore, this post is, more or less, destined to turn into capaldi's era brainrot. but not all of it, i promise.
you've been warned.
first of all, allow me to refresh your memory. let's look into the context of the scenes where we heard this music theme before.
"last christmas"
according to series 8 official soundtrack, this theme is a part of "every christmas is last christmas" and is heard quite clearly two times. they're both important scenes for the doctor and clara.
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too late.
a moment full of regrets and nostalgia. the doctor thinking he's lost clara again, wishing he would have come back sooner. clara reminicing her life without the doctor in it.
"so no one matched up to danny, eh?" "there was one other man, but that would never have worked out." "why not?" "he was impossible."
it is (heavily) implied that "one other man" is the doctor. does the doctor himself realise that she's talking about him? open for interpretation. but what this small exchange truly does is showing a game of saying something without actually saying it.
"can you really see no difference in me?" "clara oswald, you will never look any different to me."
yet another way of dancing around words. there's something special and touching about this last line. it is sort of a confession of unconditional love. but the word itself - love - is never spoken out loud.
then again, twelfth might be face blind.
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second chances.
now, this scene is a complete opposite of the one mentioned above. it's full of hope, anticipation, happiness. a beginning of a new arc. he is given a second chance and he takes it. the doctor asks clara to run away with him once again. and she says "yes" without hesitation, takes his hand, kisses him on the cheek.
conclusion? these two scenes are focused entirely on the doctor and clara's relationship. it is there to show their strong connection, how much they mean to one another. utter devastation at the thought of their time ending and the absolute joy of reuniting after being separated. a chance at a happy ending. which also makes the music that plays on the background their theme.
"face the raven"
"every christmas is last christmas" is now turned into "face the raven" and is asocciated with clara's death. it also makes the previous name even more heartwrenching since last christmas was literally clara and doctor's last hurrah. we can hear this piece of music appear in two scenes as well.
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clara's monologue about facing the raven.
"if danny pink can do it so can i. die right. die like i mean it, face the raven. maybe this is what i wanted. maybe this is it. maybe this is why i kept running. maybe this is why i kept taking all those stupid risks, kept pushing it."
she's accepting her fate and aknowleges her recklesness all the way throught the season 9. it was meant to be. there wasn't enough space for two doctors in the tardis.
"i let you get reckless" "why? why shouldn't i be reckless? you're reckless all the bloody time! why can't i be like you?" "clara, there's nothing special about me. i'm nothing but less breakable than you. i should've taken care of you."
this scene is also about how a human life can be so very short compared to the time lord's and how easily it can end. it's fragile. and it's the doctor's curse: bearing the pain of losing his loved ones.
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clara meeting her fate.
as she approaches the raven, ever so brave, the doctor watches her. he hears clara scream, then witness her collapsing onto the ground. it is extremely painful, but this is, i repeat, the doctor's curse: watching his companions leave. there's no use in running away from that pain, it haunts him every step of the way.
"hell bent"
next time, "face the raven" theme can be heard during the memory wipe sequence. there is no name given for the background music in this particular moment, but it's quite obvious it represents loss and... letting go?
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the doctor is about to make clara forget their time together (does that ring a bell, anyone?).
it is worth pointing out that the music becomes the loudest at the exact moment the doctor says:
"look how far i went for fear of losing you. this has to stop. one of us has to go."
it is the culmination of their relationship. companions that push each other to extremes. together they might destroy the whole universe in order to keep each other safe. there's no other way but to separate. they've formed such a strong connection than one is ought to forget the other.
even though at first the doctor is determined to wipe clara's memories, he then admits she is right: it is unfair to take away all that wonderful time they had from her. so he gives her a choice. or, more like, an offer to play a russian roulette. it's either you or me. i'm not going to press that button. we will do this together.
to summarise: all of these moments featured a strong connection between clara and the doctor. it also tells us a story about how hard it is to lose someone you care about deeply, especially for the doctor.
how is it all connected to the doctor and donna?
memory wipe
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the doctor has to make donna and clara forget about him in order to keep them safe. expect that he doesn't give donna a choice, wiping her memory almost instantly, without saying a proper goodbye to her. obviously, he didn't have enough time to think of a better way to solve the problem since donna wouldn't have lasted long. however, it is still a decision he regrets making.
from "the star beast":
"i'm so glad you're back, donna. it killed me, it killed me, it killed me."
if we take a look at clara's situation, it's a bit different. i've already mentioned it above: at first, the doctor wants to do the same thing to clara that he did to donna. make her forget. expect, this time he is confronted for doing so (even threatened, at some point).
"these have been the best years of my life and they're mine."
i think this line triggers something in the doctor. because this is when he realises that this is not the right thing to do. not exactly. he'd already done it once and he regretted it. so this time, he offers a slightly different solution. someone still has to forget, but they'll press that button together. it's a mutual choice.
now, i know it's not entirely related to the dialogue in "wild blue yonder", but i think it's worth mentioning that donna and clara's stories are somewhat similar. i'm sure it's been said before, but it's still important.
donna's story was incomplete because she wasn't given a choice. now, that she remembers, 14th doctor makes sure their time together is worth-while. a second chance just like in "last christams".
too alike
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another similarity between these two stories is that clara and donna are not entirely humans. not anymore.
donna's half timelord. even though her head is still not big enough to fit all the doctor's memories, she still has a part of the doctor in her.
clara's frozen in time, that makes her practically immortal. she risks her life, she reverses the polarity of the neuroblock, she gets her own tardis, she's even reffered to as "clara who" at the end of "hell bent". she has become the doctor in a sense.
but there can only be one doctor. so where's the story heading to at this point, i wonder? but we'll come back to this question later.
"but what really happened?"
before i say anything, it is obvious that the doctor's silence before and after he says "a lot" is him reminicing all that'd happened to him during the 11th, 12th and 13th reincarnations. all of the loss and pain he went through.
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but why "face the raven" theme of all things? it could be a general theme of grief/nostalgia/painful memories, nothing else implied.
but please let me be delusional for a bit longer!
just as that scene in "hell bent" brought the doctor back to the moment he made donna forget him, could it be that bringing back his best friend's memories in a whole universe that "he absolutely loves", also reminded him of another important person in his life with similar story? just like "hell bent" mirrored "the journey's end", "wild blue younder" gave us a reference to "hell bent".
this is where we get back to the question about the current story direction.
foreshadowing?
donna's story is not over. and there are a lot of possibilities how it can end.
say, there is a connection to clara's story here, i wonder if that's where the plot's heading. in one of the trailers, the doctor does say "i'm not sure if i can save you this time" to donna. and it worries me. then again, maybe they're just tricking us into thinking something bad will happen (oh the drama).
i'd say it's unlikely donna's going to die because that would be absolutely devastating after just bringing her back. at the very least, the ending wouldn't be completely "happily ever after". perhaps, sacrifices will be made in order to prevent something truly horrible from happening.
why did this face come back?
in "the girl who died" twelfth doctor finally realises why he got his face. it is a call-back to "the fires of pompei" (don't even get me started on its being the episode with 10th and donna).
