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harmoonix · 9 months

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🌃⚡Stormy Astrology Notes⚡🌃

⚡ - Moon aspecting Mars can end up with anger issues, is because sometimes they know how to control their emotions and sometimes they don't

⚡ - Mercury in Sagittarius/Gemini might have a different way of expressing their words and the way they communicate might be also different than others

⚡ - Neptune aspecting Moon gives beautiful eyes and face features, definitely i think of angelic placements

⚡ - Natives with heavy Aquarius or 11th house placements are THE BIGGEST defenders of their friends, they won't let you to talk bad about their friends

⚡ - Heavy Taurus or Cancer placements can possess cooking talents or they just may like to cook and try different types of food

⚡ - Moon prominent in a chart makes the native sensbile, spiritual and magic, they have a mix of everything honestly because of their imense intuition and power

⚡ - Asteroid Devine (3561) in the 7th house can have a blessed relationship and the type of "I wish to have this type of relationship just like they have"

⚡ - Asteroid Pandora (55) aspecting Ascendant can be seen as someone who is always curious and looking for things to do, their curiosity might be too much sometimes

My reaction: 😍😍

⚡ - Mercury aspecting Moon or Venus are AMAZING artistically people, they are extremely talented in arts, acting, music painting etc..

⚡ - Lilith in Virgo/6H house is not an easy placements but is definitely not for the weak because Virgo who is the (Virgin) meets Lilith who is like the baddie who does naughty things and in this placement Lilith can embody both dark and light energy

⚡ - Lilith in Gemini/3rd house have kinks to love and hear their partners moaning or calling their names during breaking bed time, they love this

⚡ - Lilith in Cancer/4th house might be obsessed with their partners chest, or muscles they just habe this secret addiction to chest and muscles

⚡ - Aries Mars/Scorpio Mars and Sagittarius Mars are no joke when it comes to breaking bed time, they are REALLY into it without stopping...all day all night 🌃

⚡ - An UNDERATTED thing about Lilith - Sun aspects is that they love the dark aesthetic, dark movies, dark books, dark clothes everything basically who has this Darcie/Villain type of energy

⚡ - Asteroid Lilith (1181) aspecting Ascendant can't help it to make other people fall over them, they are always in someone's eyes and in someone's else heart

⚡ - Gemini in the 5th house/Gemini Venus may have multiple crushes or can end up as a love triangle between them..Yes I know this is not K-drama material but can feel like it

⚡ - You tell me you have Aquarius Venus or Aquarius Juno and your friends didn't fall for you?That's an rare event because people with these placements often end up with their friends falling for them or vice versa

⚡ - Hekate (100) - aspecting Ascendant is extremely spiritual gifted, and also embodying Hekate's energy, i love people with such placements..it always makes me think to Hekate putting them in the right path

⚡ - Hekate (100) aspecting Moon could have been a witch or having some business with sorcery in a past life because moon can repsent past life topics

⚡ - Having 11°, 23° degrees in your (Sun, Moon, Rising) can show gaming addiction, they might have a passion for gaming or playing games in general

⚡ - Having 4°, 16°, 28° degrees in your (Sun, Moon or Rising) can show an aesthetic related to sky/stars/celestials/ and even astrology they can love astronomy and study it

⚡ - Having 6°, 18° degrees in your (Sun, Moon or Rising) shows that you prioritize your health a lot, you like to keep yourself healthy and in good form and always trying to keep an balance

⚡ - Virgos and their obsession with cleaning is something else, if they find even a little crumb on the floor, they would clean it until their floor shines

⚡ - Libra/Taurus in Sun. Moon, Rising is the IT placement for being the "lover girl" kind of thing. Love is their thing since they are the being kids of Venus

⚡ - Nothing is as juicy as someone with Capricorn and Scorpio placements in their chart, they are the juiciest people you will ever met

⚡ - Psyche (16) - or Vesta (4) in water signs... How does it feel be a starchild?? Is honestly intense and beautiful, they were always giving this type of "I'm not from this world im just visiting"

⚡ - Neptune can repsent addiction aswell so people with a heavy Neptune in their chart may have different addictions to different things

⚡ - Pluto aspecting Mars placements are on the list of being the naughtiest people...Life can always get crazy if you have these aspects in your chart

⚡ - Air Placements really love the cloudy weather...well it kinda makes sense because they are represented by the air element but I mean the vibe this cloudy weather brings them

⚡ - Having 5°, 17°, or 29° degrees in your Sun, Moon or Rising gives that type of person who is always in the spotlight, they receive a good amount of attention and it can be anytime of it. Like people staring at you because they are curious or interested in you

⚡ - Not me discovering at 3 A.M that having Chiron in the 2nd, 4th, 8th and 12th houses just means you inherited pain 😭 like you have to carry some pain but that is coming from other people not you #staystrong

⚡ - Moon in Sagittarius/9th house can be really outgoing if you give them that chance, like you can see them dancing in the middle of the floor on some Nicki Minaj songs and you'd be still wondering if they are drunk on is just their personality (Applies if you have Moon in Sagittarius Degrees 9°. 21°)

⚡- Having 2°, 14°, 26° degrees in your Sun, Moon or Rising makes you so charming and lovely, this is truly someone who is beautiful inside and out and shares a good energy to people

⚡ - Girlie be having Pluto/Saturn in the 11th house and has either that type of friends who betray them either their friends become a lesson for them 😭

My reaction:

⚡ - Saturn in the 6th house/12th house natives be getting tried so fast, is like the energy goes out of them in the moment they wake up 😭😭

⚡ - People with the sister signs in their chart and either get along or hate eachother forever, for example: 2 Cancer Risings can like eachother and it can happen for 2 Virgo Risings to hate eachother

⚡ - Is very important for natives with Neptune in the 1st house or Neptune aspecting ascendant to be around good and positive people, because if they are around bad people these natives can get really easy influenced by others so please take care of your surroundings

⚡ - "I think I'll miss you forever" gives Pluto - Venus aspects and it's so true because those natives love the deepest

⚡ - Storms are magnificent and dangerous in the same time, especially seeing it at night, it's wonderful how mother nature wants to show the world how amazing she is ⚡

⚡- Hope you enjoyed the post, may your day be with a good vibe and light energy 🌃

H a r m ⚡ o o n i x

Harmoonix2023®

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callipraxia · 11 days

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Further Interview Analysis: the "Ford Plan," and Bill's Blind Spot

I didn’t sleep again the night after the “musical Weirdmageddon” post, and wrote a lot of loopy stuff the next day, and posted none of it. But then I slept, so yay, time for an attempt at some actual analysis! Original interview is, as before, here, with credit and thanks to @fordtato and @hkthatgffan.

"I think that Bill was trying to find Ford, but I think- I always think of Bill as like, this guy who has, like - you know, he’s stirring the pot of soup that is the Ford plan, and he’s got like 900 pots of soup across the universe of different things he’s working on, and at any given moment, he’s so cocksure that it’s all gonna work his way eventually."

Bill’s a trillion years old, so it’s like, Ford disappearing for thirty years is like- [snaps fingers] is like somebody saying they’re ghosting you and then texting you the next weekend, you know what I mean? He’s like- he’s like [handwave] “Ford’s gonna- Ford’s gonna be back. Ohh, [air quotes] we had such a big fight, Ford’s sooo mad at me,” oh, you know, “our will-they-won’t-they-take-over-the-universe relationship, like, he’s gonna- he’s gonna march off in a huff, and he’ll be back, ‘cause we’re- is Ford gonna find anyone else in the multiverse that strokes his ego as well as me?” Is there anybody else in the universe that’s gonna make Ford feel as important as Bill? No, of course not, Ford needs validation, and so Bill knows Ford’s gonna be back eventually.

...so, Bill still had a "Ford plan," did he? Like, some active plan that involved using Ford in some way to escape the Nightmare Dimension? Interesting.

I always interpreted his cliche-villain-gloating routine when Ford confronts him about being a liar as the point where Bill was ready to discard Ford altogether. If he had wanted to - if he could have been bothered - after all, he probably would have had a very high chance of somehow manipulating Ford out of the realization that he'd been played: Ford had been literally worshiping Bill a few days earlier. He was basically a cultist, and he was not only someone who'd spent way too long talking to Bill, he was also someone who could only confront Bill on Bill's turf, so to speak. But Bill didn't even try to turn it all around, because (ran my reasoning) he'd gotten what he really needed: the Portal existed, and you can't close Pandora's box. The technology was there. It would not, from Bill's trillions-of-years perspective, have taken very long to find some way to manipulate someone else into rebuilding the Portal once it existed even given Ford's attempts to hide the plans. Bill was scribbling on the Journal in invisible ink after Ford's last entry, before he buried it but after he wrote all about his plans in some detail, even drawing a map to J2. The Journal separation plan would have been laughably easy for Bill to work around. So at that point, I assumed that the only reason Bill didn't arrange for Ford to - if I may be blunt - kill himself the first time he blacked out was because Bill was basically getting off on the psychological torture and wanted to see how long he could keep it going/enjoy himself until Ford literally died of exhaustion. Ford certainly seems to think he'd have been killed if he had lost the game of 'hide and seek' in the asteroid field. I thought the idea that "Bill used Ford until he used him up, and now he was done with him" was basically canon, and that Bill paid no more attention to him from that point onward than you would pay to a broken Solo cup in the trash until Ford did something unexpected - ie, survived the Multiverse, came back with a death ray, apparently took out a few Henchmaniacs, almost shot Bill himself, and then survived the experience.

