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#contraction's
thelaurenshippen · 12 days
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watching bridgerton and obviously there were a lot of things wrong with the way socializing has worked in the past, but honestly the idea of a "calling hour" is so appealing. office hours for friendship. you can show up unannounced at my home between 1 and 3pm. you must leave by 3pm. I may give you a pastry. lets bring that back
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hellenhighwater · 4 months
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When my nephew was four, a friend of the family passed away. The man was in his 90s and died of natural causes, and we were going to the funeral. We sat my nephew down and explained who this was, and that he had passed away, and now we were going to a sort of quiet party to celebrate him, and that there he might see the gentleman in the casket, and he might be very still, because he had died, but that everything was alright.
My nephew contemplated this calmly for a few minutes, and then said, "I think he will be very flat."
What.
It turns out that at age four, my nephew's only real context for death was roadkill, which he frequently pointed out while we were driving. He therefore believed that the only way anyone died was getting run over by a car.
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notherpuppet · 4 months
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Angel tries to find Husk’s contract
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letalisotium · 3 months
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Anyways... what?
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galwednesday · 11 months
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My apartment building has coin-op laundry in the basement, and on the shelf where people store detergent there are also just enough quarters to start one load in the washer. This is the collective "oh shit I forgot my quarters" bank that anyone can borrow from to start laundry without having to climb all the way back up the goddamn stairs first. These quarters have been steadily used and replaced for multiple years now, and every time I see them I think about how upon such small foundations rests all of human society.
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aquitainequeen · 11 months
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Alarm bells being rung by Maureen Johnson on AI and the Big Publishers
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marzipanandminutiae · 1 month
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"most allegedly haunted houses turn out to have gas leaks!"
no they don't. you are merely skimming the surface of mundane shit that can be wrong with old houses with your one puny little explanation that only fits a very small number of cases. try harder
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nerdpoe · 15 days
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Danny leaves Amity Park to start his own Demolitions business.
He uses hoards of blob ghosts that safely and quietly just...eat the buildings he's hired to demolish. They do it overnight, all living animals/hidden homeless/injured vigilantes are spared.
He sets up in Metropolis, because more often than not the buildings that get damaged in Superman's fights have to be completely torn down.
He puts up a privacy screen so that no one can see what happens on the other side, and at three in the morning he releases the blob ghosts.
Since cameras can't pick them up, people assume he has the power to either melt buildings or make them disintegrate.
Business is booming, he's confusing literally everyone and making money while doing it. He's doing so well, in fact, he also starts taking orders from outside Metropolis.
Batman does not want the meta demolition man with melting/disintegration powers in Gotham, no he does not.
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sudaca-swag · 4 months
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ASDGKEI??
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It all started with a mouse
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For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:
https://web.law.duke.edu/cspd/publicdomainday/2019/
No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:
https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada
But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.
The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.
But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.
Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:
https://web.law.duke.edu/cspd/mickey/
Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.
Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.
Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.
As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.
Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.
Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.
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Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.
Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":
https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf
This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.
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So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.
Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.
But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.
But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.
Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?
Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:
[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.
This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:
[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.
Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.
But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.
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Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:
This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.
https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom
Here's the Ninth Circuit again:
When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.
Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:
https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf
And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:
https://en.wikipedia.org/wiki/Rogers_v._Grimaldi
What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.
Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.
As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.
Public domain day is 17 days away. Creators of all kinds: start your engines!
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey
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Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg
CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en
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sugarflow · 5 months
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hop on lethal company 2 babygirl
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kayvsworld · 7 months
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marvel watching their new quantity-over-quality projects flop, realizing exactly how hard they fumbled the bag on setting up an ongoing Avengers Team Movie Series and frantically being like “ok ok maybe we uhhHHHHH try to get the OG avengers back. the circa 2012-2016 mcu zeitgeist avengers those ones were popular we can bring back the interest” is so sad.
like babe do u think u can simply turn back the hands of time. do u think u can simply bring back the characters u killed off for shock value and expect the same level of engagement. more importantly do u think you can simply afford a 2023 robert downey jr
accept ur failure with grace. steve is in the 40s now & tony you CHOSE To Do That,
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loneliness-suffering · 4 months
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my genuine thought after e6
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dontpushbaby · 5 months
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I know you didn't want to be pregnant but look at you now, baby.
You're so horny all the time, now that you're getting closer to your due date. You don't have to lie to me, don't be embarrassed. Daddy knows you love the way your chest has gotten so swollen with milk, your nipples so hard, your belly so heavy and full of life. I know your navel is so sensitive you can't even wear any clothes without getting needy and desperate to be taken care of.
You thought I wouldn't notice the way you can't stop rubbing your massive belly? You're so cute. So ripe already, looks like you're going to pop soon.
Don't worry, Daddy will fill you up again and again. You'll be my perfect little breeding toy, pushing out litter after litter for me.
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bet-on-me-13 · 3 months
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The Bat-Adoption Papers are literal Magic Contracts
So! In the Deified Batman AU (the AU where the Belief of the peoples of Gotham accidentally Ascended Batman to minor godhood), the Bat Adoption Papers would be a fun concept.
Batman is a God of The Night, Fear, and Protection. Specifically, the protection of Children, which is one of his biggest motivators. Meaning, it's a big part of his Divine Domain.
So when he, a God of Protection and Children, adopts his own Child? It's kind of a big deal.
His Adoption Papers basically become Magical Contracts that claim Dick to him as his own Son, basically turning Dick into a Demigod by the fact that he is the Son of a God.
Then each time Batman adopts a kid, they become a Demigod as well. Maybe after enough time, and after they forge their own Identities, they could become Minor Gods of their own? Idk, fun idea
Why do I bring this up?
Well, when Danny eventually joins the JLA, and runs into Batman, all he sees in a God of the Night, who takes one look at him, and then pulls out a Magical Binding Contract from his Belt.
Needless to say, he books it.
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emotinalsupportturtle · 6 months
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neil gaiman and RTD are absolute legends for being the showrunners of 2 mainstream shows funded by large production companies in the year 2023, and proceeding to make the most queer positive episodes ever seen by man
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meanwhile david tennant is just vibrating with joy because he gets more opportunities to wear his one-thousand-and-twenty-four pride pins
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