The Map and The Painting
Ohhhh boy if there's one thing about me it's that I'm gonna pick up on some poetic symbolism that honestly maybe wasn't even intended but I'm gonna talk about it to my heart's content anyway!!! Considering how the Duffers talk about the van scene though... And how long they spent filming it... Maybe it was intended. Who knows? I certainly don't!
The Map = Mike's relationship w/ El
The Painting = Mike's relationship w/ Will (obviously)
When the van scene opens, Mike is holding a map. He is looking at that map. This is the map they're using to get to the coordinates of NINA. This is the map they're using to find El.
Mike is holding this map while he vents his insecurities regarding his relationship with El. He looks and sounds dejected. He looks and sounds lost. He is holding a map, a navigation tool, and yet he is lost.
[I wish I had photos but I do not, so just go watch the scene for yourself if you wanna be reminded of just how much is going on in this poor boy's head.]
If this map is a representation of his relationship with El, that would mean this relationship makes him feel lost. Which isn't a stretch considering that is literally exactly what we see in their relationship time and time again. Mike loses himself in this relationship. He becomes someone we barely recognize in s3. And then in s4 we see that he doesn't know how to navigate his relationship with her. He's insecure, he feels inferior, he is completely in the dark about what her life is actually like. He's lost.
[This would not be the first time El is associated with a navigation tool. Specifically navigation tools that are broken/not serving their intended purpose. In s1 she tampers with the compass and leads Mike, Lucas, and Dustin on a wild goose chase. Her intentions were pure, she just wanted to keep them safe. But still, she's associated with a "broken" compass. She broke it. She's the reason they veer off the path to finding Will. (not hating on her for this, like I said, I know her intentions were pure, but that is what happened.) Of course, in the case of the map, the dysfunction is entirely symbolic, and likely not even an intended interpretation. I'm just a little insane.]
He's rambling and he looks lost, and he gives up. He cuts his ramblings off, apologizes, and calls his feelings stupid. Will lets him know that he doesn't have to be sorry. So he tries to continue, but he's at a loss for words. He doesn't know how to describe everything he's feeling. He doesn't even know where to begin.
"I don't know... I just... Uhhh..." // "You're scared of losing her"
Slowed to appreciate Finn Wolfhard's talent
Will says that, and Mike's demeanor completely shifts. He looks like he feels seen for the first time in a long time. We know he's been lost, but we also know he's been hiding. He hasn't wanted to be found. But Will just got pretty damn close to finding him, and Mike doesn't look scared. He looks relieved. He looks amazed that Will was even looking to find him in the first place.
Mike doesn't deny what Will says. He confirms it. He's vulnerable because Will makes him feel safe. So then Will gives him the painting.
This is when Mike sets aside the map in favor of holding the painting.
The map is formal, mature, grown up. Like how he feels he needs to be. He views his relationship with El as a necessary step to growing up. As a necessary step to leaving his childhood, and his childish feelings behind.
"We're not kids anymore. I mean, what did you think really? That we were never gonna get girlfriends? That we were just gonna sit in my basement all day and play games for the rest of our lives?"
The painting - Will's painting - is reminiscent of the kind of map you'd see in a fantasy world. A scroll that holds the secrets of the universe. The key to defeating evil once and for all. The kind of map you'd find in a fantasy game. The kind of game you played with your best friends. Before everything got so scary. Before everything got so complicated. Before you grew to be afraid of who you are. Before you were forced to grow up. Before everything changed.
"Yeah. I guess I did. I really did."
Mike holds the painting with so much care. He unrolls it with so much care.
This isn't anything new from Mike. We know how much he loves Will's art. How much he respects it. We've seen this before.
(Something I love about the way this is filmed is that it feels reminiscent of scenes in fantasy movies where the protagonist has found some ancient map or scroll and is unrolling it. I really can't know for sure if this was intentional, but it's the feeling I get from it. I don't have a scene to compare it to because I cannot for the life of me think of one, but I know I've seen scenes like that before. And this feels like that)
Once he's looking at the painting itself, he lights up. He has this childlike wonder about him.
Something that we haven't seen from him in a while.
And it's no surprise that this painting is what lights that spark in him again. I mean just look at it. It's their childhood lovingly painted by his best friend. It's Mike and his three best friends, the people he's been through hell with, fighting a monster. Something they have real life experience doing. But in this painting it's not scary, because it's an echo of their adventures before the monsters were real. Before everything changed.
Will points to the shield. The shield has a heart on it. The shield also conveniently looks like an arrow that is conveniently pointing to Will the Wise. Our eyes naturally follow this, at least mine do. Like they're following a map. And if my eyes did that, then I'm pretty sure Mike's did too.
In the same way the literal map is leading Mike to El, the painting acts as a figurative map that leads Mike to Will.
Mike looks dejected and lost while holding the map. He talks about his insecurities and expresses that he feels inferior, and that he's not needed.
He lights up when holding the painting. Will uses the painting to tell him that he's wrong about himself. That he's a leader. That he is needed and he always will be. He looks as if maybe he's on his way to finding himself, and in the process, finding Will.
