man it sucks wanting to eat food i know i cant

The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.

Taking pride in One's own appearance.

in another life, maybe.

+ the kiddos

a timeline where they actually work things out and get therapy and are just happy.

It's mostly the fault of poor editorial practices that B&R is so heavily misaligned continuity-wise w/ the main batman book. But walk with me for a minute:

You are Damian Wayne. You are 14 years old and have had one of the worst years of your life last year. Which is saying a lot.

Your brother, one of the people you were closest to, got shot in the head and forgot who you were. Your best friend went to space for a week and came back 3/4 years older than you, taking away your previously established dynamic and leaving you to have to bond all over again w/ a new one. You may or may not have gone wayyy too far with your new superhero team, who now all hate you, because you fucked up big time*

And worst of all, when you do try to do the right thing, you end up forced to watch Alfred, a father figure to you, the only one at your birthday that year, the person who has been so patient, loving and trusting with you, even when you probably didnt deserve it...die. you watch him die, and feel it's all your fault.

And your dad never corrects you on that last point. So you run away.

First to your mom who can tell something's up with you, she knows you don't give up that easy, you decide not to stay with her because you remembered how actually, neither of your parents are good at communicating with you despite their best efforts, so now you're 14 and flying solo.

And you do fly solo. For a while. Make new friends, new enemies. You think you're better off for it. You've got your best friend and your brother back. They're not around as much. It's fine.

And eventually your dad tells you that it's not your fault that Alfred died. Bit late but it's appreciated. Really. There's a bit of a hiccup where you get possessed by a demon and wage war against your father but after that, all in all, you two are...together again.

You start to think maybe you want to give him another chance, for the two of you to be father and son.

And in a change of pace, it works out! It's going good, mostly. He insists you go to highschool, you resist, feel like he wants you to be something that you're not (wants you to be normal), but eventually you acquiesce for your own reasons. He cheers you on at soccer and nosies around at your fundraising events with the other parents and gives you a stern talking to about your choice of girlfriend. Because he cares.

Except all the while this is going on, your dad is currently having his brain slowly taken over by an evil version of himself that he created and every time you look away he's slowly tearing your family apart (your brothers are just barely keeping it together. The ones who didn't get lobotmized that is Jesus Christ). You keep taking his side in these conflicts, for whatever reason. Maybe because he promised it would be different this time, and it isn't** and you're going to stick with him until he keeps his word for once.

But at the end of the day?

It's like your brother says. You're not the one who saves him. Broadly speaking, you've made things worse and needed others to come save you. And what else is Robin really for? You thought it was about redemption and teamwork but guess you're wrong. It's about saving your self destructive, apparently two-faced and erratic father. And you can't even do that right.

* TT (2016) by Adam Glass is a racist ooc mess, but unfortunately it's still canon so I'm referencing here, though like a lot of works authors clearly wish weren't canon but are, it's been subsequently glossed over. Win? Maybe? Or not?

** again Zdarky's characterization of Damian is so outdated as to be ooc, and considering the way he constantly and explicitly uses it to illustrate Tim's strengths as robin, I'd argue there's. Also implications there. But the batshit insanity of the main batbook compared to B&R rn is crucial for this post, so I'm attempting to justify it. This time..

So how badly do we think it fucks with Andrew that he agreed to stop protecting Neil a few hours before Neil was kidnapped and tortured?

what gets me re: kevin with jean is that kevin is seriously the worst. like we see in-text specifically that kevin used to lean into jean’s space to whisper to him and it seems it was common enough to him that he didn’t think much of it (he did it once for asking jean to teach him french then again to make jean promise not to off himself), he said horrible things like ‘it could be our secret’ and ‘i don’t want to lose you’, he wrote jean memories and notes in postcards, he bought jean silly little magnets, even up to the point of tsc canon he was cradling jean’s face and gently touching his hand. so flirty! no wonder jean was down so horribly. no wonder nora sakavic said kevin was always the problem child

chip doodles (you have no idea how sad he makes me)

this one’s for the lisa frankenstein, chappell roan stans

"Eagle Flies.. he needs help.. they all need help.."

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

'before you embark on a journey of revenge, dig two graves' what a stupid quote. im killing way more than two people idiot

bye i relate to penelope featherington in an awful way bc i also am the unnoticed hopeless romantic chubby girl and episode four of season three has me crying

adam and lawrence standing opposite one another for the first time once they’ve both recovered enough and adam losing his mind a little ‘cause yeah, he’s seen lawrence, he’s stalked him, camera in hand and spent what felt like a lifetime chained up across the room from him, he’s had hours in his darkroom, music blaring as photo after photo of lawrence stares back at him, he’s been up close and personal as lawrence promised to come back, as adam begged him not to leave and he’s sat next to lawrence’s hospital bed during their joint recovery. he’s seen lawrence, sure. but only from a distance, only lying down. so when he’s suddenly stood a few feet in front of the guy? when lawrence moves closer, still, and adam realises that he has to tilt his head up to look at him? when he realises that lawrence has to bend a little when he wants to murmur something to adam, just low enough that no one else will hear? when lawrence comments on their height difference for the first time, teasing but not mean, well .. yeah. maybe adam realises he has a little thing for it. or whatever