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#tom priestley
sesiondemadrugada · 10 months
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Marat/Sade (Peter Brook, 1967).
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mysticworks · 2 months
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I believe in you ~ Lewis Hamilton
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Lewis turns up at your workplace...9 years later. You both realise your feelings are unchanged.
Preview ~
Lewis leaned forward, placing his elbow on the desk and resting his head on his palm. 
His face had matured; still young and youthful, yet somehow he exerted confidence, charisma, surety. 
Your eyes met and neither broke contact first, his big brown orbs staring straight into your own.
"I could get lost in your eyes. For hours on end."
Word Count: 1.7k
Genre: mystery, angst, sparks flying, fluff
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Sau Paulo Grand Prix - 2021:
The silence in the room was deafening. Air thick and heavy, weighing down upon you mercilessly. Lewis sat across from you at your office desk, his eyes glaring intently on your FIA Legal Consultant name plaque. If he stared any longer, it seemed the glass would burn up in flames from such a stare. 
Lewis’ legal representative sat beside him, shoulders high and squared as if preparing to fight with you. His appearance was demeaning, shirt buttoned right to the top, his thick neck, plump, red and threatening to burst. Tom Priestley wore a grubby smile on his face - sinister and cold. 
So much for cooperation. 
You resisted the urge to sink into the ground and call it a day. 
Clearing your throat you drew in a long, slow breath.
Stay calm. Stay level-headed. Stay powerful.
“Once again Mr Hamilton, I ask for your cooperation, that’ll make this meeting much easier for both of us.” 
Since the moment he’d stepped into your office, Lewis had not looked you in the eye once. His head remained lowered, his gaze finding new objects to focus on. Not that you were surprised. It was your first meeting since that had happened.
He hadn't said a single word either, Priestley interjecting for him wherever possible.
 “We see no reason to cooperate with you. In any case, my client, Mr Hamilton, is the victim here.”
If you had a baseball bat handy, Priestley's head would be your first target. 
You shot him a glare and you could’ve sworn he jumped a little, before clearing his throat. When Priestley opened his mouth again, his tone was rushed, voice slightly squeaky. 
“As we’ve mentioned before, the Mercedes car was always built within regulation. To even dare to insinuate otherwise is an absolute farce of a-”
You cut his pitiful rambling off, keeping your tone stern. Your eyes remained trained on Lewis, seeking some kind of response. 
“I have no intention to indict Mr Hamilton, or the team. I am here to clear Mr Hamilton from untruthful claims.” You let your words fall powerfully. 
You saw Lewis shift his gaze to you for a fleeting moment, looking away as soon as your eyes made contact. He turned to Priestley. “It’s alright Tom.” You’d never expected his voice to be so… lacking in energy. It was quiet. Uncertain. 
You saw the pitiful lawyer’s face fall. He looked shocked, destroyed almost, at being asked to leave, but he rummaged his things together and took off from your office, muttering words of distaste that you didn’t bother deciphering. 
Tapping the intercom button on your desk phone you reached for your secretary, “Show Mr Priestley the envelope we prepared for him. I’m sure he’ll opt to wait in the car after seeing the contents.”
It was Lewis’ response that made you shoot your head back in his direction. The first time he’d spoken. Unlike what you’d expected there was no malice in his voice. No long lasting hatred.
“Did you just threaten my lawyer?” 
Amusement. A suppressed chuckle lay beneath his words and a flood of relief passed through you. 
“Well technically I made a fair deal.” You shrugged your shoulders upwards, allowing a small smile to rest on your face.
9 years on and his presence was still the same; warm. The awkward air had shifted - all from his one sentence. The effect Lewis had, was powerful.
The driver’s shoulders visibly relaxed, he raised an eyebrow, “Is that what you’re going to do with me? Make a deal?”
You shook your head, turning away from your laptop screen to look straight at the driver.
“No. I’m going to get to the bottom of this investigation. I’m on your side Mr Hamilton.”
Lewis leaned forward, placing his elbow on the desk and resting his head on his palm. 
He seemed so much closer, so much more in reach. You subconsciously found yourself tilting your head forward, taking a better look at how much he’d changed. 
His face had matured; still young and youthful, yet somehow he exerted confidence, charisma, surety. 
Your eyes met and neither broke contact first, his big brown orbs staring straight into your own.
I could get lost in your eyes. For hours on end.
They were so welcoming. So friendly. In that moment, you realised just how much you’d missed Lewis. 
9 years ago, both rookies in your respected positions. He’d just joined Mercedes and you’d been assigned as his press manager. At his side for every interview, every press conference, every media event; behind the camera where only he could see you.
Before the accusations came thundering down.
You pushed the thought away, blinking and breaking contact with Lewis’ eyes.