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the message the doctor was giving to himself turned out to be:
"i'm the doctor and i save people!"
but what is 14th trying to tell himself?
i think it's about donna and more.
he's fixing his mistake of erasing her memories and depriving her of the right to remember amazing things that'd happened to her.
it's a reminder to actually tell people how much they mean to him. as we can see, 14th's more open with his feelings and constantly shows signs of affection towards his loved ones, even breaking the "never say i love you" rule.
it's about being honest and open with people because they deserve to hear it from him and he deserves to hear it back. because "things happen and then it's too late".
again, take 12th doctor, for instance. he constantly represses his feelings. but in my humble opinion, the reason why he's changed by season 10 was clara. she pulled him out of the dark place. and even though her death almost threw him back to that state again, he is still a better man by season 10.
but there were things left unsaid. love and care were always there but it was never said out loud. kind of the same thing happened with 13th.
i strongly believe that donna is that person for 14th. they're best friends who love each other deeply. and after the doctor lost her and got a second chance to fix everything, he does, he's being affectione. he's finally open with his feelings.
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conslusion: why did you make us read all fo this?
to answer the question in the title: it's all tied with how memories are important and priceless, fixing past mistakes, moving on and learning to treasure every moment with people you care about like it's your last.
it can also be a foreshadowing for something terrible, but i choose to hope for the better.
─── ⋆⋅☆⋅⋆ ──
aaaand that is the end of my doctor who rant. thank you for getting this far, if you did!
my feelings about all of this can be described with this one meme:
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2ofswords · 4 years
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for your analysis meme: clara
This is going to be so much fun and so very tough, because Clara is such an amazingly complicated character! God, I love her so much but part of that is because she is very ambivalent and hard to describe. She is one of these characters where you can find an opposite trait for every other one she has (which is kind of the point of her). Also: I still haven’t played the Changeling route in Patho1 and I have a stronger understanding of the Patho2 universe… so bear with me. I will try my best to analyse our favorite saint.
their biggest strength
I needed to think a while about this one and the term that stuck with me was attentive cleverness. Because I really couldn’t decide if I wanted to call her attentive or clever and luckily these two can be combined into something, I find pretty precise for what I want to describe. Clara is very clever and has a lot of knowledge that not really anyone else in the patho-universe can gain (or at least the amount of it, people share bits and pieces). She is the healer most aware of the meta-narrative and at least in routes that aren’t hers is telling you either that she knows more than you do or straight out telling you something, you needed to know (and probably didn’t want to). As is obvious by her focus on hands and talking her main skill is also interaction with other people… but I think a lot of it comes from the fact, that Clara is a good listener. Which seems to be counter-intuitive because listening is assigned as Artemy’s domain in the artbook, but I think the other word used – rhythms – is pretty important here. Artemy’s skill is finding connections, intuit solutions as well as similarities and differences (there is a reason he realizes his similarities to Aglaya’s description of the inquisition) and gaining cultural knowledge that he then transforms into practical and usable abilities. Clara’s “listening” is more about singular people’s well-being and personal struggle. (She is like a good therapist. If your therapist wanted to convert you into a sacrificial religion. ^^) She interacts with her surroundings directly and attentively. I mean, she is very well informed very early on without really having a live before that or at least not in town (again, I did not play the changeling route yet and do not know her origins or how ambiguous they are kept at the end. Either way, she arrives in town at the beginning of the game and navigates her way pretty well.) However only calling her attentive sounds like the trait is a passive one which is not something I mean. Both her personas as a saint and a thief use her knowledge that is gained by being attentive in unconventional ways and/or for unconventional means. As noted in the beginning, Clara is very clever and that in combination with her noticing even small discrepancies and listening to people makes her able to peek behind the curtain of the game in the first place. It also helps to get yourself into places people normally wouldn’t want a teenage girl to be and Clara knows and is fully willing to use this ability. It is both the reason why she knows so much more about the greater scope of the disaster and also why she always seems to be able to get into any place she wants to. By the way, just as an afterthought: Of course that ability doesn’t come and is in fact enhanced by empathy. I do not think, Clara is listening to people only to use them and to gain information. You can genuinely be willing to listen to someone and still use the information you get out of these conversations. Listening carefully and actively engaging with other people is a great part of that strength!
their greatest weakness
Does “not being able to hold a knife when the town wants you dead” count as a weakness? Okay seriously, I have a really hard time to put what I consider her weakness into one expressive term. So I will talk about it first at length and then we will see. What caught my mind first was ironically Clara’s problems with communication. That might be the case because, yes, I still haven’t played her route, so I am working mostly on her ways of communication with the other healers. But Clara really has a lot of strong points that she has trouble getting across or acknowledged. Sometimes that is definitely not her fault and one of her problems is, that she is not taken seriously by other people. But trying to persuade someone to their cause and emphasizing the reason with an elaborate monologue how the other healers are demons. Daniil was genuinely asking, why you wrote your letter about your destiny, it’s fine! Same happens in Pathologic 2. Saying someone to stay put when they are in a pretty bad spot already is not a bad idea and Artemy is pretty open to both warnings and clairvoyance in general but saying. “Nope, do literally nothing even if you know you want to, I am a better doctor anyways” is… yeah hurting him in his professional pride isn’t exactly a smart move. Often it feels like she really has a chance to explain and the other healers would probably listen but then there is just a terrible miscommunication. (Which is a thing for all of the healers but Clara I-am-going-to-call-your-father-a-horrible-person-while-we-are-at-his-funeral Saburova… Look, it might be true but it is also hilarious.) But putting communication skills here would still be weird, since… you know… she is pretty good at communicating in different ways! And also all three healers are pretty prone to miscommunication albeit in different ways and for different reasons… So I think we have to dig a bit deeper still… So why is this happening and hindering her? There are multiple reasons to come to this conclusion. One I would call childlike stubbornness. (Which btw. Is also one of her strengths, but… it is Clara, everything is also its opposite. God I love her so much, she is just so hard to describe, it’s amazing!) Even with all of her wisdom and cleverness… Clara is still a child. As she should be, it makes her so much more interesting! But she also has this childlike quality of just… assuming people will completely understand and accept what she is trying to see and getting frustrated the moment it doesn’t happen. This is one of her contradictions. She is so very attentive, and she can touch other people with her hands as well as her words, but she also is inexperienced and doesn’t really know a lot about the world or about how to socially approach people which can be a big problem, if she desperately needs someone to listen. The other argument would be about her role in the plot and the way she regards her own role as well as the other healers. She is the most aware one and she does indeed know a solution to the dilemma of the story (if we do not conclude that this is a three way battle, but I exclude my thoughts about the factions themselves for this. She definitely though knows how to get rid of the town vs. polyhedron conflict) but this also puts her in direct opposition to both healers. Which… you know is completely fair and not a weakness. But, she is very uncompromising about this and while all of them are – at least when they are not the main protagonists – Clara is the most unmoving and also uncompromising of the three, telling everyone always very directly how she things the others are shit. Which again, is very justified but becomes a big problem when she needs help and makes it harder for her to express her own thoughts, even if they are very justified and might even help all parties. Speaking in riddles and of concepts beyond something we would see as our reality surely doesn’t help there either.