But here we have what I suppose amounts of authorial commentary which seems to directly contradict the idea that Bill didn't even regard Ford was worth finding and/or killing. Bill was looking for Ford, all those years - not all that intently, apparently, or really very long from Bill's point of view, of course, but still - and Bill still had a plan for Ford. Bill also, if I'm reading that right, seems to have really just expected Ford to come back, of his own free will, to join him eventually, not to kill him.

Of course, it's possible I'm reading that wrong, and Bill just knew that killing him would also give Ford a massive ego boost and that Ford would have to eventually reenter his orbit in order to attempt to do so. It's also true that Bill just not being able to accept rejection in no way, by itself, implies he wasn't planning to go "hahahaha, no" and kill Ford fifteen seconds after he finished begging Bill for forgiveness. But the 'Ford plan' bit seems to undermine that. Let's assume the hesitations and half-sentences are Hirsch improvising, not Bill actually cutting off a thought he might not like the end of. So was Bill genuinely never planning to kill Ford after he bumbled into the Nightmare Realm back in '82? And if not - what in the world was he planning to do to him once one of the Henchmaniacs caught him, then? And why do I have the feeling that whatever it was would have made murder seem both a) kind and b) not at all disturbing by comparison?

Also gives us, in a way, some insight into Bill. Kinda. We've always known that there's this...level, this very deep, seldom-relevant but very important level, on which Bill doesn't quite understand how people work. We see it primarily in the mistakes that Bill makes with Stan and Mabel. Maybe there was nothing he could have said or done in the situation with Stan to save himself, Stan had reached the point of literally suicidal determination and there's really not much you can do to budge someone at that point and especially not once their consciousness has already caught fire, but with Mabel - in Sock Opera, all Bill needed to do to win was keep his mouth shut for three more seconds. He was clever enough to see how Dipper and Mabel's relationship could be exploited to get Dipper to do what he wanted, but he did the exact opposite of what he should have done to get Mabel to do what he wanted, because for one thing he underestimates Mabel and for another...it comes back to that elusive Thing that Bill can't or won't understand about the deeper levels of humans. Or maybe it's Things, plural, and a distinct one for each person, but there's something there at the bottom of the personality that Bill apparently can't jive with.

With Ford, for instance, he clearly underestimates the power of genuine self-hatred and remorse. Bill may feel bad in some way about what he did to his homeworld, but look at the actual words of the Axolotl's prophecy: he feels that way not because he has realized at some point that what he did was fundamentally wrong, but because he wants to go home and can't. Essentially, his regret is for his own inconvenience. And in a lot of ways, I can see how that could have translated into him feeling he did, in fact, know all he needed to know to push Ford's buttons, because while it's never spelled out for us, it seems, based on his habit of carrying around family photographs on his person apparently since college despite not getting on well at all with his family, that there was maybe some tiny part of Ford that also wanted to "go home," and not just to flip off the town. Ford was also someone who deeply feared the consequences of his actions, if you read between the lines in the Journal - his worries about a 'Close Encounter' with the government, his scrawling that he must not lose his nerve on some early Portal notes, his talking more and more about Fiddleford losing his nerve in a way that starts seeming kind of projection-y - and Bill could certainly understand that fear perfectly well: we see Bill panic outright in the finale when he realizes he's out of options he's going to remotely like. In the unlikely event Stan would or even could save him, Stan obviously wouldn’t have done so so on Bill's own terms: Bill would have been stuck making an honest deal for once, or else left with the options of "die" and "take a one-in-a-million shot and do his invocation of the 'Ancient Power,' possibly putting himself squarely into the hands of an enemy whose full aims he probably does not know." But then, that's Bill's flaw - the things that drove him to become what he did were revenge and the fear of Death, of the ultimate loss of control. His arrogance makes him think he can take most any situation, no matter how disadvantageous it might seem, and twist it around sooner or later, but Death - well, that's it, ain't it? Or, as Horace might say in a really old translation:

When life is o'er, and Minos has rehearsed The grand last doom, Not birth, nor eloquence, nor worth, shall burst Torquatus' tomb.

(Horace, Ode 4.7. The Odes and Carmen Saeculare of Horace. John Conington. trans. London. George Bell and Sons. 1882.)

Bit different from most translations I've read, but close enough and in the public domain I believe, so we'll go with that. It's possible that Bill's...unique...state of existence may actually make dying an even more terrifying prospect for him than it for the rest of us. He became what he was to escape limitations, including mortality - but after all that killing and burning and transformation, he found out that he might not ever die, but that he could still be destroyed. And even when he found his own 'territory', it started decaying around him, which proved that dimensions, too, can die even if nobody is apparently actively trying to destroy them. What happens to him then? That's what he's afraid of, and he cannot quite grasp that others might be able to overcome that fear in service of either another principle or another fear. That's where he keeps running into trouble in the series timeline, too. It never occurred to him that Gideon might have enough humanity to want Mabel to actually care about him, instead of just about possessing her - much less that Gideon could want that enough to risk death for it. It was inconceivable to him that Dipper and Mabel could voluntarily turn their backs on even a blatantly false paradise to willingly walk into a living hell, just because it was the right thing to do. And as for Ford and Stan....

Well, on one level, he's right about Ford. When he met Ford, they did have certain things in common: frustration, ambition, deep and secret regrets, loneliness, and fear of facing the consequences. Ford's desire for respectability and honor from those who had rejected him his whole life may have extended this even further for him than it went for Bill in some ways: he couldn't even admit to himself that what he was doing was totally self-interested, whereas Bill, like Stan, has long since come to terms with his own selfishness. And like Bill, Ford probably didn't even have the ability to see that no matter what he did, it would never be enough, and would never really satisfy him. But death? Ford doesn't fear death. Never really has, as far as I can tell, but he certainly doesn't now. The way he lives his life, the man might as well be courting death - sending it roses every week and buying all its drinks at the bar, so to speak. He and Bill both fear the consequences of their actions, but 'consequences' are a category, and it's just as possible to be afraid to live as it is to be afraid to die. And Stan...Stan is harder to be sure of. Certainly Stan's priority is always for self-preservation. He's probably depressed to some degree, and he will risk life and limb without hesitation when he perceives a threat to that which he loves, but that's something that usually happens in a crisis. He doesn't hesitate because he doesn't think about what he's doing, which is what makes the Final Deal such an incredible gesture for me - he not only had plenty of time to think about what was going to happen, but he had to actively take steps himself to enable it to happen. To me, at least, that seems the hardest thing...but then, the whole situation in the Fearamid is one that brings to mind some of my worst fears, to the point that I find the scene difficult to watch and I almost scrapped an entire 22,000-word story once just because it required me to write about a small part of it. I'm sure Bill risked death, in some fashion, to become what he is, and I'm sure he was afraid of failure every time - but he was less afraid of a bad outcome that might come from leaping at the chance for some semblance of life, any semblance of life, no matter what that might look like or how long the odds might be, than he was of doing what he knew would lead to...wherever even destructible gods go, when they go. This is why the Stans were the thing he couldn't account for, really. He couldn't conceive of having a priority higher than self-preservation, of overcoming his worst fear - and that was what destroyed him. Maybe, anyway.

It's sort of funny, actually - I started writing a completely different post yesterday about how to develop a new character based on some of Hirsch's remarks, and in the course of it, I made the remark that I found it hard to fathom how you could write any of Gravity Falls, at all, without knowing ahead of time that it is the story of (if I can make so bold as to quote my own story's dialogue) "the Faustus of New Jersey and His Knucklehead Brother and the Hazard Sign From Hell," and without at least a fairly good understanding of who those three people are and how they got there. If one looks at the story that way, I suppose you could say the events after their starting situation are also the story of these three being thrown up against the places where their real deepest fears lie, and seeing who has something he really, really will not compromise on...or at least, it did at the start of this paragraph. But did any of them, really? Bill blatantly fails that test, of course - Bill runs, just like he's been, in a way, running for his entire miserable existence. Ford comes close to what might have been a couple of breaking experiences for him - either surrendering to Bill or, had the memory wipe worked the way he thought it would, with living with whatever the fallout of essentially killing his brother would have been - but the universe was kind and stacked the deck just enough to let him cheat his way out of that one, at least for the most part. But what about Stan? He didn't want to die, but we already knew that he'd risk it for the kids, because we've seen him do that before. The way he went about it this time arguably took more courage than the others, when he just went in swinging at an immediate and obvious threat, but it was still an escalation on an established thing. Stan's real worst fear isn’t death - it’s of being alone again, of losing his family. That's the principle that overrides self-preservation for him. What would have happened if he'd been in Ford's shoes - required to take up the role not of the sacrifice, but of the one who performed it, giving up one member of the family to save the others? Could he have done that?

