The thing that bugs me about Cazador

Allow me to ramble about a thing that really bugs me about Cazador and his character design.

Let me start out with the fact, that it is super iffy that Cazador is the one recognizable east asian character in the entire game. At least from what I came across. And, you know. It is iffy if you take a minority and make their only representation the "sadistic vampire who wants to sacrifice 7000 mostly white people to become a god". I hope I don't have to explain that.

And yes, technically speaking... yeah, Karlach is technically also East Asian. With just one problem: Her being red-skinned and having the make-up very much hides this fact. Like, I did not realize this until I saw the mod that removed the make-up from the companions.

But outside of the basic issue with the trope... Well, look. I do not think that the folks Larian were like: "Hehe, we will use this character to show how evil the Asians are!" or something like this. But the game very much shows that there was a lot of internalized biases. And be it just in the fact, that we barely come across non-white characters in the entire fucking game. All non-white characters are basically tokens.

And before someone comes in with: "Faerûn is based on medieval Europe!" First off: "Shut up." Second: Going by official DnD Lore Faerûn is a super diverse place, where you will find all sorts of Asian, Arab, and Black people. I mean, just look at the DnD movie, where they made an effort to have half of the cast be non-white. Like, the Faerûn that Larian depicts is basically the Faerûn of 3e, not 5e.

And then... Well, when it comes to Cazador, then there is the Early Access design.

Now, this is actually where WotC stepped in and was like: "Yeah, you cannot do this." Officially by explaining that elves do not have facial hair. But I do imagine that someone at WotC actually looked at this design and was like: "... Do they realize that this is Fu Manchu?"

Because yeah, this design is simply just Fu Manchu. And for those who are not aware: Fu Manchu is a character popular in pulp fiction of the early 20th century, that arose mostly from Yellow Peril stereotypes.

He was a Chinese magician, who was up to all sorts of evil schemes, which suspiciously often involved sacrificing white people (mostly white women) to evil gods or demons. He made appearances in all sorts of media back then, including movies (where he obviously was portrayed by white actors in yellowface) and some off-brand Sherlock Holmes novels that were not written by Doyle but other writers.

Fu Manchu was also what the original Mandarin in the Marvel Comics was based on.

This is one of the Renditions of Fu Manchu in one of those off-brand Sherlock Holmes stories.

And here is the earlier Mandarin design:

And, like, I am sorry. But that stuff leaves a bitter taste in my mouth.

Again, I do not really think that this stuff was done on purpose. My best guess is, that Cazador was either based on the Mandarin, or on some of the other "Chinese Magician" villains that some American Kung Fu movies put into their media in the 70s and 80s.

But I also think there was nobody at Larian who did any sort of sensitivity consulting when it came to the inclusion of non-white characters.

Let me love you!

they're canon now

cleaning out this account of last night's ruckus because posting when sleep-deprived & going along with (even gentle) egging is Not productive and frankly did not do much beyond rallying people to heehee and haha and feel a sense of moral superiority which was not something i meant to & should have fostered by continuing to engage, cos that was not going to give us anything.

i do apologize firmly and fully for last night's mess and noise. i should have cut it short, should have said less, should gotten my ass to bed because I was in no state of mind to attempt cool-headed discussions, and it is my fault for not having had the discipline to sleep on it. it wasn't then, and it is not now, any kind of witch-hunt. i did not name names and i did not show anything on purpose, but i should have said even less, for one of my tags, which did not strike me as potentially too identifying for comfort when sleep-deprived, made them pretty identifiable, and i firmly reiterate my apologies for it should not have happened. people deserve to be left alone to do some reflecting and growing, and i have repeated it as such. this thing should be talked about as a wider problem and not be pinned on individuals, even if it easier. from what i had remembered, the artist/s had already been made aware of how unsavory the depictions were, and had just kept going, but this is something i should have checked for myself. I didn't, and for that I'm sorry.

i do very much stand by the fact that only drawing the one non-white guy like Wreck-it-Ralph when he canonically is profoundly average beyond being tall, while all the white characters get to have normal proportions (if comically smaller than him) is, at the very least, "sus", and worth interrogating even within the context of heavy stylization, because it's not like stylization has never been used to racist extents. this is an opinion i hold and am not particularly inclined to budge on. i do not believe it is conscious, or comes from a will to harm. but i think it's real silly and deserves reflection. this is a trope i've seen spanning fandoms, that every fandom with a white guy x nonwhite guy popular ship has to reckon with at some point, and every time you got people who think it's sus as fuck, nonwhite people who take the time and effort to explain how and why, and people, including nonwhite people themselves, who think it's not a big deal. i have both my own personal opinions on caricature (which are that you can do so while still not falling into racialized depictions) and no power nor desire to change anyone's minds. those two opinions can and do coexist, and even people who will relate to burakh on the same basis will have varying degrees of tolerance for this, and their opinions on the matter. let's just say there's room for everyone.

