Jew here with a friendly reminder that:

Criticizing Isreal ≠ antisemetic

Supporting Palestine ≠ antisemitic

Believing in the Free Palestine cause ≠ antisemitic

BUT ALSO

A random ass Jew just living their life oceans away has nothing to do with the Isreal-Palestine conflict

Palestinian Jews exist

Jews that support Palestine exist (I am one of them)

Calling out ACTUAL antisemitism ≠ supporting Isreal

Captain Francis Crozier, at Furthest North.

Some 2003 season 2 doodles! ¯\_(ツ)_/¯

it doesn't feel real to me fellas. but I don't have time to sit by and chat and unload unfortunately so I'll just drop this and be on my way, cya kind folks very soon ✌️

not professional but I liked how his eye looked goddang it. I knew I was screwing myself but I did it anyway

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

One of the funniest things I've seen Sanuso haters/dislikers say about the ship is how "Sanji would never", as if we hadn't seen Sanji constantly protecting Usopp and caring about him deeply, sometimes even more than the rest of the crew does. As if Sanji and Usopp weren't constantly paired together in their arcs pre-ts and weren't seen in the background next to each other all the time. "Sanji would never" as if Usopp wasn't quite literally everything Sanji can't be and as if they didn't complement each other perfectly.

I've been reading Exodus lately and I've just gotten to the portions where God gives the first commands to the people via Moses (twice), and then goes on to give detailed instructions about the tabernacle and how it should be built, and I'm just... we think art is unimportant?? we think things only mean as much as their functionality?? we so easily fall into the trap of believing that beauty means nothing, that it's cheap and only worth whatever mindless distraction it brings, that it's barely more than a cheap sensual thrill, that buildings should just be practical and plain and cheap, that everything should be functional but ultimately disposable, that paintings and dresses and mugs and curtains and carpets are just pretty but have no real value, that beauty is fleeting and vain and therefore shouldn't be thought about too much, if even looked for at all... we fall into these traps so easily, and we forget that there are chapters upon chapters of painstakingly detailed plans to build one portable worship tent, and those plans have been handed down through thousands of years of human history, because beauty and art and skill in craft is important

Just listened to "Want it so BAD", the new song by Han and Lee Know and, after reading the lyrics twice, let me tell you:

If there's still people who claim they're just friends, I'll lose my faith in humanity. Those guys are the real delulu here because what the fuck? With this song they basically confirmed everything we've heard since debut and screamed to the world they're, in fact, very much in love and not in a platonic way. They're married, your honour. This song basically confirms it, it states firmly and without a shadow of doubt that MINSUNG is fucking REAL and it has been since the survival show.

So for all those who don't agree with it, go argue with the wall. Us, the minsung whores and defenders, are going to fucking celebrate this gift to humanity.

Now lets focus on the parts where they specifically mention their first meeting, something we've heard from both of them in skz episodes, but now the uncensored version.

Minho: "I fell in love with you unexpectedly, couldn't get any work done, so many thoughts in my head keep me awake at night, spring snuck into my heart and left me frozen with excitement, i'm not used to it i know it's pain but i really want it so BAD" 😭😭😭😭😭 this is so minsung pre-debut coded omg, he's so fucking cute in the early states of love. knowing he was going to suffer but he loved him so much he just kept going.

Jisung: "Ride, come closer, just the two of us"🥺🥺 "together we make a whole romantic comedy movie" "let's get is started, getting anxious, can't think straight" "love you, i wanna place mysef in a spot next to you" "i'll hold you tight and say i've always been waiting for this moment" "the moment I first saw you, it was meant to be. For me, it's you"💀💀💀💀💀my man wasn't even being subtle here, he didn't try

In conclusion: Minsung is more real and solid that my parents' marriage and anyone who disagrees please come and kiss my ass. thank you❤

i'm nowhere near processing it all but all i wanna say is this. alan wake 2 is a game about hope, about not giving up, about consciousness, about expanding it, about looking beyond, about truth, collaboration, mirrors, forgiveness, history repeating itself, about finding the reason to go on, and then doing that. go on.

just. hope. they said that again and again, hope. hope. hope.

excuse me i need to Muse on something for a moment

so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.

but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?

so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.