a headcanon about their childhood
Oh dear, tbh I am not even sure how metaphorical she just crawled out of the earth at the beginning of the game and if she even has a proper childhood… I think it is pretty literal but there are allusions in Patho2 that she actually has a past? At least she speaks about it and I guess it can be as made up as real. (A classic Clara move ^^) And having no defined past is kind of a big thing for her so… sorry, no childhood headcanon here.  
a headcanon about their future (if they have one)
Again, I am not really sure if she stays in town or leaves with Block and I have read fanfiction with both, so I am not sure if there is a consensus in fandom either… If she stays in town I imagine her still being with the Saburovs but I do not know, if I really like this headcanon, since abandoning your newly found orphan in the middle of a plague is really something that should revoke parent rights… But on the other thing the position among the mistresses seems to still be pretty defined at least in the endings in Patho 2. I like to see her travelling with Block at least for a while. Maybe not at the front, that would be just… bad. But she also seems like the person who would just poke their head around at random intervals and nobody really knows, when she will get back and somehow Clara still knows exactly what is going on in town… Still she also seems pretty bound to the place and she has business there… it’s a tough call. She will definitely fire up the rivalry of the mistresses by a lot though. Probably even if she is just there for a second, she would definitely sow some mischief between Capella and Maria! Another triad of petty politics for her! Yay?
a small detail/scene that leaves a great impact
Oh dear, every scene she is in is just so impactful! (Also never knowing which Clara is with you right now (if there even is a difference) doesn’t make this easier...) I really like her quest in Artemy’s run, where she is upset about not knowing what exactly she is in the first place… but that is not really a small details or scene. Same goes for the cathedral and her offer to meet the inquisitor together with Dankovsky to stand up for that whole disaster. Which is still a really heroic but also not really a small scene and there is nothing to talk about there aside from “man, is Clara brave and set on doing the right thing!” I also think the letter about her ending is really interesting because it is just so out there and giving all of her bound a demonic nickname is just so over the top, but tbh all of the ending letters are very… passionate. So this might be more the games writing even if they lampshade it and talk to each other like the other one is the only healer in town who wrote a completely insane letter… But I digress. While I love Clara’s Patho1 design, I will say that I love her shaved hair in Patho2 and the commentary the artbook has for it. Seeing it as a sign of sickness or a deliberate mark of sainthood is just so on point for her! It is a really nice visual piece for her characterization and I also think putting the beany on top of it makes it even better. It is contradicting but firstly she deliberately kind of tries to hide her own contradictions (I mean, it is not part of her! It is just the sister, she is wrong!), which is also a nice added detail. Also, she might combine contradicting elements, but god, she is doing it with style!
their philosophy/worldview (or part of it) described in one neat little sentence
I am throwing the towel! How should this even work with Clara??? She has different philosophies and worldviews! Also, I think they differ a bit between the first and second game. The first one aligns a lot with the humble faction from what we hear but in the second game her dialogue alludes more vaguely to touching and changing people and not necessarily to “The right people must die for our world to continue” which is most of what I heard from her. Hm… How about: A saint’s duty is to touch the immoral and diseased, thus one can never rid themselves of all dirt. I am not that happy with this one, but… at least it has the whole touching other people thing in it and it is about good people not being pure, which also is a theme with her. It still sounds a bit judgemental and I don’t really like this emphasis of the “dirtied” but… I mean this is what Clara talks about in her letter, so I still think it fits, even if I would dare to say that she shows a lot more compassion than this sentence shows.
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Defining the relationship between the 12th Doctor and Clara Oswald - part 1.
This is my first Dr. Who meta post; I am going to start with a topic that has had me thinking since I first saw it in season 8.  The relationship between the 12th Doctor and Clara Oswald.    When I watched each episode for the first time I didn’t pay too much attention to all of the details, but I really liked their dynamic, it reminded me of the 10th Doctor and Donna.  Not the same but similar. I now have gone back and re-watched this season to ponder the details a bit more. This comes from me trying to determine what type of relationship they have.  When 12 regenerates and runs around London trying to determine who murdered the dinosaur, he’s disoriented, blunt, and tries to figure out how to define his relationship with Clara now that he is a different person.
When he comes back to pick her up, the two of them slowly approach each other and after he states he’s made some mistakes and he’d like to do something about them he comes right out and says the following.
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Clara replies that she never thought that he was her boyfriend.  To which he states that “I never said that it was your mistake.”
I’m still not quite sure what is going on here.  The Doctor is making it clear he’s a different person and he’s formally reintroducing himself to her.  When she replies that she didn’t think he was her boyfriend, she has a look of slight shock and looks a little dewy eyed. 
Did she think the 11th Doctor was a boyfriend of sorts and now is realizing that this older and very different doctor is not boyfriend material?  One part of me wants to read this as her being hurt realizing that the 11th Doctor really is gone.  Another part of me wants to think that she honestly didn’t see the 11th Doctor as a boyfriend.  Maybe this shows that she was unsure what to think of him?  Maybe she thought of him as a boyfriend sometime  - since she did bring him to Christmas dinner and have him be a boyfriend.  Clara is a great character because she plays her cards very close to her chest and keeps her feelings locked away.  What is interesting is his statement of taking the blame and stating it was his mistake.  That he did lead her on and wanted her to think of him as a boyfriend as the 11th Doctor.
He then takes her back home.  They discuss the newspaper ad and the TARDIS phone number and how this woman is keen on them to stay together.  He directly asks her how she feels on the subject.  He gives her the option that she can only be home if she wants to be home.  Clara looks upset but apologies profusely that she’s sorry; she doesn’t know who he is anymore.
Her phone rings and he insists she pick it up since it could be her boyfriend calling.
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Interestingly, she tells him to shut up as she smiles and looks a little embarrassed before she tells him that she doesn’t have a boyfriend. This leads to the dramatic climax where his past self calls Clara to reassure her, that she’s likely scared and his future self is even more scared and that he uses her friendship with him the 11th Doctor to make sure she helps the 12th Doctor.  He does this full well knowing she can’t deny his request.
She almost cries after he says good-bye and it allows the 12th Doctor to directly ask her if she’ll help him.  He finally gets her to look at him and she has her emotional moment as they hug and she begins to accept the 12th Doctor.  And thus, their new dynamic is established. The Doctor doesn’t think he’s a hugging type anymore, while Clara retorts that he doesn’t get a vote.  To which he replies “Whatever you say.”  He then awkwardly suggests that they get coffee, or chips or chips and coffee.  Clara accepts the coffee.  I don’t know about you, but Clara accepting the offer of coffee sounds like a first date to me.  Both of them have first date body language, he’s hesitant but trying and she goes from being closed off to open as they walk off for coffee.
