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#but i needed to get the thought out
sophsicle · 2 months
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"You are not my son. I do not claim you. I want nothing to do with you."
Sirius laughs coldly, standing in front of his mother's portrait, the house around him dark. Empty.
"That's the problem though, isn't it?"
"Excuse me?"
Empty smile. "I will die your son," venom dripping from his lips, sharpening his teeth. "Your branch of the family tree will always end with me, charred or not, the history books will always place my name next to yours. If a hundred years from now someone digs up my bones they won't know my thoughts, or my heart, but they will know that my skeleton matches yours," shaking his head, voice echoing through the stairwell. "You see? No matter what we do, no matter how much pain it causes us both. I will die your son."
Just like Regulus, he doesn't say.
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cappycodeart · 7 months
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"The dead one! Yeah I haven't thought about her in a long time!"
A little theory I've had about Winter King's original motives based on his heartless comment about Betty and Ice King's original motives for kidnapping princesses in the first place...... clearly she gave off Bad Ex Vibes…
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zeezu-ix · 2 months
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More Triple S stuff yippee!!!!!!!
It's not uncommon for one of them to not be at the condo for the night, sometimes they'll go to their own respective homes to see family (though they usually need permission from Eggman first BOOO)!!
Shadow lived with Gerald and Maria prior to joining the band!! Gerald has VERY high expectations for him, hoping that he could carry on his legacy and research after he retires (SHADOW DOES NOT WANT THAT!!! ) and as a result is fairly strict with him over a lot of shit and one of the main things is how Shadow chooses to present himself!!
Shadow loves alt fashion however Gerald DOES NOT, he'd made the mistake of dressing how he'd like once at home and never again!!! Now he makes an effort to dress rather formally around Gerald to make sure he doesn't piss him off.
So yeah the first time Sonic and Silver saw him in his more formal getup they're SHOCKED. They're so used to seeing him decked out in piercings and cool outfits that it's slightly jarring.
ALSO MARIA IS VERY MUCH ALIVE IN THIS AU - still ill but definitely not dead!!! If it weren't for her Shadow would not be visiting home regularly.
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fiendishartist2 · 5 months
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whats going on up there
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ash-and-starlight · 5 months
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one day, in a thousand years
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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allastoredeer · 20 days
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Ya'll want to know the funniest shit?
I'm researching the era when Alastor was alive right now to get a better idea of both his character, the life he lived before Hell, and to hash out a backstory for him.
And so, apparently, Alastor lived through the Prohibition (which was basically the United States government illegalizing the manufacture, transportation, and sale of alcohol because they thought it was the cause of a lot of domestic violence and child abandonment).
Alastor canonically died in 1933.
Do you know how long the Prohibition lasted?
From 1920-1933.
ALASTOR LITERALLY DIED THE SAME YEAR ALCOHOL BECAME LEGAL AGAIN. CAN YOU IMAGINE HOW BITTER HE MUST'VE BEEN?
The Prohibition officially ended on December 5, 1933, and now my headcanon is that Alastor died December 6, 1933. Literally the day after he could legally drink all the booze he wanted.
I am learning a LOT about New Orleans and the era Alastor lived through (including the gay community in the city at the time) which has been a lot of fun, and I just wanted to share that tidbit because it is so fucking funny to me.
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as-para-gus · 11 months
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Miles' universe is Blank.
Right at the beginning of the movie, the lady explains that its her job to 'capture his universe', but she has no idea who this kid is, so she has nothing written.
Miles is the 'original' anomaly, who—according to Miguel—was never meant to be spiderman. It makes sense that no one quite knows what to expect.
But hold on a second, in a universe where spiderman already existed, would changing a canon event still be catastrophic when they've technically already happened?
If it is, why hasn't the universe where Miles' spider came from collapsed in on itself like Miguel claims it should? Because the spider never bit Peter Parker in that universe, I'd say that several canon events have changed, but other than chaos due to lack of a spiderman, the universe has yet to tear itself apart.
Why do they listen to Miguel anyway? Oh right, because he's experienced it the consequences of changing canon events. But in that case, wouldn't that make him the original anomaly?
It would make sense, both him and Miles have distinct powers that seperate themselves from the other spiders, like invisibility or vampire-esque teeth.
Dont let all the different versions of spiderman confuse you, they all have things in common—outside of canon events—and Miguel is an outlier in all of them.
