Endless Love (1981) dir. Franco Zeffirelli
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David Watkin (deceased)
Gender: Male
Sexuality: Gay
DOB: 23 March 1925
RIP: 19 February 2008
Ethnicity: White - English
Occupation: Cinematographer
Note: In Chariots of Fire, he "helped create one of the most memorable images of 1980s cinema: the opening sequence in which a huddle of young male athletes pounds along the water's edge on a beach" to the film's theme music by Vangelis.
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Fear of Mannequins, Wig Heads, Hollywood Boulevard by Paul McCarthy [detail] [1971, Cibachrome] // Return to Oz (1985) dir. Walter Murch [Cinematography by David Watkin]
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The Knack ...and How To Get It (1965)
The Knack ...and How To Get It by #RichardLester starring #RitaTushingham and #MichaelCrawford, "a charming, funny and beautifully shot bit of cheekiness"
RICHARD LESTER
Bil’s rating (out of 5): BBB
United Kingdom, 1965. Woodfall Film Productions. Screenplay by Charles Wood, based on the play by Ann Jellicoe. Cinematography by David Watkin. Produced by Oscar Lewenstein. Music by John Barry. Production Design by Assheton Gorton. Costume Design by Jocelyn Rickards. Film Editing by Antony Gibbs.
A number of British Invasion movies remain popular today…
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Walter Gropius (1883–1969) and Adolf Meyer (1881–1929). Fagus Shoe Last Factory, 1911–1913. Alfeld, Germany.
Gropius delivered an important lecture in 1923 with the title ‘Art and Technology—a New Unity’. Architecturally this meant a return to the factory aesthetic which he had pioneered in his Fagus Factory of 1911. This shift of stylistic emphasis was reflected in the physical removal of the Bauhaus to Dessau from Weimar. At Dessau in 1925–6 Gropius and Meyer put up a new home for the Bauhaus of reinforced concrete and glass curtain-walling, with a plan and elevations assembled with a studied asymmetry which was doubtless inspired by Dutch abstract or Neo-Plasticist painters such as Mondrian and van Doesburg. Resembling a factory, though there was no real justification for its doing so, it exercised a chilling influence during the next half-century on the design of a range of building types such as schools, houses and flats, which were also made to look like factories. This radical minimalist architecture was the result of an attempt to reject everything ‘bourgeois’ or ‘impure’, including pitched roofs, columns, ornament, mouldings, symmetry, generosity, and warmth. The result is leaking flat roofs in constant need of repair; absence of cornices, so that the white plastered walls are always streaked and stained; rusting metal windows; narrow corridors; low rooms; lack of privacy on the one hand, and of splendour on the other; gracelessly exposed mechanical services; and excessive use of glass, causing near-insoluble problems of heat loss and gain. The survival for fifty years, even in the homes of the rich, of such an aesthetic—for aesthetic it is, lacking in functional justification—is one of the longest-running showings in history of the tale of the emperor’s new clothes.
--David Watkin, A History of Western Architecture (1986)
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While drawing David Seaman I noticed the kit resembled the X-Men colours.
danleydon.com
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David Hobbs (McLaren M20) Can Am - Watkins Glen 1973. © David Phipps / Motorsport. - source Carros e Pilotos.
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Endless Love (1981) dir. Franco Zeffirelli
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First look at Focus Features upcoming film THE AMERICAN SOCIETY OF MAGICAL NEGROES directed by Kobi Libii. Starring:
Justice Smith
David Alan Grier
An-Li Bogan
Drew Tarver
Michaela Watkins
Aisha Hinds
Tim Baltz
Rupert Friend
Nicole Byer
Releasing in theaters March 22nd, 2024
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