jesus and judas in the @homoeroticbetrayal polls!

One Left Behind

Excited to share this collaboration piece I did with @pinkishflowersilverycoin based on the designs from the Judas comic by Jeff Loveness and Jakub Rebelka. 

Line art: Me (Red Salome)

Colors by: @pinkishflowersilverycoin

okay, i dont know how much of this is just like, the canon comic designs but. i just realized that cheavy and cmedic totally do that like, "mirrors that complete each other" thing, via like, the only part of cmedic that is regularly visible in the field suit are his eyes, and the only part of judas that isn't regularly visible are his eyes, bc of the goggles and. symmetry. i love them. <3

-comic coloring anon (who will not be apologizing for the spam <333)

YES I love that design element.

Cmedic is the most heavily armored, but his eyes being visible means you can easily get a read on his personality. Eyes are the window to the soul, after all. On top of that, they're the most expressive part of the human face, so seeing Cmedic's eyes means greater potential for expressions.

Cheavy, however, is only beaten out by Saxton Hale in terms of how much skin he shows. And yet his goggles completely hide his eyes, meaning that it's much harder to get a read on him because he can't really emote beyond broader facial expressions. It's actually a really good design element given that he's a major antagonist who is designed from the ground-up to be intimidating. Not being able to see his eyes is really good for doing that.

Actually, now that I think about it, most of TFC has a similar design element...huh, that's actually a really smart design choice from the comic artists. Kudos.

I love the parallels, they're so Dumbass4Dumbass.

And PLEASE DO NOT APOLOGIZE FOR THE SPAM. THIS SHIT IS LIKE COCAINE TO ME

Made a quick sketch of Judas last night, based on the design from the comic by Jeff Loveness.

so

who's surprised lmao

I warned y'all that I'm gonna draw bible fanart ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

some context below the cut

basically that guy up there is my version of judas, inspired by other versions of judas (in particular the one from the comic "Judas" and carl anderson's version)

I still haven't done a proper ref for him yet cuz idk if I should try n tackle the whole design based on sth more modern like most jcs productions I've seen or sth closer to history (probably not a good idea considering I know jack shit about the bible and history in general >>;;;;)

but I did want to give him a superstar outfit

why?

cuz to me the superstar fit is like, the most extra shit judas gets to wear in the entire show

n like the guy is already dead and destined for superhell so might as well go out with style amirite?

I just wanna put him in a cool outfit alright ;-;

also jesus's design is still cooking and I haven't done mary m + the other characters but I gotta slap this thing here so noone gets confused about any other shit I draw with him in the future (but also just cuz I like this fit a lot actually)

that's all me thinks uwu

Thanks to people gifting me a ton of photos, click the link above to access a pictorial spread of the original Los Angeles cast of Jesus Christ Superstar in the summer of 1972, at the (sadly late) Universal Amphitheater on the Universal Studios backlot in California. To be clear: this is a little album of every picture we've ever been able to scrounge up from the two weeks that Ted Neeley and Carl Anderson were in the L.A. cast before they ran off to Israel to make a certain film.

If nothing else, it just goes to show that when you let Tom O'Horgan cook, to use current terminology, he comes up with something less gonzo and more down-to-earth than an avant-garde treatise on futuristic insects play-acting a version of an earlier primitive civilization's myth. (Yeah, that's what the OBC's wild designs were about. I'll explain more someday.)

For more background and context to the pics, hit the jump!

Background on the Location

Let's start with the venue: we find ourselves at a 3,800-ish-seat open-air Amphitheater on the Universal Studios backlot, built as a daytime arena where Studio Tour patrons could watch a western-themed stunt show and shootout. As the story goes, someone, likely a young person who'd been to concerts in unusual places, wondered aloud whether they could use it as an event space at night. As a test, they ran some old movies (Marx Brothers and so forth), passed out free popcorn and peanuts, and discovered that even without the tour, people would come, park their carcasses, and watch a show. Prime opportunity to make money -- now they just needed an event that would pull crowds.