No humor, distinct webs, and whatever the hell he injected himself with aside, Miguel has not only lost sight of what it means to be spiderman, but also managed to drag everyone down with him.
Maybe thats why Miguel makes such a good antagonist, because I dont know about you, but alot of what he explained made sense. I found myself even agreeing—greater good and all that. Sure it sucks, but thats the responsibility of Spiderman right?
But wait. When did spiderman become so cynical? As of now, Miguel is not Spiderman. Maybe he never was. I hope for Miles sake thats not true.
But back on topic. Just like that lady at the very start, Miguel also has no idea who this kid is, or how his universe is going to turn out - and thats a little scary. Especially when its possible Miles can achieve everything he wasnt able to. There are a million reasons why Miguel's univeres collaped in on itself, and I'm not inclined to take his word.
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hiems-incaelo · 10 months
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people saying that they enjoyed Nimona until the kissing scene, that it "made it gay" and that it "pushed the agenda" as if the movie wasn't queer from the START.
five minutes in, ambrosius told ballister he loved him. an hour in, he said it again! nearly every interaction they had was so blatantly romantic, I truly don't understand the people who think that the final kissing scene "made it canon", because to me, it was obvious in their very first scene.
ballister saying that nimona is his friend, and ambrosius responding "aren't I more than that?" ballister insisting throughout the movie that ambrosius will listen to him and be on his side, saying "you shouldn't NEED proof, you know i'm not a murderer." not to mention the fact that it's been canon since the comic came out.
I can't take anyone who says that final scene "made it gay" serious, because they obviously didn't watch the rest of the movie. and I find that quite sad, because they're missing out on a fantastic storyline.
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gideonisms · 3 months
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One beer harrow in the club making prophetic pronouncements of doom and despair
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chiptrillino · 1 year
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...older Fire Lord Zuko with a sheer top and his tits out you say?
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ID: three drawings of aged-up zuko from Avatar the last airbender as fire lord. on the left side a full body of zuko front view. In the middle, zuko from the waist up leaning over a cluttered table growling and spitting flames at the viewer. In the third image on the right, zuko from the waist up sits bored and exhausted in his chair. cluttered desk and paperwork in front of him. End ID
I probably did advertise the sheer top wrong! it's more like a robe! just… a bit seethrough… because… you know… self-indulgence…? for me… ? for us? (yes he only has one lense in his his glasses becasue we in the fandom just know why!)
art-blog: chiptrillino-art
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capricores · 9 months
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if you have strong mutable (gemini, sagittarius, pisces, virgo) placements then you NEED to write things down if you don't already. all those thoughts that constantly swirl in your head: the frequent tasks, goals, feelings, aspirations, opinions, etc - WRITE THEM DOWN. this is not only therapeutic & stress-relieving for you but almost necessary, or you're going to burn out and overload your own mind constantly.
when you bottle, or when you let plans, goals, dreams, to-do lists, projects, etc live solely in your head - you'll notice you can't sleep as well, it's harder to rest, your memory gets more foggy than usual, you feel burnt out and unable to connect, etc. specifically:
write down your feelings. this will be your ultimate (free) therapy. start to journal, write a diary. make a private twitter/tumblr where you spill your feelings, frustrations, thoughts. you will feel an immense sense of relief by writing or typing your feelings out - even if no one is reading it but you. mutable moons especially. our feelings tend to change rapidly, but it doesn't make them less valid. don't bottle out of the fear your feelings will change/you'll just "get over it"!! write it down and let it out!!
write! to-do! lists!!!!! these don't have to be for important things. you want to learn digital art? you want to study coding? you want to learn french? you want to re-decorate? you probably have a billion things you want to do, and then you get overwhelmed by the options, and do nothing. write down all the things you want to do. make a to-do list for these things. get them out of your head and somewhere permanent/physical. looking at the options in front of you will feel much easier.
make excel project trackers (you can even make these for to-do list items/goals/etc)! mutable placements have a tendency to start a lot of projects or tasks, and never finish any of them. make a simple tracker for all the projects you start. you won't forget what you're working on, and you'll be less overwhelmed trying to remember what you have going on (example of the one i always use pictured below)
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talking out your thoughts and feelings is also very cathartic. make fake (or real, i support u!) youtube vlogs where you spill your feelings and talk about your plans, your day, what you have to do, etc. talk to someone you love and trust, vent to them about how things are; or about what you're getting up to. i find writing has an edge, because you can go back to it for reference (mutables tend to forget things easily) - but as long as you're getting the swirl of your mind somewhere outside of your head, you'll feel so, so much less stressed.