Clearing your throat you focused back onto your screen, “I just need you to answer a few questions for me, then you’re free to go.”
“Hmm?” He was unfocused, his gaze still piercing into you, and you felt your cheeks heat up. 
“Mr Hamilton. The case.”
“Oh right, yeah, fire away.” He looked like he’d just woken up, off guard.
You gave a curt nod of your head, before taking on the task at hand. 
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30 minutes in and you’d finished a full official statement from Lewis’ perspective on his rear wing meeting FIA standards.
“So, do you think we’ll be penalised?”
Lewis had been lit with a different passion in that crucial half hour, eager to prove himself innocent of breaching race guidelines. 
You scanned your documents before looking up to Lewis. His eyes were wide open, eager. Desperate. “I can race right?”
“I can't control the outcome Mr Hamilton.” His face fell, eyes dulling immediately. This really meant the world to him.
“But I promise you, you will be in that race. I will do everything in my power to get you in the Brazilian GP.” 
He looked slightly more hopeful, yet sceptical, the doubt dancing across his mind. 
“You sure?” His voice seemed to have dropped. 
“You will be in that race, or I will quit this job.”
Your statement exuded a deep chuckle from Lewis, the corners of his eyes creasing as he grinned wide. “As dramatic as ever.” 
That earned him an eyeroll. Just like it used to be.
The diffused tension was calming, making you reminiscent of old days. The ones you now so eagerly missed. “If I get on that podium, dinner is on me.”
You raised your eyebrows, letting your lips curl into a smirk. “You get first place and I’ll consider the offer.”
Lewis’ eyes shone playfully, his head nodding as he considered your response. 
“Damn you really do know how to make these deals.” 
There was laughter filling your office - hearty and playful. You still couldn’t believe how much he’d grown into a fine gentleman, from his appearance to his aura. Everything was different yet the same. It made goosebumps rise on your skin, your heart thumping faster than ever.
“Shake on it?”
You offered your arm across the table, and Lewis reached out, taking it. But he didn’t shake your hand, he held onto it, his thumb stroking the back of your palm ever so slightly.
His hand was so big and warm - callused yet gentle. You found yourself trapped in his gaze again, enticed by those chocolate eyes.
Your breath hitched in your throat. You felt your stomach go wild. 
His voice was low when he spoke. Raspy, on the edge of a whisper. “I’m so sorry.”
You knew what he was referring to. All those years ago…
…the accusations that Lewis had the power to question. The hatred you’d felt from the glaring eyes of all the Mercedes team. The disappointment in Toto’s eyes. The shame. You’d gotten orders to resign hours later - forced to walk away and never look back.  
“I never believed what was said. Not for one second, but I never spoke up.” There was a deeper pain in his voice; remorse.
It all made sense now. He’d been consumed by guilt. He never kept in touch because he blamed himself, burned himself with regret. 
Yet it made all the difference to you to learn that he never believed any of itl for a second. Somehow, him knowing it wasn’t true made you forgive him. 
You found yourself smiling in reply.
“I wouldn’t be who I am today without what happened.”
“I like who you are now.”
The sentence hit you much harder than you thought it would, palpitations running through your heart. There was a throb in your brain, your hands clammy with sweat. 
Lewis seemed surprised at his own sentence, recovering quickly with a sheepish grin. He scratched the back of his head, “I’ve never seen Tom more frightened.” 
You snorted at his comment, the tension falling again, and Lewis released your hand, picking up his coat before turning towards the door.
You let him leave, the both of you saying nothing else but departing with small smiles of understanding.
Each footstep of his, echoed loud in your ears - ringing. 
He was leaving.  
You felt a sudden urge to go after him. To say something more. There was a burn in your heart, pulling you to your feet and you rushed out onto the corridor, heels clicking against the marble. 
You caught him at the elevator, and your eyes locked once more. “Lewis,”
Your voice was breathy, a low, soft whisper.
His mouth opened. You’d called him Lewis, not Mr Hamilton - electric shocks went flying through his limbs, his hands tingling. He beamed a wide, toothy grin.
“I believe in you Lewis. I believe you can win.” His eyes lit up with a fire you'd never seen before.
The elevator door slammed shut. And you were left in the corridor, standing alone. 
The 9 year old burden had been lifted.
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That Friday:
6pm and you were calling it a day. The sun was approaching its farewell, its golden rays painting the city skyline a beautiful yellow.
As you wrapped up in the office your phone buzzed. It was an unknown number.  
P1 it is.
Deal is on. Be ready in an hour.
You beamed with joy. I knew you could do it Lewis.
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scotianostra · 11 days
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Happy birthday Scottish actor Hugh Ross.