Picking JCS was sort of an in-house deal. The parent company of Universal was MCA, which then owned a stake in the show along with the Robert Stigwood Organisation. A fully staged version had yet to play the Coast, though successful concert tours had cleaned up at the Hollywood Bowl and across the country. So they booked a month-long run and hoped for the best. Thanks to casting hi-jinks in the Broadway production (again, fodder for another post), Ted Neeley was set to play the leading role of Jesus, and Carl Anderson would co-star as Judas.

Background on the Staging and Design

My guess: O'Horgan knew by now that ALW and TR had toed the party line, but were generally not interested in what he did back in the Big Apple, so a square-one rethink was the order of the day. Moreover, the glitterati of Hollywood was likely to fill these seats at some point. He couldn't do some avant-garde-a-clue (as George Harrison would put it) theater crap in Studio City. So he went with something simpler, more... basic -- the Bible writ large for a comic book generation and an arena audience. (Perhaps this was why Tom felt the focus had to be more on Jesus, moving intermission to follow "Gethsemane" instead of "Blood Money," a choice that, to his credit, was frequently echoed thereafter in UK productions.)

The scenery was arena-level simple: the set consisted of three stone outcroppings backed by an 80-foot-tall (!) cross draped in cloth. On closer examination, the two small stone groups near the sides of the stage were gigantic hands, palm up, with fingers reaching for the sky, and the large stone structure in the middle was Jesus' face. (Per audience reports, when Judas died, he stood in stone-Jesus' mouth, which flamed bright red, and descended into hell screaming, "You have murdered me!")

Herod was wheeled onto the stage in a contraption made out of nude alabaster mannequins, whose arms raised on cue to allow the white-suited Herod his entrance (perhaps the most '70s thing ever). Pilate, almost a Goth King straight out of Conan the Barbarian or Flash Gordon, reigned from a throne of human skulls that was frantically whipped around the stage while he laughed maniacally. For the crucifixion, Jesus and his disciples climbed the uncloaked cross, and as Jesus got into position, the disciples made a halo out of their open hands surrounding his head that glowed in the spotlights. As they played "John 19:41," the cross slowly moved back from the stage until it disappeared into the darkness by the end of the song.

There was still a lot of "go big or go home" about it, in true Tom fashion. As the artist's rendering of the crucifixion on the Playbill's title page or in the mail-order ticket ad (seriously, see link) attests, when Norman Jewison quoted classic art, it was a simple Da Vinci. Tom O'Horgan, on the other hand, went for a straight-up, balls-to-the-wall, extravagant take on Gustave Doré. (Compare that rendering to "Souls of Warriors of the Faith Form a Cross.")

All things considered, it was sort of a forerunner of "pandering JCS" like the A.D. and Farewell Tours, but it had balls compared to what ALW considers an arena tour-worthy production.

Reception

Maybe because it was set up to be a crowd-pleaser instead of playing with weirdness for a supposedly sophisticated audience on someone else's dime, the L.A. production was a massive hit with both critics and audiences compared to Broadway. During the day, it was the Wild West show; at night, it was JCS, frequently filling the venue to 98% capacity. It kept extending and ultimately ran twelve weeks rather than four (of which Ted and Carl, as previously mentioned, played two before shipping off to the Holy Land) until cold weather forced its closure that September.

(Recalled Ted in an interview circa 1993, when the A.D. Tour returned to the now-enclosed Amphitheater, "We used to freeze our buns off with those Santa Anas whipping around. Especially me when I was in that loincloth, hanging up on that huge cross." Not that the image didn't have a huge effect. To quote Amphitheater treasurer Maggie Magennis, who "saw it at least four or five times a week" when it opened, "The most exciting part was at the end. Teddy was up on the cross. We were open air then, and you could see the lights of the Valley. There was something really awesome about the fact that he represented something so spiritual, and yet the temporal aspect of the lights twinkling down below was there.")

