some things are harder to kill than others.
well THIS took forever. i made a speedpaint but ended up cutting a lot of stuff so that it wouldnt be absurdly long. link below v
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Making a full post for my Fuuta Ballet AU because I actually had more thoughts about it hehe (Ballerina Girl)
+ a version of the au that's more general to the whole cast, with Es as the protag here!
As mentioned in the art, he’s exactly the same as canon except his life now revolves around dance. He’s in a very cliquey company (The Dark Pas de Trois?), surrounded by friends who are very similar-minded. Even though they're not in dance competitions specifically, they're constantly striving for better reviews/reputations than the neighboring companies. Fuuta struggles with stage fright, but doesn't let on to the others -- he just pushes through every time.
They visit a company rehearsing Nutcracker, and one of the snowflake dancers does something problematic backstage. Fuuta blasts him on social media for it, gaining popularity for his own account/dance company. Auditions and things go a bit smoother for them now that they’re internet famous.
There’s a scandal with the dancer playing the demon sorcerer Rothbart in Swan Lake, and Fuuta catches it on film. The video goes viral, once again boosting Fuuta’s popularity and ego. He’s praised as both a hero and talented performer. His friends are also soaring with this newfound fame.
Then, he catches a young background dancer in Sleeping Beauty doing something he deems worthy of a callout. He exposes her all over his social media. Rather than the usual social backlash, the girl is harassed in person. A crowd takes things too far, and an accident results in an injury that ends her career just as it was beginning. She will never dance again.
Facing his suspicious friends (and overcome with his own guilt), Fuuta flees the company. He plans on quitting dance for the rest of his life as well. Instead, he gets a mysterious invitation to the Milgram Dance Academy. He's never heard of them before, and the internet doesn't turn up much on them. Left with few other choices, he shows up for the first lesson.
The first thing that strikes him is it's a boarding school. He must live there and follow their rules in order to attend. They take his phone and restrict outside contact, much to his horror. The school solely focused on the arts -- no competitions, no big shows. There are three major shows they are planning, but Fuuta couldn't find any venues/tickets/advertisements, despite mention of a "global audience". The program is rigorous, and the instructor decides at the end of each semester if their final performance passes or fails.
The only thing more concerning than the sudden restriction of his phone is the strange group of residents he'll be spending his next few years with. His instructor is a mere child, no more than fifteen and very cryptic about their past training. His other classmates range in age and personality. He starts off dancing just as confident as usual, trying to show up the other students and make a strong first impression.
However, he fails the first semester. The grade list is made public to the whole academy, and Fuuta finds himself the subject of watching eyes and condescending whispers. Becoming sensitive to prying stares and audiences, he falls back into his usual stage fright. He endures (emotional) attacks from the passed students, although in his distraction he screws up some cues and gets injured.
Regarding the actual choreography -- as much as I love the classic shows (I mean, just look how cute he is as the nutcracker ;-;) my brain has been going brrrrr picturing ballet adaptations of the mvs... 🎹 / 🎹 / 🎹 / 🎹
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My last post made me want to spin the ballet au to suit the general cast, keeping Es as the protagonist 🩰
I don't have art for this one but I still got a bit carried away with the details LOL This definitely leans more into a sweet fix-it :3
The story would open with Es waking up in the medical room of Milgram Dance Academy, a very small and isolated school. Es is told they suffered a bad head injury during a performance, resulting in amnesia. Their instructor (Jackalope. Make this work however you wish.) tells them not to worry about it, and to focus on their dancing for now. Es feels a pressing responsibility to stay and rehearse, so they agree.
Jackalope tells them they must understudy several roles while recovering, not ready to jump into things right away. They're grateful, since they're struggling with their identity and expression without their memories.
The first student they are directed to is a shy and lanky dancer by the name of Haruka. They study under him as the role of a graceful, melancholic swan. They watch the choreography in general, and it looks nice enough. Es proceeds to spend several rehearsals with him, talking and bonding and learning he has a bit more going on than meets the eye. They try to offer help as he admits to familial issues, self esteem questions, and comments about sibling jealousy. In turn, he teaches Es to mimic some of his powerful emotions. At the end of their time together, they both perform for their class in full costume and staging. Now, Es understands each move with a deeper understanding than their initial look at the steps.
Next, they’re sent to meet the bubbly girl playing Juliet and begin the process anew. This continues to make a total of ten roles. Some of the dancers take the sessions kindly, while others are brash, secretive, or just confusing.