Ross was born in Glasgow on 28th April 1945, where his parents were both doctors. He was educated at The Glasgow Academy. Hugh continued his education at St. Andrew's University for two years, where he became interested in drama, dropped out of his course, and, after working as a teacher, enrolled at the Royal Academy of Dramatic Arts.
Hugh has a long and distinguished career in theatre, film, radio and television.
TV credits include The Team with Lars Mikkelsen, An Honourable Woman, Poirot, Absolutely Fabulous, Midsomer Murders, The Palace, and notably as Major Mungo Munro in Sharpe’s Gold, Sharpe’s Battle and Sharpe’s Sword.
Outlander fans will know him as Arch Bug,, he was a recurring character in the popular series.
Hugh’s films include Clive Barker’s Nightbreed, Patriot Games (with Harrison Ford), Trainspotting, Charlotte Gray (with Cate Blanchett), Before You Go (with Tom Wilkinson and Julie Walters), The Four Feathers (with Heath Ledger), and most recently The Iron Lady and Sunset Song.
Recent theatre productions include Twelfth Night for English Touring Theatre, Macbeth with James McAvoy, Hamlet with John Simm, 5/11 at Chichester, Pyrenees for Paine’s Plough at the Menier Chocolate Factory, Pinter’s The New World Order at the Brighton Festival, Waste at the Almeida Theatre.
His production company, The Other Cheek, in association with Cahoots Theatre Company, recently presented a revival of J.B. Priestley’s The Roundabout, which Hugh directed, at the Park Theatre, London, which subsequently played a season in New York . Hugh also recently redirected the West End production of The Mousetrap at the St. Martin’s Theatre.
Hugh has also narrated a number of books that are available through audible website.
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asolitaryrose3 · 10 months
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So recently I've started to get back into writing again, but I've not posted anything and so I thought I would make this💗 please send in request because I'm honestly lost atm 😭
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who i write for:
Svu:
Rita calhoun
Olivia benson
Amanda Rollins
Alex cabot
Casey novak
Elizabeth Donnelly
NCIS:
Ziva david
Kate todds
Jennifer shepard
Abby sciuto
Criminal minds:
Emily prentis
Penelope Garcia
Jennifer jareau
Bones:
Temperance brennan
Angela Montenegro
Camile Saroyan
Abbot elementary:
Melissa schemmenti
Barbara howard
Ava Coleman
Janine teagues
The school for good and evil:
Lady Leonora Lesso
Clarissa dovey
Wednesday:
Larissa weems
Morticia Addams
Ted lasso:
Rebecca welton
Keeley jones
Tom jones:
Lady bellaston
The personal history of David Copperfield:
Jane murdstone
Sex education:
Maeve Wylie
Jean milburn
Grey's anatomy:
Addison shepherd
Meridith grey
Miss peregrine's home for peculiar children:
Miss peregrine
Emma bloom
A house with a clock in its walls:
Florence Zimmerman
Oceans eight:
Debby ocean
Lou miller
Rose Weil
Tammy
Daphne kluger
Merlin:
Morgana Pendragon
The devil wears Prada:
Miranda Priestley
Andrea Sachs
Emily Charlton
Cruella:
Cruella devil
Baroness Von Hellman
The golden finch:
Xandra
American horror story:
Cordelia goode
Billie dean Howard
Wilhelmina venable
Sally McKenna
Ally Mayfair Richards
Ratchet:
Mildred ratchet
Sandman:
Lucifer
Snow white and the huntsman/the huntsman: winter's war:
Queen revenna
Queen Freya
The old guard:
Andromache of Scythia
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I think that's it hopefully it is, please tell me if you want me to write for anyone else, (women only characters), please send in request 🙏🙏 thank you love💗
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dear-indies · 8 months
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Hello! could i ask for some parent face claims for the model "Florian Macek?" he's 27 and from Austria! tysm!
Cherry Jones (1956)
Melanie Griffith (1957)
Sharon Stone (1958)
Michelle Pfeiffer (1958)
Annette Bening (1958)
Michelle Fairley (1963)
Courteney Cox (1964)
Jodie Foster (1962)
Michelle Gomez (1966)
Lauren Graham (1967)
Jeri Ryan (1968)
Mädchen Amick (1970)
Melissa McCarthy (1970)
Kate Fleetwood (1972)
Amanda Peet (1972)
and:
Tom Hanks (1956)
Eric Roberts (1956)
Bruce Greenwood (1956)
Zeljko Ivanek (1957)
Ted McGinley (1958)
Henry Czerny (1959)
Dylan Baker (1959)
Michael J. Fox (1961) - has Parkinson's disease.
Daniel Craig (1968)
Jason Priestley (1969)
Jason Clarke (1969)
Anson Mount (1973)
Matthew Macfadyen (1974)
Jerry O'Connell (1974)
Here you go!