My Two Cents

If I had an unlimited budget, I'd give it some twists of the '92 Oz tour and bring this exact thing back. That's what tours arenas and sells tickets, not "Occupy Jerusalem." Who knows? Maybe someday someone will be crazy enough to give me that kind of free rein...

Things Silas has done in canon that carry over into Judas' verse:

-created a legitimate death ray that never got sent into orbit (Project Damocles). got dishonourably discharged from the military; probably for the death ray (he seems very upset about this)

-vivisected a sentient individual while ensuring they were numb so they could watch themselves be picked apart without screaming

-kidnapped a mother to lure out her son, willing to sacrificing both for the body of the kid's robot companion. when this failed he:

-swarmed a high school with MECH operatives, offering to spare the kids' lives if the boy from the above incident were surrendered to them (comic canon). coincidentally, got kicked directly in the nuts by said boy during this attack

-designed and created the basis of a human-made cybertronian frame (the beginning of Project Chimera)

Things Silas has done in canon that do NOT carry over for Judas' verse:

-finished Project Chimera (Nemesis Prime)

-gotten gravely injured via Project Chimera

-had the surviving and salvageable bits of his body transplanted into the corpse of a decepticon. something he was over the moon about. genuinely, he was happy about this. so happy that he:

-murdered every member of MECH that saved him so he could become a 'god' by joining the decepticons

-failed in his attempts to impress the 'gods' and became a tortured plaything for the decepticon medic (it should be noted the cybertronian corpse silas was in belonged to this medic's assistant)

-died

NIGHTWING PROFILES: Dick Grayson

1st Nightwing Appearance: Tales of the Teen Titans #44 Other Mantles: Robin, Target, Renegade, Agent 37, Red X, Talon, Batman Secret Identity: Richard “Dick” Grayson - the oldest foster son of Bruce Wayne, and a former professional trapeze artist

ORIGINS Before Crisis on Infinite Earths, Dick Grayson retired from the name of Robin in New Teen Titans #39, and gave the name and uniform to Jason Todd in Batman #368. Dick continued working with the Teen Titans using civilian aliases to do undercover and reconnaissance work before debuting as Nightwing during the Judas Contract storyline to fight Deathstroke. 

After Crisis on Infinite Earths, a retcon in Batman #408 establishes that Batman fired Dick as Robin after he was injured fighting the Joker. However, in Nightwing Year One, Batman instead fires Dick from Robin when the pair has an argument over time split between Gotham and the Teen Titans. Dick then seeks advice from Superman, who tells him the Kryptonian story of Nightwing. Dick debuts as Nightwing in Gotham after creating a costume inspired by his father’s performance wear, helping Jason complete his last tests to become Robin.

Appears as Nightwing in: Teen Titans books including New Teen Titans (1980 and 1984), Titans (1999), the Nightwing solos (1995, 1996, 2011, and 2016), Outsiders (2003), as well as various Batfamily books

TRIVIA

In Nightwing Annual #1, published in 1997, Dick says that his father was Kalderash Romani and his mother was white. However, this was changed in New 52 and Rebirth to Dick having a Romani mother and a white father.

Teen Titans Academy (2021) establishes Dick as having used the name Red X in the past. Prior to this, Dick only used Red X in 2003’s cartoon version of Teen Titans.

Dick's fingerstripes design on two separate occasions incorporated claws on the tips. One such design can be seen in the graphic above.

In Batman/Superman: World’s Finest (2022) #7 Dick visited the Bottle City of Kandor, in some story variations the origin city of Nightwing, for the first time.

Dick has had seven children in Elseworlds and briefly had a stepson named Dennis in the 1990s. None of his children have worn the Nightwing mantle.

Dick graduated High School in 1969 and had solo and team adventures as Robin for 15 years before becoming Nightwing in 1984.

Although Dick is known for having two main love interests with red hair, Starfire and Oracle, by number he has dated more women with dark hair. Two women with blue hair have also been among his love interests.