discussions from indigenous russian &/or central/east asian people on how the fandom treats artemy as the one nonwhite guy in one of the most popular pairings have been going on for years: i was coming across them before i even got here. but my personal experience of 4 years of seeing such depictions and reading them be criticized by people it affects and my personal exasperation towards mischaracterizations bordering on racism developed from seeing a constant stream of them, and them being identified as such, is not the experience of people who just got here, and a discussion spawned from a "woe the hounds be upon ye" imgflip meme does not particularly lend itself to 4 years, tens of posts, tens of threads and more strewn-around discussions of nuance.

I reiterate my apologies for the noise, the ruckus, and for the pointedness that had no business being here, especially considering how long stuff like that has been going on for; it was uncalled for and callous for it to fall on specific people when it is more productive to talk about it as tropes and a wider fandom problem than to point fingers. I should have had the discipline and the discernment to cut it out and go to bed. i didn't, got way in over my head, and truly and fully fumbled. i apologize for making a circus out of this. thank you for reading, and hope you're well.

If you do end up making that Tron Legacy video essay I would LOVE to watch it because like, now that I actually think about it, yeah, it's kinda fucked!

oh man, thank you! long ramble incoming; i actually have thoughts on making video essays covering everything about tron (primarily focusing on 1982, legacy, and uprising along with how kingdom hearts unironically is a really good adaptation clicking with tron the best), i love 1982 so much, and the original aesthetics and themes of "electronic fantasy alien wonderland" and that connection to human artistry carrying on the movie's themes with the production and opening the doors to cgi are wonderful!

1982 works so well with kingdom hearts and being a "new form of magic" to expand upon, modern expansions would be great...! but these get trampled by legacy's reboot being "uhhh neon sci-fi cyberpunk is what tron is, okay let's rehash generic sci-fi tropes/aesthetics,

ESPECIALLY THE RACISM"

and... being vietnamese that has a passion for good story and writing, especially with how unique and influential 1982 and kingdom hearts are, it feels like a huge disservice to what 1982 opened doors to discuss with the nosedive legacy took, and i want to open people's eyes to what's good AND bad about the entire franchise to discuss. i'm still apprehensive about opening up to talk about these, but enthusiasm like yours are very encouraging, hopefully soon after i finish animating my short film this semester!

Should restart learning japanese i am very rusty again... spent too much time with french because its spoken a lot where i live thoughhh

Malcolm...Hampton...Kwame...Fanon...these men remain my idols. The calibre they honed made them stand in a league no man of intelligence or power could ever come close to again after them. They stand iconic next to Jesus. True heroes for living. Sent by God to uplift and uproot millions of lives from mental enslavement. Freeing the mind to escape physical captivity from the Devil. All of them speaking poetry to my soul. Each one inside a godliness they taught *we* own. I worship their existence for the worth they give. & Praise them for the fight to decolonize earth. May the soul of what they stood for, live forever. Viva! Mabuhay!

#PowerToThePeople ✊🏽✊🏽✊🏽✊🏿✊🏿✊🏿🪖🎓

⚜️

my biggest gripe abt s&b is that everything feels so cartoony and just painfully highlights how orientalist leigh bardugo’s world imaginary is... all of the liberties they took w/ the book characters would have been fine to me if they were just properly enfleshed in the histories bardugo obliquely references w/ this national mythos drama.

Detective Tales - March 1937 // Cover by Tom Lovell

Source

Reading H.P. Lovecraft’s Dream Quest is fascinating because the obvious author self-insert is friends with all the many varied races of Dreamland, he speaks all these weird languages, he’s friends with everything from cats to weird little brown forest creatures that lure men to their deaths to GHOULS, like he speaks the language of and respectfully shakes the hands of literal grave-robbing, corpse-eating ghouls and yet an Asian person is just a bridge too fucking far i guess

Omen: Kaluu

[This is an archiving of an “omen” tweet about a Wishlist cleanup decision. Omens typically have no text or caption.]

Editor’s note: yellow peril is a trope, referring to the racial prejudice- and xenophobia-driven villain characters of early 20th century western pulp literature 

our editors do not endorse negative depictions of any race

we enjoy the art from comics, sometimes from many years ago, as a medium by which to discuss characters from Marvel comics—including Doctor Strange’s enemy Kaluu (depicted)—who we think might make an interesting Champ, provided he were portrayed in a manner respectful to Asian cultures.