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Clara beings to relax as she’s thinking - okay, we are going to get some coffee.  Since he has no money to buy, she tells him that he’ll do the fetching but he’s also not sure he’s the fetching type.  As they go off together we get this statement from her to end things:
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Her body language is relaxed and natural.  He’s still a bit uncomfortable, though this is likely in part to him not knowing his new body yet and also still unsure after that intense hugging moment.  The point is she’s now looking at him and she’s more comfortable with accepting him as the Doctor, her Doctor.  Thus, the 12th Doctor will defer to Clara as the boss in their interactions in the future.
In episode 2 “Into the Dalek”, he brings Clara with him as a sort of safety.  He knows she is a compassionate person and it is clear he doesn’t quite know how she fits into his travels, but he does know that having her with him is important to him and he immediately trusts her to help him re-activate Rusty’s memories. 
I think that “The Robot of Sherwood” follows this episode nicely as he feels like he must both defend her from danger and have her attention (as much as possible).  Robin Hood is a dream for Clara and she is dazzled being able to meet a man she clearly loved of as a child.  He can’t believe that Robin Hood is real and must show that he’s “fake” to prove to Clara that he’s real.  I’d say this stems from him in the first episode telling her that she’s standing right in front of him but not able to accept that he is him.  His immediate dislike of Robin Hood and his merry men leads to great banter and only does Clara get him to realize that they are very similar men by telling Robin Hood about the Doctor’s  past.  It is clear that he’s very protective and possessive of Clara and despite his much more bitter and blunt attitude he cares about her.
Unlike some of the previous Doctors who are much more friendly the 12th Doctor struggles with expressing himself through physical contact and words that he can’t always say, he’s the opposite of 10 and 11 on the surface.
However, as he becomes more comfortable with himself and with Clara his physical distance begins to shift. For “Listen” he allows Clara to connect with the telepathic interface to try and find her dream in her own timeline.  For Clara to connect with the interface, he leans over her from the side and guides her hands into the interface before he steps away from her.  There is so much going on in this scene. 
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For the 12th Doctor, this is an intimate behaviour.  If he were completely touch adverse, he could just tell her to place her hands in the interface but instead he guides her hands in with his.  His touch is gentle and there is a bit of a gap between his and hers, but this is something you would not just do with any person.  If this were intended to be a very intimate, more overt and sexualized action, they would have framed it where the Doctor is positioned directly behind Clara, wrapping his arms and hands around her while he reaches around.  Instead, he cleverly is positioned to her left and he’s at her side.  To me this shows that he’s becoming more comfortable and desires some level of closeness with her yet he’s not ready to be more forward in his mannerisms.  He’s not sure what she means to him yet. At the same time, the episode ends with the TARDIS using Clara’s timeline as an input takes her back to learn about his childhood secret.  She doesn’t tell him about her discovery, I feel it in part shows that she too isn’t quite as confident in her relationship with him yet (since she can’t be honest about it) but she protects him as well by not letting him cross his own timeline.  The TARDIS wanted her to meet the Doctor as a child so it must be important to their relationship. 
I don’t want to examine every detail between episodes 2-4, but the episode were the Doctor become much more forward and comfortable with her is “Time Heist” the 5th in this season.
As I watched these episodes a second time it got me wondering how the Doctor developed in regards to how he saw her and his relationship with her.  At first pass, my lazy read is that they are really good friends - on a second re-watch by episode 5 “Time Heist” it is quite clear that the Doctor sees their relationship as a relationship where they go on dates (that really always turn into crazy adventures). “Time Heist” starts off with the Doctor staring into her washing machine as he discusses where to go.
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His suggestions/monologue are as follows: The Satanic nebula.  Or . .  the Lagoon of Lost Stars. Or we could go - to Brighton.  I’ve got a whole day worked out.
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Now, just looking at his suggestions, even with half a brain cell, that looks like the Doctor has planned a day full of activities.  Activities that one would generally interpret as a date; albeit a date only a Time Lord would come up with.  A Time Lord who has been traveling with her for some time.
He’s acting similar to the 9th and 10th Doctors with Rose, 10th with Martha.  Whether or not 9 and 10 wanted to date Rose and Martha is a whole other meta post.  What I want to highlight is Mr. Cranky-Stick-Insect-Doctor flat out told Clara he planned a date for the two of them.  An entire day long.
Additionally, I tried to look up more information on what it means for a couple to go to Brighton.  Some sources imply it is a good place to go on a date from London (which is where Clara lives), another thing I found was that couples that didn’t want to be seen publicly in London would meet up in Brighton.  Or it could just imply that the Doctor is being conventional and suggesting it to be tourists in Brighton, just like tourists of the Satanic Nebula and the Lagoon of Lost Stars.
Clara declines his offer as she has plans.  She tries to non-verbally let him know that she’s got a date, and as expected he’s slow on the uptake - why is she wearing make up?  Why is she in heels?
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Their entire conversation seems to be the Doctor completely confused and missing the fact that she’s going on a date with a guy and it is likely the same guy she went on a date with previously which he knew was happening during “Listen”.
This then leads them to robbing the bank of Karabraxos, helping the abused species and just it is another day with the Doctor and the TARDIS helping the universe.
After their adventure to rob the bank, the Doctor proudly returns Clara in time for her date.  He’s brought her back at 7:12pm for her evening plans.
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Everything about this makes it seem like he’s being a great friend (other than the fact he already got Clara’s attention and delayed her from the date in the first place). He out dated her planned date.
The Doctor then teasingly tells her to not do anything that he wouldn’t do.  Clara responds finally and directly that “this is a date.”  so after their adventure she’s finally spelled it out what is happening at 7:15pm.
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Clara then realizes how she’s going out for another meal after their Chinese take out with Psi and Saibra.  The Doctor then pulls her leg that food eaten on the TARDIS doesn’t count, she asks if he’s kidding and in his deadpan straight delivery he points out that he’s kidding.  Their dialogue gets very interesting as they then banter back and forth again. Doctor:  Bye-bye
Clara: See ya.  Don’t rob any banks. Doctor: Don’t rob any banks what?
Doctor looks directly at Clara as she pauses and then nods as she replies. Clara: Without me.
Doctor: ‘course not boss.
Clara exits the TARDIS, you hear the door shutting.  Doctor: Robbin’ a bank.  Robbin’ a whole bank.
Which leads to:
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The camera then pans out and he walks to the TARDIS control panel and pulls the lever.  The Doctor is in a good mood, just watch how he walks up to that console with confidence and kicks his leg up with a flourish.
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And he’s pretty much in the same pose that Clara was in when she showed off her heels to him when he first asks if she is taller.
So what does this mean?  It means that the Doctor clearly saw their bank robbing adventure as a date.  It was an adventure and everything went well and he got to have hours of time with Clara before her date with Danny.  He won Clara’s attention over Danny.
