hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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what is considered "beautiful" by society is inevitably sexist, racist, ableist, classist, transphobic, and bigoted. it targets and attacks any perceived difference, and it particularly villainizes women of color while co-opting aesthetics; as if features and cultural norms can be worn as accessories.
and the scary thing! you can see all of these things, know them to be true logically, and also know that you are treated better if you are perceived as beautiful. if you have ever been treated as "ugly", you know exactly how much society reviles you if you don't manage to scamper along and perform to their rules.
and how are you supposed to balance that? do you want a nose job to fix your broken nose, or have you just recently been seeing videos about how many people look better after nose jobs. do you want to lose weight to feel good, or is it that when you lose weight people treat you better. do you want to wear this outfit, or is it just the thing that's least likely to get you harassed. do you want to get lip injections for your reasons or is your whole reason that you don't feel beautiful unless you get those lip injections?
and the definitions shift. the goals get more specific. in the way that you only become aware of your tongue when someone mentions it; parts of your body are introduced as problems. i had never heard the term "hip dip" until about a year ago - and it was in the context of how to get rid of this. i'm 30, i know this shit is invented, and yet! i still find that strange voice saying but do you think someone is going to notice?
how the fuck am i supposed to say "this is my genuine choice i am making for my body" when i also know that years of my life have been spent socializing me to accept this as my inevitable fate? how do i know i'm actually doing this out of love for my body - or am i doing it for how i want others to see me, which will be lovely enough to feel loved? how am i supposed to recover when my unhealthy habits are seen as self-discipline but if i relax i'm openly mocked for "letting time win"? how the fuck am i supposed to say "i'm doing it for me" when i'm also very aware that i'm doing it to stop myself from being teased or demeaned? is it my choice if the other option is being bullied?
we are living in a hostage negotiation - either consent to the demands or spend the rest of your life being treated like you're a despicable person.
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its time for scp required reading... TWO!!!!!!!!!!!!!!!!
please for the love of god heed the fucking warnings im so serious . like as much as i want to keep the tone of this post jokey and funny you NEED to heed the warnings on these
ok with that out of the way. read about my blorbos boy
''incident 239-b clef-kondraki'' (general warning for violence and blood/gore) - this one fucks. thats all i have to say about it
''technical issues'' - this one's funny + im biased because i fucking love pat the tech guy
''routine psychological evaluations by doctor glass'' - again i have personal bias about this (<- simon glass enjoyer + host is a glass introj) + this ones funny + if you're more into the fanon versions of the foundation staff this is right up your alley
''tradition'' - halloween party fun :-)
''dr cimmerian hits reply all'' - this is exactly what it sounds like i don't now what to tell you
''stupid cupid / stupid cupid: stop picking on me!'' - my house my rules read about cimmerian and his boytoy
''hawaiian shirts'' - clef fucking Breaks. thats all i can say about this without exploding into viscera
''help me my (love for) my daughter was born too still'' (general warning for mentions of child death) - i have personal bias about this (<- #1 agatha rights enjoyer) but this tale is So Good in general and a super interesting look at how agatha perceives herself and her work/life balance
''so leave yourself alone.'' (warning for graphic depictions of vomit and attempted suicide) - REALLY really really good look at clef kind of dropping his cruel persona and iris' mental health struggles regarding the foundation
''yesterday'' (warning for violence and implied/reference suicide. kind of.) - :-( <- this is the only way i can express my emotions about this tale. anyway it's really good and an interesting way of showing clefs relationships with people
''an apple a day...'' - REALLY good look at how dr glass is as a person and how he acts with people + this entire tale fucks SEVERELY
''personal log of dr gears / personal log of █████ 'iceberg' ████'' - good example of how gears and iceberg both format their documents / how they speak + its vaguely gearsberg + this gives a look at how gears and iceberg met. read the gearsberg tale boy
''portraits of your father'' (warning for graphic alcoholism, suicide, survivors guilt, and blood/gore) - super good look at draven and his relationship with his father, and kondraki's alcoholism, and also talloran is there. also three cheers for dravoran
''life's cold'' - most normal day iceberg has at this fuckass foundation + this is a good look at how iceberg acts and thinks
''fond memories'' (warning for death and body horror) - draven proposes! Draven proposes.