...though that is wandering from the topic I was originally talking about, isn't it. Which was that yeah, Bill is, in his way, as fallible as anyone else despite his immense resources - which is gonna be a fun topic to get into when I get around to the post in this series about writing higher intelligences, but that's also not the point, which was that Ford was never going to go back to Bill the way Bill thought he was, because Bill's inability to understand other people's ability to do things that he can't is a serious blind spot for him. It's the thoughts he can't have that doom him (probably...hopefully, anyway...), fortunately for the rest of us.

#gravity falls #gravity falls characters #ford pines #stan pines #bill cipher #gravity falls analysis #inspired by the Hirsch interview #rambling happened #my ramblings

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youlikefanficdontyousquidward · 1 year

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I know I already told you and showed you the role I had with Lyle's AI but people also deserve to read about it.😈 and here is the idea that you could use one day: Lyle and reader trapped in a broken elevator at the RDA base. BOOM!💥 I don't know, I'm just saying, think about it🥴

O M G I was literally thinking about doing that!! Final push to do it now!

Recom!Reader x Recom!Lyle

Warnings: Smut, semi-public sex(no one can see them but if they're no quiet someone could hear)

You two were celestial masses, caught in the gravity that pulled you both towards one another. Both moons to ones another's planets or great asteroids destined to crash together.

Every space you inhabited was inevitably Lyle's too. More often that not it seemed like fate that pulled you back together. As humans you'd spent your lives orbiting one another but never touching. Never quiet together but never far apart.

You'd both been through basic training together, just not on the same teams. Then you'd both been assigned to escort the scientists but again not the same groups. The first time you'd even officially met was after your soul-drive had been made. A polite excuse me and nothing else, though Lyle's eyes had lingered on your retreating frame.

Fates boldest move was to bring you back together. Recom bodies grown in parallel tanks, curled to the side to face one another in silent dreaming. Then assigned the same mission, hunt down the leader of the na'vi insurgency.

You had a week on base before they'd have you re-enter the forests of Pandora. Your excitement grew at the opportunity to take in the beautiful sights with your new eyes. Everything sharper, more vibrant and exquisite than before.

More so you grow excited to spend more time with your new friend. Lyle Wainfleet. You'd seen him so many times before as a human. Captivated by his dark eyes but never having a chance to introduce yourself. Now here you were on the same team and he'd come to you.

He was all smirks and jokes, lightening the foul mood your new situation threatened to suffocate you with. Lyle was just as handsome as you remembered, though in new and exciting ways. Same bulking arms and broad chest that made your stomach flutter but vivid striking eyes.

It only took a day before he'd started the flirting. Little comments here and there that you'd taken as jokes to begin with. Even firing back your own remarks. As the days past he got bolder, egged on by your reciprocation.

He snaked arms around your waist, tugging your body to his, nipping at your ear with sharp fangs. All moments interrupted by the other recoms or human soldiers. You'd laugh it off but he was setting a fire in you and each night you went to bed with the feel of him burned against your skin.

Lyle was getting frustrated too. He'd never get away with outright going to your room at night. No there were rules against that kind of thing, so stolen moments were all he could get. He yearned for more, to feel you beneath him, to taste you, to have you writhing and singing his name.

Lyle walked with you down the corridor. Tomorrow you'd both be off, heading out to search for the na'vi base camp. He imagined stealing you away, bribing whoever was on watch to have a couple hours with you. It was filthy, imagining you bare in the wilderness, arching off the dirt.

He snapped back to reality, cursing the twitch in his pants. Then something slapped against his rear. He jumped a bit, looking to you and catching your smirk. Your tail flicked back, slapping his butt a second time. Lyle laughed, then pretended to cough when the soldier leading them shot him a look.

You chuckled under your breath. Moving to swipe him again, his own tail caught yours however. Twisting around it's length tightly. Neither of you were aware how the sensitive skin would feel intertwined the way they were. You bit your lip against the groan and turned your eyes to Lyle. His were blown, pupils hiding the yellow of his irises.

"Right that's it for today, head up to the 4th floor. It'll be a long weeks ahead so you'll want some rest." The soldier turned to them. Lyle quickly untangled his tail from yours, saluting the soldier. He seemed somewhat aware he'd been the last thing on either of your minds but just stomped off.

When he was out of earshot you turned to Lyle, as soon as your eyes met you both laughed. The tension of the moment passing, you entered the lift. A good long shower, a decent meal, then the last sleep on a real bed before tomorrow. That's what you were going to do, though there was something you wanted more.

The lift doors come together as you both do. In an instant Lyle has you cornered against the wall, arms on either side of your shoulders and head tipped down to yours. His lips are on you before you can speak, pressing hard, molding against your own. You react immediately, arms flying around his neck as you moan into the kiss.

You know it won't last, that the lift will ping and you'll pull apart and that it'll be over. So you drink him in, as much as you can get in this moment together. He nips your lip and you part yours, letting his tongue curl around your own. You can't help the way your body arches, pulling flush against his. Lyle's hands roaming, squeezing your ass then coming to tangle in your hair.

Then the ground jolts under your feet, you stumble a little at the sudden movement, pulling away from the kiss. The lights flicker off and for one horrible second your in complete darkness, before the red emergency light comes on.

The lift doesn't move again. You both stand still in the silence for a moment before a voice speaks through the intercom.

"Hello? Hello is anyone in there?" A panicked women speaks.

"Yeah! Recom Corporal Lyle Wainfleet and Recom Private Y/n" Lyle answers back. He's speaking in his commanding officer tone, the one he uses when he's giving out orders. Something in the authoritative tone always set you off. Even now given the situation you can't help the heat that pools.

"I'm so sorry sir!" the women squeaks. "They're resetting the lift now, it shouldn't take too long to get it back working!" She stammers out. "Maybe ten minutes?" She blurts the last part out, clearly expecting to be chewed out.

Lyle's hands roam back down to your ass, slipping the skirt you'd worn up. You blush, briefly concerned at being seen but you couldn't be. The woman had no idea who was in the lift, the camera must have malfunctioned too!

"No worries mam, take your time." He speaks, his attention returning to you. His mouth at your neck, leaving love bites as the woman stammers out more apologies through the speaker. Your trying so hard not to moan too loudly, scared the microphone will pick up your mewling.

"I need you too honey..." Lyle whispers into your ear, nipping the edge between fangs. His hand slips into your blouse, cupping your breast as the other slips further under your skirt.

Lyle loved when you had to dress up for meetings. He'd seen you when you were human, heels clacking on your way to one. Some jackass had bumped you, sent your work flying. Asshole didn't even stay to help. Lyle had moved to you but had stopped in his tracks. You'd clearly not worn a skirt that short in a while and seemed unaware what leaning down like that would show.

The image was burned into his retinas and he'd definitely thought back to it alone in the showers. That flash of lace covered pussy came to him every time he'd glimpsed you since.

Now he felt his fingers skimming against that material. Thanking whatever perverted designer had thought to make the recoms lace underwear. Lyle ran a finger along the clothed folds, the material already wet. He tutted.

"Already this worked up honey?" He smirked, pinching a nipple. You whimpered your hands tugging at his shirt.

"I like when you talk like that." You confessed, his hand on your chest coming up to cup your cheek again.

"Like what buttercup, like what I did to the lady?" He questioned, feeling a buzz running through his veins. You nodded in his hand, your own coming to grip his. His other hand slipped bellow the lace, finding your sensitive bud.

"You like when I'm ordering you about?" He smirked, circling the clit. His mind called back to the drills he'd ran. Thinking about you getting all hot and bothered while he commanded the group. Taking long colder shower to calm yourself.

You let out a louder moan as he slipped a finger inside you, thumb continuing his motion against your clit. The speaker lit up again, the crackling voice coming through.

"Sorry what was that? We're still working to get everything up and running." The woman spoke. You froze, Lyle slid a second finger in, beginning to pump them. You bit your lip against another moan as he curled the digits.

"Nothing mam, we're fine." Lyle spoke, his voice calm. His other hand shifted over your mouth and he leaned in closer. "I'm gonna need you to keep quiet honey." His tone shifting to the authoritative one. You clenched around his fingers, a knot forming in your stomach.

Lyle delighted at the feeling, the knowledge of just what he did to you. He pulled his fingers out, removing the other from your mouth. You let out a quiet whine but your eyes darkened as you watched him suck his fingers clean. He groaned at the taste, wishing he'd have the time to dive down there.

"You ready honey?" He asked, unbuckling his belt. A look of hunger flashed in your eyes as you nodded eagerly. Lyle grinned, unzipping and letting his cock bob free.

Your eyes snapped down to the length, the shine of precum on the tip and the ridges along the girth. You swallowed still eyeing him. Lyle ran his hands down, lifting you behind each knee. You stifled the squeak in his shoulder at the sudden movement. With you pressed between his chest and the wall he could align himself.

Lyle pushed the fabric of your panties to the side, letting your body slide down his length. You pushed your face into his neck, feeling him stretch you out. He was so big, making you feel so full, the ridges adding extra sensation as he went.