I see two possibilities i.) he was still oblivious to Clara’s plans being a date and he only recognizes this as a fact when she says so or
ii.) he’s a clever 2000 year old Time Lord and damn well knew she had a date, but he just pretended to not recognize her date b/c he had much better dates planned for them.  If he doesn’t acknowledge her dates with Danny than they don’t exist since she’s having all of these “dates” with him. 
The 12th Doctor is a very competitive individual, the 10th Doctor also had a similar streak in him to out compete others but 12 is so obvious with his.  Therefore, he will compete with every man who vies for Clara’s attention by default.  She’s his friend, he cares about her and he actually needs her to care about him and give him the attention he desires from her.
After “Time Heist” the Doctor is bolder and 100% confident in his invitations to Clara.
In “The Caretaker” we get a fast montage of Doctor & Clara adventures wedged in between her dates with Danny. Or are her dates with Danny wedged between her time with the Doctor?
They are stuck on a desert planet and chained to some pillars.  Clara apologies to Danny for being late which he notices she isn’t late and she’d gained a tan in a few hours.
The next scene shows her coming out of her bedroom which is across from her living room where the Doctor likes to park the TARDIS.  As she comes out her bedroom door, she is clearly dressed up for a date with Danny.  Across in her living room he says “Fish people.”
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Clara asks what they are like to which the Doctor replies:
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He’s got her attention completely, he’s leaning forward his left hand gesturing to her.  He then moves his hand towards the TARDIS beckoning her to “Come and see.”  Without hesitation she hops into the TARDIS.  The next scene shows her getting into a taxi wet as Danny compliments her dress and notices that she’s wet which she explains is a freak shower.  She then tries to be casual as she pulls the strand of seaweed out of her hair.
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It jumps to a scene of them running in some sort of corridor being shot at by laser guns/blasters as the Doctor then declares he hates soldiers and asks for Clara to agree with him, which she does.  With their standard case of running from danger she then gets to open her door to Danny who wants her to go for a morning run with her perhaps on the weekend? Post run Clara declares that she can’t keep doing this - her time with the Doctor is making her time with Danny difficult and it is exhausting as well as hard to explain all the oddities with her in regards to their dates.  As Clara calms down she relaxes and declares that she can do this.  She’s got everything under control.
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And this IS Clara.  She has to make sure that everything she does is how she wants it to go.
The next time she willingly enters the TARDIS prepared for an adventure and the Doctor apologizes that there will be no trip today by trying to flatter her because he thinks it works on her.  Their body language is interesting as she approaches him as he backs away from her and moves the display monitor at the same time. 
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They keep their distance from each other for awhile until he stops and explains that he’s going undercover and can’t tell her what it is.  The entire time their body language is cat and mouse and she even tries to sneak a look at the monitor before he flips it off.  Clara tells the Doctor that he’s being mysterious and goes on to say that as he is a clever person, he is making the mistake of thinking that she is stupid. Clara then points out that he likely can’t do undercover and teases him.  He  angrily snaps his fingers to open the doors and tells her that he will see her when he sees her.  Clara sasses back “When’s that?”, clicking her fingers and shutting the doors forcing him to reopen them repeating that it will be “When I see you!”
She suspiciously strolls around him as she slowly exits the TARDIS and even reopens the door trying to get a look at the monitor as she points out non-verbally that she’s watching him.
The interaction between Clara and the Doctor then is repeated with Danny.  He asks if she’s okay since he’s observed that every time he sees her (on dates) she comes to the rushed, in a state, or with a space helmet.  Clara tries to blow off his comments by referring to her relationship with the Doctor as a “thing” that she’s had, but doesn’t have currently.  Danny doesn’t buy this and reminds her that he isn’t stupid. 
So Clara tries to do the exact same things to Danny that the Doctor tries to do to her.  The Doctor is beating out Danny when it comes to their dates every single time.
The morning teachers meeting then introduces the Doctor as the new caretaker.  Then in front of all of the teachers he introduces himself and winks right at Clara and smiles proudly in her direction!  He’s thinking he’s so smooth! 
Clara is shocked and the Doctor seems to be giving off the vibe of “Look at how awesome I am undercover Clara!  Impressed aren’t you? You are impressed.  Tell me you are impressed.”
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This entire non-verbal exchange is hilarious because the Doctor is so into his undercover disguise that he thinks he’s all suave and awesome and look at how playful he is.  This is the Doctor who when he first regenerated wasn’t sure how to be happy or fun and was scared about getting coffee or chips.  Now he’s hamming it up as he’s more confident with Clara. Of course as he keeps going on about how no one is noticing him he boldly lets Clara know that his deep cover is awesome as she angrily gives him a hard time.  On top of that, Danny immediately picks up that she knows him as she tries to ignore that he winked at her. When she finally goes back to confront him, he uses his broom to keep her away from him as he remarks that she saw right through his deep cover.  He won’t give her any details, but it is clear enough that she knows he’s doing something that has to do with aliens.  Due to his status being undercover he tries very hard to push her away and not give her anymore information since whatever the situation is, he will be able to manage it himself. This episode also builds up the tension between the Doctor and Danny.  This is highlighted by the fact that as soon as he learns that was in the military the Doctor judges him and makes him a P. E. teacher implying he doesn’t like him and dislikes P. E. teachers as well.  Clara puts a lot of effort trying to get the Doctor to realise that Danny is linked to her timeline from “listen” and I’m going to say that the Doctor likely on some level knows there is something with Danny but he’s too judgemental and stubborn to admit it.  He argues that Orson Pink doesn’t look like Danny.  This could be him just being oblivious but he follows it up by questioning Clara’s observation that Orson Pink must be related to Danny.  Adding in that “Who remembers their P.E. teacher?”  This statement is contradictory since the Doctor has just associated Orson with Danny (with his nickname of P.E.) and then his statement implies that Danny is totally forgettable.  The Doctor even then uses this as a segue way to asking if “he” is here.  The one guy that she keeps going on serious dates with?  The Doctor doesn’t even look at her when they are talking and she looks very happy during his question.
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I wonder if her happy/pleased look is because she’s happy the Doctor is asking her about her personal life?  She asks him if he’ll start talking like a human being if she reveals the man to which the Doctor retorts he won’t because he’s being nice.
This then leads to the mix-up where the Doctor thinks she’s seeing the other english teacher who looks like the 11th Doctor. When Clara finally gets him to tell her about his plan, since she knows him well enough to conclude that his plan is dangerous and may involve the school she is annoyed that he keeps it from her in the first place.  Though this is in part due to her conclusion because she will disapprove it, he just won’t say anything to prevent her being the boss of him. The Doctor after explaining about the Skovox blitzer that he has a plan and it requires his special watch.  He dramatically poses looking right at Clara before he uses it to make himself invisible.