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ahalal-uralma · 2 years
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Roald Dahl’s Matilda Reading List:
A full master-list of literature between film and novel of every book Matilda enjoy’s reading. I will be separating these into two-sections. Books I own and don’t own.
I am making this list for two reasons. One: for my own future book shopping reference. Two: for anyone else who would like the same.
Books I own:
Babbit -Sinclair Lewis //
Moby Dick -Herman Melville //
The Wind & The Willows -Ernest Shepherd //
Animal Farm -George Orwell //
The Adventures of Tom Sawyer -Mark Twain //
The Three Musketeers -Alexandre Dumas //
Ivanhoe -Walter Scott //
Lorna Doone -R.D Blamore //
The Secret Garden -Frances H. Burnett //
The Grapes of Wrath -John Steinbeck //
Shakespeare’s Sonnets //
Catcher In The Rye -J.D. Salinger //
The Invisible Man -H.G. Wells //
Tess of the D’Urbervilles -Thomas Hardy //
Jane Eyre -Charlotte Bronte //
Great Expectations, The Pickwick Papers, Nicholas Nickleby -Charles Dickens //
Pride and Prejudice -Jane Austen //
As I Lay Dying, The Sound and the Fury -William Faulkner //
The Old Man and the Sea, For Whom the Bell Tolls -Ernest Hemingway //
The Lion, the Witch & the Wardrobe -C.S. Lewis (I own the entire series of Narnia) //
King Arthur & The Knights Of The Round Table -Howard Pyle
Books I don’t own:
Peter Pan - J.M Barrie
The Red Pony -John Steinbeck
Just So Stories -Rudyard Kipling
Lord Jim -Joseph Conrad
The Good Companions -J.B. Priestley
Gone to Earth -Mary Webb
Kim -Rudyard Kipling
Brighton Rock -Graham Greene
From Here To Eternity -James Jones
Mary Poppins -P.L Travers
In Country Sleep -Dylan Thomas
*notes: I’ve only included literary works I could coherently make out without driving myself too crazy. In the novel, Matilda expresses that A Secret Garden is her favorite book; however, in the film it is Charles Dickens (mispronounced Darls Chickens for legal reasons) who is her first favorite adult author. Her first read adult book is Great Expectations.
Matilda is reading King Arthur when her father storms into her bedroom and begins yelling at her. This is not the only time he yells at her for reading. He also, gets into a nasty dispute over his own daughter’s age as he can’t be bothered to remember when she was born.
This leads to the events when she will meet Mrs. Honey for the first time as her father hopes to send her off to a school operated by an abusive principle.
Mrs. Honey (a teacher) also during the film tells Matilda one of her favorite author’s is Charles Dickens and at one point gifts her with a book called The Wind & The Willows in her biological parent’s home, as an act of solidarity and change that is eluded to. We learn Mrs. Honey is not only a kind person, and a book worm just like Matilda, but a survivor of abuse herself.
Matilda’s very last book read in the film is to her teacher and adoptive mother Mrs. Honey, who eventually takes over the school as the new principle. The book Matilda reads to her new parent is Moby Dick, which is also something her biological father mocked and yelled at her previously for reading.
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burlveneer · 1 year
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I read some books in 2022:
Nick Mamatas - The Second Shooter Daisy Johnson - Fen J.B. Priestley - The Other Place, and Other Stories of the Same Sort Charles L. Grant - Tales from the Nightside David T. Neal - The Fiends in the Furrows: An Anthology of Folk Horror L.C. von Hessen - Spiritus Ex Machina Terry Pratchett - Equal Rites Mark Valentine - The Fig Garden and Other Stories Ellen Datlow - When Things Get Dark Craig Laurance Gidney - A Spectral Hue A.G. Slatter - The Path of Thorns Hailey Piper - Unfortunate Elements of My Anatomy Tanith Lee - Dreams of Dark and Light: The Great Short Fiction Seon Manley - The Ghost In The Far Garden, And Other Stories Victor LaValle - The Ballad of Black Tom Cassandra Khaw - Hammers on Bone Kameron Hurley - Meet Me in the Future: Stories Mark Russell - The Flintstones, Vol. 1 Robert Westall - Ghost Abbey Hailey Piper - No Gods for Drowning David F. Walker - The Black Panther Party: A Graphic Novel History Paul Tobin - The Witcher Omnibus Octavia E. Butler - Kindred Andrew Caldecott - Not Exactly Ghosts (incl. Fires Burn Blue) Junji Ito - Uzumaki R. Ostermeier - A Trick of the Shadow
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outstandingmenshair · 2 years
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‘K, so you may or may not know, or have noticed - you may or may not care (and why should you!) that I have a few particular penchants;
Probably the most prominent in my posts - a red hot, handsome ginge gets me every time, whether they rock a full red mane, or a lovely pale skinhead with a gorgeous ginger beard….