Satisfied, Lyle began to thrust up. The small space filled with the lewd squelching and the slapping of skin. You hoped these sounds were quiet enough, that the woman couldn't hear. That no workers were under the box listening to the show.

Lyle groaned against your neck, growling and grunting as you milked him. Your walls clenching around him as he drove deeper. You struggled against the need to make more noise. The pleasure blinding in its intensity, the knot tightening in your stomach till it snapped. You bit down hard on Lyle's shoulder, the waves of ecstasy hitting you as he road out the orgasm.

Lyle couldn't last much longer, the sting of pain, the clenching around him, your scent overwhelming. He came hard, hot cum painting your insides as he groaned out your name.

You both panted against one another. Lyle slipped out, moving your lace underwear over to catch his leaking cum. God it was a sight to see and he wanted it all pressed up against you. He gently placed your weak legs back to the ground, holding your elbows for support. His own wound forgotten as he watched your wobbling steps.

The lights flickered a moment before the voice spoke "Sir! Hello? The lift should be operational now. Sorry for the inconvenience!" The woman chirped. The lift stuttered to life, moving up.

Lyle smirked down at your messy hair, you blissed out expression turning to him. Maybe he could bend a rule and see you again tonight.

#lyle wainfleet x reader #lyle wainfleet #my fics #requests #asks #avatar imagine

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ensbunny · 2 months

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Found @pandalilymicrofics pianist Pandora x violinist Lily (715 words)

Pandora dreamt of playing the violin as a little girl. It was just her luck that her parents forced her and Evan into piano lessons before they could form full sentences. Now, at 29, a recognized composer with a PhD in organic chemistry, she felt ill just pressing the buzzer to her first violin lesson. She had done her best and made piano her world, but well, the asteroid always comes to hit the dinosaur, doesn’t it?

Bzzz. The speaker blared loudly, a man’s voice shouting right after, “Flat 201, door’s open!”

She tiptoed her way through the empty, checker-floored lobby, clutching the cross on her necklace as she made it to the winding stairs. She’d never seen an apartment building so beautifully run down. Someone— another resident— came down in the creaky, gated elevator that the stairs circled. If Regulus wasn’t on the lease, she would gladly leave the high-rise for this. The door was a bit finnicky, but she could manage.

There were only four flats on the second floor, so she spotted the open door immediately and slipped inside. No one was in the entryway, but she could hear a soft violin melody playing from another room. Whether it was her teacher or not was the question.

“Hello, I’m here for a lesson with Lily Evans!” She called out, and the music came to an abrupt stop. That was her playing, then.

Lily Evans, she assumed, rushed in through the doorway, hand outstretched already. Her long hair was up in a banana clip, overalls cut short with little flowers embroidered into the big pocket. Pandora faltered for a moment. She was even more elegant than the place she lived.

Her teacher’s eyes widened, and she stopped dead in her tracks, “You really are that Pandora Rosier?”

“What?” She blurted out, flustered and very confused. “My name is Pandora, yes.”

“I play for the LSO, at the Barbican Centre!” She marvelled, and she felt her face light up.

“I played there!” She gasped, genuinely unable to stop grinning.

“Don’t I bloody know it, I walk past your plaque every morning,” She grinned back.

“God, I didn’t know people actually noticed it,” She blushed, touching a hand to her burning cheek.

“How could I not? You’re quite the stunner,” She gushed, giving her a once-over.

Pandora came down from her high quickly, sighing out an airy breath. The silence stretched on for a beat too long of the woman just staring at her. She cleared her throat, roughly.

“Um, yeah,” She squeaked, which made her smirk, “So, I usually start my lessons off with an introduction— why you’re here, why I’m here. All of that.”

She nodded, politely, waiting for her to continue.

“My violin’s in the living room, if you want to—” She trailed off, and it only took a beat before she understood.

“Well, I just wanted to try something new,” She spoke on her way into the room Lily directed her to.

“Bored of piano?”

“No, God, no, never. I’ve always loved violin, but I never had the opportunity to learn until now,” She glanced at the antique violin on its stand, at least that’s what it said in the description online.

“Really? That’s the same with piano, for me,” She said, sliding past her to get to her spot on the couch.

“If you wanted— I don’t want to assume, but I could teach you,” She almost jumped at how fast Lily’s head snapped back.

“You would do that?”

“Only if this lesson goes well,” She bet, raising an eyebrow at her.

“That’s a lot of pressure,” The veins in her neck tightened as she swallowed, and Pandora really really hoped she was reading this correctly.

“I think you can handle it,” She flirted, easing back into the plush couch, trying to look cool.

It only took a second before Lily’s hand was outstretched to hers, “Deal.”

A year later, Pandora and her girlfriend performed the sonata they composed together at Barbican Hall. She only played a few parts of the violin, but that didn’t really matter. She had found her new world all the same.

#marauders #the marauders #the marauders era #pandora rosier #lily evans #pandora x lily #pandalily #slytherin skittles #lily evans fanfiction #marauders fanfiction #marauders microfic #lily x pandora #marauders fame au

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bnuunydoll · 10 months

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The Tears of Time: A Look at the Gaza-C and Axis Zeon

The smothering silence of space has been shattered for ages. In the Universal Century, the cacophony of war is a constant that ensures the vast emptiness surrounding Earth will never be calm.

In the Year 0087, yet another war is being waged. A lone assault carrier called the "Argama" drifts through the abyssal darkness of space toward an asteroid belt. After fighting battle after battle against the rival Titans, the crew of the Argama are hoping to make contact with the newly introduced Axis Zeon so they can form an alliance. Despite much dispute among the crewmates for aligning with a group that has a history of bloodshed and opposing ideology, those in command steer the vessel further in hopes of making contact.

Much like opening Pandora's Box, the crew is met with a swarm of emotions as they get closer; Only made worse by the swarm of pink mobile suits. Fitted with gleaming mono-eye cameras that fix their emerald optics toward the carrier, these suits called the "Gaza-C", are the first introduction to Axis Zeon. I believe they reveal a myriad of interesting things about the group based on their design and presence in the story that this post will try to explain.

Hello there! ૮꒰ ˶• ༝ •˶꒱ა ♡

I haven't written anything in...an embarrassingly long time, but over the last few months I've been indulging myself in Mobile Suit Gundam. From the original '79 series through Gundam ZZ and Char's Counter Attack, I've been fully submerged in the space opera drama, politics, and cool robots. While the nearly 150 episodes of classic mecha anime have definitely given me a lot to think about, I haven't felt comfortable or well read enough to fully approach any of the topics the series deals with; At least until now. The Gaza-C is a mobile suit that I find extremely fascinating, so please bare with me for however long this text ends up being so I can explain my infatuation with this flamboyantly colored mech.

Firstly, a warning for the uninitiated. I'll be discussing the Gaza-C, and by extension, Axis Zeon; Both of these are elements that appear in the later half of Mobile Suit Zeta Gundam and are prominently featured throughout the entirety of ZZ Gundam. Expect spoilers for both! ⸜(｡˃ ᵕ ˂ )⸝

How Did We Get Here?

Before the Gaza-C can be properly savored, I believe a spoonful of context and a dash of history are needed to bring out the best qualities of this particular mobile suit.

After the One Year War depicted in the original Mobile Suit Gundam, The Principality of Zeon was completely and utterly broken. Those that remained came together on a small mining base called Axis and declared it their new home, but it was a mere shadow of what used to be. Axis Zeon would struggle to have resources and even survive properly, and those who lived there were in constant fear that the Earth Federation would one day wipe them off the map. While they were able to keep functioning and even replicate a life similar to the Earth Colonies, they would only have a fraction of the military power and technology that Zeon once did.

Haman Karn is a woman that would have grown up under this threat, and the struggle to survive mixed with paranoia and abandonment from characters like Char Aznable would lead her to becoming the radicalized tyrant set on wrenching every shred of power she can out of Axis in order to assert her Zeonic beliefs and prove her strength.

She's killed a lot of people, but she was slaying while she did it.

A Ghost of Zeon's Lingering Past

When Char departs from the Argama and meets her for the first time in years he refers to Haman as, "The Ghost of Zeon." Much to Char's horror, it's revealed that she's been protecting and raising Mineva Zabi; A young woman that is said to be the last carrier of Zeon's royal blood. Unfortunately this tutelage also meant she was taught much of the regal and selfish beliefs of the old Zabi family; The same people that were responsible for the corruption of Zeon.

I quite like the title of Ghost, because it implies this sort of belief of something that should be gone but still clings to the world. The terrible ideology of the Zabi family is something Haman clings to and wants to force on others, and this ideology encourages her to see people as nothing but tools and actors for her own personal goals. With Haman and the context of Axis Zeon in mind, we can finally get to the Gaza-C proper; A suit that manages to symbolically represent these different aspects of the faction.

The Zabi family are low-key boomers, for real-for real.

It All Culminates In The Gaza-C

Many of the mobile suits used before this point typically have a humanoid design, especially the other mass produced suits like Zeon's Zaku and The Earth Federation's GM units from the original series. Those specific suits call back to soldiers from historic wars, and fit in perfectly as a depiction of this new type of warfare.