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Upon being invisible he then flicks Clara’s nose.  She is briefly annoyed but very quickly she goes from being annoyed that he didn’t share things with her to being completely excited by his invisible watch.  Thus, the Doctor and Clara are playing with each other again, as he hides from her in plain sight and she loves it.
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This is a person who is having a blast. She’s so excited that she even giggles and she says its incredible.  The invisible Doctor then states that “Correct.  I am both invisible and incredible.”  And the two of them start feeding off of each others excitement and she’s ready to help out with capturing the alien. 
But the Doctor let’s her know he’s got this one figured out and that she doesn’t need to worry.  Instead, he jumps to telling her their next trip will be to ancient Egypt and that she should go canoodle with her boyfriend.
And then the two of them make incorrect assumptions as the Doctor tells her that he knows who she is dating through vague terms that describe the 11th Doctor and the english teacher while Clara thinks he’s referring to Orson Pink in regards to Danny.  Clara then takes his advice and runs off to actually follow his advice since the Doctor is insisting she hang out with her boyfriend.
The situation becomes a comedy of errors as Danny cancels on Clara so that he can watch the Doctor and at the same time Clara runs to the Doctor as soon as Danny cancels on her.  No date, the only other thing for Clara to do is to hang out with the Doctor and help him out!
Of course Danny messes with the Doctor’s plans and when he figures out that Clara and the Doctor know each other and worse, Danny calls him her Dad.   They both look mortified in response to this comment. 
And then the totally awkward moment begins as the Doctor decides to erase his memory - and Clara stops him by pointing out that Danny is her boyfriend.  The Doctor has the gall to say he isn’t her boyfriend and that she’s made a boyfriend error - she would not date a P.E. teacher or soldier. To rub the salt in Danny’s wounds he suggests that Clara get a dog or a big plant instead. 
Ouch. 
The Doctor is hurt and upset; this version of the Doctor can be cruel when he’s upset.  She argues back that she loves him and then the Doctor is stunned.
He’s so upset that you can see the shock, hurt, and pure disappointment in his face.  He would have been okay with the 11th Doctor look-alike as the boyfriend since she’d be dating a ‘version’ of himself.
The Doctor is literally holding back tears here.  He looks at Clara, then to Danny, then back to Clara has he has to actually compose his thoughts.
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Clara said that she loved Danny.  His only retort is “Why would you say that?  Is this a part of the surprise play?” 
He’s devastated.  Clara has just openly said that she loves someone - and that person isn’t the Doctor.  Clara stuck with the Doctor after he regenerated and has still be traveling with him and they have grown even closer as a result.
At this point it is clear that the 12th Doctor doesn’t just want Clara to see him as a boyfriend like 11.  He loves her.  And to hear her tell him that she loves another person, he just can’t handle it. 
This version of the Doctor is terrible with his feelings or expressing them well. Additionally,  he isn’t good at reading others as he gets upset and tells her it is a roller coaster while he asks why she isn’t dating the bow tie guy as Clara says that he “isn’t her type” (perhaps evidence that she did not see 11 as a boyfriend) and also implies that if 11 isn’t her type - what is her type?  At the same time Danny is also reeling from the fact that there is this man, called the Doctor, who is an alien who hangs out with Clara and is clearly very involved with, but never mentioned once.  Interestingly, without missing a beat, the Doctor reveals the TARDIS and then Clara begins to explain it, but she whispers to the Doctor what else to say and he tells her to lead to the line that “it is bigger on the inside than on the outside.”  Even then when Clara needs a hand the Doctor immediately helps her out even after being hurt so much. Despite seeing the TARDIS, Danny is not convinced by the Doctor’s plans and they immediately argue until he passes Danny off to Clara to deal with as they debate what to do while Danny is completely ignored.  As the Doctor bitches about having tons of work to do, Clara asks him if he’s okay. She doesn’t ask Danny, instead she asks the Doctor - likely since he’s upset about how things went wrong and he learned that Clara loves Danny.
Clara then works on getting Danny out of the Doctor’s way and he tells her that Clara still needs to finish the job.  She told Danny about the Doctor without explaining Danny to him.  He’s right, but his attitude is incredibly aggressive and the Doctor is really hurt.  Danny was upset that Clara never told him about the Doctor and it is clear this hurt is vice versa but that the Doctor likely feels like he is owed more since he’s known Clara much longer than Danny. After this completely horrible interaction/nightmare for Clara as Danny and the Doctor have met and it didn’t go well - she is dying for Danny to say something.  He summarizes what to Doctor looks but it leads to a very interesting conversation between them. Danny: then he turned into a Scottish care taker and every now and then, when I’m not looking, you elope with him . . . Clara: I don’t elope.
Danny: Do you love him?
Clara: No.
Danny: Really had enough of the lies. Clara: Not in that way. Danny: What other way is there?
Clara: You know what I mean.
Danny: I don’t know what you mean.  I know what you tell me isn’t always the truth.
With these lines from Danny it is clear that, i.) he sees that the Doctor is a man who is competing for Clara’s attention with him [which is true].
ii.) he sees that she loves him and he can’t separate the type of love that she feels for Danny and the Doctor.
iii.) by telling her that he knows she’s lying, he’s thinking that she may love the Doctor more than him.  Maybe?
This leads into their further conversation where Clara tells him that he knows who she is - but Danny wants to know who she is - when she’s with him.  When she is with the Doctor.  Which implies that Danny knows that there is a part of Clara that only comes out with the Doctor.
Clara’s clever plan is to have Danny use the invisible watch so he can see that Clara is the same with the Doctor as with him.  Just like with the 9th Doctor and Mickey who he called Ricky - the 12th calls Danny Dave instead.  Of course the Doctor figures out that Danny is in the TARDIS with them and he tries to distract Clara by saying he’s bored and that he’ll get her back just in time like he has for all of her previous dates.
The Doctor plays dirty as he reminders her that she’s never said “. . .no before, even in the middle of dinner [implied dinner date I take it].”  Clara does her best to prevent him from traveling with Danny in the TARDIS and it results in the explosive argument where the Doctor and Danny go straight for each other since neither of them can stand the other.  Danny sees the Doctor as an elite and the Doctor thinks Danny isn’t good enough for Clara as a former soldier.
Yes, Danny helps to save the day and Clara is caught between the Doctor and Danny vying for her attention as Danny concludes that he has to be good enough for the Doctor to approve of him.  Neither man looks at each other as the Doctor does accept the fact that Danny helped to save the world.
The episode ends with Clara and Danny relaxing as she tries to get Danny to agree with her that the Doctor is a good guy underneath everything and she reveals that she trusts him.  Danny wants Clara to trust him and since he knows men like the Doctor he doesn’t want her to become hurt as a result of the Doctor’s actions.
This is interesting since the Doctor obviously wouldn’t want to hurt Clara, the Doctor has always wanted to protect his friends yet this sets up further conflict between the Doctor and Danny. 
What I find interesting about Danny is that he assumes that Clara isn’t choosing to do things with the Doctor of her own choice and free will.  She does trust him and does crazy things - but from her perspective she’ll be alright - something that Danny does not agree with.