''scp-3999'' (warning for bugs, paranoia, death, body horror, sexual assault/rape, unreality, self harm, and depictions of bodily mutilation) - unironically this one fucks me up so bad its so fucking good dude. go read about james talloran RIGHT NOW
''i stared into the face of everything and nothing and made it back alive'' - this one also fucks me up so bad like i dont even have anything to say. read about talloran and draven RIGHT NOW
''you are at the center of everything that happens to you'' - james talloran talks to himself. kind of.
''a suicide note'' (warning for mentions of rape, child murder, survivors guilt, and suicide) - interesting look at clefs thoughts on him and his work
''date night'' - objectum win! dr alto clef is objectoromantic AND objectosexual! <- that should tell you all you need to know about this one
''scp-4231 / montauk house'' (warnings for graphic depictions of sexual assault, rape, child abuse/neglect, murder, domestic violence, verbal/physical abuse and survivor's guilt) - absolutely gut-wrenching look at alto clef/francis wojciechoski and why he's so fucked up. uh genuinely do read the warnings on this one because when i say graphic i am not exaggerating. all of these things are explored in detail and are genuinely triggering so.
''okay, that's enough, let's get you home'' (warnings for some dubious make-out sessions, (mentioned) suicide, implications of rape/sexual assault, and vomit) - shameless moldhouse plug sorry not sorry. HIGHLY recommend reading this and it's other parts in their entirety because it genuinely drives me up the fucking wall it is So good. i will sing moldhouses praises until my throat goes out. read moldhouse Now
''duke 'till dawn'' - bpd king!!!!! anyway i dont have a lot of thoughts on this its just really good. also i didnt know dracula was an actual scp until i read this which is kind of funny to me
''rights' birthday party'' - my house my rules you're going to read about agatha rights whether you like it or not
''sex at a frigid temperature'' - again, my house my rules. read the depressing gearsberg tale, boy.
''7 things that new level 3 researchers should know'' - i dont have any thoughts on this i just think this one has really cool formatting
''home is where i want to be'' - no greater thoughts this is just really neat i think. also kiryu labs is in it and im biased as fuck
''gentle wings flutter quietly in the dark'' - read about zyn kiryu NOW
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hi hi willow!!!!!!!!!!! (<- absolutely not in pain whatsoever)....... i am just wondering if..... uh.... u have imagined a reason for the breakup yet? i'd love to know why you think bakugo would ever break up with you. heh heh. hah. :D (i am crying)
here are the things you don't know—yet, at this point in time after the breakup.
two weeks before, dynamight gets into an ugly argument with a civilian. over something stupid, probably; she's drunk and not listening to a word the hero is telling her, stumbling around in public and taking her shoes off and shoving at him when he tries to corral her from getting into another fistfight in the street.
it's just—bad. looks bad. before anything productive can happen, a few of her friends are stumbling out and screaming at him, too, for being a cocky asshole and putting their phones in his face and recording him and maybe he says something he shouldn't—not something terrible, just something that sounds extra bad when a group of young women are screaming and angry at you—and it gets blasted all over the internet.
two weeks before, dynamight gets dragged in the paper. for being a jerk. for being such an asshole. remember when he nearly collapsed that building last month, during that fight? so careless. and he's never friendly when anyone comes up to him on the street, either in uniform or not. is more likely to brush someone away than stop and take a picture. in high school he was a little brat, too, with the way he spoke to his peers and didn't know respect if it slapped him in the face.
his poor partner. must be miserable to be with him all the time. they deserve better.
and if they know how he is? and how he acts to the people he's supposed to take care of? well, they must condone that kind of behavior, no? they're okay with him acting like that in public? what kind of morals do they have, anyway?
the other thing you don't know yet is that katsuki has been working every day. two shifts, sometimes, to the point that there's little more he does than eat and sleep and be dynamight. there's no free time. if any tries to make an appearance in his schedule—he's filling it with something, anything; going hiking, working out, cooking dinner for his shithead friends, not being at home.
whatever he's doing, he's not being at home.
yes, he got rid of everything he could that belonged to you. because he couldn't stand to look at it and know you weren't going to use it in his house again. can't stand it. refuses to, actually. is only putting one foot in front of the other, every day, and not really thinking about that weird, awful weight sitting in his gut, that feels dark and terrifying. he can't think about it. he's not bad at avoiding those kind of thoughts—he's done it before and he'll do it again.
and lastly—he's a fucking idiot.
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