theatre life is not real. i have an audition next week for a black swan musical written by dave molloy. and i have to just be normal about that
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A responsible press would either decide that whatever real backlash there is to a comedian’s special isn’t newsworthy; if it is newsworthy, it would cover it through the frame of engaging with whatever specific criticisms there are, not knee-jerk “free speech” framing despite lack of a “free speech” issue.
But we do not have a responsible press. We have a press that loves chaos and controversy. We have a press that frames everything as a “culture war,” in which two equally valid sides score points. So they love this stuff. The result of this is a slew of comedians who pose as far more edgy than they actually are.
But at the risk of stating the obvious, the fact that the world’s biggest comedians are getting paid massive amounts of money by some of the most powerful companies in media to record these variations on the same jokes that others have told for years already… should probably lead us to tap the brakes on the “OooOoOoh, they’re so edgy!” claims.
The whole piece is so good (and if you hit the paywall and want more, I have a handful of 3 month subscriptions I can share), but I also wanted to put a spotlight on this comment because it really cuts through some bullshit:
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back on my bullshit thinking about how Dust and Ashes (from natasha, pierre, and the great comet of 1812) is so fucking ricean it hurts my bones.
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Somebody needs to do something about all the IWtV posts I keep reblogging as a Dave Malloy fan
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Well... from the 1-8 seasons, if it's possible:
Aristotle Amadopolis
Rex Banner
Molloy
Dave Shutton
Hollis Hurlbut
Don Brodka
Frank Ormand
Well... if it's inside your possiblities and you're not busy...
Bro I'm laying in bed rn i am literally the opposite of busy LMAO
Aristotle Amadopolis and Dave Shutton both didn't have any appearances in this book sadly ;-;
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just saw a production of ghost quartet ^_^ it was good and also made me realize how ridiculously distinctive Dave Molloy’s style as a composer is, at least between this show and Great Comet.
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Why are we getting a Goncharov musical by ALW when Dave Molloy was right there?
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sorry but daniel molloy having such a close name to dave malloy is like…….horrifying. and i had a lot of different thoughts about that fic before i realized what was going on.
oh you think it’s hard for YOU anon?! I misread his name every single day of my life. once thought a post was about IWTV but instead it was just the first post about Dave Malloy to show up on my dash in DAYS. I literally had Daniel’s name spelled as “Malloy” in second-to-last draft of the fic I just posted and had to Google it to double check
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Google Translate Sings: "The Wellerman" ft. MALINDA and Tom McGovern
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mw southeast asian faces, and what roles do u see them fitting?
lana condor, christina nadin, paris berelc, jane de leon, vivoree esclito, brenda song, brianne tju, chantal thuy, davika hoorne, myra molloy, gabbi garcia, nadine lustre, sab zada, kylie verzosa, malia pyles, jacob batalon, jordan fisher, evan mock, bright vachirawit, charles michael davis, jake zyrus ( trans man ) or donny pangilinan & some of the roles that could work would be gabriella montez, serena van der woodsen, faith from btvs, jessica hamby, georgina sparks, tara knowles, brooke davis, marissa cooper, alaric saltzman, christopher hayden, luke danes, spike or angel from btvs, eric van der woodsen, seth cohen, dave rygalski, tyler lockwood, the originals from tvd !
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IPC - WeThe15 from Sam Pilling on Vimeo.
A film to launch the #WeThe15 movement – spearheaded by the International Paralympic Committee and International Disability Alliance.
-- 2022
AICP AWARDS - WINNER (Cause)
CANNES LIONS - SILVER / Casting (film craft)
D&AD AWARDS - Wood Pencil / Casting
BRITISH ARROWS - SILVER / casting
BRITISH ARROWS - SILVER / Entertainment & Sports Promotions
BRITISH ARROWS - BRONZE / Innovation & Immersive Experiences
CDA AWARDS - WINNER / Commercial
CREATIVE CIRCLE AWARDS - SILVER / Editing
SPORTS EMMY - nomination
-- 2021
SHOTS - SILVER / charity
CAMPAIGN - #11 / Top 15 Film Ads of the Year
1.4 AWARDS - SILVER (FLYING HIGH) / commercial - planet positive
The movement, #WeThe15, takes its name from the 15% of the global population who have a disability: the world’s largest marginalised group. With the goal of putting the rights of the 15% at the heart of the global inclusivity agenda.
