CHARACTER DISSECTION
MORDECAI HELLER of LACKADAISY
For those unfamiliar with the Lackadaisy comic created and illustrated by Tracy J Butler, the pilot animation developed by Tracy and her team, or the upcoming five-episode series crowdfunded by fans, I highly recommend heading over to check those out before consuming this Niche Narrative.
St Louis, Missouri
America is deep in the throes of prohibition. Missouri proudly presents its alcohol-drained bars to the rest of America as a shining example of true patriotism in the dark shadows of the First World War. All across America, this same constitutional change forces citizens to surrender their right to free will, inciting dissent even as governments touted the benefits; working harder, earning more, stable family dynamics. The American Dream.
Many loyal Americans were not so convinced and so, they took their needs underground. An entrepreneur in possession of the Daisy Cafe, which was conveniently situated above a vast network of natural caves, Atlas May utilised both his wit and charisma - as well as the charms of his attractive wife, Mitzi - transformed the damp corridors into a vivacious playground even a most pedantic officer would overlook for a measure of fine whiskey.
The Lackadaisy Speakeasy was born, and she flourished for half a decade.
Though Atlas was not naive; he knew market exclusivity was limited and as such, the businessman quite wisely surrounded himself with the formidable associates one would expect from a smuggling operation; Viktor, a former Slovakian soldier built like a bearcat and Mordecai, a sharpshooting jack of all trades known for cooking books and cracking safes on the side. With those sour faces punctuated by a smattering of colourful characters to form the band and run errands, the Lackadaisy Speakeasy flourished in the bowels of St Louis, mostly undisturbed, through much of the twenties.
Mordecai (left) with Mitzi and Atlas May (centre), celebrating the New year in 1926 with Lackadaisy staff months before Atlas’ death
Until tragedy struck; Atlas met a gruesome end at the hands of an unknown assassin. Yet what was already a crippling blow to the Lackadaisy crew would only fester and rot in the months to come. Rumours would flow of Mitzi May’s involvement in Atlas’ death, tarnishing her reputation and seeing clients peel away from the establishment with concerning velocity. In the wake of financial struggle, bills mount up and hopes turn sour, until even an employee abandons the establishment for their main competitor, leaving the Lackadaisy corpse little more than brittle bones and dust.
This deserter, who abandoned his mistress in her time of need, going so far as to disable a former friend and comrade in the process? He is Mordecai Heller, a stray Atlas saved from past repercussions and trusted.
What remains to be explained is simple. Why? A secretive, astute man with impeccable posture, little patience for anything superfluous and a sour expression permanently affixed to his features, Mordecai is not someone most would approach for a conversation, but an unwillingness - or perhaps an inability - to conform to societal norms and blatant treachery are not mutually exclusive.
In this Niche Narrative, we’re going down the Mordecai Heller rabbit hole. Using every official Lackadaisy edition, mini strip, the Lackawiki plus my own research, we’re going to unravel the motives to explain how he became the Mordecai Heller portrayed in the comic series, why he decided to commit atrocities for both Atlas and the Mirabel Hotel and finally, if he could ever redeem himself in the eyes of former comrades, based on the information currently available.
Make some tea, grab a snack and get comfortable. We’re about to dissect Mordecai Heller, the principal antagonist of Lackadaisy.
Humble Beginnings
According to the Lackadaisy Wiki, Mordecai Heller was born on the 28th of March in 1899 in New York City. Not much is known about his parents beyond their first names - Issaac and Tzipporah - and that they are first generation German-Jewish immigrants. The eldest of four children and their only son, Mordecai would become the man of the house at the tender age of eleven after his father suffered a stroke and never recovered. His youngest sibling would also die in infancy, leaving three children and their mother living in abject poverty.
We don’t know if Mordecai was close with his father, but by how seriously he took his role as provider, we can extrapolate that he cared far more for his family than his adult persona leads most to believe him capable of. Utilising an inborn penchant for order and an efficacy with numbers, Mordecai became a bookie soon after his father’s passing, scraping together enough money to keep his family afloat while his mother assumedly raised him and his sisters.
