Try slamming some eggs against the wall

another late @zukki-week entry, for day 2 // skinny dipping

and as a special treat it comes with @erisenyo's fantastic fic And Babe, (What Do you Mean) We Ain't Even Dating that this scene is based on!!

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

Did a part two to this comic

Turns out Edgeworth just likes to see a more vulnerable side to Phoenix

It doesn’t translate well

When Danny was told Vlad was coming over, he didn't care, much. After all, being told that he's lost all romantic interest in his mother, is trying to keep thoughts of murdering his father to just thoughts, and genuinely trying to be better than he was before.

Danny decided to give him at least a portion of leeway. You know, to see if he's holding up to his word.

But this, this is not it.

He dragged Vlad out of the room, shooting out an excuse that he just needed Vlad's help with something and just wanted to talk for a bit. Then brought him down to his level-via pulling on his collar- with a scowl.

"You trade my mother for that thing!?"

The thing in question, was some British guy by the name of John Constantine. Who smelled like smoke, alcohol and genuinely seemed to be questioning how exactly he ended up in this situation.

Vlad, to Danny's displeasure and increasing horror.

Is smitten.

Why did it seem that when Vlad turned good his intelligence just seemed to take a nosedive. Enough so that he settled for that and he is happy he isn't going after his mom but, like.

C'mon dude.

You can do better.

squeaky_toy_sound_effect.mp4

meeting wyll at the grove, as someone who the tieflings trust enough to train their children, says so much about him. it's so sad that he doesn't get explored in acts 2-3 as deeply as the other companions, when his problems are equally intense. the average player probably long rests once before coming across the grove, but even if not, in that time wyll has already proven to the tieflings that they can rely on the Blade of Frontiers.

this is the immediate first thing he chooses to do after being condemned to slow death via ceremorphosis. his priority list in the first conversations with tav is: 1) hunt down a dangerous devil, 2) help zevlor with the goblins, 3) once nothing threatens the tieflings he will gladly search for a tadpole cure. wyll is perpetually his own last priority, and i wonder if it has to do with the lore about souls.

if he believes mind flayers' souls have been destroyed, and fiend warlocks will all have their souls sent to the hells after death, then becoming a mind flayer isn't the worst possible way for him to die. he would never become a mindless monster to save his own soul, but he's not gripped by horror the way that some of the other origin characters are. lae'zel has been made revoltingly impure to her people, astarion is terrified of losing the scrap of bodily autonomy he just regained, gale is guilt-ridden over the orb detonation if he dies, shadowheart has to survive to prove herself to her cult leader, and karlach has also just regained bodily autonomy and is desparate to live.

this is just another quest for the Blade, whose persona guards wyll ravengard against the vice of self-concern when he ought to be concerned for those in need.

shakes rapidly

...c'mere pap lovers, I brought you food~! /j

(I will make headcannons for the Papy's soon I promise)

Big love to the creators of Swapfell and Fellswap 🫶

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

🫴

this is such a simple but good bad kids friendship moment to me. fabian being the first one to say hi to gorgug when he shows up in the middle of the investigation, followed by fig. gorgug saying hi but communicating that he doesn’t want to talk & them both not understanding but going “okay.” gorgug saying hi to riz as a form of acknowledgement even though he’s in full blown investigative mode & probably hasn’t realized gorgug is there yet. gorgug feeling comfortable enough to just put on his headphones & unwind while sitting there with his friends. they’ve come so far from freshman year ❤️

Haha

i think tim should go to college but i also think he should bounce to a new one every semester because things keep happening and he keeps dropping out.

Monday its time to return to my office in lacille inc

Kokichisake-onna

*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”

Also here’s a random selection of derpy concept doodles for this comic :)

Thank you byeeeeee

Danny’s parents want to kill him and he’s like “f in the chat y’all dinner boutta be so awkward tonight smh”

Ok so I know everyone loves the angsty headcannons where Danny is terrified of his parents cuz they wanna kill him but we’ve had that hot take since 2005 I’m here for a source material revival, the much more entertaining “Danny’s parents want to kill him and he actively doesn’t give a fuck”

CUZ UH, IM REWATCHING THE FIRST SEASON AND I FORGOT HOW GENUINELY BLASÉ HE IS ABOUT MADDIE AND JACK TRYING TO GET HIS ASS ITS SO FUNNY.

Like mom holding a literal ghost gun to his head: eh kinda unphased he even has time to quip, his parents say they wanna tear em to pieces: meh see u guys at dinner, LIKE OUR GUY IS SO UNPHASED HE THINKS THIS SHIT IS FUNNY! (s1 ep. 14 public enemy)

And he’s unphased despite knowing his parents tech works and knowing that his mother is actually a good shot. So like I love angst Danny and y’all should keep up the good work but where is my s1 Danny ‘COULDN’T give less of a fuck about his parents’ Fenton representation?

Cuz think of this, for your DPXDC AU consideration, Danny would fit in so well with the bat gang if only because they could try to stab, shoot, capture, brainwash, and stalk him and he’d be like “oh cool villain of the week shit? Nice, what’re we having for lunch.” He. Wouldn’t. Flinch.