A crisp white tailored shirt, or even a white tee does it for me. Don’t ask why, cos I have no idea!
I have an occasional and inexplicable, irrational attraction to some cartoon characters from the 80s & 90s - Lion-O (Thundercats) I’m looking at you as the lead candidate! (Ok, so that one is likely the wild red hair again….)
And following that, blonde boys from the same era; Corey Haim (no longer within us 😞), Mark Paul Gosselaar (aka Zack Morris) and Jason Priestley (Brandon, BH 90210) are 3 examples that come to mind.
But pretty sure I have yet to highlight my twin thing. Two for taking on one, yes please. Doesn’t have to be twins necessarily (I mean it’s not like I would knock back Chris & Liam Hemsworth (sorry Luke… yes, there is another one if you didn’t know) - and who in their right mind would?) or James & Dave Franco (are we still shunning the former, I don’t know anymore! And yes, there is also another Franco fact fans, by the name of Tom). But twins would be the golden ticket (Harrisons, Pletts, Patriota…. um, Jedward, hi, yeah, kinda busy right now, *ahem* can I get back to you?)
So the above pair probably aren’t even related, but are looky likey enough for me and worth a post, post confessional. The fact that one has a lovely boxy pomp and the other has a terrible tall, straight up and unflattering flattop (which instantly makes it, and him, hot as… hair, done brilliantly badly, that would be the bonus round No.6 to the above list! Broccoli heads that means you too, crazy hazes and rookie initiates welcome aboard!) just makes it a pairing worth sharing, for a rowdy round of throuple trouble. After all, three is the magic number!!!
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byneddiedingo · 1 year
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Ronny Cox, Jon Voight, Ned Beatty, and Burt Reynolds in Deliverance (John Boorman, 1972)
Cast: Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox, Ed Ramey, Billy Redden, Seamon Glass, Randall Deal, Bill McKinney, Herbert "Cowboy" Coward, James Dickey. Screenplay: James Dickey, based on his novel. Cinematography: Vilmos Zsigmond. Art direction: Fred Harpman. Film editing: Tom Priestley.
I can see why James Dickey grew so angry at director John Boorman's revisions on his screenplay version of the book. The film never quite decides what it wants to be: an adventure story, an environmental fable, or a story about a clash between cultures. It works best as an adventure story, which is in the nature of film, and somewhat as a clash of cultures. The four suburban hotshots who arrive in the backwoods of northern George for a weekend adventure are from the outset rude and condescending to the people who live there year-round, and of course they get their comeuppance in extreme ways. The irony is that the one man in their company who sympathizes with the locals is the one who fails to survive: Drew (Ronny Cox) brought along a guitar, not the bows and arrows that Ed (Jon Voight) and Lewis (Burt Reynolds) bring with them, and he interacts musically with one of the supposedly "inbred hillbillies" in the celebrated "Dueling Banjos" sequence. Drew is also the only one who tries to hold out for facing justice after Lewis kills one of the mountain men who attack them. Lewis argues that if they stood trial for killing the man, they'd face a jury of the man's peers; Bobby (Ned Beatty) doesn't want the story of his being raped to get out, and Ed passively goes along with them. Better backgrounding on the four adventurers might have given more substance to their characters and their ideas, and the villainous mountain men are monsters out of nightmares rather than actual human beings, so the debate over justice seems a little out of focus. But it's mostly the environmental issue that falls by the way: There's little sympathy shown for the people who face seeing their homes flooded -- one of them even says it's the "best thing that ever happened to this town" -- and almost no feeling for the wilderness that will be sunk beneath the man-made lake. Boorman would later make The Emerald Forest (1985), a more environmentally conscious film also about the construction of a dam, set in the Brazilian rain forest.
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bbcviral · 3 months
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Tom Priestley Dies: ‘Deliverance’ Film Editor, Son Of ‘An Inspector Calls’ Playwright J.B. Priestley Was 91 http://dlvr.it/T2yS1T
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deadlinecom · 3 months
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sesiondemadrugada · 1 year
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Deliverance (John Boorman, 1972).
