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#cinderella's fairy godmother
adarkrainbow · 1 month
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In a previous post I tried to show how one can wildly reimagine fairytales while still being faithful to the text with a case study of Hansel and Gretel's witch in illustrations (the post is here). But I want to continue by showing an even more extreme example... Because the witch of the brothers Grimm still has a given set of traits that keep popping up and are canon (she is old, she has something wrong with her eyes, she has crutches/a cane)... But what if we look at Cinderella's fairy godmother? Now that's fascinating because... Charles Perrault does not provide any physical description. We don't know what her body looks like, what her age is supposed to be, how she is to be dressed, if she is supposed to be human-looking or otherwordly... And already classic illustrations of the tale clearly threw themselves into the open hole. It's the free market, baby! Look at all those different godmothers:
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frie-ice · 7 months
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After I learned about this Disney crossover ship between Cinderella's Fairy Godmother and Merlin (aka Fairy Godmerlin) on the Shipping wiki, from when I was asked to help with filling in their allies/housemates role in the Kingdom Hearts series, I got inspired to do a collage on them. The two being Friends/neighbors in Disney: Dreamlight Valley had me include their DV counterparts in it as well.
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nokkiart · 2 years
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Happy 25th anniversary to one of my favorite movies of all time! ~<3
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dimension20official · 7 months
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A new Dimension 20 Animated short is up on Dropout! Animation by @squirrelcurlsredux, storybook art by Valentina Fiallo.
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itsdefinitely · 29 days
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immediately obsessed with her
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lilisouless · 1 year
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Inej Ghafa is a cinderella variant
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jade-len · 4 months
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i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.
picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.
it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.
and then he gets to the sword.
demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.
but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.
when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.
the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.
and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.
the language of this wretched sword reflects the state around these two monsters.
luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.
instead, he hears this:
"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."
but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.
"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."
"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."
"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."
"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"
somehow, this is worse than if xin mo was actually eating away at his brain.
weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.
xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.
it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.
sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.
maybe he's the delusional one. maybe this is xin mo's way of getting to him.
maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.
"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.
hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."
xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.
...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.
(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)
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dozydawn · 21 days
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dragonflyable · 7 months
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You know, that cloak looks kind of familiar...
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womeninfictionandirl · 9 months
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Cinderella & The Fairy Godmother by Tim Quartier
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The Turning of the Year: A Cinderella Retelling
In a long-ago year, in a faraway land, there lived a girl named Alena. She lived in the house of a cruel stepmother, who hated her because she was so much prettier than her own daughter, and who made Alena do all the work of the house. Though the stepmother let her eat only scraps and wear only rags, Alena grew only more kind and beautiful as the year's went by, while her own daughter, Vanda, grew ever more coarse and cruel.
Now one December, it became known that the king of the land would host a grand ball in the city upon the eve of the New Year. Alena, like all other girls, wished to attend, and asked her stepmother if she could go. Her stepmother promised that she could, in order to convince Alena to work even harder in the weeks before.
But when New Year's Eve arrived, and Alena asked if she could dress for the ball, her stepmother cried, "A ball? When there is so much work to do? We must cast out the old year! You shall attend no ball before the house is cleaned. If there is even a speck of dust left in this house at midnight, you shall bring bad luck upon us all--and it shall be very bad luck for you.”
With that, her stepmother left the house, along with her own daughter, Vanda, to purchase trimmings for their dresses at the ball.
Scarcely had Alena begun to clean the kitchen when she heard footsteps near the back garden gate. When Alena peered outside, she found an old woman walking alone, her back so bent she could not stand without her staff, and her hair so white the snowflakes seemed dark upon it.
“Good mother!” Alena cried, rushing to the woman’s aid. “Come inside to warm yourself! It is no weather for traveling.”
The old woman took a seat by the fire with thanks, and gladly shared the crust of bread that was the only meal Alena’s stepmother had given her.
“You are good to an old woman,” the stranger said. “Yet that is no surprise, for you have been good the whole year through.”
“You do not know me,” Alena said in surprise.
“But I do,” the woman replied, “for I am the Old Year. You have shown me kindness near the end of my journey, so I will be glad to do what I can to help you in yours. What troubles you, child?”