The Tokyo 2020 Paralympics start today! Our film launches the #wethe15 movement and will be shown as part of the opening ceremony to a global audience of over 250 million people. Made in partnership with Adam & Eve DDB, the International Paralympic Committee and the International Disability Alliance, we hope this film helps to shift the narrative around people with disabilities - away from one in which they are either stereotyped as objects of pity, or put on a pedestal �
Huge thank you to all the Cast & crew across the world who gave up their precious time to help bring this film to life ��
STARRING:
Kirin Saeed, Crystal Marshall, Wayne Huggit, Brinston Tchana, Martha Ciana, Chris Coxon, Cindy-Jane Armbruster, Asa Bebbington, Asif Ali, Rajesh Kalhan, Jacob Chambers, Yusef, Bethany Asher, Ekow Otoo, Jessica Margraff, Frank & Cindy Williams, Mukandi Mashamba, Camphill Football Team, Evans Maripa, Nathan Hanekom, Rory Avenstrup, Monica e Lino, Max Ulivieri, Loredana Grandi, Lorenzo Casarini, Carlos Neme
THANKS TO: C-Talent and Dan Edge, Bev and Gatehouse, Pulse Italia and Giorgio Testi, Jenni Haberstock, Ryan Booth, Dav & Hillary, Bird and Indochina Productions
CREW:
Agency: Adam & Eve
Agency producers: Hannah / Rebecca /Jack
CCO: Rik Brim
Creative Director: Laura Rogers
Creatives: Gen & Selma
Production: Pulse Films
MD: James Sorton & Davud Karbassioun
Executive Producer: Lucy Kelly
Producer: Dave French
PM: Kishan Patel
PA: Ellie Sanders Wright
PA: Honey Cairns
DP: Alex Barber & Chloë Thomson
Focus: Merrit Gold
Production Designer: Beck Rainford
Set Assistant: Grace Bailey
Props: Lloyd Vincent
Grip: Johnny Donne
Gaffer: Paul Molloy
Stylist: Hannah Hopkins
Stylist Assistant: Adam Martin
H&MU: Gaby Winwood
H&MU Assistant: Georgia Ryan
1st A.D: James Sharpe
Playback: Alan Muszynski
Sound: Stephen Hodge
Boom Op: Esther Aside-Ofei
Casting: Anna Stark
CAPE TOWN Gatehouse Commercials
EP: Beverley Wynne
Producer: Karin Tanchel
PM: Daniel Stoffberg
1st AD: Jaco Nel
DP: Shaun Harley Lee
Focus: Khalid Manuel
Art: Willow Howell
Make-Up Stylist: Annette Keet
Sound: Henau Marais
Location Manager: Bhut Gladstone
MILAN Pulse Italia
Executive Producer: Giorgio Testi
Producer: Giulia Negretto
Director: Tobia Passigato
DP: Diego Indraccolo
BANGKOK Indochina Productions
EP: Nicholas Simón
Producer: Atrachariya Pinitsanpirom (Bird)
DP: Nicolas Axelrod
Art Director: Salem Kardeeroj
1st A.D: Napon Limsomwong (Kwan)
Casting Director: Sarawanee Yodnoon
BOGOTA DP: Mauricio Vidal
Editors: Ellie Johnson, Liam Bachler & Elyse Raphael at Tenthree
Colour: Simon Bourne at Framestore
Colour Producer: Chris Anthony
VFX: Untold Studios
Track: The Mohawks - The Champ (1968)
Sync and Music Composition: Luis Almau at Soundtree Music
Sound Design: Sam Ashwell & Mark Hellaby at 750mph
Film Stock: Kodak
Scans: Cinelab London
Print: Dejonghe
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The Greatest Beer Run Ever (Peter Farrelly, 2022)
Cast: Zac Efron, Russell Crowe, Bill Murray, Kyle Allen, Deanna Russo, Paul Adelstein, Jake Picking, Joe Adler, Archie Renaux, Will Hochman, Kristin Carey, Ruby Ashbourne Serkis. Will Ropp, Matt Cook. Screenplay: Peter Farrelly, Brian Hayes Currie, Pete Jones, based on a book by John “Chick” Donohue and J.T. Molloy. Cinematography: Sean Porter. Production design: Tim Galvin. Film editing: Patrick J. Don Vito. Music: Dave Palmer.
I subscribed to the Apple TV+ streaming service so I could watch CODA (Sian Heder, 2021) and The Tragedy of Macbeth (Joel Coen, 2021), and I stuck with it because I got hooked on the series Severance and For All Mankind. (I haven't yet dipped into its most popular series, Ted Lasso.) And having invested in yet another streaming service, I felt compelled to check out its other movies. Compared to the major streamers, the offerings are fairly thin, so I gave The Greatest Beer Run Ever a try. Unfortunately, the movie is as clunky as its title and surprisingly inept, coming from a filmmaker who won two Oscars for Green Book (2018). Based on an improbable but true story, it's about a civilian who decides to take a duffel bag full of beer to his buddies in Vietnam at the height of the war, spurred by a kind of deluded patriotism and boozy camaraderie. But Zac Efron doesn't have the acting chops or the confident screen presence to carry the central role of Chickie Donahue, and he's not given much help by the screenplay's failures of tone. Is the movie a comedy? An anti-war satire? A story whose subtext is the way American politicians exploit the naïveté of the citizenry? It could have been all of those things, but it just falls flat, with an ending which implies that Chickie has been changed by confrontation with the terrible truth of the Vietnam War but doesn't find an adequate way of demonstrating it. There are some amusing moments, such as the way Chickie gets mistaken for a CIA agent and is able to exploit the misconception. And there are good performances from Russell Crowe as a combat photographer and Bill Murray as a World War II vet who buys into the official line that the war in Vietnam is being won and condemns the media and the protesters for their lack of patriotism. (The pro-war blue-collar milieu from which Chickie comes is treated with sentimentality, such as the woman who wants him to take a rosary to her son, who is MIA.) The real story behind the film is an intriguing one, but it's wasted in the final product.