mutable dominants tend to constantly live in go-mode, we're restless and always doing something. we feel uncomfortable and sometimes guilty about staying still. our minds don't ever shut off. it's very important for mutable placements to learn how to rest, be present in the moment, and learn grounding. this can be done in many ways, but i've found personally that writing works best for me. other helpful practices can be: talk therapy, acceptance theory, yoga, meditation, hiking, camping, etc.
i also want to remind mutable signs: we change a lot. we have a lot of ideas. there's so much we want to do. we often feel like we have no path, no big goal; we can struggle with purpose as we don't often aspire for permanent things or "one big goal". this is NOT bad. there is nothing wrong with changing your feelings, your mind, your goals, your life path. you CAN do all the things you want to do! you have your entire life ahead of you! yes, you can learn all those languages. yes, you can have three different careers in your life. yes yes yes! don't listen to negativity from others. don't beat yourself up for not having one big goal like some people around you might. cherish and embrace all the things you want to achieve and complete (both big and small). learn to follow-through with and finish the things that matter to you (writing things down will really help with this, make action plans/steps - break everything down into smaller pieces). take the time to slow down and enjoy the moments as they come. you got this!
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flamingpudding · 5 months
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Bruce stared. He had just been lecturing one of his son on his gala manners. Dick or Jason were usually the ones misbehaving like that, not Tim! What had gotten into his son to behave like that in public when he wasn't even in a sleep deprived state. Of course, Bruce had to lecture his kid and benched him for the night to get some sleep because Tim had to be sleep deprived to act like that. That was untill said son, he was lecturing, came through the front door shouting at him for leaving him behind at the gala.
His head swayed between Tim and the teen he had apparently just abducted and possibly has now knowledge of their secret identities.
Okay, maybe Alfred was right about his amount of sleep. Bruce brain went to overdrive, he could play it all of with an extended Brucie act.
That was before the teen lifted on hand in a calming manner and sheepishly smiled at him.
Danny: I get the whole secret identity thing, but i dont think it's a good idea to bench me, when ghost might come attacking. I won't tell a soul about yours if you keep mine! I can make a death vow if that helps. So can I call vlad now? As much as I like getting on his nerves and away from him. HE is my original ride home.
Tim: Wait, Vlad Masters who pestered ME all night is your guardian?
Bruce continued staring at the teen that looked like Tim and was now talking to his son while his son was parallel texting on his phone. No doubt telling his other sibling.
Good, they will never let this go and Alfred will use this situation against him next time he works through several nights.
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wasyago · 8 months
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we're at it again🕺
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puppyeared · 1 year
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obsessive
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perpetualcynicism · 23 days
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“May I hold you?” you ask Jing Yuan one afternoon as you lie sun-warmed in his garden. 
You almost think he is asleep until he invites, “Please,” carrying a smile in his voice. 
With ginger movements, you reach over and place your hands on either side of his face. It begins as mere holding, but soon you find your touch roaming. You smooth your fingers over his eyebrows and trace down to each side of his jaw. From here your hands climb up again, and once more back down, mapping out each crevice and dip of his face, his skin, his bone, until you are certain there is no part of him remaining that you do not know better than you know yourself.
You play this game with yourself, sometimes. You imagine people not as people, but as planets. After all, what is a person anyway, if not a world of their own? You trace the ridge of his nose, and imagine there lies a mountain range. Around his eyes you find oceans. Where his cheeks dip, there are valleys, and a river runs between his lips.
“What are you doing?” Jing Yuan asks. There is an element of amusement to his question, but his voice is primarily gentle. Endeared.
You still your hands. They rest on his cheeks while your thumbs brush back and forth over his skin, holding him. Though the world melts back into the familiar shapes of his face, there is still an assured sturdiness to his features which is grounding; a gravity which draws you towards him, as if you were the moon to his planet. Small, perhaps, and bare, but casting light on him wherever you can.
You answer, “I think I’m holding the world in my hands.”
You feel Jing Yuan’s smile through the way his cheeks press into your palms. Two hands cover yours, large and calloused, but gentle, and hold yours securely in place against his face. There is the tender press of lips to your skin as he turns his head enough to kiss the inside of your palm.
You hear Jing Yuan’s smile through the way his words come warm and bright and filled with adoration. You wonder why you thought him a planet, when he is so clearly the sun.
“And I am being held by the universe.”
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