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#costumes in television
phrynefishersfrocks · 3 months
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The third outfit of "Murder & the Maiden" (Season 3, Episode 2) is Phryne's disguise of a brown velvet jacket, black camisole and pants, along with an embroidered headwrap worn while trying to draw out the Russian Anarchists.
Borrowing Tatiana's embroidered headwrap and brown velvet coat to confuse the anarchists, the rest of Phryne's wardrobe is in similarly muted tones. The deep brown velvet caplet with mid-length sleeves and a wide collar (possibly allowing for a hood) is worn on top of her black camisole with a straight neckline and decorative scalloped edging. Her classic black wide leg silk faille pants add to the practicality and color of the outfit.
She accessorizes with fawn colored gloves embroidered with a black emblem of wheat, and a beautiful hand embroidered brown head wrap which features a variety of colors and types of floral embroidery, from large orange flowers to green grass to blue and red sprigs. The earth colors tie into her large leather bag and add to the somber tone of the scene. Phryne finishes off the outfit with dark strapped heels.
Season 3, Episode 2 - "Murder & the Maiden"
Screencaps from here, promotional photos from various sources (x, x, x).
Please credit me if using my work.
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spellfuls · 1 month
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Jodie Comer as Elizabeth of York | Costume in Detail THE WHITE PRINCESS (2017)
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prokopetz · 1 year
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I want what Hollywood costume designers circa 1987 thought "punk" looked like and what prime time television costume designers circa 2007 thought "goth" looked like to fight each other to the death.
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cressida-jayoungr · 9 months
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One Dress a Day Challenge
August: Fantasy & Sci-Fi
Star Trek (s3e5, "Is There in Truth No Beauty?") / Diana Muldaur as Miranda Jones
In this episode, it appears the costumer has cleverly saved money and given the character's costumes a unifying look by using the same beaded net overdress with three different underlayers. In her first and final appearances, the underdress is made of green and blue printed fabric with cap sleeves coming to little points over the shoulder. Next is a sleeveless blue dress with a gathered neck; it is similar to the green dress from Mission Impossible that I featured recently, and this may not be a coincidence, as the relevant episodes of both shows aired in 1968. The final underdress is black with long sleeves.
Since each of the underdresses complements different colors in the beaded net layer, it really looks different every time!
ETA: I've been reminded that the overdress is actually a sensory net, as the character is blind. I admit I had forgotten that detail about its functionality. That's what I get for not taking the time to do a full rewatch when taking screencaps!
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queen-paladin · 5 months
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disclaimer: yes, I am complaining about cheating in media. Because, yes, writers have the freedom to create what they want but if the morality in creation is free for all forms of media, but no piece of art is exempt from criticism, and that includes criticism on personal moral grounds. I betcha if I said Harry Potter is good, actually, everyone on here would flood my blog telling me I am wrong because of the author's intense prejudice. That being said, I am criticizing cheating in fiction, If you don't like that, don't interact
So often lately I see period dramas where the husband cheats on the wife (ex. Poldark, The Essex Serpent, Queen Charlotte, The Great)...and not only do I despise the cheating trope with every fibre of my being to where I get panic attacks when I consume the media...but specifically with period dramas...
Do these writers not understand the greater implications of a husband cheating on a wife during these periods? More than just the humiliation and heartbreak in the case of a loving, good marriage just like it is today.
In the Western world, probably until certain laws were enacted in the 1900's, if a woman married a man, she was legally his property. She had no legal identity under him. She was financially dependent on him. Any wages she made would automatically go to her husband. Her children were also not legally her children- they belonged to the father. If the husband died, even if the wife was still alive, the children were legally considered orphans.
Women could only rarely gain a divorce from their husbands. In England in the mid-1800's specifically, if a wife divorced a husband she had to prove he had to not only cheat but also be physically abusive, incestuous, or commit bestiality. On the other hand, a husband could divorce a wife just for being unfaithful. Because, kids, there were sexual double standards.
Getting married was often the endgame for a lot of women during that time. Sometimes you couldn't make your own living enough- marriage was a way to secure your entire future financially, with more than enough money to get by. If you were a spinster and middle class, you could get by with a job. But if you are an upper-class lady, the one thing a lady does not do is get a job and work. So upper-class spinsters basically were dependent on their families to get by (ex. Anne Elliott in Persuasion faces this with her own toxic family). As strange as it sounded today, marriage gave them some freedom to go about since a husband could be persuaded sometimes more easily than a father and one had a different home, their servants, etc. A husband was your foundation entirely for being a part of society, and standing up as your own woman.
So if a husband cheated on a wife, that was a threat to take all of that away.
He could give a lot of money that could be used to support his wife and children to the mistress. He could completely abandon said wife for the mistress. And since the wife legally couldn't get a job as he still lived, she would be dependent on any money he would said- and that is IF he sent over any money.
He could take her to court and publicly humiliate her to get a divorce away from her (look up the separation of Charles and Kate Dickens, he would call her mentally ill and say her cooking was bad and that she was having more children than they could keep up with all while having an affair and divorcing her to be with the misteress). And even if the wife was the nicest, more proper, goodest, more rule-abiding never-keeping-a-toe-out-of-line lady in town...as a man, the law was default on his side (look up Caroline Norton's A Letter to the Queen which details exactly that, the poor woman had her earnings as a writer taken by her husband and was denied access to her children from said husband)
So yeah...even if there was "no love" between them (and anytime the wife is portrayed as too boring or too bitchy so He HaS tO cHeAt is brought up is...pretty victim blamey)
So yeah. Period drama writers, if you have the husband have an affair ...just consider the reality of these things and address them, maybe punish the husband for once (*gasp* men facing consequences for their actions?!?!!), and if not, just please find other options and other tropes and devices for once.