So when his last significant interaction with Will in s4 is him reaching into the light to grasp his shoulder and reaffirm that they're a team...
And when he ends the season with El walking away from him, and instead of following her, he chooses to stay by Will's side. Ready to face whatever comes next as a team. Ready to fight the monster. With his convenient little pocket arrow conveniently pointing to Will...
Well it's not really a surprise, is it? This is exactly the path that the figurative map that is the painting is leading Mike down. The path it is leading the audience down. We haven't gotten to the destination yet, but we have a pretty good idea of where we're going.
Mike however? I'm not too sure if he's fully aware of what he's stumbling toward.
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Mikes expressions explained, lets go!!!
“the painting was for me not for a girl, don’t know what i was so worried about. :)” this part of the scene is so cute, there’s just pure joy on this mans face. Throughout the seasons we can tell that mike is a fan of wills art, mike also likes gifts stated in s3 last episode.
Will: “well, el commissioned it”
“What lol”
After will says this and continues his coded rant about “el” needing mike, mikes face drops from his very happy expression and mike seems conflicted and confused. He was told by el that she doesn’t know what will is painting and that it’s probably for some girl he has a crush on. Literally the whole fight in rinko mania was just mike being jealous and mad thinking that will is pushing away from him.
Literally at the airport he looks down, which i think is him seeing the painting and immediately being like “wtf why did he bring the painting he’s making for his crush”
Mike knows that the painting could be for a crush so during the van scene we get THIS
THE HEART EYES HELLO?? Mike knows more then what we’re thinking, I’m always seeing people say that he’s braindead(he is) but i want to bring up a Byler theory and it’s that a lot of the byler scenes we see are in wills point of view. Because at the end of their conversation, will pulls away from the conversation, ending it, we see mike blurred out and he looks back at will. We can’t see mikes expression, but during that part i was thinking that he was still confused, probably trying to make sense of the conflicting information he’s being given
“but el doesn’t know what he was painting what, why would el lie about not knowing something? El isn’t pushing me away either? What is happening? Is will lying???”
Mike has probably caught onto the fact that will is lying about something because of this facial expression !!
This is the face he made after will slips up a bit about the “party” he takes a sharp inhale, indicating that he’s nervous. Why are you nervous mike huh? Would you like to share for the whole class mike?
He then looks away and looks back at the painting that is most definitely “commissioned” by “el”, and he seems confused again. El doesn’t play dnd so why would she commission a dnd painting for mike, she’s not even in the painting😭
Mike is definitely picking something up, and after this conflicted look on his face we just see mike looking at will, barely looking away. While will is literally confessing to him through els name, he gives will two lip stares. Why mike?
We all know mike wants to kiss will, why is his body language so???? Finn wolfhard really wanted to make it obvious that mike is not straight because the facial acting tells me a whole different story. Mike is not in love with el, he loves will.
Bonus, mike being flustered about will touching his hand.
The photo doesn’t really show much but if you watch the van scene and look at his expression. He’s definitely nervous/flustered.
So yeah, either mike is gay or written poorly. Either way, byler endgame💙💛
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I think the 'Mike is in love with whoever the painting is from' isn't as shallow as just he loves whoever got him a present. The painting has always been more than just a painting it's a symbol for Will's love for Mike which we know as an audience but Mike doesn't. Which is why it's even a question at all.
The painting shows genuine care for Mike and acceptance of who he is (a dnd playing nerd), it shows him as a protector (which he's always tried to do), it's shows him as cool (again which he's always tried for), it shows that someone has thought of him enough to either commission or make him a super thoughtful gift. The painting literally is the way he wants to be loved.
Then there's Will's speech which goes along with the painting and again wouldn't even be under scrutiny if Mike knew for certain who it was from. He's told it's from El and that all of Will's words as well as the meaning of the painting is from her. He thinks El sees him for who he is and loves him for it (not that she doesn't), he thinks El sees him as a protector, he thinks El sees him as cool. Mike particularly thinking El needs him as a protector is the outlier because though she's needed his support she's not needed his protection since s1. Plus with the arc El went on this season that all would seem very counterproductive.
(Will also says a lot of things in his speech that is clearly from his perspective and doesn't apply to El at all which again will be messing with Mike's perspective on his and El's relationship)
If the painting were from El it creates a whole new context from Mike's point of view. El would have commissioned the painting before he got to Cali meaning before their fight. El would have loved Mike exactly the way he wanted and and he couldn't say it back. He thinks El needs him and loves him that much that telling her he loves her would help her save the world. We as an audience though know who the painting and the speech is from, we know that El doesn't need Mike the way he believes she does in that moment. But Mike has no other reason to believe Will was lying.
I don't think Mike is going to find out the painting was from Will and immediately think he's in love with Will and dump El. I think it'll be more like he realises that the feelings he got from the painting and Will's speech and the feelings he felt for the person who thought all that weren't for El. That El doesn't love him like that and he can't love El like that. It's more of a gateway to Mike examining his feelings.
So it's a little more complicated than 'Mike being in love with whoever the painting is from' it's more so 'Mike wants the love the painting represented' and he thinks it's from El but we know it's not.
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