Axis Zeon's Gaza-C units don't share this trait despite having a similar purpose. A rifle juts out from the torso of the suit, with thick tubes connecting it to the main body. The "head" (if that's even a good word for it) is fitted with a singular eye that's reminiscent of a scope. The Gaza may have arms and legs like the other suits, but the structure of feet, head, chest, and the various exposed tubes seen throughout the suit give it a much more inhuman vibe than other suits seen up until this point. If anything, the Gaza-C feel like they're on life support. The mix of purples and pinks brings to mind organs and body parts, with the various tubes keeping the struggling things alive. Struggling would be a key word, as these suits are made from salvaged parts and quickly mass produced.

One of these things is not like the others...

Every mobile suit in the series is a weapon for war and destruction, but the inhuman Gaza units feel much more distinctly like weapons. The alt modes the units can change to support this further: A bipedal turret, and a more compact flight mode. Featured prominently in every mode is a very distinct rifle that is permanently attached to the suit. Taken together, it delivers a clear message; These suits exist exclusively to be used as a weapon without any form of humanity.

Our first encounter with these suits definitely displays this feature, where they're seen showering a Titan mobile suit with a rain of beam rifle shots. While the initial scene shows an impressive number of Gaza units to begin with, a quick pan out shows that the Argama is surrounded by them. Like flies, they jet around and peer into the glass of the vessel, making sure that the crew is fully aware of their presence.

The initial scene depicting them is off putting, and it definitely gives this feeling that Axis Zeon should be feared. But, I used the word flies for a reason. Much like those insects, the Gaza-C are rarely shown to be worth concern even in high numbers. Their introduction depicted a team of them taking shots at an enemy mobile suit, but the damage seemed negligible. While the suit did flee due to orders, it was less out of concern for their safety and more of a strategic decision.

I, personally, would be a little more concerned if a large mech stared at my viewport.

Even with that kind of pathetic opening display aside, the suits are commonly shot down without much trouble as well. While there certainly are a large number of them, the actual threat they pose seems minimal...and it definitely seems like the Argama crew feel the same way. Comparing them to what the AEUG's Argama carrier or Titan vessels have at their disposal feels sadistic, since suits like the Zeta Gundam (and ZZ Gundam later on) or The O are practically walking fortresses that are more then capable of wiping out a Gaza fleet on their own.

Ultimately, I think the Gaza-C are mass produced, barely cobbled together units produced en masse purely to give the façade of power; Something that would make sense for Axis Zeon current situation. Haman Karn would want to be taken seriously as a threat, and meeting her competition with a full army of suits definitely leaves a strong impression.

Fragile Beliefs and Even Weaker Armor

Turning things into an army of emotionless, disposable, weapons wouldn't be something Haman is a stranger to either. During the events of ZZ Gundam, the Neo Zeon forces led by Haman are filled out with an assortment of lighthearted characters with quirks and personality. However, many of these characters end up being reprogrammed as Cyber New types and lose bits of themselves in the process; They become less human for the sake of acting like a better weapon for Haman's personal use.

Not only did they rob his personality, but his drip too.

Despite how devoted to Zeonic ideals Haman and members of Axis and Neo Zeon might seem, I believe this devotion is extremely flimsy. Many high ranking members of Neo Zeon seem far more interested in appealing to Haman herself as opposed to any pride or devotion for their faction. The Princess that is meant to be the lynchpin of their whole faction is revealed to have disappeared before the events of ZZ Gundam, and...no one actually seems to mind this that much. Haman herself doesn't seem to want to restore the Zabi family to power either and even seems to be convinced that she was wrong for even trying; This leads to her taking her life during the finale of ZZ Gundam. These fragile beliefs seem to be perfectly represented by the fragile Gaza-C, which is completely eliminated by single blasts from the Zeta and ZZ Gundam suits.

Shockingly, this is one of the least gruesome Gaza trashings.

That's not to say there are no Zeon loyalists, as Glemy Toto was extremely devoted to the point of being sick of Haman Karn and staging a coup. However, most of Neo Zeon comes off as a group of quirky individuals simping for an unhinged woman with abandonment issues.

Justifying Atrocity

With all these things in mind, I feel like Haman Karn wanted to give off the illusion of strength so she could gain power for herself, and used Axis Zeon as a way to do it. The fleet of Gaza-C units and the Axis warship would definitely give an impression of strength, but the impression is all it is. Neither the AEUG or Titans seem to have any proper estimate of the groups military strength, with the Titans instead using the possible threat of a Zeon revolt as justification for their fascist policies. Besides Haman's own personal Quebley unit, the Gaza-C is all they have and it doesn't pose any major threat; Definitely not enough to justify the Titan's attempts to control Earth and Space.

These dorks are what the average queer friend group looks like.

I think that's the perfect explanation of Axis Zeon as a whole, much like the Gaza-C they both look scary and can be used to strike fear, but both are fragile things that can be easily dismissed when the curtain is pulled back. The threat of an "Axis uprising" or "Zeon Revolution" was used primarily as an excuse for the Titans to force more control over colonies.

Even in the events of ZZ Gundam where a power vacuum allowed Axis Zeon to advance and gain more military strength, The newly renamed Neo Zeon was ultimately stopped by...children. They might have been extremely weird children, but the only real strength Neo Zeon had came from aligning themselves with other groups and taking advantage of the Earth Federation's negligence.

This small child fought the CEO of war crimes and WON.

To wrap everything together, I believe that Axis and Zeon is merely an illusory symbol of hate and regressive ideas that was used by the Titans and Haman to gain their own power. While Haman and Axis/Neo Zeon definitely existed, the actual threat they posed both ideologically and through sheer military strength was horribly diminished and downright miniscule compared to the might of the Titans or even the AEUG. The Gaza-C units are a perfect example of this; though their sheer numbers and design can appear threatening, in reality they're all barely finished suits crafted from salvaged parts that can't withstand any sort of real fight. If Haman Karn is the Ghost of Zeon, the Gaza-C are the corpse, dragged out as a display of power in hopes to hide the decaying state of the faction they represent.

The little asteroid Axis that could...(it actually failed.)

Bonus Section: Woah! Cool Robot!

Story relevance aside, I do genuinely adore the sheer aesthetic and want to rave about the Gaza-C model kit. The starkly distinct pink and deep purples mixed with the emerald eyes and windows give it a very unique look compared to other kits, and the asymmetry present in the design not only gives the kit a unique look, but keeps the actual building process interesting throughout.

My first foray into mech enjoyment came with transformers, so having a kit that transforms into several modes brought me a large dose of euphoria. The kit even came with a flight stand so the other modes could properly posed and displayed.

Taken together, it's a very unique kit with a lot of really cool features and I've absolutely adored my time with it. Although the actual build and lining process was a lot more involved then I would have expected, it does make the thought of making a small army of them feel less enjoyable tenable.

The Gaza-C and Quebley are besties ^.^

I'm a little quirky so transforming suits like these make me happy. (⁠；⁠^⁠ω⁠^⁠）

Panel lining these tubes was a nightmare and one of the reasons I'm discouraged from building a whole army (⁠´⁠-⁠﹏⁠-⁠`⁠；⁠)

Conclusion

The Gundam franchise as a whole sports a bevy of interesting mech designs, but the Gaza-C really stuck out to me as a very minor detail that ended up giving a lot of insight into the story and characters. This was definitely a lot to go over so I hope anyone that read this far enjoyed and can possibly also share my appreciation for this suit! This was my first time writing anything of this nature (and first time writing at all in years) so if there's any feedback please let me know!

Unlike Haman, I won't react badly to criticism (Probably)

I don't actually have a caption for this, I just wanted to share more ZZ please watch it. I promise it gets better, the early episodes have some whiplash coming off of Zeta but I think the series actually works really well as a more light hearted Gundam experience with a cast of loveable charac-

#gundam #zeta gundam #zz gundam #haman karn #principality of zeon #neo zeon #mobile suit gundam #gunpla #gundam 0079 #zaku ii #char azn #mecha anime #model kit

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astrolognevenkablazik · 3 months

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Tranzitni Asteroid Pandora u Ovnu

Od početka Zime, 21 Decembra, tranzitni Asteroid Pandora je prešla u znak Ovna i tu će ostati do 8 Marta 2024. Na http://www.astro.com Pandora je zavedena pod brojem 55. U Astrologiji, Asteroid Pandora ima neke od najstrašnijih i najtežih lekcija da nas pouči. Osnovno značenje ovog Asteroida je : negativna kontroverza i skandali, prljave tajne koje izlaze na površinu, sramota, gubitak obraza,…

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#2023 #Asteroid Pandora #Asteroid Pandora u Ovnu #Asteroidi #Decembar

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prvtocol · 5 months

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Understanding the RDA's Mission to Colonize Pandora

RDA General Frances Ardmore: “As on world commander, I have been charged with a greater mission. Earth is dying. Our task here is to tame this frontier. Nothing less than to make Pandora the new home for humanity. But before we can do that, we need to pacify the hostiles.”