Dick has done long-term undercover work several times, most notably in the Bludhaven Police Department in Nightwing (1996) and in Spyral in Grayson (2014).

According to Nightwing Rebirth, Dick is named after his mother’s close friend who later became Raptor. In the Young Justice cartoon he is named after his paternal uncle, who went by Rick.

During the Silver Age, Dick had a maternal aunt named Harriet Cooper, who appeared in 28 Comic issues and 77 Episodes of the 1966 Batman TV Series.

Dick is traditionally the first sidekick to debut in-universe, and was DC Comics’ first kid sidekick to appear in publishing history, a year and a half after Crimson Avenger’s adult sidekick, Wing.

On Earth 3 Dick had a sister named Rachel who died with their parents.

Someone requested it, so here it is. This is the afterword George Pérez wrote for the New Teen Titans TBP that includes the Judas Contract (It says at the end that he wrote this in 1998, but I’m pretty sure they meant 1988 since the Judas Contract came out in 1984 and he talks about planning out the storyline five years ago):

[ID: A two-page afterword written by George Pérez. The first page has art on the left side from The New Teen Titans (NTT) of Joseph Wilson, Dick Grayson, Donna Troy, Victor Stone, and Koriand’r dressed in their superheroes costumes and charging towards an enemy. The second page has art on the right side also from NTT, just of Joey in his Jericho costume. The background of both pages has a repeating pattern of the Titans “T” logo in the shape of a T inside a circle. The text is as follows:

AFTERWORD

Ah, memories.

Has it really been five years since Marv Wolfman and I sat down in a small restaurant and gleefully plotted the birth and death of a cute little teenage girl? Has it been that long since that fateful meeting in Dick Giordano’s office when it was decided that a famous caped crusader’s sidekick was going to hang up his mask and at last be his own master and that we would also retire a certain teenage speedster? And was it so along ago that Marv and I racked our respective skulls trying to come up with a concept for a new hero for whom we only had a name and a parental history? Has it really been five years since “The Judas Contract”? I’ve always liked the name “The Judas Contract.” When Marv came up with it, I thought that it hand a certain grandeur, a certain significance to it. And when I learned that DC Comics was reprinting the multi-issue saga, my mind flooded with waves of nostalgia, pleasant memories which seem to arise when I think of my original tenure as co-creator, co-plotter, and artist on THE NEW TEEN TITANS.

So it is that I recall how, after two years of establishing TITANS as a bona-fide hit for DC, Marv and I sat across from one another in that diner booth and he told me about this new character he had just invented: a 15-year-old name Terra. She was to be the first new Titan to join the team since the inception of the series, but she would also be the first to die. Thus was “The Judas Contract” born, although it would be over a year before that actual storyline would take place. Other changes were in the offing.

Since the creation of the New Teen Titans, Marv and I had sworn not to make it a junior version of the Justice League of America, which is what the Titans were in the 1960s (I used to call it the Justice Little League). The idea of a group of kid sidekicks banded together to fight crime always invites comparisons between them and their adult mentors. Also, the freedom of using a character fully is compromised when he is being used concurrently in his guardian’s own series. Thankfully, Cyborg, Raven, and Starfire were all-knew heroes created specifically for TITANS (I can still remember the words of artist/editor Joe Orlando when he saw the original design for Starfire: “I think you should make her hair longer.” Boy, did I take that suggestion to heart!) Wonder Girl was never really a sidekick to Wonder Woman and Changeling’s roots to the then-defunct Doom Patrol series were non-hampering. That left Kid Flash and Robin.

Kid Flash was easy. Robin was the tricky one. For over forty years he had been the popular swashbuckling partner to the mysterious Batman. In fact, Batman without Robin was considered as unthinkable as Holmes without Watson, Robin Hood without Little John, Minneapolis without St. Paul! Yet Robin was the team leader, the linchpin of the Titans. When Marv Wolfman, then-Batman writer Doug Moench and I sauntered into Executive Editor Dick Giordano’s office to discuss Robin’s fate, I actually thought we’d lose the rights to use the Titans’ leader. Was I wrong. Goodbye Robin/Dick Grayson—hello Robin/Jason Todd!