Alena said with sorrow, “My stepmother will not let me attend the prince’s ball until I have cleaned every speck of dust from the house.”
“That is easily done,” the Old Year said, “for April shall reign in this house for the hour.”
With that, though the woman remained old and bent upon her stool, she also seemed somehow to be tall and straight, young and beautiful, with apple blossoms in her golden hair. In the garden outside, the snow clouds cleared away for springtime sun, and warm breezes blew through the house, gathering all the dirt and dust and soot and spreading it neatly in the gardens outside. While spring reigned, Alena gathered blossoming branches from the garden and placed them in jars around the house. Before the hour was over, the house shone. The old woman then lost her youthful aura, and winter returned to the gardens outside.
Alena thanked the Old Year from the bottom of her heart, but at that moment, her stepmother and stepsister returned. Alena, knowing that her stepmother would beat her for letting a ragged stranger into the house, hid the Old Year in the pantry just before her mother entered the kitchen.
“You lazy girl!” Stepmother shouted, when she saw Alena sitting on the stool near the fireplace. “Why are you sitting when the house must be cleaned?”
“It is clean, Stepmother,” Alena replied.
Her stepmother protested, but when she inspected the house, she found not a speck of dust.
She returned to the kitchen filled with rage, for she did not wish Alena to attend the ball and outshine her own daughter in the presence of the prince. When there, she saw the sacks of grain that Alena had moved out of the pantry to make room for the old woman.
“Aha!” her stepmother said. “You have forgotten the grain! We cannot enter the old year with bad grain. You must sift through every kernel so you can throw out the bad and keep the good. If this is not done before midnight, it will be a bad year for you.”
With that, her stepmother and Vanda returned to their rooms to prepare their dresses for the ball. Alena wept by the fireplace, and when she let the old year back into the kitchen, she told her the new task her stepmother had given her.
“That is no trouble,” the Old Year said. “Dry your eyes, child, for July shall reign in this house for the hour.”
Though the woman remained as old as ever, Alena thought she could also see her as a woman of middle age, with roses in hair just beginning to go gray. Through the windows flew every one of summer’s songbirds--warblers, robins, thrushes, vireos, orioles, flycatchers, tanagers, grosbeaks. At the Old Year’s commands, they opened the sacks, and threw the good grain into the barrels and the bad out the back door.
The gardens outside were lush and green, and Alena spent the hour in the sunshine, gathering strawberries, raspberries, and roses by the armful. The birds finished their work before the hour was over, and then flew out the doorway. The sunshine faded, the snow returned, and Alena thanked the Old Year with all her heart.
Just then, her stepmother emerged from her rooms, and Alena hid the Old Year in the pantry once more. Her stepmother and Vanda were fully dressed for the ball, but they had been so absorbed in their own looks that they had not seen even a moment of the summer that had filled the house.
"The grain is sorted, Stepmother," Alena said. "That means I can go to the ball."
With anger in her heart, her stepmother sorted through the grain, but she could not find one bad kernel to blame Alena for.
"You stupid girl!" she said at last. "Just because the grain is sorted, it doesn't mean your work is done. You have forgotten the mattresses! We cannot meet the new year in beds filled with last year's down! You must empty all the mattresses and stuff them all with fresh feathers before you can even think of attending the ball!"
She forced Alena to drag the mattresses to the kitchen, and then she and Vanda returned to their rooms to finish dressing their hair.
With that, Alena fell to weeping once again. The Old Year emerged and asked what troubled her.
"My stepmother demands I restuff the mattresses before I can attend the ball."
"That is no trouble," the Old Year said. "September shall reign in this house for the hour."
The next moment, though the woman remained old and bent, Alena also saw her as a woman not quite so old, with an elegant bearing and iron-gray hair that was woven with autumn leaves. The light outside became golden, while the plants in the garden grew brown and dry, and the trees bore apples among flaming leaves.
The sky grew dark as the air filled with the sound of beating wings, and in a moment, geese and ducks of every kind filled the gardens. The birds filed through the door, and at the Old Year's command, they pulled the old feathers from the mattresses and replaced them with a few feathers pulled from their own wings and tails and breasts. While the birds worked, Alena went to the gardens and gathered sweet apples from the groaning trees.