Left to right; Esther (9), Rose (5), and a severe-faced Mordecai (11) pose with their Mother, holding his infant sibling, on the steps to their home.
Years later, Mordecai would realise there's more money to be made in the city. The exact trigger for this escalation is unclear, but we can guarantee it wasn't greed after many years of remaining loyal to his mother and sisters. Most likely, increasing demands on his meagre earnings caused shortages, and with the conviction he's already proven to possess, the young cat made a questionable decision; to murder an employer's underling and take his place in the hierarchy in 1916.
While tenuous and arguably shortsighted, this new position gave Mordecai intimate access to his boss' accounts, and the tuxedo cat didn't hesitate to embezzle funds into savings for his family. It reeks of naive desperation an adult Mordecai would likely scoff at, but for a kitten trying to support his family, it was a lifeline.
As expected, Mordecai's deception is swiftly uncovered. He's next seen riding the train south sometime between 1917 and 1920 with just the clothes on his back and a bloody nose, desperately attempting to scribble a letter to his mother. Detailing the location of the money he's stashed, as well as urging her and his sisters to move to better housing, it's hastily stamped and postage requested by a stranger, though Tracy has confirmed this edition of his final letter didn't make it to the mail; he drafted a cleaner one at a later date.
Watching the young man scramble to send this final goodbye is heart wrenching, showing just how much affection he carried for his family. He practically condemned himself to death to procure those funds and at just seventeen, he leaves behind not only his family, but the only city he's ever known. It seems Mordecai might perish on the train that night too, given the unsavoury characters in the carriage.
That is until divine intervention - or perhaps a spirit of old - swoops in at the last moment, changing the course of Mordecai's life forever. Taking the proffered olive branch, the young feline would enter an underworld even darker than the one chasing his coat tails, and that is where his story truly begins.
Appearance
Mordecai Heller cuts a fine figure in a tailored, black three piece suit with a blood red tie slicing his otherwise monochromatic profile from neck to chest, an iconic pair of pince-nez adding to his glare. He often wears a broad brim hat and a black trench coat, often concealing a shoulder holster equipped with his weapon of choice; the cold efficiency of a handgun.
Standard attire, including a Marigold pin.
Despite his status as a sharpshooter, Mordecai has congenital myopia and has worn glasses since entering education. Given myopia causes long-sightedness, it's assumed he is somewhat effective in his profession without them, but they are a fixture in his everyday attire likely due to his fondness for reading, accountancy and of course, simple habit.
While not physically gifted, Mordecai's intellect is well above average, a childhood of reading in solitude affording him a diverse vocabulary that leads to verbose, complicated responses to simple inquiries.
Having grown up impoverished, Mordecai takes great pride in his appearance as an adult and, regardless of circumstance, is usually seen in a three piece suit. He has few occasions to dress informally due to his lifestyle, though there are a few interactions that suggest he would not be caught dead in casual attire regardless:
Tracy once discovered Mordecai dressed up to use an electric iron, because he felt such an occasion deserved respect.
Serafine recently carved a Voodou glyph into Mordecai's chest against his will. It can be seen to stain his collared shirt for some time after, even while conducting private investigations into Atlas' death.
Having used them in the past, 'Mordecai Heller' is assumed to be an alias, though no real name has been shared. This was likely a calculated move to protect his family from the backlash his questionable practices may incur. His only other known alias was Elijah Metzger - 'Butcher' - a fitting name given his hatchet-wielding future.
Relationships of Note
For a man who actively chose not to interact with most people, Mordecai developed quite a list of close relationships during his time at the Lackadaisy Speakeasy. Not yet the dignified feline of the web comic, these relationships - particularly early ones - helped shape Mordecai into the man he was when Atlas May was murdered.
Let's break down the most influential, starting with the obvious.