Then there was Jericho. Marv wanted to introduce a new member to the Titans to replace the departed Kid Flash. However, he had the character’s name (an unused character who was to have appeared in the original 1960s TITANS series) and the notion that he would be an offspring of the villainous Terminator, but nothing more. After weeks of pounding our heads against the walls, we had all but given up. We couldn’t think of anything for Jericho. Then it hit me. Overnight, I came up with a concept, personality and design for Joseph William Wilson, the newest Teen Titan. Joseph, or Jericho, was the first Titan I ever designed solely and as such he was more of an artist’s character than a writer’s character. By making him mute (and forbidding poor Marv the use of thought balloons for the character), I was forced to convey Jericho’s personality through body language and facial expressions. Such subtle nuances would be been unthinkable for me when I first started the series in 1980, but Marv was so confident in my improved abilities that he accepted my version of Jericho, who was a lot tougher for him to write and was added to the Titans’ roster.

That still left us with Dick Grayson. Dick has an incredibly vocal fan following, particularly among females. There was no way we could keep that character out of the group indefinitely. So, during the run of “The Judas Contract,” Dick Grayson’s new crimefighting identity was established. Nightwing was born. Though neither Marv nor I were originally crazy about his new name, in the long run it seems to have won the fans’ hearts. Those who considered themselves Robin Rooters have proudly followed Dick’s new career as avid Wingnuts.

So here I am, hunched over my word processor, reliving the glorious yesterdays which went into the tales unfolded for you in the following pages. It was a time of growth for me. My maturation as an artist can be traced back to these stories. My new career as a writer was born from many brainstorming plotting sessions through which Marv and I sweated during those days. I am grateful to the Titans and to Marv and to all those who supported the effort.

Thanks for the memories.

- GEORGE PÉREZ

1998

End ID.]

The Judas Contract

Stepping away from looking at the disabilities of the team to say something about choices in narrative tale - Donna falling for and marrying her much older teacher is still a bad one. Though not seen in this storyline, Terry becomes textbook control freak about her over time.

I'm standing by the ADHD for Garfield. He's very trapped in the male puberty trope too.

Terra just keeps being nasty as hell to Garfield, and it makes his later choices all the more terrible and tragic.

Tara getting the lowdown on all the places the team live.

"The side effect of a medicine designed to save my life" - how Gar describes his powers, calling them a fluke.

"I am… I was." Vic's own words about his athleticism, because the accident that made him as he is took away his athletic ability in that he cannot compete in those circles. His cybernetic enhancements and prosthetics put him outside even the Special Olympics.

Vic's dad came out of a poor neighborhood.

Raven senses something evil in Tara but… is uncertain it is not a reflection of her own evil traces. Of course, Tara takes it personal - one more notch to the narcissism I feel she has.

Vic has severe emotional trauma around his accident.

" 'cause no matter how strong they are, I can still bury 'em in an earthquake or collapse a whole blasted mountain on 'em. Yeah mebbe the Titans are strong, but Terra's even stronger!" on the heels of her recognizing why Slade can't take them down on his own.

"I'd sooner kiss a wookiee" in a Titans comic! LOL.

Raven feeling Tara's hatred of Gar growing so strong as the two are sparring.

And Slade calls her out on losing her temper.

"And the contract which my son, Grant, accpted with the H.I.V.E. and which upon his death, I assumed, will now be completed." This? This is the lynchpin of where I turn the version of Slade I write. He HAD to fulfill the contract, but, as will be played out, he was SLOPPY so that he fulfilled the letter, and the Titans still got away.

HA! "He's getting sloppy in his old age" from Addie on the NEXT PAGE.