Avatar 2 gives humans the new objective of colonizing Pandora for human life, threatening to complicate what appears as a better-wrapped "good" versus "evil" conflict.

Earth is dying by 2170 due to the effects of mass deforestation, resource depletion, air pollution, famine, human overpopulation (20 billion people), climate change, rising sea levels, mass flooding, extreme weather events, energy crisis, and constant warfare over remaining resources. Humans and animals face extinction on a grand scale. Most large megafauna such as whales are already extinct. Half the fish species are gone due to overfishing and toxification. It is an inhospitable place to live and nothing humanity does can turn back the clock on the planet's dying ecosystem.

The RDA shoulders some blame but they are also at the forefront of finding solutions to the crisis. The RDA's formation of orbiting factories on the Moon, Mars, and the solar system’s asteroid belts in the 21st century produced atmospheric toxins that rained down into the earth's habitats. However, the megacorp is also responsible for creating vast sea farms of edible protein and nutrient-rich algae (flavored with spices) to feed the population cheaply and effectively. Algae would become the staple food for many humans and for those living on the Moon. They also constructed a sustainable mass transit system (or maglev) connecting the entire globe. However, it requires unobtanium to function.

The procurement of unobtanium became a primary focus of the RDA's space exploration. This highly-valuable ($20 million per kg) rare-earth compound and energy superconductor was once only theorized on Earth (c. 1911) until it was found in abundance on the exo-moon of Pandora. As you can imagine, the crisis of humanity inevitably turned sights on extraterrestrial worlds. Earth’s space programs evolved to a point where a manned mission to the Alpha Centauri System, a nearby trinity star system, became possible. There they found the “Goldilocks planet” (or exo-moon) of Pandora held vast resources of unobtanium, after which the RDA began its mass mining operations.

However, unobtainium is not the key to Earth’s survival. The RDA never markets it as such and rather it's all about profit. They are also unsurprisingly suppressing the search for other energy superconductors to maintain their market monopoly. This makes the justification to mine the exo-moon entirely based on capitalistic greed and power and not much else. It should be noted that the Na’vi have no use for the resource, their laws actually forbid them from mining Pandora for metals. The RDA takes what is not being used. The conflict instead arises from mining in or around sacred sites and living spaces, environmental devastation, and ecosystem disruption, which the Na'vi Resistance rightly deems inevitable despite any treaty or negotiation that could be made (as Avatar: The High Ground graphic novel makes more clear).

But what happens when the mission becomes something grander than resource collection? Leading up to this, the RDA attempted to colonize Mars, but the planet is not terraformed enough to sustain a large human population. This failure would spark a colonization effort of Pandora with the massive construction of Bridgehead City thus making the moon not only a primary source of unobtanium but a possible home to house humanity in the future. Importantly, unlike other resource-barren places of attempted colonization (Mars, the Moon), the unobtanium (and oil) present on Pandora could fuel the human habitat in the process.

Propaganda from a non-governmental megacorp and what will primarily benefit the rich elite aside (not even touching amrita here though again capitalistic exploitation gets inserted into it), the effort to “save humanity from certain extinction” by taming the next frontier carries a "moral weight" or "greater good" most humans on Earth would support without heed to the destruction caused. Not to say there's no RDA opposition on Earth from competitors and anti-corporate activists, however.

One could (and characters in the franchise do) blame the Earth's dying condition on the humans present, saying they should reap what they sow. But the current generation was doomed from the start and in reality, had no hand in it. They were born into this dying world thus they can only have their hands on solutions.

It is the RDA that holds the monopoly for off-planet solution-making. Their for-profit premise will never go away (and be a detriment to their purpose), and their actions on Pandora will remain extremely problematic for its environment and its inhabitants. Still, one can perhaps understand how the push for space colonization could happen in a realistic dystopian future and why someone would sign a 5 or 6-year contract believing they are doing what’s right. But, and let's not forget, it is much more likely RDA workers are victims of Earth's dire economic situation where taking a job over four lightyears away is their only choice for their or their family's economic survival.

#⚘ ˚◞ headcanon ◞ 𝓉𝒽𝑒 𝓌𝒶𝓋𝑒𝓈 𝓌𝑜𝓃’𝓉 𝒻𝑜𝓇𝑔𝒾𝓋𝑒 𝓎𝑜𝓊.#⚘ ˚◞ verse˚ avatar ◞ 𝓁𝑒𝒶𝒹𝒾𝓃𝑔 𝓉𝒽𝑒 𝓈𝓊𝓈𝓉𝒶𝒾𝓃𝒶𝒷𝓁𝑒 𝒹𝑒𝓋𝑒𝓁𝑜𝓅𝓂𝑒𝓃𝓉 𝑜𝒻 𝒶𝓁𝓅𝒽𝒶 𝒸𝑒𝓃𝓉𝒶𝓊𝓇𝒾.#(( not a human apologist but trying to understand bri's stance on this/the rda/human perspective #she would not have signed up to go if she didn't want to believe in something more than profit ))#long post.#james cameron avatar #avatar the way of water #rda #avatar rda

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asteroidgalore · 10 months

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Pandora (55) is about all the gifts received from people. An old wives tale says you should never buy your own first tarot set because the first tarot set is probably the foundation of your evil.

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a-d-nox · 9 months

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Random question. Which persona charts (or any other Astro placements) highlights a persons strengths, weaknesses, personal development, and path to self improvement?? Thank you.

how to discover your strengths, weaknesses, and how to improve using asteroid persona charts

i smiled when i read "random question" i was like oh boy... they are gonna ask me what my favorite color or type of potato is... NOPE this question is not random at all for this blog. i'm going to work off of what i already have posted (no asteroids discussed after this post will be added after the posted date).

strengths (check the jupiter placement/aspects and sagittarius/pisces ruled houses for the following asteroid persona charts)

abundantia (151): where you are most abundant in life and receive a bunch of gifts while also rewarding others

achaemenides (5126): he had a strong power of will and was capable of perseverance

atalanta (36): strengths/capabilities as a woman - breaking the norms of gender expectations

constantia (315): consistency often breeds success and strengths

hehe (200002): where you have a lot of harmony/positivity in life

heracles (5143): what tasks you completed / will complete because you are strong and determined

hilaritas (996): resilience despite everything around you going poorly

lysistrata (897): leadership qualities and power over a group

themis (24): power and ability to see right from wrong

weakness (check the saturn placement/aspects and capricorn/aquarius ruled houses for the following asteroid persona charts)

achilles (588): a flaw you have that can break you down if not improved upon

cucula (2731): repetition and routine is often a person's greatest weakness (i say this as someone who studied forensic psychology with a lead investigator who works with serial killers)

icarus (1566): a mindset that could lead to your demise

lacrimosa (208): thoughts/experiences that hold you back because you are still upset over them

midas (1981): where your life is set to change from riches to rags because of greed

narcissus (37117): where your selfishness is your weakness/flaw

niobe (71): where you are too cocky and you experience a downfall because of it

tantalus (2102): where your superior mentality holds you back

how to improve (check the jupiter placement/aspects and sagittarius/pisces ruled houses for the following asteroid persona charts)

ambrosia (193): the food of the gods - the more you eat the more immortal you become - the more you act in this area (these areas) the better life gets for you

chiron (2060): he was the wounded healer - if anyone knows about improving it is him

dante (2999): dante journeyed from hell to heaven to be good enough for beatrice - it can show you the improvement(s) you make for others / those you love

eureka (5261): a discovery that can change your life

isis (42): how you can heal

karma (3811): the balancing factor in your life

medusa (149): how you can turn your bad actions around to receive remorse from others

odin (3989) / wodan (2155): what you'd do to learn how to improve

pandora (55): the balance of positives and negatives in your life

like what you read? leave a tip and state what post it is for! please use my "suggest a post topic" button if you want to see a specific post or mythical asteroid next!

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harmoonix · 6 months

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Nature's Alurre

° Short Astrology Observations °

H a r m o o n i x

🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼

❀ -> Ceres Asteroid (1) at 6°, 18° 10°, 22° degrees can end up working in a comforting space/place for them, something about their work is very dear to them

❀ -> Sagittarius Degrees (9°. 21°) in your big 3 make you "wild", you seek for curiosity, for knowledge, for adventure, for passion all these combined make you fierce

❀ -> Someone with an Water Sign in their 6th house/Moon in the 6th house has a deep love for animals, they love animals and can find a comfort when they're around

❀ -> Ceres (1) in your 1st house/Ceres aspecting the ascendant are the type of people who need to nurture themselves first instead of nurturing others

🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼

❀ -> Moon square/opposite/conjunct Uranus are going through 100 moods every day, I don't think they can function if they stay in one mood because their own nature is to be able to feel everything at once

❀ -> Neptune trine/sextile/conjunct Sun are the type of people who always want to be in a good mood and try staying positive about the things in their lives

❀ - If earth Venus would be described by emoji: 🌍🧚🏼‍♀️✨💚💲🍵🥗☘️ these would mostly be their most used emoji

❀ -> Pandora asteroid (55) aspecting the ascendant or in the 1st house. Can be the type of people everyone has questions about or is curious to know more about, it can even indicate that person who ask you a lot of questions and they don't like your answers/replies to their questions

❀ -> Ceres (1) in Scorpio/8th house may need sex to nurture themselves, natives with these placements can be highly sexual and sometimes can even seek for it

🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼_🌼

❀ -> Asteroid Angel (11911) aspecting the Moon can indicate that your angels may protect/guide you through your mother, for some of the natives their mothers could've be their biggest protector, if this doesn't relate to you then your angels may have an motherly energy when they're around you

❀ -> Sun/Saturn in the 12th house can indicate daddy issues, and no.. not that type of daddy issues where girls try to date guys with 100 yrs older than them, it actually indicates issues with your father or an absent father

❀ -> For people with Chiron in the Pisces/12th house, they can heal with music, if you're in a bad mood just listen to some music it may help your mood in that situation

❀ -> I don't know why but so many people tend to ignore "Parallels" in their chart, parallels share an close energy to the same aspects as "conjunction" . And they're so underatted, we need to cancel the person who said they are not important.