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Adidas MYSHELTER from Pomp&Clout on Vimeo.
Directed by Ryan Staake
Production Companies: Pomp&Clout
Executive Producer: Ryen Bartlett
Head of Production: Kevin Staake
Producer: Dustin Highbridge
UK Production: Riff Raff
UK Line Producer: Kate Brady
Director of Photography: Kristian Zuniga
Editor: Rigel Kilston
Music: Scott Storch
Photographer: Andrew Alvarez
Lead VFX: Jeff Beukema
Additional VFX: Michiel Krop
Colorist: Nick Metcalf, The Mill NY
Sound/ Mixing: Rob Albrecht
Production Agency: Whale BV
Whale BV Producer: Ezra Xenos
Agency / Client: adidas
Creative Director: Paul Mann
Art Director: Rob Glad
Senior Creative Producer: Jaime Watson
Lead SFX: Jeff Moratti
SFX: Jarrod Lvey, Karl Thwaites, Tom Tracey
Production Supervisor: Anastasia Counihan
Assistant Production Supervisor: Mike Vitiello
1st AD: Reggie Banniester
2nd AD: Sunny Fehlig
Casting: Big Apple Casting
1st AC: Haley Wetherington
2nd AC: Yasmeen Jawha
Steadicam Op: Michael Klein
DIT: Celeste Perez
Gaffers: Ben Hunt & Pat Dillion
Swing: Paul Alban
Key Grip: Bryan Landes
Jig Tech: Mike Kirsic
Stylist: Renata Gar
Hair and Makeup: Heather Wolverton
Parking Coordinator: Robert The Coneman
Photo Assistant: Aleja Ramirez, Alberto Torres
Office PA: Lyla Rose
PA Key: Jason Morrison
PA (Prod Cube): Ryan Arnold, Ed Louis
Set PA: Anna Langston, Devine Mcrae, Lin Xu, Sara Falco, Tasha Saminjo, Henry Komaros
PA: David Tiger Cortes
PA: Michael Pluchino
Driver PA: Jimmy Germaine
Communications Manager: Camila Soares
Cast
Models: Kai Moran
Jordan Smith
Hannah Kerr
Theodore Lee
“Hero”: Odalys, Jimothy Lacoste
Body Doubles: James Campbell, Karina Bik
Featured Friends: Roisin Tapponi
James Fan
Leojjie Estacio
Geena Rios
Supporting Artists: Charlotte Marie
Oliver Fritz
Helene Goldthorpe
Adonis Kapsalis
Old Woman: Bailey Rosen
Extras: Norka Vasquez
George Fasbinder
David Jenkins Jr.
Cassidy Napolitano
Camera: Panavision
Camera (Stills): KM Camera
Catering: Broadway Catering
G&E: Handheld Films
Insurance: March
Jib: Empire Jibs
Payroll USA: CAPS
Permits: NYC Environmental Protection
Permits: MOFTB
Prod. Supplies: Wits End Group
Shipping: FedEx
Special Effects: J&M Special FX
Trucking - Production: Edge Auto Rental
Walkies: Hinterland Communication
___________
UK
Production Manager: Laura Duffy
Location Manager: Rupert Bowkett
Location Manager: Joe Storelli
1st AD: Tom Kelly
2ND AD:John Robinson
Runners: Lucy Kelly
Dan Hasson
Elia Redondo
Charlotte Miller
Security: James Dimmock, Dave Cook
Steadicam Operator: Jess Doxley
PA: Miri de Villers
1st AC: Barney Batchelor
2nd AC :Toby McKay
Camera Trainee: Robyn Skead
DATA WRANGLER: Jason Hunte
Camera Car Driver: Anthony Bugge
Camera Specialist/ Remote Car Operator: Jonathan Dennis
Jimmy Jib Technician: Sean Webb
Sound Recordist: Roger Cutting
Gaffer: Paul Molloy
Electrician: Rob Stewart
Electrician: Ryan Delahunty
Trainee Electrician: Jordan Gosling
Rigger: Graham Petherick
Production Designer: Sean Fenn
Prop Master: Graham Cole
Props Transport: Tom Hamilton
SFX Senior Technician: Matt Beckwith
SFX Technician: Ryan Crew
Costume Designer: Kerry Saxton
Costume Assistant: Lucy Pugh-Bevan
Seamstress: Louise Halswell
Hair and Makeup: Lu Hinton
Traffic Management Team: Bill Stanley, Dean Mitchell, Paul Kybert
Wardrobe/ Makeup Split Driver: Geoff Eley
Dining Bus Driver: Manj Dhaliwal
Client/ Agency Driver: Akbar Ali
Mini Bus Driver (12 seater): Djamel Dokkari
Mini Bus Driver: (16 Seater): Greg Sommer
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Dave Molloy, I love you, but what on actual earth was Ghost Quartet
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