(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)

and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?

i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.

Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)

one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?

or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.

and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???

there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally

Let him dad her!! (Patreon)

...so.

about that 'with a happy ending' part of 'angst with a happy ending'.

Here's Graywing, a kind cat that always uses his head and stays out of clan troubles to care for his family! (said the fandom)

I spent the entire series assuming his character would develop, just keeping my hopes up. UNTIL HE FUCKING DIED. WHEN?? WHEN WAS HE LOVING???

DUDE IT KILLS ME!! HOW DID THEY WRITE A CHARACTER THIS BADLY??

He's super nasty!! He's really rude to Turtle Tail, Bumble, and even Thunder. He thinks of Wind Runner like a scheming, ambitious bitch trying to grab at power while pumping up Tall Shadow when she displays no happiness in the role and no one respects her.

Meanwhile, he's kissing Clear Sky's ass and trying to endlessly appease him, whining and crying about being Just As Bad when the other cats in his group suggest defensive measures. HE PUSHED THUNDER INTO RECONNECTING WITH HIS FATHER.

And his "love" of Bright Stream and Storm is incredibly uncomfortable. He's pining over them while they're obviously not interested, totally blowing past that Bright Stream is being pressured into leaving her life behind and coping with Storm not liking him by thinking of her as an object to give away to make Clear Sky happy.

The only unironic love he displays is towards Turtle Tail's children... who don't love him back. Why the fuck would you write UNREQUITED PARENTAL LOVE WHAT IS THIS??

Like I can't stress enough, TOM the WIFEBEATER is their dad the moment he reveals it. Guy they don't know who beats women. Owl Eyes even has this awkward scene where he has to smooth over that he does not see Gray Wing as his dad without offending him.

I have never been so uncomfortable reading warriors as I have been while reading Gray Wing's POV. Him and Clear Sky are my two most hated WC characters, it's not even close. They're rock bottom material.

Hmm... it's interesting how they made Luz wear a witch's cloak in Hunting Palisman - the episode where she introduces Flapjack to Hunter. This is also the episode where Hunter defies Belos by choosing Luz over him. He goes back to his palace empty-handed and he doesn't hand over Flapjack to Belos. Unbeknownst to Hunter, he is following Caleb's footsteps.

But then, in Hollow Mind, they made the choice to have Luz not wear her witches cloak - instead they made Luz wear a jacket with a giant "E" on it. They could have given Luz a completely different outfit like they did in Hunting Palisman. But they don't... they make her wear this specific jacket...

...They also make Hunter wear Caleb's symbol in Hollow Mind... an episode where Luz and Hunter are trapped in Philip's mind... where we can see paintings of the two most important characters in Philip's life - his brother and a witch from another world.

But I'm sure this is all unintentional.

You know, like this is:

oh, nbd, just a painting being paralleled with the scene happening right before our eyes

here's a more high def image of the painting

Oh, hmm, okay, this is a painting of Caleb standing next to a witch with short dark brown hair and who just so happens to be a witch from another world. Both of them are startled by Philip...

Hunter, the Grimwalker who looks the most like Caleb, is standing next to someone who ALSO just so happens to be a witch from another world with short dark brown hair... both are startled by Philip's monster form...

Hmm, must be unintentional I guess.

there's also this:

Mhm, okay, I see... I see, very interesting. Here we have Caleb being lead away from Philip by a witch from another world after the brother's have a fall out. This fall out marks the point of no return for them, as Philip later kills Caleb out of anger.

Hunter and Philip's relationship completely deteriorates because of Luz, which leads to Philip's decision to kill Hunter. She shows Hunter Belos' true nature and she offers Hunter sanctuary at The Owl House right after he finds out Belos has been lying to him his whole life... Luz saves Hunter's life and changes it forever.

Hmmm... very interesting

But I'm sure this is unintentional [I'm being sarcastic]