My TBOI Aus:

Base HC interpretation: Currently nameless. My own way of looking at the game, mostly canon compliant but with an attempt to flesh out the basement and those within a little more. Gives backstories to most monsters and player characters, all Isaac’s concepts for his own creations pre-everything. Basically everyone is Isaac (or his father)‘s OCs and have these backstories to match. Meat boy and other games exist as games in universe. Extra emphasis on the Horsemen bc. You know me. The tainted characters and posthumous bosses are all from a bad (er, even worse) timeline set a couple years in the future and blend into the main world due to Dogma and Tainted Eden. Lots of symbolism and arbitrary design changes and rules etc etc etc. also includes Books of Enoch and Giants into the lore. Some mods are acknowledged, some are not, but most exist as “outside” content (other dnd manuals or stories isaac read or saw and never truly added to basement canon, but they exist for like. Fun. Sometimes)

Hypothetical Adult Au: Continuation of above where the kids get out of the basement and live ideal-ish lives. Not canon and just for speculation.

Isaac Lives: Isaac is saved from dying and manages to recover. The rest of his childhood proves rough and he is either placed into the care of another relative or foster care (or kept with one of his parents who tries to improve but. Uh). Now an adult, he navigates the world and tries to deal with his trauma and subpar family whilst working as an artist. He writes a comic that is basically what he experienced in the basement but without him, instead mainly from Maggie’s pov. Eden may or may not exist in real life.

B side AU: Made to allow for separate interpretations of the characters. Canon divergent. Isaac is a young teen struggling living with his Mom who he is convinced wants him dead. Very traumatized and depressed. He ends up discovering a twisted world of angels, demons and tormented souls through his basement. Stuck navigating between this world and “the next”, he wonders which he’d rather be in. Other kids exist separately from Isaac instead of being projections of himself. Lazarus and Cain are immortals, Eve and Judas are humans who became demonic after succumbing to demons’ influence, and everything is just kind of weird. Tainted characters do and do not exist, it’s a sort of pick-and-choose or fusion thing.

Splatoon Au: Barely exists atm but uh. Isaac is either a very young squid kid or a salmonid who ends up witnessing uh. A lot. Most of the kids are inklings with their own turf war teams and a few r octolings. Eve is an octoling who escaped pre OE and Lilith is this universe’s version of Agent 8. Eve is also stuck with a semi-permanent Kraken form, becoming one whenever emotions run high. Horsemen r salmonids Sins are a troupe of elite octos. Splatoon’s canon characters also exist, just the agents r all tboi characters and the story also changes somewhat bc Yknow. Etc etc etc very tentative needs to be actually be drawn and explored idk what I’m doing I’m waiting to see what side order brings into canon

Ena Au: This one is also basically just existing concept wise. Isaac as Ena basically, trying to figure out how to rid himself of the side of him he hates. Everyone else is in typical ena style and a few of the other kids r ena-like beings but most r more like the other characters. Very isaac centric. Also waiting for dream bbq to see what can be incorporated,,

that one post where you said you can imagine Jay liking to help out at the MHYC + that hc from your fic that Barry and Ed kinda clash (genius take btw) has lead me to this idea: Jay likes Ed. just genuinely thinks he's a GOOD kid. and Bart does NOT need anyone's approval, but i think Jay liking his friend/eventual boyfriend would matter more to him than whether Barry does. i think Jay's opinion GENERALLY matters more to him than Barry's (even his lightning bolt logo is like Jay's, not Barry's)

YES I 100% agree on this with u! Its like u plucked the HC right out of my head lol especially with the other HC playing into the context! Ever since someone mentioned that his lightning bolt logo is like Jays rather than Barrys that concept was born, I love how Barts costumes in the series always tell a story!! (His impulse patterns being reminiscent of the blue beetle scarab legs, the lightning bolt matching Jays flash logo) its just so cool (yes his suit is an extended design of the Kid Flash of Judas Contract movie because of the staff involved but theres just so much more context in the YJ universe than KFs involvement in JC that it actually fits especially with Wallys KF suit in YJ having Barrys Flash logo and Barts being a direct match with Jays so yeah lol)

And Jays approval of Ed (like u said whilst no ones is necessary especially to Bart) definitely is something that Bart does find dear to him. In general I do believe Jay is most probably the closest thing to a father role in his life at this point, with Barry obvs not at all being ready to be his Grandad falling into the mentor/borderline uncle role, also kinda reminiscent to the distance between them in the comics as well. 