When the hour was over, the birds flew away, leaving behind mattresses plump with fresh new feathers. Alena thanked the Old Year with all her heart, then flew up the stairs to prepare for the ball.
Her stepmother met her in the hall outside her bedchamber, her hair dressed and ready for the ball.
"I have finished the work, Stepmother," Alena said, "so I will be able to go with you to the ball."
Her stepmother did not believe her, but when Alena brought the mattresses upstairs, she found them so plump and clean and fresh that she could find no fault to blame Alena for.
"You foolish child," her stepmother said at last, so angry she could barely speak. "You cannot possibly attend the ball, for you have nothing suitable to wear."
"I have one dress," Alena said. She flew into her dark, drafty little room and emerged with a gown that had once belonged to her mother. "This dress will fit me, and it is fit to be seen even by a king."
Her stepmother could see that in such a dress, even old as it was, Alena would still far outshine her own daughter in the prince's eyes. She tore the dress from Alena's hands, and with hands made strong by fury, she tore at the seams until the dress tore in two.
"This rag?" Her stepmother cried. "You cannot attend the ball in something so old. I would not have you come and give shame to us all. You must stay here and greet the new year alone."
With that, she and Vanda put on their cloaks, stepped in their carriage, and departed for the ball, leaving Alena weeping in the hallway.
While she wept, the Old Year came to her side and asked what troubled her.
"I am without hope," Alena said. "Though all the work is done, I cannot attend the ball, for I have nothing but rags to wear."
"Nonsense, child," the Old Year said. "You shall be the finest woman there, for you will be clothed in all the bounty of the year."
The Old Year helped Alena to her feet, and through tear-filled eyes, Alena saw the woman change, so she seemed old and young and middle-aged all at once. In the gardens outside, spring blossoms sprouted beside summer's roses, and autumn's leaves blazed over winter's snow. Sun and snow and wind and rain all seemed to fill the little hall where Alena stood. Her limp hair piled high atop her head and was crowned with the blossoms of spring. Her rags became a gown as soft as the petals of summer's roses, and bright with autumn's crimson and gold. A cloak of winter-white feathers stretched from her shoulders to the ground, and her feet were shod in shoes of winter's ice, which through some miracle neither froze her feet nor melted upon the floor.
"Old Mother!" Alena cried in gratitude, throwing her arms around the old woman. "I cannot thank you enough."
"You have earned it," the Old Year said, "but I warn you that I will fade away at midnight's chime, and when I go, my gifts will disappear. You must leave quickly, child, while time lasts."
With that, another wind, warm and icy all at once, wrapped itself around Alena and lifted her through the window. In moments, she found herself before the king's palace, which was all lit up for the festival.
At the ball, her beauty far outshone every woman there, and the dancers stopped dancing to whisper about this strange foreign princess who had arrived with no escort. The king, seeing her, was enchanted at once, and asked for her hand in the dance. For the rest of the night, Alena danced with no other, and found the king as kind and handsome as all the tales had claimed.
The hours flew by in what seemed like moments, until just as the king led her out toward a balcony, the palace clock began to chime the midnight hour.
"The new year has come!" the king declared, but Alena fled from him, out of the palace, down the stairs, and to the dark and snow-covered city streets. The Old Year's wind--what was left of it--found her and carried her through the midnight sky, but at the stroke of twelve, it faded away, dropping Alena into her house's back garden, clad once more in her rags. A single shoe of winter's ice clung to her left foot--though the Old Year's gifts had faded, winter still reigned, so only that season's gift remained.
The king, when she fled, ran after her, but he could find no trace of where his partner had gone, save one token, dropped in the place where the wind had picked her up--a single shoe made of winter's unmelting ice. The king declared that he would marry no woman save for the one who fit the miraculous shoe, and at the first light of dawn, he left the palace in search of her.
He had not gone far when he came across a girl child, barely old enough to walk, with hair as soft and golden as the sun's first rays.
"Where are you going?" the child asked him, in a voice too strong and clear for one so young. The king knew at once that he spoke to the newborn Year.
"I search for the woman I love," the king said, "though I have nothing to find her save the shoe she left behind."
"I know her well," the New Year said, "for she was a great friend of my mother's. You will find her in a house at the edge of the city, where spring's blossoms sit next to summer's roses and autumn's fresh apples."