Atlas May
It would be impossible to reflect on the man we know as Mordecai Heller without exploring his relationship with the man that saved his life on that train ride. A quiet man with an expressive brow, Atlas possesses the life experience to recognise a young man in need of assistance and the skill to offer it without a word. With just a glance, a heartbeat, and a firearm left within a discarded newspaper, Atlas May provided Mordecai with the tool needed to break free of fate and seize control of his destiny.
Atlas May (right) with Mordecai Heller soon after his recruitment
There's little information regarding the four years between their first interaction on a train in the late 1910s and the Lackadaisy Speakeasy opening in 1920. Before becoming an entrepreneur of illicit substances, Atlas is known as a restauranteur, already owning the Little Daisy Cafe above the caves that would eventually disguise the true nature of his business when prohibition law came into full force in 1920.
With his affinity for bookkeeping, it's feasible Mordecai was kept on to manage the accounts at the Little Daisy Cafe, though his history with embezzlement and bookkeepers lends itself to illicit trading. Mordecai is hardly recruited in the traditional way either, which only convinces me further that there was something going on beforehand. Sadly, we have no definitive evidence of either his or Atlas' dealings beyond together until 1920.
Regardless of the goods involved or seemingly the job required, Mordecai was devoted to his service until his untimely death in 1926.
A young man in a new city and emancipated from his family for their protection, Atlas May becomes a veritable anchor. Under his service and guided deeper into the roaring underbelly of the city, Mordecai can be seen to fully take shape into the character we know, actively adopting a disinterested, flat tone and permanent scowl likely modelled off Atlas' own business appearance.
It's possible Atlas became a surrogate father figure to Mordecai, whose own father passed away when he was just a kitten. Additionally, little contact with his family since he fled New York places those at the Lackadaisy not only as the young man's found family, but Atlas as his role model, especially as he's newly introduced to the St Louis underworld.
There's limited resources in regard to both his personal and professional relationship with Atlas May, but what can be heavily inferred is a deep respect extending beyond simple loyalty. It's suggested Atlas helped Mordecai deal with some of his past pursuers, potentially indebting his life to the entrepreneur once more.
Even after abandoning Lackadaisy for greener pastures, Mordecai actively conducts private enquiries while working for Mirabel Hotel, going so far as to conceal an intended target of Asa Sweet to question him further.
Whilst conducting these enquiries, Mordecai is seen in his least composed state; he lacks his waistcoat and suit jacket, his shirt is stained with blood where his chest still bleeds and he looks generally dishevelled. He agrees with the notion his new position may consist of tying up the loose ends of Atlas' death, and it troubles Mordecai greatly this could be true.
Taking this obsession into account, he seems to carry some level of guilt alluding to the snippet of information yet to be revealed he and Mitzi discussed. Atlas May was, and remains, one of the prominent influences in Mordecai Heller's actualisation as a career criminal, even after his death.
Mitzi May
From references, Mordecai's entire relationship with Mitzi is deeply intertwined in his association with Atlas. As the man's wife and confidante, Mitzi was a fixture at the Daisy Cafe and now owns the Lackadaisy Speakeasy, making her Mordecai's boss when he defected to the Marigolds for unknown reasons. Besides this affiliation though, their interactions are often a joke at Mordecai’s expense.
Mitzi and Mordecai were never friends - nor did he ever view her as family - as from the outset, she did not respect his boundaries. An early interaction showcases this as Mitzi takes photos of him as he tries to work, for no other reason than she wanted Mordecai to do something other than scowl. She achieves this by teasing him, stating how his oversized shirt makes his arms look disproportionately short.
She can also be seen teasing him for a lack of social skills, inviting young ladies to persevere in engaging him to dance, despite his lack of interest. Needless to say, it did not go well, and such arguably petulant behaviour likely bred resentment against Mitzi that soured after her husband's death.
Any remnants of a personal relationship were shattered when Mordecai betrayed Mitzi's trust in spectacular fashion. Not only did he empty the armoury on his way out, but shot out the knee of former friend and remaining sharp shooter, Viktor Vasco. She has no reservations bringing it up when forced to face Mordecai at a luncheon with Asa Sweet and as a testament to their sour relationship, refers to Mordecai's presence as 'salt in the wound.' Mordecai ultimately excuses himself early.