A comic done before Judas designed his fursona- with his appearence the houses godtier changed, from mage of hope to page of light

As Halloween approaches, it’s the perfect time to delve into the eerie world of cryptocurrencies and explore some of the spookiest coins in existence. Beware! Friday The 13th! Let’s begin by understanding the significance of Friday the 13th. Known for its spooky reputation, Friday the 13th is a day that is believed to bring bad luck or misfortune by some. It is a day associated with darkness, fear, and scary tales.The significance of this date comes from various historical and cultural beliefs. Some associate it with the biblical event of the Last Supper, where 13 people were present, including Judas Iscariot, who betrayed Jesus. Others view the combination of Friday, which is considered an unlucky day in some traditions, and the number 13 as a double dose of bad luck. As a result, Friday the 13th has become associated with superstitions, fear, and negative events.'Some Spooky Coins: Today, we will focus on a selection of cryptocurrencies that are bound to send shivers down your spine but in a thrilling way, thanks to their captivating branding.Pirate Chain (ARRR): Why couldn’t the kids see the pirate movie? It was rated ARRR. Taking inspiration from this age-old pirate joke, Pirate Chain (ARRR) has adopted the pirate symbol as its own. This cryptocurrency has gained significant attention due to its vocal community and dedicated supporters. Pirate Chain focuses on privacy, utilizing zk-SNARKs encryption to ensure transactions remain private and untraceable. This project, driven by an anonymous team, is entirely decentralized and aims to provide the highest level of financial privacy. With fast transaction times and low fees, Pirate Chain is designed for untraceable payments and preserving your financial anonymity.At the time of writing, ARR was up 2% in the last 24 hours, trading at $0.16.Zombie Inu (ZINU): What do you call undead cheese? Zom-brie. And what would you call an undead meme coin? ZINU. According to its official website, ZINU has the potential to be commercialized in apparel, toys, and collectibles. While this coin may have a comical aspect to it, it also aims to provide cryptocurrency enthusiasts with an immersive and memorable experience, capturing the essence of Halloween all year round.ZINU was trading at 7% in the last 24 hours, trading at $0.0008336.SpookySwap (BOO): SpookySwap is an eerie-inspired decentralized exchange (DEX) and automated market-maker (AMM) built on the Fantom Opera network. This platform offers an environment for users to trade tokens without relying on intermediaries or requiring permission. BOO was up 0.25% in the last 24 hours, trading at $0.30.Will The SEC Finally Approve Long-Awaited Bitcoin Spot ETF? secure early bird discounted tickets now!A Stay At The Floating Palace From James Bond's ‘OctopussyHalloween Spooks And Thrills: As Halloween draws near, these three spooky tokens offer a thrill and a sense of adventure in the world of cryptocurrencies. While there are numerous cryptocurrencies out there, these Halloween-themed tokens stand out with their unique branding and purpose. So, embrace the spirit of the season and dive into the dark side of the crypto world, if you dare.Price Action: At the time of writing, apex crypto Bitcoin (CRYPTO: BTC) was trading at $26,787, down 0.56% in the last 24 hours, according to Benzinga Pro. Here’s How Much You Should Invest In Shiba Inu Today For A $1M Payday If SHIB Hits 1 Cent?

Welcome to the Isle, Veritas Isle that is. Your journey has only just begun. We are delighted to announce that the following have been accepted! Please click anywhere on this sentence to be redirected to the checklist. Please message the main if you have yet to receive a link to the discord server or if you have any additional questions. We're here to answer any and all concerns.