After rehearsing with Kotoko and learning to understand her determination and confidence, Es is sent back to Haruka, who has moved onto a new show and new role. They’re shocked to discover that their words to each dancer – always well-intentioned – had caused some issues backstage. Now, there are rivalries and changes in stage presence. While experiencing stress (that Es has inadvertently caused,) some were distracted in rehearsal and got injured. Es must take on the interpersonal issues as well as the choreography challenges.
I don’t have all the roles down and was trying to stick to well-known shows anyway, but I think I’d want Muu to be the Sugar Plum Fairy, Kazui to be Albrecht from Giselle, and Amane to be Clara. I wanted to keep them traditionally gendered to prove there are plenty of roles for men, but I can’t help but have Odette/Odile thoughts for T1 Mikoto ;-;
Like the other post, I'm equally tempted to have the dancers performing ballet adaptations of the mvs 👀 I want to see. Bee tutu. Doctor coat costume. Marching band tutu. AKAA mismatched look. The backgrounds. The music. The choreo. So many cool possibilities...
As a sweet au, it all ends with everyone better for having met one another. Es is cast in a solo performance, combining everything they've learned both emotionally and technically from the others. They feel satisfied with their sense of identity, and shine onstage ✨️✨️✨️
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A thing I drabbled while trying to finish this dang final chapter of the Bodyswap au. It went nowhere and solely exists to braindump words. enjoy? i guess?
What does Mondo think of him?
What does he think of himself?
In this theoretical universe in which nothing is wrong. In this universe in which high school is normal. One is the enforcer and the other the antagonist and yet they mesh together. Mondo sees an innocence within Kiyotaka that mirrors an inane discomfort within himself. A strength he was forced to take on like a burden, yet does not project an infantilization onto Kiyotaka, but rather a wish of a simpler life than his own he received. From Mondo’s own perspective, Kiyotaka is the normality. The representation of a perfect classmate and a perfect, moral high ground. His execution is flawless and his attitude, while poignant and sharp, is well-meaning with good intent. Aside, there is indeed a kinship within the two specific opposites. The desire to hold those close within a safety. To take the metaphorical bullet. And like two folding upon each other to receive the pain in another's stead, it comes with a herding of a flock. Harsh hand when it necessitates, but a general understanding and love for those close enough to receive it.
But then, what does Kiyotaka think of himself? No doubt there is a high standard to reach. A peak, of sorts, that is desired out of himself. Drawn from within his understanding of the world, forced, of course, by a familial history he is well aware of. In such, there is not just a desire for perfection but the need for it. A specificity that could drag him deep into a despair if he dared let himself go so far as to crumble underneath the pressure he puts on himself, one that is also, in some cases forced upon him. One he accepts with grace and a wobbly smile. Because it is all he knows how to do. Here, however, there are buffers. Exceptions to these laws of Ishimaru’s nature that refuse the perfection. Friends, such as Mondo, whom while motivate him to reach that peak, force his hand in understanding that he is only a person and nothing more. He may see himself as said enforcer, an embodiment of the laws in which he upholds, the rules, if you will. Yet with his connection to others, his friends, there comes a messier understanding of himself that does not have the chance to show elsewhere. Without negative influence, there is room to harbor emotion. Allowing a flourishing of oneself that may only appear in the right conditions. Unisolated, comforted, happy.
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We went to MEDIEVAL DAY at the local museum and it was so much but I am so happy
We got to see blacksmithing! Someone was making an armour stand! I chatted to him about butted vs riveted mail! I got to do a little bit of tablet weaving AND got directions to a weaving group that meets at the same place as where the blacksmithing classes are held!! I got to talk about looms and spinning with fibre people!!
We had mulled wine and listened to a flute and nyckelharpa performance AND to top it all off we went to a viewing of the princess bride where we were encouraged to yell lines back at the screen and I got to introduce my friends to a new friend from art school and I want to set up my frame loom for tablet weaving AS SOON AS POSSIBLE (when I get back from dinner)
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Hi!!! How are you? I haven't really been interacting with you directly lately so I thought I would check. ^v^
HI!!!!!! omg hello how r u :D
im doin pretty good! slowly weaning myself off of tumblr doomscrolling too so you know im the picture of mental health :]
i figured out how to use my sewing machine today! i'm very wary of the beast because it bunched up the thread like 50 times but by the end of the week we shall be besties im so excited
how r ur rabbits?
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