A rare candid photograph of Mordecai, checking the length of his arms. (credit: Mitzi May)
Perhaps their only shared interest was Atlas. Though for entirely different reasons, the pair both idolised him in life and remain fixated on his untimely demise.
We learn a lot about Atlas' death during a terse, private exchange in Mitzi's car after the forced luncheon. It's revealed they possess information regarding Atlas' death neither has shared with their respective associates. Additionally, Mordecai can't quite explain why Marigold is acting so aggressively when there is almost no competition in St Louis and most interestingly, and a flashback frame shows them exchanging a firearm in the rain, though the circumstances are unclear.
Mordecai gets nothing useful from Mitzi, and the conversation culminates in two important things to note; reminders that Mordecai considers her complicit in Atlas' death and to stay under the Marigold's radar, as he won't hesitate to truly ruin all that remains of Lackadaisy if tasked. It's safe to say their only connection has always been Atlas May. Even after his murder is solved, there's almost no space for reconciliation, nor is Mordecai likely to return to Lackadaisy if the establishment survives.
Viktor Vasko
If Mordecai were to call anyone a friend, Viktor Vasko would be the most likely name on his lips. While the word has likely never been spoken, there's an arsenal of evidence to support the hypothesis, both while working and at rest, but let's explore their history before we get into the intricacies of their current tumultuous state.
After receiving help from Atlas May for his court case and freshly missing an eye, Viktor Vasko joined the Lackadaisy crew in 1920. Mordecai had been associated with Atlas for four years before this date and was an established part of the company at the Little Daisy Cafe above. It's during this time, guided by Atlas' smuggling ventures, their partnership took shape.
From left to right; Mordecai, Atlas May and Viktor Vasko
One of their earliest misadventures can be seen here, at the climax of what is aptly titled the Massacre. We might assume soon after Viktor's recruitment, as it's a rare glimpse of Mordecai seemingly trying to understand how someone else thinks and functions, all while Viktor pulls a litany of confused expressions, the pair covered in their victims' blood.
It suggests he somewhat admired or felt kinship with the older feline and was attempting to be funny, though Mordecai's sense of humour is… lacking, at the best of times. Viktor just doesn't seem sure what to make of it, but evidently isn't opposed to the idea, as there's evidence of a more personal relationships later.
A flashback within the comic itself shows their choreographed teamwork on assignment, early in their partnership. Although Atlas is pictured alongside Viktor and Mordecai in the aftermath, it's obvious the devilish duo deal with the dirty work themselves, assassinating operatives and burning their rival operation to the ground.
Mordecai also makes missteps, falling from the second storey during a shootout and losing his pince nez, then asserting that had been his intention the entire time to a brawling Viktor. In an early show of comoradare, after setting the place alight, Viktor retrieves the lost spectacles and returns them to their owner.
While it's rumoured a piece of shrapnel could be responsible for Mordecai's social shortcomings, he's been remarkably oblivious to social cues since childhood, which reflects in his own lack of expressions. While Mitzi has given offered him guidance (and set him up for failure) in the past, it's Viktor giving constructive criticism of his interpretations that shows how close they were, even if it results in a minor argument and a terrifying display for the poor recipient.
As they become more comfortable, they express their personalities more openly, leading to this gem while driving an ill-fated third feline to their doom. Mordecai doesn't beat around the bush this time with expectations, both for Viktor and their passenger. It causes quite a scene and the car barrels down into a cornfield, but this also provides a quick-fix opportunity to dump their cargo there and peace is restored.
Frequently tasked with the less glamorous jobs smuggling entailed, Mordecai and Viktor spent a lot of time in each other's company cleaning up for Atlas. This culminates in a number of almost farcical anecdotes much like this or the snippet below, where their shared disdain for a yapping chihuahua results in the dog digging itself an early grave.
