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#dedicate these to me
ampleappleamble · 2 months
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haven't seen this on here yet so:
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in case you don't want to slog through the shitscape that is the bird/letter website, take a peek beneath the cut (shamelessly copied from the something awful forums dungeon meshi thread)
- Her first memory of video games was watching her father playing Wizardry on Famicom, also Dragon Quest, Ultima, and Fire Emblem among others.
- She was a difficult child so her parents didn't let her play. Wizardry is a boring game to watch, but the monster illustrations on the walkthrough evoked her imagination and made her keep watching.
- She only started becoming a serious gamer after the serialization of Dungeon Meshi was locked, for research purposes. Before that, she read fantasy novels such as The Neverending Story (Michael Ende) and The Lord of the Rings (JRR Tolkien).
- The international title for Dungeon Meshi: Delicious in Dungeons was decided by her editor.
- D&D popped up a lot when she researched the history of video games, so she read the rule books, replay novels, and games inspired by D&D.
- One of the first games she studied was the Legend of Grimrock (game's 80% off on Steam atm). Originally, she wanted Dungeon Master (FTL Games) which was famous for "RPG with meals" but hunting down the game and machine was too much.
- She didn't like games other than turn-based RPGs at first, but she decided to stop being picky and play anything that piqued her interest.
- She played Zelda: BotW and TotK on a borrowed Switch from her editor due to the console's scarcity at the time.
- She enjoyed Red Dead Redemption 2 and God of War for their stories. RDR2's incredible attention to detail had Kui engrossed so much that she asked her editor and other mangaka to play it so she could discuss it with them.
- Kui praised The Witcher 3 localization as something only possible with full support from the developer. Cyberpunk 2077 is one of her all-time favorites.
- Papers, Please was her first taste of indie games.
- Disco Elysium is the perfect game for her due to the lack of fighting, intriguing story, charming character interaction, and top-down perspective. She tried playing it in English at first due to an unlikely chance for JP loc, but it was out of her ability. Thus she is forever grateful to Spike Chunsoft for localizing it.
- Kui played Baldur's Gate 3 from the time it was in Early Access. Again, she's grateful for Spike Chunsoft's JP loc. She hoped BG3's success would bring the possibility of JP loc for other titles too, such as Pathfinder: wotr
- She likes games with top-down perspective because they have narration text for monologues and scenery description. Even if the graphic is lacking, the texts show the atmosphere and each character's behavior and psyche. Also, characters that react to your choices.
- She praised Unpacking and House Flipper for being able to tell what kind of person lives there only through their belongings, and that there's no right or wrong for the placements; she would make the best arrangement and then enjoy her hard work while sipping tea.
- The biggest inspiration for Dungeon Meshi was the Cosmic Forge pen from Wizardry VI. With improved graphics from its predecessor, now it could show broken farming tools in the background and many more details that made exploration so much fun.
- At the time of the interview (Dec '23) she still hadn't watched DunMeshi anime, but she attended the recording sessions. She's embarrassed that the dialog she wrote now acted passionately by professionals. Marcille's screaming was wonderful but also made her want to flee.
- Kui was anxious about the CP2077 anime adaptation, but she was relieved it was the Night City she knows and loves.
- Other than minor adjustments, she left it to TRIGGER as to how to adapt
- She's happy that Mitsuda Yasunori was chosen as the anime composer, as she used to play Chrono Cross and rewatched the opening many times.
- Her anticipated games in 2024 are Cloudpunk, Nivalis, and Avowed.
- DunMeshi would be hard to adapt into a game because in the first place, what Kui depicted in the manga are parts that are omitted in games for the sake of brevity.
- If DunMeshi game was Wizardry-like, it'd be told through Laios' perspective and eating was essential not to die
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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sporesgalaxy · 21 days
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i shouldnt be at the club i should be at a monastery. illuminating texts and shit
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dekariosclan · 3 months
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chubbychiquita · 6 months
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mienar · 20 days
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from us it begins
instagram | shop | commission info
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blackbearmagic · 9 months
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so ya boi has been super depressed, like clinically, for way longer than usual and it led to me heading down to the local psych urgent care for an evaluation today
During the eval, which was over zoom, the person assessing me asked me if I keep any "gods or ancestral gods" in the house.
I'm thinking "weird question for a psych eval, but okay sure", and I get about two sentences into describing my weird pagan ways before she leans into her screen and says "GUNS. Do you keep any G U N S or have ACCESS TO GUNS in the house."
so that's probably the funniest thing that's happened to me recently
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originalartblog · 9 months
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Tiny skk adventures!