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I can't properly put into words the amount of disgust that I feel seeing someone who looks like she could be my cousin fight for a genocidal occupational force like Israel but I will say this.

If you are Chinese, Korean, Japanese or any one of these Asian ethnicities that the West deem "acceptable" and you align yourselves with western-backed racial supremacy, you are making fools of yourselves. You have fallen prey to the myth of the "model minority" and you are suckers for it.

The premise of racial supremacy is based on exclusivity. And here's a dose of reality - the myth of the "model minority" is nothing but a tactic to placate you. To sow divide in the ranks of people of colour. To artificially manufacture another realm of racial supremacy in minorities so that you're distracted from how we all suffer under colonialism.

Did we all forget about the skyrocketing of sinophobia in the wake of the first COVID outbreak? The transformation of Chinese people into fiends with barbaric eating customs, poor hygiene, and mass conspiracy to infect the world with biological weapons?

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What about the hate-crimes? The attacks in the street against anyone visibly asian? The rampant discrimination and ostracisation from society?

In 2020, Donald Trump referred to COVID-19 as "The Chinese Virus", "Kung-flu" at a campaign rally to raucous applause, a chilling echo of the times where fears of the "Yellow Peril" had the western world in a stranglehold.

For all that Chinese people have been lauded as "prodigies" and "well-mannered workers", the moment our existence was incovenient, were were nothing more than another target. And although Chinese suffering then wasn't close to the scale of suffering that Palestinians now endure, we all received a reminder on what it was like to be in the world's crosshairs.

Now, in 2023, Biden dismisses death tolls as unreliable and remains proudly Zionist even after Netanyahu described the genocide Israel is inflicting upon Palestine as the "struggle between the children of light and the children of darkness, between humanity and the law of the jungle." At the same time, Palestinians are being compared to fleeing rats in a gesture of dehumanisation that mirrors how the Nazis portrayed Jews during the Holocaust.

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And let's not think Abigail's Jewishness will save her, not when it's been proven that Israel has administered contraceptives to Ethiopian Jewish immigrants without their consent. Racial supremacy is an exclusive club that never stops getting smaller, and there is nothing that you, as a minority, will ever be able to do to fit in. One day, you too will be a target and there'll be nothing you can do but blame yourself. After all - it's already happened.

So shame on Abigail. Truly. With the memory of knowing what it's like to be targeted for factors out of your control fresh in her mind, she happily fights to do the same to others. And that says more about her than I ever will be able to.

We need to talk about the Watcher "fans".

These are the top comments on Shane’s IG post. Just look at the number of likes.

“Steven Lim is a greedy, manipulative evil CEO that twists his white co-founder's hands and forces the said co-founder into his will!!!” – this narrative is being prevalent in this fandom since April 19. People harassed him all across social media on every platform. People wrote nasty comments not only to his social media accounts but also to his wife and friends.

People made a Change.org hilariously dumb petitions to have him leave the CEO post.

People gleefully demonize and tear down his reputation. Twist his words out of context in to something vile. Weaponize the years old inside jokes his friends made on camera.

“This is not racism!!!” they say. “These are just the facts!!!”

No they aren’t. And here’s why:

because this

is the same as this:

Covert racism in language, or coded racism, is the deployment of common stereotypes or tropes to elucidate a racially charged idea. Rather than expressly perpetuating racist tropes, covert linguistic racism is seen as rational or "common sense", and many are not aware of its impact.

Racial stereotypes. Racial or cultural stereotyping refers to generalizing a group based on a simplified set of norms, behaviors, or characteristics.

The Yellow Peril (also the Yellow Terror, the Yellow Menace and the Yellow Specter) is a racist color metaphor that depicts the peoples of East and Southeast Asia[a] as an existential danger to the Western world.

Fu Manchu is a fictional character created by Arthur Ward, a music hall writer and journalist in London in the early 1900s. Writing under the pseudonym Sax Rohmer, Ward had absolutely no knowledge of Chinese culture or Chinese people – but his invention of a Chinese supervillain struck a chord in Victorian Britain and became a smash hit.

Fu Manchu was the original fictional Asian villain, a trope which became embedded in popular culture and Western psyche spawning spin-offs, spoofs, pop songs, video games and even consumer goods. But how damaging is Fu Manchu and how much can he tell us about modern Asian racism?

Ward wrote Fu Manchu as the personification of the so-called Yellow Peril threat: exotic, alien and inhuman, a mastermind boasting degrees from top universities. Using sinister powers to control minds, he aimed to undermine Western civilisation.