A dog, having offended both Mordecai and Viktor, being forced to dig its own grave
With Atlas' death, everything changed. There's not much information beforehand, but we know how Mordecal left the Lackadaisy Speakeasy; by emptying the armoury and kneecapping Viktor. He claimed this to convince the veteran to retire when Mitzi brought it up bitterly at luncheon, stating: "that's how one reasons with Viktor."
At first glance the move seems calculated and cold, especially considering the state Lackadaisy fell into with accusations of Mitzi's involvement in her husband's death. If there's any truth in his assertions however - and Mordecai isn't one to lie or mislead - he likely believed it the only way to keep Viktor from being a future target while he worked with the Mirabel Hotel.
It's confirmed that emptying the armoury was ordered by Asa Sweet during Luncheon, which crippled the Lackadaisy's ability to retaliate. Along with attempting to retire Viktor and warning Mitzi to lay low for the foreseeable future, this undermines his often cold exterior and belies affections he used to afford to family… and perhaps, that is what they are, even if he despises having those loyalties.
Regardless of his motives, Mordecai has backed himself into a corner with Viktor. The veteran is a formidable foe even with one working knee. Should their paths cross again, I doubt it will be resolved as amicably as previous altercations, and likely hinges on the contents of their last interaction as tentative friends.
Asa Sweet
A pompous, self centred man in charge of the Mirabel Hotel, Asa Sweet isn't the usual kind Mordecai is used to keeping company with. In fact, they seem to despise each other in every scene they're forced to interact, with Ada's clear mockery of his character breeding irritation in Mordecai on a daily basis. Unfortunately, as the tuxedo cat's direct boss, they converse often and almost exclusively to Mordecai's detriment.
Asa Sweet mocking Modecai’s capacity for emotional breadth
The Marigold Room was already well established by the time Atlas began his own ventures, the entrepreneur visiting its halls and even pilfering Mitzi and her band from their lineup. Practices that could breed a bloody resentment when in the smuggling and bootleg trades.
Mordecai is previously pictured in the Marigold Room with Atlas and Mitzi, assumedly not at his request given his disdain for idle socialisation. He could have been there to accompany Atlas to deal with Asa if we employ conjecture. There's another photo of Asa Sweet and Atlas May sat at the bar, seeming to smoke cigars and talk amicably, so they were likely friends.
This friendship extends to business, established at the luncheon with mention of suppliers the other would not touch. It should be noted it's also stated these agreements were with Atlas, not Mitzi, and Asa shows no remorse for trading with previously protected Lackadaisy sources after her husband's death.
Incidentally, Asa claims he warned Atlas about bad blood beforehand. Mordecai tries to draw more information about this from his new employer but ultimately fails, leading him to begin private investigations that utilise one of Asa Sweet's intended targets, Gracie Grombach, to get the name of a potentially involved parole officer he's yet to meet.
Despite Asa Sweet's stature, Mordecai makes no attempt to pander to his new boss when they converse. Most likely because they usually end in a joke at Mordecai's expense; constant jabs at facial expression, apparent lack of empathy, social inadequacies and even the hatchet joke are but the tip of the iceberg, amounting almost to a vendetta against the pilfered sharpshooter.
There's no respect or loyalty to Asa. Known for not suffering fools lightly and being ruthless in his management of others, Mordecai probably has few motives for accepting employment with the Marigold Room, only one of which makes sense with the information at hand: he's certain that Asa or an associate of the Mirabel Hotel has more information regarding Atlas' death, which he intends to bleed out of whoever necessary.
I feel it can be said with confidence that, even with an inadequate motive, Mordecai wouldn't hesitate to put a bullet between Ada's eyes.
Allegedly.
Nicodeme and Serafine Savoy
Being relatively new to the comic, there’s little information to analyse between the tuxedo cat and the Nicodeme or Serafine. Regardless, these interactions showcase Mordecai’s apparent contempt for the pair and how they operate, especially the loud manner in which they manage dealing with the Lackadaisy crew in the show’s pilot. His serious, logical nature clashes with their spirit beliefs and even their characters frequently.