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not like they're also cranky and tired and touch-starved
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ccorinthian · 2 years
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fuck you ageism fuck you life ending at 30 fuck you makeup industry forcing us to feel bad about a natural process fuck you hustle culture fuck you instagram fuck you youtube fuck you glorification and deification of youth fuck you who make people feel bad for not having "achieved anything" in their 20s fuck you people who peaked in high school and try to drag everybody down by insisting it's all downhill after 19
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ave661 · 1 month
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"Be careful who You trust, Sergeant. People You know can hurt You the most."
Some situations inspire you to create renders, like in this case. Turns out not every Ghost is trustworthy. Sometimes someone will stab you in the back and I guess that was my lesson.
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fruitface · 8 months
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HAVANA ROSE LIU plays Isabel in Bottoms (2023)
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mikichko · 6 days
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just waking up delirious from a nap but cant get rid of the idea of price being interrogated by your friends.
night after your housewarming party, he steps out of your room bare chested and sweatpants low on his hips and finds your friends waiting for him.
they’ve never seen or heard of this man before. you only introduced him last night as john. the only indication of anything between the two of you was a constant point of contact between you two all night.
the questions start right away. name, age, occupation, how you met, what his intentions are. it’s all very entertaining to him, being on the other side of an incredibly juvenile interrogation attempt.
he takes it in stride though, not faltering for a moment as he starts to make himself a cup of coffee. price. ignores the age question, honestly kids these days lack decency and decorum. government worker. met at a bar. just trying to be a good man.
they don’t miss the way he doesn’t fumble through your kitchen. instead, moving through it with precision, knowing where every single item is.
and then finally, “what are you to them?” asked by the one in the back with curls, broad shoulders, and anger in his eyes that warms price all throughout. he doesn’t know he’s already lost.
he takes a sip of his coffee, mulling over the question and the last few months. shared drinks in the dark corner of an already shady pub. carrying your groceries in after you nearly tripped over yourself walking out of the store. books traded back and forth on park benches adorning a pond. stories repeated over a hot plate of dinner, the warmth softening john just a little more. your nails digging into his shoulders, legs wrapped around him, his mouth peppering kisses against your neck and mouthing words he can’t say out loud just yet.
he smiles against the rim of the cup, taking another swig.
“i’m, their caretaker.”
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More random Nimona headcanons
Bal is one of those people who isn’t allergic to anything except one random medication that no one uses 
Ambrosius calls him a lucky bastard every time it’s brought up because he’s allergic to everything 
His allergy list is at least three pages long and he doesn’t remember a single thing on that list 
Whenever they go out to eat Bal has to remind him “No you can’t eat that it has olives” “Not that either love it’s got lemon” and so on 
Most of his allergic reactions are pretty tame so he’ll eat it anyway
And it gives Bal and Nimona so much fucking anxiety 
One time Bal walked in on Nimona chasing Ambrosius around the kitchen yelling “Spit out the carrots Nemesis you don’t even like them that much!!” 
Whenever he eats alone he refers to it as a game of Russian roulette 
Bal refers to it as the reason he has high blood pressure
Because Bal and Ambrosius grew up in the limelight (for very different reasons) there are a million pictures of them through the years 
And they use those videos to bully the hell out of each other 
Bal can quote the video from the beginning of the movie not because it was an important moment in his childhood 
But because Ambrosius will quote it at the most random times throughout the day
Bal will do something small like kill a bug or chase out an animal that Nimona brought in
And he’ll hear Ambrosius mumble “I’m here to slay monsters and protect our kingdom”
He was a little worried Nimona would react badly to this habit but he started joining in 
One time he killed a spider and Ambrosius asks “Are you slaying monsters moonbeam?” Nimona yells from the other room “I’m so proud of him he’s truly protecting our kingdom” 
There are a million photos of baby Ambrosius on the internet 
And Bal made a PowerPoint presentation ranking their cuteness factor out of 10 (100 was the lowest score he got and it was a picture of him with the ugliest bowl cut you’ve ever seen)
And made Ambrosius sit through it 
That was the most loved and mortified he had felt in a long time
Nimona uses low-quality pictures of them as reaction photos 
There have been times when Nimona asks “Can we eat out tonight” and Bal tells her no and she sends him this 
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He’ll text back “Is that my fucking wanted poster?!” 
She asked Ambrosius if there was any ice cream left and he said no he expected her to call him and complain he didn’t expect this 
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He calls her yelling “When the fuck did that happen?!” 
And she hangs up immediately to let Bal deal with it
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critter-of-habit · 4 months
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okay focusing on NATASHA when Peggy and Steve were reuniting was really a choice wasn't it
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buriedknight · 6 months
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our lady of sweet decay
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licollisa · 1 year
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Misc stuff. Mentally ill for them fish meat...
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