"This led to the idea that the Chinese were deceiving – they weren't being honest, they weren't revealing who they really are as people. This spawned into stories of Chinese as cheats and liars and deceitful – never giving you the truth, always fabricating."

Seven Lim being labeled as “greedy” “evil” and “manipulative” (of his white co-founder) is rooted in Anti-Asian racism. Whether people admit it or not.

Racism is not always derogatory slurs or white hoods. Racism is also casual micro-aggressions and putting people of color in the metaphorical boxes of harmful stereotypes. Racism is twisting the narrative and shaping it into a vile stereotype straight from the 19th century.

Also, let's not forget that people are happy to jump on Ryan in the similar way for the same reasons.

Asian workshops produced a number of devotional items for people in Spanish America. Many of these were made of meticulously carved ivory, such as this small sculpture of the Virgin Mary, made in the Philippines in the 1700s:

Here’s another Mary, this one probably from Fujian, China:

See more, including figures assembled in both Asia and the Americas, here:

{Buy me a coffee} {WHF} {Medium} {Substack}

on my chemical romance's history of racism:

(edit: i wont rewrite anything since that will create discrepancies in reblogs. however, i will include these important additions: post 1 and post 2)

cultural appropriation is a neutral term that turns negative when people co-opt a culture without consideration to its people and history, or their prejudices and privileges. the rising sun japanese flag is an imperialist symbol used during japan's occupation of other countries from 1870 to 1945 (the guardian 2019). unlike other symbols of terror, the rising sun is normalized because of the japanese government's refusal to acknowledge its history. the symbol's meaning was popularized a few years ago when people from south korea protested its legality in the 2020 tokyo olympics (bbc 2020). aware or unaware of its history, americans have long appropriated the rising sun. in part because of their fascination with japanese art, in part because of orientalism -- a fixation on asian cultures that centers "exoticism".

my chemical romance has been associated with the rising sun symbol a couple of times. frank iero used to have a tattoo of it. gerard way designed frank's killjoys outfit to include it (seen in concept art and music videos). it is often used in mcr fanart.

tokenism is when something contains limited diversity to divert criticisms for the lack of it. my chemical romance has had a very white cast of characters in their music videos and stories. in the "i dont love you" music video, a main character is in black body paint. in the casting call, they specifically asked for a white man (there is 100% an online source -- please let me know if you have it). even casting a black person for this role would place him in a video that appropriated his skin color to mark his "difference" from the light-skin female character.

the female character points to the band's main problem with tokenism. if they arent casting a white woman, theyre casting a light-skin asian woman. the woman in the "i dont love you" mv is fetishized for physical traits stereotypically attributed to east asian women: big eyes, daintiness. east asian women feature most prominently aside from the band and main characters in the "welcome to the black parade" music video and photo shoot. the photoshoot is the only place where an ashy-faced black man and ambiguously tribal? brown man are seen (brought in by photographer chris anthony per the "making of the black parade" book). the director antagonist of the danger days music videos (shown in "sing") is a japanese woman. she is the only main character of color in the music videos and the killjoys: california comics. the focus of this post is on my chemical romance, but the comics are important to showcase that the reality is never "color-blind casting" or "limited roles". it's mostly white creatives (band members and directors and artists) who ignore non-white people when they cant use them, reflected as much by gerard way years later (nyt 2019).

"japan takes over the world" is a media trope that is built on the late 20th century fear of the return of imperial japan. this trope frames japanese people as unique aggressors, feeding into "yellow peril" fears of asian people "taking over" the white race. this trope is suggested all over the danger days universe, where the corporation BL/ind overthrows the US government. the appropriation of the japanese modern flag and lettering on the killjoys outfits, the primary BL/ind villain being a japanese person who only speaks japanese in videos, the official BL/ind website having a ".jp" domain and english-japanese translations. japanese people and culture only exist in this universe to decorate and threaten.

the point of this post is not to punish my chemical romance. in the decade+ since, they have made meaningful changes -- the sing it for japan project to aid japan during the 2011 earthquake-tsunami, developing diversity in gerard's comics / tv show, a mexican-american main character in the 2020 summoning video. people of color treated as real goddamn people.

however. all these faults exist in frozen time. there is no discussion attached to the work. so anyone, fan or casual, may come across it and not notice or care for these important issues. i know all this shit and i still fail to see instances of what i highlighted. it's difficult locating not only your own prejudices but those of others. those you look up to.

"my chemical romance" is the product of many people from 2001 to 2013. many of these people were male, white, american, and/or, most radically, liberal. clearly laying out what they did wrong is important. being careful with history and culture and personhood is important. prioritizing growth is important. constantly. forever.