An example of Mordecai’s general reaction to either of the Savoy siblings, Nicodeme pictured
While Mordecai expresses a desire to know more about Nico and Serafine, it is for his own knowledge and not an attempt to make friends. He does not seem to fear them, nor does he respect them, a sentiment that extends both ways. The siblings often make jokes at his expense, or criticise his inability to have fun on the job, which only ever causes Mordecai to scowl.
Nicodeme is a few years older than his sister Serafine, though they both speak with a lazy drawl with a heavy Cajun accent that is almost identical. It’s established that the siblings were orphaned young and ended up at a segregated home, whereupon they decided to run away rather than be separated. It’s here they claim to have been led by Maitre Carrefour - a swamp spirit the siblings believe to be ever-present in their lives - to safety with Voodoo practitioners in the swamps.
It’s noted in the Lackawiki that Serfaine has become somewhat of a Voodoo priestess in her own right, skewing or rewriting established superstitions to form her own sect of Voodoo beliefs and practices. Of the two, Nicodeme is relaxed and laid back, while Serafine has arguably the strongest character and possesses some ambition, though what those ambitions will ultimately lead to have yet to be established.
Headhunted from a rival bootlegging operation by Asa Sweet, the Cajun siblings are assigned to Mordecai to assist with his current work, which has yet to be confirmed. Mordecai suspects he may be cleaning up loose ends in regard to Atlas’ murder or perhaps a wider conspiracy, but has not shared this with Serafine and Nicodeme. He does not trust them, nor does he like them, and willingly conducts work alone when he’s able to shake the pair for a while.
On one of their earliest engagements together, Serafine and Nicodeme convince the stoic feline to strip down to his underwear and create a veritable mess with a hatchet to murder Asa’s newest targets. It’s later disclosed that this was a joke, but once he complied neither of them wanted to stop him. Asa Sweet can be heard in the Lackadaisy pilot episode referring to Mordecai as the ‘infamous hatchet man’, proving the siblings did not keep this joke to themselves.
Imagery of Maitre Carrefour over Mordecai as he nurses his ‘gift’, while Nico and Serafine watch on
Despite his lack of interest in their beliefs and lifestyle, Serafine and Nicodeme were not so disenchanted. They see within Mordecai something akin to themselves, a lost soul led to salvation, truly believing Maitre Carrefour altered the tuxedo cat’s course through life so he would interact with theirs. Either for Mordecai’s future success or a loyalty to the spirit, they trick Mordecai into joining a celebration in His name and share their history with Maitre Carrefour, implying the dozen others in attendance have all been saved at some point in their lives, then invite Mordecai to join them.
Mordecai refuses, sceptical of their claims and not inclined to befriend the siblings. He actively objects multiple times and even attempts to leave, however finds himself outnumbered and ultimately forced to comply, receiving a painful souvenir of the party; Maitre Carrefour’s protection glyph, carved into the flesh over his heart.
Core Personality
At his core, Mordecai is intelligent and clinical, able to evaluate large volumes of data within a short space of time and react swiftly to protect both himself and those who possess his respect, though it is not easily earned. Should you be privileged enough to possess his respect, you'll find the frosty feline loyal almost to a fault.
Friendliness doesn't come naturally to Mordecai, but with his respect comes an undying loyalty. This can be seen in his continued investigations into Atlas' death, focused entirely on the man he respected and not the widow he disliked. He has no loyalty to Lackadaisy as a whole, only to the man he respected while alive.
Affection is difficult for Mordecai. His expression of it is usually through thoughtful gifts or action, such as a gifted tie or unquestioningly following orders. He has little sentimentality for things or gifts himself, keeping very few belongings other than clothing, nor bothers to invoke sentiments in others. They simply make him uncomfortable.
Mordecai prides himself in clean effectiveness in all aspects of his life. He does not like to be idle, choosing to trade stocks to boost his earnings and keep his mind busy. Gossip and needless socialisation bore him, as do parties, meetings and luncheons that don't achieve a purpose.
