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#by which i of course mean
ekingston · 8 months
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Ma’am… I am about to hit the hay, I am a little tipsy, and you drop this depressing seed in my brain?????
“they like to do it in a chair with their legs spread wide”
i’m so sorry for the late response i’ve been turning this over and over in my mind and have come to the conclusion that i am unable to understand how you find this idea—of Lena Luthor particularly. playing the cello. and having other such inclinations—depressing, instead of? exceedingly inspiring?
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chalkeater · 2 months
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i have NOT drawn enough talk sprite redraws. Heres some warm ups!! RAAHH 🦖
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maulfucker · 5 days
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racism in star wars will have wikis saying shit like "this species that is inspired on a real life non-white people is just too stupid to use the Force"
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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poorly-drawn-mdzs · 2 months
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I want you whipped into shape!
[First] Prev <–-> Next
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7cfc00 · 4 months
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home is where the heart is (and yours is gone)
#happy holidays#dndads#dndads fanart#dungeons and daddies#dndaddies#dndads s1#glenn close dndads#dndads season 2#dndads odyssey#dndads glenn close#im so sick and fever rn so forgive me for any mistakes in this drawing or in my following explanation#background is covered in crosses for the bad day book. the chains represent his time in meth bay prison#the three swords are a reference to the three of swords tarot card which means like heartbreak or smth#also can be taken literally because his heart exploded#the swords themselves are modelled after the sword of justice to bring in themes of justice and punishment as well as referencing the trial#i also drew the same sword in the blackjack thing.#bottom left is his funeral pyre (referencing his death) and nick jr (representing his son's “death”)#the door is the door to his apartment its number 48 because ep 48 is carry on my wayward son#christmas decor cus of course hed had them up all year round#the plant is a peace lily representing death and funeral s again#headstone is morgan's the crysanthemum represents her death. this is because its also featured in the “remember death” thing i drew once#also i just associate flowers w the close family because it very easily represents both mortality and love#anyway. fuckin. his heart (loved ones + literal heart) are gone and its like. can he ever return home#idk smth about not being able to go back to the way things were smth about having the comfort of a home anymore. leaving all that shit behi#d. i feel so tired#sorry for the long explanation i think i may have went a little too hard on the symbolism but i didn t know how else to#express the feelings of glenn's conversation w darryl in that one episode
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pbnmj · 1 year
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fun fact: the reason that they did not take noir’s mask off for longer than 0.5 seconds in itsv is actually because sony pictures animation was trying to protect the general public from me becoming insufferable to be around
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prideprejudce · 10 months
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also not sure how I’m feeling knowing that thousands upon thousands of dollars and manpower have been spent on a rescue mission for four days straight when the submersible probably imploded as soon as contact was lost and has been sitting on the ocean floor this entire time lmao
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otaku553 · 5 months
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More doodles for the one piece spy x family crossover
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mcflymemes · 10 months
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i feel like people keep interchanging MAINS, EXCLUSIVES, and AFFILIATES and haphazardly using them without really recognizing what they mean, so here's a brief description of the differences.
MAINS are the primary group of roleplay blogs you interact with on a regular basis. you might choose to prioritize them in terms of replies or ask memes, or focus on their dynamics more often than you do others.
EXCLUSIVES are the only version of that character you will write with. as an example, if you add a canon superman or a princess jasmine to your exclusives, it means you will not write with or follow any duplicates of those characters.
** this can also include FACECLAIM EXCLUSIVES, where you won't follow duplicate faceclaims of your favorite blogs. weird example, but if you're writing with a blog using tom hanks as their faceclaim, you might say you're faceclaim exclusive with that blog and refuse to write with or follow any other blogs using tom hanks.
AFFILIATES are blogs with extensive ties to your blog's canon. their characters are weaved into your storyline to such a degree that you cannot separate them from one another. maybe they're your primary or single ship partner. maybe you created the characters together. maybe they're from the same piece of media and you want to establish their significant ties to your muse and their story. this is a step up from exclusives, and their url is often linked in your pinned or placed on your rules page.
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mattodore · 3 months
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delphi, bitten pack member, mate
#river dipping#delphi sol#lykos#ts4#ts4 edit#ts4 cas#simblr#no good morning just immediately firing shots LOOK 🫵 AT HER 🫵#GOD............................... WEREWOLF WOMAN WHO WILL TEAR INTO ME WITH HER CLAWS AND REVEL IN THE WARMTH OF BLOOD I WANT YOUUU#SHE'S SO SEXY LIKE. SAID THIS OVER ON PF ALREADY BUT I NEED TO BE FOUR FINGERS DEEP INSIDE HER ALREADY#FACE FIRST IN HER BREASTS LIKE. DYKERY IN MY MIND THE LIKES OF WHICH YOU WOULD NOT BELIEVEEEEE RN#FEMMES............. I AM YOURS ALWAYS AND FOREVER <3#...me thinking delphi is the sexiest woman alive aside... look at her pointy wolf ears sticking out!!#and yeah... her and ria both have scars on their throats. they gave them to each other :)<3#they're werewolf soulmates..... of course it's that intense and serious they had to wound each other#delphi's is from when ria turned her but ria's is from delphi wanting to mark ria back... normally it'd heal but :)#ria is a born wolf and delphi is their little werewolf mate... which means they don't heal like a wolf would at delphi's hands#delphi's not a born wolf tho so </3 not the same for her. but turning scars always stay with the body along with any other wounds#that were already there at the time of turning...#<- this is real lykos story lore so. don't look too closely at ria's scars from that last post. they don't actually make sense#i just thought wow... those are sexy. and put them on her kjdgfkhfn#none of the lykos ocs' scars are canon until i make them myself#but dionte's eye scar and delria's throat scars are canon!! i'll make custom ones one day but for now! i'm just rocking with what i've got
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alaynestone · 4 months
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-the incest diary, anonymous.
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thatsbelievable · 4 months
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absolutebl · 5 months
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Thank you so much Thailand for putting Pavel back where he belongs.
By which I mean shirtless.
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comradekatara · 1 year
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every agni kai we see zuko fight involves his opponent acting dishonorably/cheating:
ozai burns zuko after he surrenders, when banishing him would’ve sufficed.
zhao tries to strike zuko when his back is turned, as he’s walking away from his victory
azula aims at katara.
of course ozai and zhao are violent, spiteful, petty, and cruel. it is the final instance that especially stands out to me because azula, of all people, resorting to cheating is such a profound testament to all she has lost by this point. she doesn’t even care that this act must immediately disqualify her from winning the fight, from winning the throne. all she cares about now is making zuko hurt; she‘s been reduced to the desire for him to know her pain.
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ringompreg · 17 days
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paul mccartney you're gay and that's final
for legal/ethical/moral/psychological/spiritual reasons this is a joke
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