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wholesomeobsessive · 3 months
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Books of 2022
Classroom Management by Dawson Schultz
Shakespeare by Bill Bryson
A Midsummer Night's Dream by William Shakespeare
George VI by Philip Ziegler
Elizabeth II by Douglas Hurd
Fly In The Ointment by Anne Fine
Elizabeth I by Helen Castor
Charmed Life by Diana Wynne Jones
The Lives of Christopher Chant by Diana Wynne Jones
Millennium by Tom Holland
An Inspector Calls by J B Priestley
The Case Against the Sexual Revolution by Louise Perry
Woke Racism by John McWhorter
Let That Be A Lesson by Ryan Wilson
Teaching With Poverty In Mind by Eric Jensen
Boys Don't Try by Mark Roberts and Matt Pintell
How To Manage Your Slaves by Jerry Jones
Reread tons of Discworld in December
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christineelise · 1 year
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The answer to my previous post is below. Christina Aguilera was the most guessed artist but is the wrong answer. I am shocked everyone believes I saw Bootsy Collins - though it is true that I did. Here is the truth: 1) KISS - I saw them in Boston in 1982/83 2) DAVID BOWIE - saw the Serious Moonlight tour in Boston (82? 83?) 3) PRINCE - saw Dirty Mind tour March 17, 1981 at a Boston club - The Metro 4) JUDAS PRIEST- Boston in 82/83 5) BILLY IDOL - my stepdad opened for him in 1982/83 in Boston (The Paradise) but my friend brought a bad fake ID and she was turned away so I left with her - which I regret 6)BAUHAUS - a few times - once at a tiny club called The Underground in maybe 1980/81 and at The Channel - both Boston - maybe once more... 7) PUBLIC IMAGE - 1982-ish - Boston - The Channel (maybe another time, too) 8) TOM WAITS - twice in LA and once in Boston 9) METALLICA - several times in LA - including at The Troubador 10) ELVIS COSTELLO - the one I have seen the most - starting in 1981 or so - Boston, LA, NYC - total? At least 15X 11) CHRISTINA AGUILERA - huge fan - saw her Back to Basics tour in LA 12) LENNY KRAVITZ - in LA 13) BARENAKED LADIES - MASSIVE fan - saw them at least 10x and they even played a private set for a surprise Bday party Jason Priestley threw for me in 1997 14) GARY NUMAN - first live show ever February 23, 1980 at the Harvard Sq. Theater. Saw him at least 2 additional times. 15) BOOTSY COLLINS - Boston in the early 80's at the Channel 16) FRANK SINATRA - in the 90's in Vegas 17) ELLA FITZGERALD - in the 90's at the Hollywood Bowl 18) BETTY CARTER - in the 90's at the Blue Note in Manhattan 19) GO-GO'S - in the 2000's at the Greek Theater in LA 20) PUDDLES PITY PARTY - at least 3x and I count him among my personal friends. https://instagr.am/p/Crgqtm8vsNi/
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The 100 Jazz Albums That Shook the World
The 100 Jazz Albums That Shook the World - please, check our sheet music list.
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The list The 100 Jazz Albums That Shook the World was published in 2006 to mark the hundredth issue of the British music magazine Jazzwise. It features all albums selected by Jazzwise editor Jon Newey and Keith Shadwick, with advice and commentary from authors Stuart Nicholson, Brian Priestley, Duncan Heining, Kevin Le Gendre, Charles Alexander and Tom Barlow. The title of the list is a nod to The Wire's previous 1998 compilation 100 Records That Set the World on Fire (While No One Was Listening). RangArtist/BandAlbum TitleLabelYear1Miles DavisKind of BlueColumbia19592John ColtraneA Love SupremeImpulse!19643Ornette ColemanThe Shape of Jazz to ComeAtlantic19594Bill Evans TrioSunday at the Village VanguardRiverside19615Sonny RollinsSaxophone ColossusPrestige19566Thelonious MonkBrilliant CornersRiverside19567Charles MingusMingus Ah UmColumbia19598Charlie ParkerBird: The Complete Original Master Takes. The Savoy RecordingsSavoy Jazz1945–19489Miles DavisBitches BrewColumbia196910Keith JarrettThe Köln ConcertECM197511John ColtraneGiant StepsAtlantic195912Eric DolphyOut to Lunch!Blue Note196413Louis ArmstrongThe Complete Hot Fives and Hot Seven RecordingsColumbia1925–193014Duke EllingtonThe Blanton-Webster BandRCA Bluebird1940–194215Mahavishnu OrchestraThe Inner Mounting FlameColumbia197116Albert AylerSpiritual