A focused individual, Mordecai despises mess or idleness, preferring to keep busy between jobs by trading stocks and keeping meticulous books for his own benefit. He possesses little patience for wasting resources and has a very dry sense of humour, often misunderstanding social cues and remaining oblivious of the true meaning.
Despite all of this, he can be distracted by his own unique preferences for order or symmetry, becomes so obsessive over Atlas May's death he actively undermines what Lackadaisy has left to get a shoe in with a competitor, and is often construed as rude or insulting in conversation.
Motives: Lackadaisy to Marigold Employee
While it's not exactly mentioned, it's possible he left Lackadaisy for financial reasons as well as to pursue his own investigation of Atlas' death. With swirling rumours of Mitzi being involved and their smuggling routes being muscled into by competitors, the Lackadaisy Speakeasy was on the verge of bankruptcy, leaving Mitzi unable to pay any wages when Mordecai left.
Emptying the armoury wasn't his own decision, but an order by his new boss, one he would need to complete to earn trust and wages at his new job. While it would further condemn his old establishment to closure, Mordecai's loyalty died with Atlas, leaving few conflicts of interest for the feline sharpshooter to consider.
It's possible he left solely to investigate Atlas' death more thoroughly and suspecting Sweet of involvement, agreed to a deal when offered the job transfer. In this possibility, he's using both his former and current employers to further his own ends, regardless of the consequences, but we have yet to have this clarified.
Mordecai Heller: Man or Monster?
Mordecai Heller is a product of past decisions, opportunities and active influences. He did what he had to to survive, afforded any who assisted him lifelong friendship and offered no apologies for atrocities committed, even against those he used to call accomplices, or even friends.
While he appears uncaring and detached, those who know Mordecai can tease the sentiments from his carefully devised actions. He does not enjoy killing or causing pain, doing so only in his own self interests - or the employer with the most generous wages.
He's lost his best friend, the family he found, all for his obsessive need to uncover the truth of Atlas' early demise. Deciphering the truth of the mystery that plagues his every waking moment and enacting revenge on the responsible parties might afford Mordecai peace, but it won't repair the bonds severed by leaving at such a crucial time in Lackadaisy's uncertain future.
I believe Mordecai has condemned himself to an emotional solitude he thinks will be tolerable if it means he solves his former employer's death. In reality it will likely drive him mad, but he and Rocky will have more to talk about at the next reunion.
Appendixes:
Lesser Influences:
While Rocky Rickaby has some documented history with Mordecai while he worked at Lackadaisy, the pair don't have much of a rapport otherwise. Rocky is eccentric, loud and a little unhinged, all things Mordecai tends to distance himself from. Rocky even has a nickname for him - ‘Old Serious Face’ - that is not affectionately reciprocated. It should be noted he’s willing to shoot Rocky in the pilot, but misses his chance.
Knowing that Ivy Pepper is Atlas’ goddaughter, it makes sense he has some affection for the girl, even if it’s not overtly expressed. They’re not seen to converse directly in the comic or the pilot, though Mordecai consciously decides not to shoot her as she, Rocky and Freckle are fleeing with bootleg liquor. He doesn’t disclose this to anyone after the fact, instead stating the mission simply went awry.
Author's Note
Some of this information was a real struggle to dig up and took about a week to compile, but writing this has been mostly fun. Mordecai has been an obsession since a good friend got me to watch the pilot about a month ago, but I felt his character needed more deciphering than the Wikipedia pages could give me, so this exists now. I hope this was an interesting read for someone, other than myself.
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🔵 Brief introduction to the history of Neapolitan: Origin and history of a minoritised language (from @/neapxita on instagram)
✂️ alt text under the cut !!
10th century - Placiti Campani
The first written evidence of Neapolitan dates back to the 10th century, when four sworn declarations were composed in modern-day Campania. Despite the brevity and formulaic nature of the texts, the Placiti campani provide an invaluable early example of the vernacular spoken in Campania, and allegedly the first one in the Italian peninsula.
15th century - Aragonese Court
Neapolitan becomes the main language of public administration and internal affairs of the Aragonese kingdom.