By the end of this episode, the Doctor’s view of his relationship with Clara has been shattered.  The man she is dating is NOT the type of man he’d like her to date and it also means that Clara doesn’t feel confident to come clean to her about him.  Danny is very upset about her lies to him.   Yet, he doesn’t realize that the Doctor is even more hurt and upset about her lies to him.  She has know Danny a much shorter time than the Doctor.  All around the end of “The Caretaker” leaves everyone  completely unhappy and disgruntled.
Clara’s conversation with Danny about her own feelings for the Doctor are unclear to me.  Is she denying that she loves the Doctor?  Does she not want to admit that she has deep feelings for this Doctor?  Or is she uncomfortable with putting a label on their relationship which would the force her to define it.  At the end of “Time Heist” the Doctor has defined their activity as a date. He has defined their relationship to himself but not to her. 
At the same time, I think Clara refuses to label or recognize their relationship.  This would imply that Clara would have to first off define the relationship to herself and then define it to the Doctor and then to others.  It is easier for Clara to retreat to a relationship with Danny since he is much less complicated than the Doctor. 
What this shows is that at this point in time the Doctor and Clara are failing to communicate with each other even though it is evident that they are in a relationship of some sort, that includes love and crazy dates. I’ll pick up with part 2 starting with episode 7.
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hypexion · 3 years
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The Rings of Akhaten is an episode about storys, singing and a big angry sun that wants to eat people. Also, Clara gets some actual characterization.
By its nature, Doctor Who goes through a lot of settings. Each week brings a new and exciting place to visit, unless it’s the present, ready to provide a crazy adventure. The titular Rings of Akhaten is one such setting, that manages to feel fairly well fleshed-out, even though it’s a one-stop destination. There’s a world mini-world built on the back of “we have to sing the star to sleep“, and it’s neat. There’s a sentiment based-economy, weird fruit, a big festivel with some nice singing, and some kind of religion. Just like Clara, the audience gets to see a slice of this strange new world.
On the topic of Clara, she also gets to be fleshed out. She’s obviously got the explorative streak, which is practically mandatory for companions, but she’s also deeply concerned about child welfare. Or at least, she’s nice enough to make sure random alien children are okay, and tell them to have self-confidence. And not everyone would be brave enough to do that, so we can see that Clara’s “do the right thing“ attitude overcomes worries of being lost on a weird alien ring. Clara also doesn’t want to walk away when Merry appears to be in trouble, and gives up her mother’s ring in order to be able to save the day.
Probably the weak point of The Rings of Akhaten, like many episodes, are the antagonists. There’s the Vigil, who are just generic scary aliens who do very little, Grandfather, a grumpy lich who does very little, and the Old God, who also does very little. They all present a threat, but ultimately the only one who matters is the Old God, who might just eat all of Akhaten. Which would be bad. Even then, The Very Hungry Star mainly exists to be monologued at by the Doctor. It’s a very good monologue, and Matt Smith puts a lot of energy into it, but it does mean there isn’t even that much direct conflict. Also, the Old God gets defeated by a leaf, which I still don’t get. Something about infinite potentials?
The one bit I don’t like is the bit that isn’t even on Akhaten, and that’s the bit where the Doctor decides to time-stalk Clara. It’s a bit weird, and could have just been achieved through regular flashbacks. The most important part of Clara’s backstory doesn’t even happen and this point - that’s later when she’s trying to help Merry by talking about how she got lost, but then her mum found her. It’s very much arc stuff, for an arc which isn’t really going anywhere. Even the narrative itself points out how weird it is, with Clara being confused and annoyed that the Doctor is being a time weirdo.
Overall, The Rings of Akhaten is actually... pretty nice. Sure, it has a few bumps here and there, but it’s a light, fun episode that works well as Clara’s first journey into the wonders of the universe.
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barbarawilson-moved · 4 years
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i’ve got. a LOT of thoughts to collect as i attempt to sort out my rhato notes in preparation for forming a coherent paper out of them so. i figured i’d dump some of my thoughts regarding some shit here while i attempt to develop them. please don’t read if you can’t be nice.
first off: sc*tt l*bd*ll has a messy fuckin history with women in the comics industry and this isn’t even meant as a condemnation of him as a person but rather as an overarching reminder that any woman he writes is going to be forced through his own personal sexist lens. this is blatant in the 2011 run of rhato where his attempt to make kori a strong character falls so atrociously flat it like sinks a few layers into the ground. i am not addressing whether or not his mistreatment of women is intentional; for the purposes of this research i literally do not care. what matters is if you do not know how to respect women you cannot respectfully write them.
compare lobdell’s run on rhato in 2011 with james tynion’s follow up. tynion, a now out bisexual man who has a history of promoting representation of marginalized people both as characters and creators in comics, immediately challenges the indisputably horrific narrative role kori began the series forced into. im chucking one of my favourite moments in all of the first run of rhato in here bc theres no way its going to end up being relevant.
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[image 1: rando: “what are you messing around with this dude for?” kori: “because it amuses me to do so.” rando: “i have a yacht the size of a cruise ship sitting right out in the bay. staff of a hundred and fifty. just for me.” kori: “is that so?” rando: “let me tell you what i would do with you on that ship, babydoll--” jason, to roy: “what’s going on?” roy: “that charming gentleman is telling kori what he would like to do with her.” jason: “oh, hell.” rando: “why don’t we go...” image 2: kori beating the actual shit out of the rando.]
anyways moving on. kori is interesting bc she’s pretty clearly Not involved with jason (there’s this whole weird subtext thing that i still haven’t figured out where it’s kind of implied jason lied to roy about even having slept with kori?), but when it comes to rebirth artemis fills kori’s role as sexy lady powerhouse and DOES get pushed as a romantic interest for jason. which. god do i have opinions on that but my paper has a Whole Different lense thing going on where im also considering rhato as a loose adaptation of robin hood and the weird thing there is that the robin hood stand in changes w/ requiem for an archer?? so that’s wack.
the two characters whose roles i’m like. actively struggling to comprehend are suzie su, isabel, and essence. suzie su’s intro was uh. i would argue bad? im not even gonna throw the image in here because Word Of God at the time did declare her trans which makes the art. uh. let’s go with “problematic.” except with the rebirth series she becomes an ally and also as of rhato 43 isn’t just explicitly canonically trans but also functionally immortal because of it which unfortunately is simply super sexy of her. (note: word of god says jason todd respects pronouns and i might not respect scott lobdell but i have to respect that.) something weird with this though is that her art has become prettier and more traditionally feminine as the series goes on. i have no idea what that means.
isabel and essence get the same paragraph bc as of rhato 43, spoiler alert! same fuckin person??? neither of which i particularly understand. partially bc the way every single relationship jason has (other than with roy) is fairly underdeveloped and jason will just sort of be like “i have feelings for her” meanwhile im sitting over here like then why do you spend every monologue talking abt how the only people you love are roy and kori, huh?? huh, buddy??? also while im at it. that meme that’s an uno card but it’s “have a relationship with someone not significantly older than you or draw 25″ and jason’s got fucking a hundred cards in hand. anyways. i don’t get isabel! i think she’s great! i like dog! why does she continue to be a character tho.