With many thanks, the king swept the child onto his horse, wrapped her in his cloak, and sped off toward the far edge of the city. Before long, he came upon Alena's house, and knew it by the baskets of blossoms, roses and apples she had kept by the kitchen window.
When Alena's stepmother had come home from the ball, she had seen the signs of autumn, spring and summer in her kitchen, and knew that Alena had been the princess at the ball. She searched in Alena's room and found the partner to the shoe the prince held, then she seized Alena by the hair and locked her deep within the cellar. As she saw the prince approach, she fetched Vanda--her own ugly, cruel daughter--and perched her near the window with the blossoming roses, with the shoe of ice upon her foot.
The king rode to the house's entrance and presented himself by the main doors. Alena's stepmother greeted him with warm joy and welcomed him inside. While she took the king's cloak and tended to his boots, she did not see the small child toddle from the prince's side and make her way to the room where Vanda sat waiting.
Once there, the New Year reached her tiny hands toward the loaf of bread that Alena had baked only that morning. "Might I have something to eat?" she asked Vanda.
"Go away, little girl," Vanda said crossly. "Don't you know that the prince is here?"
The New Year asked for bread again, and once more, Vanda scolded her. At last, the child began to cry, and Vanda hit her on the ear and sent her tumbling to the floor.
Red-faced and crying, the New Year rose to her feet and told Vanya. "You are a cruel, selfish girl. Your heart is cold as ice, and so it is winter that will reign in this house today."
With her words, all the doors and windows of the room flew open, and a wind as cold as death blew in. Snow blew into the room and fell in drifts upon the floor. Before long, Vanda's lips and hands were blue, but her feet, encased in blocks of freezing ice, were black as coal.
Vanya's screams drew her mother to her side, and the king, alarmed, trailed in after her. He saw the girl with blackened feet, and though one foot wore the slipper of ice, he knew she was not the girl he sought. He feared that these cruel women had done her some great harm.
While Vanya's mother tended to her and sent for the doctor, the king saw the New Year standing in a drift of snow. He lifted her onto a stool, wrapped her in his cloak, and asked her, "Where is the woman I love? You promised she was here, yet I do not see her, and there are no other women in this house."
"You will find her in the one place where winter did not touch," the New Year said, "for her heart is too warm to be touched by ice."
The king waded through the kitchen's drifting snow and opened the door of the pantry. There, he saw all the house's food stores covered in snow and ice, but with not a flake covering the small door that led to the cellar. With a few blows, the door broke open, and the king pulled Alena out into the morning light.
"I have found you at last," the king cried in joy, and knelt before her with the slipper of ice. "You have my heart," the king replied, "and if you are willing, I would make you my bride."
With a smile, Alena said, "I will gladly be your wife."
With joy, the king took Alena to his home and introduced her to his court as his chosen bride. The people were charmed at once by her beauty and her kindness, and before the month was over, she was wed to the king and became queen over all the land. Her stepmother and stepsister, with Vanya maimed and their food frozen, became paupers, because they, in their pride, refused all of Alena's charity. Their cruelty gained them no friends, and before the winter's end, they were found, frozen to death, in winter's snow.
Alena, reigning as queen by her husband's side, became beloved by all the land. She and her husband remained pure of soul and warm of heart, and together they all lived happily for all the rest of their years.
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princess-ibri · 5 months
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This post inspired me to draw Asha in a Whitney Houston inspired Fairy Godmother dress 💫
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cjbolan · 5 months
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Headcanon that Asha becomes the Whitney Houston Fairy Godmother
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yall ever just
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cantstopthegifs · 2 months
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FAVORITE THINGS IN MOVIES & TELEVISION (2/∞)
Fairies
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sadlynotthevoid · 1 month
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Okay, lets play a bit. Here we have:
OgAlbeCale Cinderella AU:
• Alberu is Cinderella. He already has the evil step-mother. Robbit is Anastasia and the third prince is Drizella.
• For AU purposes, og!Cale is Prince Charming, of course, and the Henituse family is the royal family.
• Rok Soo, Rosalyn and Choi Han are the mices. Lock is the dog and CJS and LSH are birds.
• Eruhaben is the fairy godmother. (Pendrick would be his apprentice).
Add what you think that happens.
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