UnityESP-Disk196417Herbie HancockHead HuntersColumbia197318Dave BrubeckTime OutColumbia195919Ornette ColemanFree JazzAtlantic196020Weather ReportHeavy WeatherColumbia197621Ahmad JamalAt the Pershing: But Not for MeArgo195822Jelly Roll MortonVolume 1JSP1926–192823Frank SinatraSongs for Swingin’ LoversCapitol1955–195624Wes MontgomeryThe Incredible Jazz Guitar of Wes MontgomeryRiverside196025Modern Jazz QuartetFontessaAtlantic195626Bud PowellThe Genius of Bud PowellClef/Verve1951/5227Cecil TaylorAt the Café MontmartreDebut196228Art BlakeyMoanin’Blue Note195829Herbie HancockMaiden VoyageBlue Note196530Stan Getz/João GilbertoGetz/GilbertoVerve196531Pat MethenyBright Size LifeECM197632Jimmy SmithA New Sound... A New Star...Blue Note195633Jan GarbarekAfric PepperbirdECM197034Woody HermanThe Thundering HerdsColumbia1945–194735Duke EllingtonEllington at NewportColumbia195636Ella FitzgeraldElla Fitzgerald Sings the Cole Porter SongbookVerve195637Charles MingusThe Black Saint and the Sinner LadyImpulse!196338Cannonball AdderleySomethin’ ElseBlue Note195939Tony Williams LifetimeEmergency!Polydor196940Billie HolidayBillie Holiday at JATPClef/Verve1945–194641Chick CoreaReturn to ForeverECM197142Stan GetzFocusVerve196143Miles DavisSketches of SpainColumbia196044George RussellThe Jazz WorkshopRCA Victor195645John ColtraneImpressionsImpulse!1961–196346Andrew HillPoint of DepartureBlue Note196447Sonny RollinsThe BridgeRCA Victor196248Sun RaThe Heliocentric Worlds of Sun Ra, Vol. 1ESP-Disk196549Dizzy GillespieShaw ’NuffMusicraft1945/4650Lennie TristanoTristanoAtlantic195551John ZornNaked CityElektra/Nonesuch198952John McLaughlinExtrapolationMarmalade196953Pharoah SandersKarmaImpulse!196954Lester YoungLester Young/Buddy Rich TrioVerve194655John ColtraneAscensionImpulse!196556Art Ensemble of ChicagoA Jackson in Your HouseBYG Actuel196957Horace SilverSong for My FatherBlue Note1963/6458Clifford Brown/Max Roach QuintetClifford Brown and Max RoachEmArcy195459Coleman HawkinsBody and SoulRCA Bluebird1939–195660Peter Brötzmann OctetMachine GunFMP196961Miles DavisBirth of the CoolCapitol1949/5062Count BasieThe Atomic Mr. BasieRoulette195763Archie SheppFour for TraneImpulse!196464Brad MehldauArt of the Trio Vol. 3Warner199865Gerry MulliganGerry Mulligan QuartetPacific Jazz195266Gil EvansThe Individualism of Gil EvansVerve1963/6467John HandyLive at Monterey Jazz FestivalColumbia196568Esbjörn Svensson TrioFrom Gagarin’s Point of ViewACT199969Stan TraceyJazz Suite Inspired by Dylan Thomas’ Under Milk WoodEMI/Columbia196570Dollar Brand (Abdullah Ibrahim)African MarketplaceElektra/Musician198071Wayne ShorterSpeak No EvilBlue Note196472Thelonious MonkGenius of Modern Music – Vol 1Blue Note194773Roland KirkRip, Rig and PanicLimelight196574Herbie HancockThe New StandardVerve199675Oscar PetersonNight TrainVerve196276Charles LloydDream WeaverAtlantic196577Art TatumThe Genius of Art Tatum No. 1Clef195378Betty CarterThe Audience with Betty CarterBetcar197979Oliver NelsonThe Blues and the Abstract TruthImpulse!196180John SurmanTales of the AlgonquinDeram197181Eberhard WeberThe Colours of ChloëECM197382Steve Coleman and the Five ElementsThe Tao of Mad Phat: Fringe ZonesRCA/Novus199383Diana KrallLove ScenesImpulse!199784Anthony BraxtonFor AltoDelmark196985Krzysztof KomedaAstigmaticNagrania Muza196586Steps AheadSteps AheadElektra/Musician198387Django ReinhardtRétrospective 1934–53Saga1934–195388Joe Harriott-John Mayer Double QuintetIndo-Jazz SuiteEMI Columbia196589Jackie McLeanLet Freedom RingBlue Note196290Charlie HadenLiberation Music OrchestraImpulse! Records196991Music Improvisation CompanyMusic Improvisation CompanyECM197092Sarah VaughanSarah Vaughan with Clifford BrownEmArcy195493Jan JohanssonJazz på svenskaMegafon1962–196494Cassandra WilsonBlue Light ’Til DawnBlue Note199395Wynton MarsalisBlack Codes from the UndergroundColumbia198596Medeski, Martin & WoodCombusticationBlue Note199897Tomasz StańkoSoul of ThingsECM200198Courtney PineJourney to the Urge WithinAntilles198699The Bad PlusThese Are the VistasColumbia2005100Polar BearHeld On the Tips of FingersBabel2004–2005
M I L E S D A V I S - Kind Of Blue - Full Album