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inthedarktrees · 1 year
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Emma Peel as the “Queen of Sin” 
Diana Rigg, “A Touch of Brimstone,” The Avengers, 1965
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thisisrealy2kok · 21 days
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Seven Of Nine from Star Trek: Voyager, first appearing in 1997.
Potrayed here by Jeri Ryan.
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scullys-scalpel · 10 months
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Okay Villains, slay!
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shesnake · 2 years
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Thomas Weatherall in Heartbreak High season 1 episode 1 (2022) dir. Gracie Otto Costume design by Rita Carmody
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munadyke · 5 months
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saw a post recently of people complaining about how costuming is never given proper budget/attention anymore which is definitely true for a lot of shows/movies however. um not to bring up willow (2022) again but....
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Joe Lycett as Elizabeth I, for the 2024 BAFTA Television Awards.
Gown by Yashana Malholtra, collar by Shoni, styled by Krishnan Parmar.
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phrynefishersfrocks · 6 months
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The seventh and final outfit of "Death Defying Feats" (Season 3, Episode 1) is a beautiful black net dress decorated with silver vines and a gold floral headpiece.
Known as the "Tarnished Net" dress, this gorgeous gown is made of a black silk slip underneath a black netting embroidered with a burnished gold floral design, with a wide elaborate lace border. The dress itself is a simple wrap dress, with wide shoulder straps and fastened together at the waist with a 1920's clasp shaped into a lily pad with decorative pearls that belonged to costume designer Marion Boyce.
Phryne accessorizes her gown with a beautiful wrap made of antique tulle with a similar wide burnished gold lace border to match the edging of the black netting of the dress itself. Her hairpiece is a complimentary metallic gold floral decoration set onto a comb. Diamond cluster earrings and a burnished gold ring finish off the look.
Season 3, Episode 1 - "Death Defying Feats"
Screencaps from here, costume exhibition photos from Frock Flicks, Marion Boyce's website, and Nikki Johnson's Flickr.
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girlwiththegreenhat · 2 months
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i genuinely love when you can tell an older show was Not made with high quality video viewing in mind. i am watching knight rider and constantly seeing all the little mistakes they surely brushed under the rug thinking nobody would see them on their crunchy little CRTs back in the 80s, that are huge attention grabbers now in HD fullscreen on my 3 foot computer monitor
the biggest one of course is all the drivers/controllers for the (in-universe) self driving car, kitt. there's guys tucked down in the footwells who can't always stay out of the shot. there's a guy who has a Car Seat Suit to blend in and look like the drivers seat from a distance, but you can always tell when that's the method they're using for a particular shot because its so much thicker than the passenger seat next to it and the headrest is missing it's cutout section. in at least one instance he starts taking the suit off too early, on a focus shot of the damn car, so its REAL visible.
all the extremely obvious stunt drivers or performers who look nothing like the character they're supposed to be
props, such as animals, vanishing from the car interior for stunt/race sequences.
the production crew (or their shadows) being visible in the background. only at a glance, but its especially hilarious in shots where nobody else is supposed to be around
the camera panning out from a sound stage set far enough that you can actually see over the edges of the set and into the stage they were filming in. mostly this happens with their truck trailer mobile unit thing.
this one isn't a mistake but every time the car "turbo jumps" they CLEARLY hide the ramp behind another car, a prop, the environment, and its just. so charming. sometimes its blatantly on screen just for a moment. like... of Course in real life this car isn't magically leaping 20 feet, of course its a ramp, but it's still so silly and fun to be reminded of how they were doing those stunts to begin with.
also not really a mistake but related, the bracket they keep on the front of the car for stunt work.... is just left on half the time. cuz it's a pain to take on and off.
and there are more examples that are more unique that haven't cemented themselves in my head well yet, but these are the more notable or common things i see and it's really charming. if i'm not giggling to myself noticing the "seams" and flaws and so human imperfections of your show or movie what EVEN is the point. hollywood is too flashy these days i think!
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prokopetz · 11 months
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1990s sci-fi television makeup is like "is this character supposed to be a space alien, or just old?"
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cressida-jayoungr · 10 months
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One Dress a Day Challenge
July: Green Redux (+ Blue Redux)
Miss Fisher's Murder Mysteries (s3e1, "Death Defying Feats") / Essie Davis as Phryne Fisher
This mint-green dress has a very interesting construction: it is called a tabard dress, with sleeve-frills attached by ropes of beads, worn over a base dress of the same material as the "sleeves." When it was exhibited in 2015, it was described as "1920’s green silk net with luminescent sequins and bugle beads"--which sounds like it may be a vintage piece.
This episode is quite the source for Miss Fisher costumes, as it also included Dot's orange dress and Phryne's midnight blue dress with the lace overlay. I'm also including a nice shot of the crescent-shaped hairpiece--from the front, as the side shot is out of focus.
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k-i-l-l-e-r-b-e-e-6-9 · 8 months
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