things i still haven’t considered: clara′s teacher-crush on jason. dna as another trans character. shay veritas in general. ma gunn????? there’s a whole fuckin lot there idrk. ¯\_(ツ)_/¯ 
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silenthillmutual · 4 years
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The decisions place you in the context of higher authority. No longer an army of one, you have decided to mobilise the population to fight the disease alongside you, since your personal accomplishments were not enough.
i feel like there’s a lot to unpack with this part of the letter
first i’d like to point out that part of daniil’s dialogue with andrey involves them recounting being involved in some sort of riot together
adding all the sums together my guess is that daniil is something of a troublemaker, and that despite some of the truly bitchy things you can have him say (that i will assume are his internal monologue if you choose to have him not say them), the kind of trouble he makes has something to do with unionizing people
i don’t really know how to put this other than like. clearly daniil is a very Proud person. a lot of educated people get that. and one good way to get someone whose fatal flaw is Pride to do what you want them to do is to insult something they should otherwise be proud of...you know, their accomplishments. so the Powers That Be don’t want him to:
make any sort of connections or home among the people of the town
make the town join forces, as it were; part of your job as daniil is negotiation, but you will also get most of your news from people on the streets, many of whom are disgruntled about some sort of inequity they’re dealing with and that you can, if you want, react with outrage at their treatment (see: aspity’s lies about the water, his disgust at how vlad the younger talks about the people who work in the termitary, etc)
actually be successful in combating or even surviving the plague. this is a win/win situation for them; you get a threatening letter from them about how they will leave your laboratory alone (for now) if you are successful in this endeavour, but the truth is that it really doesn’t matter. either what you do should you survive will not be enough for them, or you will die, in which case there is no one left to defend Thanatica. 
i rarely even get that kind of depth and subtlety from books i read or movies i watch so it’s very awesome to see this sort of thing being emulated in a video game.
We expect that the measures you have taken are temporary. Speaking of what may be described as the microclimate of the town, we don’t want any irreversible changes to take place. In particular, we hope that the instructions you have issued would not lead to any undesirable moods among the local townsfolk. We would rather avoid mass psychosis, depression, or panic that are sometimes characteristic of situations like this.
i think there’s two really interesting things going on here.
the first is that this raises a very valid concern, one that you have to talk about in areas of study like cultural anthropology: cultural relativism. you want to study a culture and interact with it, but without being too biased, passing judgement, or changing the way the culture exists too much. to a degree, all of these are unavoidable, both in-game and in the real world. you know that daniil is guilty of the first two even if you never have him say some of the things he’s thinking. 
but i think too many people look at this without nuance - not just as far as this game goes, but for plenty of other media and facets of real life. you don’t want to be ethnocentrist, of course, but not every cultural practice is good or defensible. you see it all the time when weebs try and defend things like hen.tai, lo.licon and shot.acon. there’s an ethical dilemma that comes in engaging with other cultures, and it’s really not as cut and dry as simply calling yourself an outsider and assuming these practices are okay. 
this is a huge misstep that happens in the film Midsommar. i read an article about how the main group being anthropologists is actually essential to the horror of the film; they are able to be gaslit because they let their cultural relativism put them in danger. they ignore the warning signs that they are being initiated into a cult, that they are being manipulated, and even that the cult is made up of white supremacists. it’s very possible that the reason Pelle is a foreign exchange student is to find people like this group of anthropologists who have stepped back too much from themselves their culture. 
this also reminded me a bit of a discussion on reddit i saw about colonized countries talking about their relationship with their colonizers and how those two interact, although Pathologic is so vague i’m not sure if you’re meant to read daniil’s route as being related to colonization or not; i know artemiy’s route has more to do with that, and that seems to be connected to some of the other families in town, specifically the olgimsky’s. 
the second thing that i think is interesting about this, is that it is once again setting daniil up for failure. they don’t want him to change the town too much, but they want him to be successful in combating the plague. given that the town has no hospital or morgue, that the only access to the outside world for them is the train, and that in order to keep the disease from spreading he has to issue quarantine and change how people go about their daily lives? he can save the town OR keep it from changing; he can’t do both. not to mention that the Powers That Be are sending people to help enact whatever changes daniil deems necessary... they are purposefully escalating the situation, knowing that they are going to make him fail in some way or another. 
Please keep in mind that when we offered to cease the persecution of your laboratory and to facilitate your research, we meant that as a reward for you being able to find a surgically precise solution to the problem. It is of no importance to us if you do it yourself or instigate the Inquisitor to do it on your behalf. 
so in other words: the government openly admits to persecuting him. not just laughing him off or ignoring his requests for funding or what have you, but actively attempting to sabotage him.  they will only stop these activities if he is successful - and success to them is “surgically precise” - which i take to mean does not rely on herbalism. this probably sets up why daniil is a pain in the ass on artemiy’s route; his life more or less depends on there being some quantifiable and scientific explanation for the plague and how to combat it. 
the government also doesn’t care about the town. it doesn’t care if the town is successful. they’re not sending other doctors, they’re not acknowledging rubin or artemiy as healing professionals. they’re sending enforcers. if daniil fails to find something of worth to them, everything he’s worked for up to this point in his life will be destroyed. and he will fail, as he’s been told at every turn that there is no scientific explanation for the sand pest and no precise cure. what fixed it last time was herbalism. he’s going to fail, no matter what he tries to do. this is the letter you receive by the end of day 4, and the game is 12 days long. you know before you even hit the halfway point that there is not going to be a happy ending for daniil. 
daniil certainly has a tendency to look down on herbalism, but given that he seems to have had high regard for isidor burakh i think you can take this one of two ways, or perhaps take the third option and say both: either there is some elitism going on that ties into racism, or this could be comparable to people looking at the anti-vaxxer trying to cure every disease under the sun through the power of organic foods and essential oils. (again: i think it’s a bit of both. were there more time for him to explore shit, it’s very possible daniil would grow out of the former. he seems really interested in artemiy, has little tolerance for how the ruling families run things on a basis of violence and various -isms, and again he seems to have some esteem for both rubin and isidor who we learn later are more akin to herbalists, as isidor and artemiy specifically are indigenous) i think this explains a lot of why he says insensitive things (or says things insensitively). 
i think it’s also important to keep in mind that he doesn’t know what’s going on in the clara or artemiy’s routes. he only has his point of view, which as an outsider is going to be heavily skewed by whatever he is told. he can’t possibly know everything. 
i think the last thing i wanted to end this overly long post on was this: his field of study is thanatology. the study of death.
why in god’s name do the Powers That Be want to destroy research into longevity? just food for thought, but this game is 17 years old, and i think it’s especially relevant now. 
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