♥️♥️♥️Here is a post about how you can find your Parallels in your chart ♥️♥️♥️:

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❀ -> Did you actually knew that you have a guiding planet in your chart? Your guiding planet is supposed to help you understand this life and it's lessons better and to help you in your everyday day, to know what planet you have as a "guide" you need to look at your chart and find the closest planet to your Sun. (if you have multiple planets conjunct Sun then find the conjunction with the closest degree)

For example: In my birth chart Venus is the closest planet to my Sun, they're not conjuncting but they're at 1 sign apart from eachother. That makes Venus the closest planet to my Sun...now it's your turn to find yours 🥰

❀ -> Asteroid Nike [307] shows victory/something you'll accomplish in your chart

Example:

Nike in the 10th house = good job/career

Nike in the 8th house = transformation about yourself

Nike in the 2nd house = your finances/money. Usually Nike in the 2nd house can indicate being wealthy

Nike in the 7th house = relationships/marriage

If you have Nike in none of these houses then look in this photo: Here are all house descriptions for every house specifically

❀ -> Gemini/Sagittarius placements can be very talented in writing, is way easier for them to describe something while writing

❀ -> Mercury in 10°, 22° degrees can have it hard when it comes to explaining things, they may also struggle with finding the perfect words in a conversation, on the other hand you choose your words with a good mindset

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❀ -> Aquarius Juno/Juno in the 11th house > Don't get in relationships with people who seem strict/manipulative and obsessive, you need freedom in a relationship the most, is way better than being like a bird blocked in a cage 100%

❀ -> Aries Juno/Juno in the 1st house > They desire someone intense, who can understand them perfectly. Someone who can be there for them. Don't settle for less. You desire someone who can be more than a lover to you, to be half of your soul

❀ -> Eros (433) in Libra/in Libra Degrees (7°,.19°) are seeking for true love, they want to have that true love like in movies and they really desire it

❀ -> Eros (433) in Cancer/in Cancer Degrees (4°,16°,28°) seek for a nurturing love, they'll love to nurture and take care of eachother

❀ -> Eros (433) in Sagittarius/in Sagittarius Degrees (9°, 21°) seek for a partner who they can share the craziest things with, they'll love if you will hang out with them in a adventure/place where they may like to go

❀ -> People with an Earth sign in their 8th house may have an husband/spouse who can work hard, because the 8th house also represents your spouse resources and the earth signs are usually the one who work the hardest for what they got/have (It also shows deep respect for eachother)

❀ -> I'm gonna tell you that if you love someone with Virgo Venus/Venus in the 6th house, make sure to use words of affirmation when you are with them because it simply makes them to be better (be supportive)

❀ -> Psyche (16) is the asteroid who is the most connected to your soul, and it can describe a lot of things about it based on the sign/house the degree, and the aspects

For example:

Psyche in the 4th house may be very connected to their family/especially on their mother side, their soul may feel safe around females

Psyche aspecting Uranus shows a soul of an artist who is constantly changing and evolving in something better, also there is something striking about them

Psyche in Scorpio/Cancer/Pisces may have an thing for physical touch, bounding, and dedication, their soul can be highly emotional

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🌼 Today is such a good day for shorty astro observations, coming back with a theme that so many of you like it, I rarely post on Saturdays so here we go🌼

🌼 Have a blessed day everyone and I'll see you all again at the next post 🌼

Stay in harmony and peace together with the moon - H a r m o o n i x 🌙🌼

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zpl1nt3r3d-b0n3-zhardz · 1 year

Text

space themed pronouns and names!!

pronouns:

space/spaces

moon/moons

void/voids

star/stars

planet/planets

sun/suns

moonphase/moonphases

ship/ships

spaceship/spaceships

comet/comets

telescope/telescopes

solar/solars

gala/galas

galaxy/galaxys

orbit/orbits

starry/starrys

cosmo/cosmos

alien/aliens

night/nights

glow/glows

ilum/ilums

illuminate/illuminates

stellar/stellars

Nasa/Nasas

rocket/rockets

nebula/nebulas

milky/milkys

milkyway/milkyways

asteroid/asteroids

twinkle/twinkles

sparkle/sparkles

Luna/lunas

infinite/infinites

UFO/UFOs

galactic/galactics

astronaut/astronauts

Venus/venus

mar/mars

Saturn/saturns

pluto/plutos

saucer/saucers

earth/earths

Jupiter/jupiters

meteor/meteors

meteorite/meteorites

shootingstar/shootingstars

universe/universes

Stardust/stardusts

nova/novas

supernova/supernovas

constellation/constellations

blackhole/blackholes

Neptune/neptunes

sky/skys

moonrock/moonrocks

mercury/mercurys

eclipse/eclipses

gibbous/gibbous

ring/rings

spot/spots

dot/dots

bright/brights

sol/sols

light/lights

orb/orbs

moon/moons

matter/matters

☆/☆s

¤/¤s

~/~s

×/×s

👽/👽s

💫/💫s

🕳/🕳s

🚀/🚀s

🛸/🛸s

🌑/🌑s

🌒/🌒s

🌓/🌓s

🌔/🌔s

🌕/🌕s

🌖/🌖s

🌗/🌗s

🌘/🌘s

🌙/🌙s

🌛/🌛s

🌜/🌜s

☀️/☀️s

🪐/🪐s

⭐️/⭐️s

🌟/🌟s

🌠/🌠s

🌌/🌌s

🌀/🌀s

✨️/✨️s

🔭/🔭s

🔅/🔅s

🔆/🔆s

✴️/✴️s

☄️/☄️s

💥/💥s

🪨/🪨s

names:

lune

Luna

lunar

lunan

lunic

lunix

Orion

oriona

venus

Aurora

auroran

auroraz

leo

aries

ariesa

ariesen

uni

Lyra

lyran

lyranian

lyrant

Jupiter

jupi

jupit

Ariel

ariella

ari

Sirius

siri

siriun

siriet

cassiopeia

cassio

cassion

cass

Cassius

Andromeda

andro

androm

Andromedan

draco

draca

draceus

drace

Neptune

nep

mercury

mercuren

pandora

vega

pluto

oberon

obern

ober

oberio

oberus

oberlyn

nova

novalin

novar

novan

novae

Apollo

Apolla

Stella

stellar

stellian

stellus

celest

celestian

Celestia

Celestine

alioth

alliot

alli

alio

altair

alta

altan

altomont

astrophol

astro

astron

astrus

astoceus

astronon

astrol

astrock

Atlas

badar

castor

castorn

castonovia

cielo

cielon

ciecik

comet

cupid

cupith

Donati

donatio

donaticeus

dona

donan

Donovan

elio

eliot

elioz

juno

Juneau

junonn

star

starzi

Stardust

starry

starik

staro

asteroid

aster

pluto

ceres

quasar

nebula

neb

galax

gala

galan

azimuth

azi

casini

casinia

casinin

cepheid

eclipse

eclipseo

equinox

equinoxceus

equino

equin

flare

flaren

flareo

Flux

gibbous

halo

halon

hayashi

henyey

Kepler

kep

kerr

lepton

mare

mascon

maser

plasma

pulsar

radian

sidereal

umbra

void

zenith

blazar

bolide

Meridian

orbit

stella

stellar

stellen

haumea

elara

Calypso

#neo pronoun #list of pronouns #neo pronouns #<3 #noun pronouns #nounself pronouns #pronoun shopping list #pronoun suggestions #name ideas #neoprns #name suggestions #names #space #character name inspiration #pronoun list

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dielitttt · 2 years

Text

Skins Characters and Placements I think they would have Effy stonem

Leo sun

Cancer moon 8h

Scorpio rising

Leo mercury

gemini venus

Pisces mars

Chiron 12h maybe Saturn 12h as well.