( michael cimino. he-they. cis man. ) the courts of veritas welcome URAYOAN LUNAY GUEVARA! it’s been said that the 25 year old WEREWOLF is known to be AMICABLE and OVERCONFIDENT. when URI isn’t working as a MOVIE USHER, they can be found participating in BAKING. if you visit their home in ASHEBORNE CITY, it may remind you of crestfallen eyes, gold strewn walls, ancient howls at the moon. they may be your best friend or your greatest enemy. ( juicy. any. 21+. est. )

( xolo maridueña. he-they. cis man. ) the courts of veritas welcome YATZIL ANAM TOLEDO! it’s been said that the 24 year old WIXEN is known to be GEEKY and NAIVE. when YAYA isn’t working as a TAILOR, they can be found participating in COMIC BOOK DESIGN. if you visit their home in RAVENWYCK, it may remind you of the sun, the moon and the stars, el principito, the andromeda constellation. they may be your best friend or your greatest enemy. ( juicy. any. 21+. est. )

( maia reficco. she-they. cis woman. ) the courts of veritas welcome NIMSAY YAIRIS MONTENEGRO! it’s been said that the 25 year old WIXEN is known to be FLIRTY and AGGRESSIVE. when "BAMBI"  isn’t working as a NAIL TECHNICIAN, they can be found participating in NAIL ART. if you visit their home in RAVENWYCK, it may remind you of wildfire lit forests, red salamanders, pride of the lion. they may be your best friend or your greatest enemy. ( juicy. any. 21+. est. )

☼☾ ( ayo edibiri . she/her. cis-woman. ) The courts of Veritas welcome SCOUT HARRINGTON! It’s been said that the 23 year old POOKA is known to be WISTFUL and FUNNY but she’s also IMPULSIVE and THOUGHTLESS. When SCOUT isn’t working as the BARTENDER at the HIGHSIDE TAVERN, she can be found FLYING HIGH OVER THE MOUNTAINS. If you visit her home in STARDUST HOLLOW, she may remind you of…A SORE STOMACH FROM LAUGHING TOO HARD AND TOO LONG, SUNLIGHT BREAKING THROUGH CLOUDS, FEATHERS AND TALONS SHARPENED TO POINTS, NARROWED EYES ACROSS THE ROOM; she could be your best friend or your greatest enemy. ☾☼

( cameron gellman. he/they. demi man. ) the courts of veritas welcome JUDAS GREENWOOD! it’s been said that the 26 (50) year old VAMPIRE is known to be PATIENT and SELF-EFFACING. when JUDE isn’t working as a FISHERMAN, they can be found participating in DRAWING & PAINTING. if you visit their home in JUSTPORT, it may remind you of ECHOES IN A LIBRARY, LAVENDER & CHAMOMILE, & UNSPOKEN WORDS. they may be your best friend or your greatest enemy. ( sol. she/they. 22. mst. )

( anthony keyvan. he/him. cis man. ) the courts of veritas welcome ARMAN AGUILAR! it’s been said that the 24 year old LYCANTHROPE is known to be LOYAL and STUBBORN. when ARMAN isn’t working as a BARTENDER, they can be found participating in STARGAZING. if you visit their home in ASHBORNE CITY, it may remind you of CLAY STAINED FINGERS, RESTLESS NIGHTS, & A CANOPY OF STARS. they may be your best friend or your greatest enemy. ( sol. she/they. 22. mst. )

Can Clam

Bet (the Arabic and Hebrew word for marijuana) has a device he designed, labeled “Penguin” (a Catholic Italian authority) that Joker (a man who is not Jewish, but thinks he is, he’s a Nazi, a Spear of Longinus, Judas the Beggar) finds out is from Betman (Robert the Bruce), instead of a penguin (who is not Jewish either), and Joker panicks, and gets into an accident.

Such as Penguin Mints, available at Newbury Comics.  “Wicked Cool”.