In the 15th century, the newly established Aragonese monarchy in Naples and Southern Italy pioneered the use of Neapolitan as the language of public administration and internal affairs until the end of its rule.
In the 15th century, the newly established Aragonese monarchy in Naples and Southern Italy pioneered the use of Neapolitan as the language of public administration and internal affairs until the end of its rule.
During this time, in addition to being one of the official court languages, Neapolitan slowly replaced Latin, and was used for poems, chronicles, and treatises. The oldest full history of Naples written in this language, however, is the Chronicle of Parthenope, which dates back to 1350, prior the establishment of Aragonese monarchy.
17th century - I
With the spread of Tuscan among elites post-1500, 17th-century intellectuals in Naples were making a case for the dignity of Neapolitan as a literary language.
While Neapolitan had been adopted by earlier authors, monarchs and religious authorities, only in the second half of the 17th century did it establish itself, although not without dissent, as a rich literary language.
Specifically, it is with the works of Giambattista Basile and Giulio Cesare Cortese that Neapolitan transformed into a fully fledged, alternative literary language (as opposed to Tuscan) used for both conventional genres and original ones, including the pastoral, novel, lyric, epic, satire, mock-epic, fairy tale, and opera.
17th century - II
Intellectuals aimed to create an illustrious vernacular that could rival Tuscan and to legitimise it as an equally worthy language.
According to Neapolitan intellectuals, Tuscan could not be given the label of a more literary language. The use of their native Neapolitan, instead of the foreign Tuscan, served to shape and legitimise an autonomous, and equally respectable, literary reality.
18th century
In the 18th century, to take a stand against the taste for Italian Mannerism in Tuscan, there was an outburst of literary production in Neapolitan.
As the literary production of the early 18th century carried forward the legacy of Cortese and Basile, literary academies in Naples hosted public readings of works in Neapolitan which were written by and for the members of the Neapolitan elites.
The 18th century was also the time in which the first grammars of Neapolitan appeared. The first to be written was Francesco Oliva’s Grammatica della lingua napolitana (1723), while the first to be published was Ferdinando Galiani’s Del dialetto napolitano (1779). Yet, despite the literary success of Neapolitan, many stigmatised it as ignoble, and the exclusive language of the plebs.
Ferdinando Galiani
For Galiani, Neapolitan was not just the language of the populace, but the cultural property of the nation.
“Therefore we do not despair yet (...) Perhaps one day our dialect will achieve the most unexpected fortune: we will defend our causes in this language, pronounce our decrees, promulgate our laws, write our annals, and do everything that the patriotic zeal of the Venetians has allowed them to do in their own harmonious dialect”.
19th century - Music
Neapolitan and Neapolitan-language music have a rich and long-standing tradition.
The earliest mention of the performance of villanellas coincides with the visit of king Charles V (or Charles II of Spain) to Naples between 1535 and 1536. The first anonymous collection of villanellas was published shortly after.
After the king’s visit, villanellas, which were sung in Neapolitan, acquired clear political undertones and became representative of Neapolitans’ national identity in the 16th century.
However, the song fest of Piererotta marks a turning point in Neapolitan music history. Starting officially in 1835, the festival constituted a major festivity attracting tourists from both within and outside the kingdom.
1861 and Fascism
At the moment of the unification of Italy in 1861, less than 2,5% of the population was able to use Italian.
Much like Latin in the previous centuries, Italian was an exclusively written and literary language known only to a minority of literate people.
The appearance of the first bilingual dictionaries immediately before and after the unification confirms that Neapolitan was not only the language of the common people but also that of the literate.
In the aftermath of the unification, these dictionaries were used to help students who were monolingual in Neapolitan to learn Italian, the language of the new state.
In the 20th century, the nationalist agenda of the fascist regime suppressed the use of all minority languages and enforced the use of Italian in its stead, especially at school. Children were beaten or otherwise punished, generating fear and shame towards their native languages.
Since then, Neapolitan has continued to be spoken, sung and written, albeit without being taught nor recognised by the Italian state, often coexisting in a situation of dangerous diglossia.
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