Cassie Ainsworth

Pisces sun

Virgo moon

Aquarius rising

Pisces mercury

Aries venus

Aquarius mars

6h Saturn negatively aspected

Freddie

Taurus sun

Pisces moon 11h

Taurus Rising

Virgo mercury

Virgo venus 4h

Taurus mars

Pluto 4h or Pluto negatively aspecting moon

Pandora

Aqaurius sun

Gemini Moon 12h

Cancer Rising

Pisces mercury 9h

Cancer venus

Gemini mars

Uranus 1h

Pandora asteroid 1h

Chris miles

Sagittarius sun

Aries moon 5h

Sagittarius Rising

Aries mercury

Aqaurius venus

Sagittarius mars

Chiron 4h

Tony Stonem

Leo sun

Sagittarius moon 7h

Libra rising

Leo mercury

Aries venus

Leo mars 11h

Jupiter 5h

Michelle

Cancer sun

Virgo moon 2h

Leo rising

Taurus mercury

Leo venus 1h

Cancer mars

Pluto 7h

Sid Jenkins

Pisces sun

Taurus moon 9h

Virgo Rising

Cancer mercury

Pisces venus 4h

Cancer mars

Uranus 11h

Grace

Capricorn sun

Libra moon 7h

Pisces rising

Taurus mercury

Pisces venus 1h

Libra mars

Saturn conjunct Asc

James cook

Leo sun

Capricorn moon 4h

Scorpio rising

Aries mercury

Sagittarius venus

Aries mars

Chiron 10h

Moon negatively aspected

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I might make more of these lmk if you guys like this type of stuff! (I wouldve put effy as a Scorpio sun but she’s actually a Leo 😭)

#spotify #art #astrology #music #astrology observations #asteroid astrology #astrology chart #mf doom #playlist #rap #skins gen 1 #skins gen 2 #skins gen 3 #skins astrology

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denimbex1986 · 9 months

Text

'Before the bomb, the destruction of humanity was strictly the purview of the non-human. Whole civilizations told stories of floods or plagues sent by the gods designed to wipe everyone out. People could imagine mass weather events or catastrophes that might end the human race, but in those stories, our role in our own destruction was indirect, at most. No person could just push a button and end it all for everyone.

That changed when the world realized how nuclear power could be harnessed. Now, we could level whole cities, or more, in the blink of an eye, and scientists knew there was a chance we could accidentally light the atmosphere on fire. For the first time in human history, the power to destroy the planet was in our hands. There was no stuffing the evils back into Pandora’s box. (Following the Trinity test, which proved the capacity of the bomb he’d spearheaded, J. Robert Oppenheimer famously quoted the Bhagavad Gita: “Now I am become Death, the destroyer of worlds.” He didn’t just mean himself.)

Oppenheimer is an audacious inquiry into power, in all its forms The discovery that any of us, theoretically, can annihilate the whole of humanity — perhaps by accident or on a whim — induces a whole new level of existential angst. There’s the fear of sudden death, of course. But then there’s a deeper dread, the sense that something in the balance of the universe has shifted. With a deity, you can petition and hope for forbearance. But look, we all know what humans are like.

Even if a person can push that threat of total destruction out of mind for a while, it provokes an ambient anxiety, a permanent mental load. The movie industry has always been both a shaper of fears and a reflection of them, a means for dealing with reality at arm’s length, through a big screen. The bomb, and the world that brought it into being, has flooded back into pop culture in recent years, from Manhattan to Asteroid City to Oppenheimer. But that’s just the continuation of a long history: no wonder that in the Cold War years just after the bomb was dropped on Hiroshima and Nagasaki, filmmakers were obsessed with the events that could turn “mutually assured destruction” into just “destruction.” The movies understood the grave danger and the pitch-black farce of it all.

Which is how we got movies like Fail Safe (1964), a somewhat plodding but haunting Sidney Lumet drama in which a technology failure sets off an international incident that ends in mass destruction. Characters throughout the film espouse varying and somewhat academic views on whether a nuclear war, and the mass deaths that would ensue, would be a necessary evil to exterminate Communism. Yet rubber meets the proverbial road when a computer issues an erroneous order to strike; by the end of the movie, we’re watching ordinary people get exterminated in a nuclear bomb explosion.

There were many movies like Fail Safe during the Cold War, somber dramas that understand the weightiness of the destructive power now in the hands of fallible humans. The 1966 pseudo-documentary The War Game, for instance, portrays the effects of an all-out nuclear war on ordinary citizens — most notably, by the end, children whose futures have been obliterated before their eyes. Nearly a generation later, films like The Day After (1983) and Threads (1984) were still at it. Meanwhile, Japanese filmmakers dealt over and over with the grief and psychological trauma of a country that saw the bomb firsthand, developing everything from the Godzilla films to Barefoot Gen (1983) and Grave of the Fireflies (1988) to process the complexity of the ongoing wound.

While many movies took an appropriately grave stance, there was a bleak comedy to it all, a sense of total absurdity that shone through perhaps the most famous nuclear film of the Cold War: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick’s 1964 barnburner. In Strangelove, doctrines of mutually assured destruction and the wielding by powerful men of powerful weapons are cast in slyly phallic terms, suggesting that if humanity wipes itself out it will be mostly because of some horny, insecure men. The film once more ends with footage of detonating bombs (for which it uses footage of actual bomb tests, including the Trinity test). A less satirical but still light touch pops up in WarGames (1983), about a teenage hacker who accidentally gains access to a DoD mainframe computer that simulates nuclear war and almost starts World War III. (Ronald Reagan was reportedly obsessed with WarGames.)

During the Cold War, the threat of nuclear war in films was literal, not a metaphor (Strangelove’s phallic fixation notwithstanding). Mutually assured destruction was something you just knew about, as an average person on the street; it was something you could both fear and joke about, fodder for gallows humor and nightmares. A couple of generations of kids had been trained in how to hide under the desk in case of a nuclear blast, just as their children and grandchildren would participate in active shooter drills decades later. The president was on TV proposing policies to shoot weapons out of the sky from space. The ability to wipe out humanity felt concentrated in a couple of words: A-bomb, H-bomb, thermonuclear warfare.

Yet somewhere in the last few decades, “nuclear warfare” has fallen out of most people’s consciousness, at least on a daily basis. I was in the second grade when the Soviet Union was dissolved, and I never learned to hide under my desk. Activists, military strategists, and people whose jobs depend on thinking about nuclear warfare know that the threat is hardly gone, but the ordinary person on the street, when asked what worries them most about the end of humanity, is thinking of different matters.

There are always exceptions to the rule, of course; several guys living off the grid on the fringes of New York City in the new season of How to With John Wilson cite “nuclear war” as one of the things they feel safe from. (Nobody could accuse them of perfect logic.) But even the movies have abandoned nuclear warfare as the scary way to raise the stakes in a blockbuster. Now it’s comic book villains or climate change, or (as in the recent Mission: Impossible – Dead Reckoning Part One), sentient AIs gone rogue.

Curiously, though, as a culture we’ve started to circle back around to the Manhattan Project — perhaps, you might say, as a way to process the present. We live in the world that Oppenheimer and his team created, a world that seemingly would have eventually been created by someone, whether American or German or Soviet scientists. It’s a new stage in human history, in which we have the power previously reserved for the gods. And plenty of us are thinking about it all the time. The feeling of doomsday lingers thickly today; the real question isn’t whether you feel as though the world is ending but how you think it will end and why, and what you plan to do about it.

In the midst of this, the origin of this power is worth reexamining, both as a moment where the cat permanently escaped the bag and a metaphor for a lot of other “bombs,” some that are slowly detonating. There was, for instance, the excellent TV drama Manhattan, which premiered in 2014 and explored the lives of the scientists and their families at Los Alamos. The Hiroshima bombing was the backdrop for a painful (and controversial) sequence in Eternals (2021); the question of atomic destruction and the survival of man is threaded throughout Alan Moore’s Watchmen comic (1986) and its adaptations as a film (2009) and as a TV series (2019).

Even more recently, Wes Anderson’s Asteroid City presents a story of Cold War-era dread, with bomb tests occurring in the background every so often. The feeling that destruction could be around any corner is what powers the film, which ultimately is a reflection on how we use art to set ourselves apart from existential angst and grief and process it at arm’s length. And then there’s Oppenheimer, Christopher Nolan’s R-rated juggernaut that’s less a biopic and more a movie about power and its production, from the atomic level to the geopolitical.

Part of the reason Oppenheimer is so successful, and so brilliant as a document of our time, is that it latches onto exactly this fact about the detonation of the atomic bomb in Hiroshima and then Nagasaki. These were not events that stand in isolation as acts of war. They are events with long, long fallouts, decades of people whose lives and health and families and existence are scarred by having been targeted, and others whose geographic separation from the events allowed them to pretend a psychological separation, too.

Yet the stories we tell about the nuclear age betray us. We are afraid. At best, we learn how to avoid thinking about it too much. Any apocalypse, however, is a moment of unveiling, and since then we have lived through wave after wave of new apocalyptic discoveries, to the point where we’re just waiting to see which one will be the big one. The stories we tell evolve a little, but what they tell us is all the same. We have become gods, and also, the bringer of death.'

#Oppenheimer #Bhagvad Gita #Manhattan #Asteroid City #Dr. Strangelove #Stanley Kubrick #Fail Safe #Sidney Lumet #WarGames #Christopher Nolan

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