https://www.youtube.com/watch?v=vDqULFUg6CY So what 00:00 Freddie Freeloader 9:26 Blue In Green 19:13 All Blues 24:51 Flamenco Sketches 36:34 On Green Dolphin Street 45:46 Fran - Dance 55:40 Stella by Starlight 1:01:28 Love for Sale 1:06:14 Kind of Blue is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans. Influenced in part by Evans, who had joined the ensemble in 1958, Davis departed further from his early hard bop style in favor of greater experimentation with musical modes, as on his previous album Milestones (1958). Basing Kind of Blue entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies; Coltrane later expanded on this modal approach in his own solo career. Kind of Blue is regarded by many critics as Davis's masterpiece, the greatest jazz record, and one of the best albums of all time. Its impact on music, including jazz, rock, and classical genres, has led writers to also deem it one of the most influential albums ever recorded. The album was one of fifty recordings chosen in 2002 by the Library of Congress to be added to the National Recording Registry, and in 2003 it was ranked number 12 on Rolling Stone Magazine's list of the 500 greatest albums of all time. In 2019, Kind of Blue was certified 5× Platinum by the Recording Industry Association of America (RIAA) for shipments of at least five million copies. Personnel Miles Davis – trumpet Julian "Cannonball" Adderley – alto saxophone except on "Blue in Green" and bonus disc track "So What" John Coltrane – tenor saxophone Bill Evans – piano except on "Freddie Freeloader" and bonus disc track "So What" Wynton Kelly – piano on "Freddie Freeloader" and bonus disc track "So What" Paul Chambers – double bass Jimmy Cobb – drums
John Coltrane - A Love Supreme (1965)
https://www.youtube.com/watch?v=ll3CMgiUPuU Part I - Acknowledgement 0:00 Part II - Resolution 7:42 Part III - Pursuance 15:02 Part IV - Psalm 25:44 Personnel: John Coltrane -- bandleader, liner notes, vocals, soprano and tenor saxophone Jimmy Garrison -- double bass Elvin Jones -- drums McCoy Tyner -- piano
Ornette Coleman - The Shape of Jazz to Come (1959)
https://www.youtube.com/watch?v=Cpf99MZQhIM 00:00 Lonely Woman (1959) 04:56 Eventually (1959) 09:14 Peace (1959) 18:11 Focus On Sanity (1959) 24:58 Congeniality (Nomad) (1959) 31:40 Chronology (Step In) (1959) Personnel: Ornette Coleman – alto saxophone Don Cherry – cornet Charlie Haden – bass Billy Higgins – drums
Bill Evans - Sunday at the Village Vanguard
https://www.youtube.com/watch?v=I-8AvB-KuW0 Track listing "Gloria's Step" (take 2) (Scott LaFaro) – 6:09 "My Man's Gone Now" (George Gershwin) – 6:21 "Solar" (Miles Davis) – 8:52 "Alice in Wonderland" (take 2) (Sammy Fain) – 8:34 "All of You" (take 2) (Cole Porter) – 8:17 "Jade Visions" (take 2) (Scott LaFaro) – 3:44 Bonus tracks on CD: "Gloria's Step" (take 3) – 6:54 "Alice in Wonderland" (take 1) – 6:59 "All of You" (take 3) – 8:03 "Jade Visions" (take 1) – 4:16 Personnel: Bill Evans – piano Scott LaFaro – bass Paul Motian – drums
Sonny Rollins - Saxophone Colossus
https://www.youtube.com/watch?v=fqUbSTcBrkI Track listing Side one No. Title Writer(s) Length - "St. Thomas" Sonny Rollins 6:49 - "You Don't Know What Love Is" Gene de Paul, Don Raye 6:30 - "Strode Rode" Sonny Rollins 5:17 Side two No. Title Writer(s) Length - "Moritat" Kurt Weill, Bertolt Brecht 10:05 - "Blue 7" Sonny Rollins 11:17 Personnel Sonny Rollins – tenor saxophone Tommy Flanagan – piano Doug Watkins – bass Max Roach – drums Read the full article
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And all the while his mind, escaping from this shameful nightmare of stench and blood and pain, went darting back to queer memories and flashing along the edge of vivid little dreams; and once more he was lying in the long cool grass near the playing-field wall, or listening to Jim, and Tom Ranger, outside a tent, a glimmer of starlight there, or standing under the blossom at Garthstead; and oddly mingling with these memories were thoughts that came and went like swallows, thoughts of the dusk and glitter of town at early evening, quiet pipes in the night, the loud jolly orchestra and the brightening curtain, that little place up five flights of stairs, Gladys laughing at him, brave eyes meeting his through a door suddenly opened. They were so long, so long swaying there in the dark, there was time for a whole shadow show of life.
— J.B. Priestley, Benighted (1922)
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