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mishkakagehishka · 4 months

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I was thinking ab giving the new bts album a listen but there's like 48 songs on there ?? Ig they wanted a big release before the enlistment or smth💀

#i'm just hoping they're no longer sellouts💀#i left back in 2021 bc butter was getting on my nerves and then make it right was the straw that broke the camel's back #like again i wrote thinkpieces already and all #i get that they were aiming for a grammy but i gen have no respect for artists who lose their uniqueness just bc they wanna #appeal to the american market like #but okay majority of those 48 are demos and unreleased versions and whatnots #i see like. five titles i don't recognise #i'll do that at some point over next week probs

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stillness138 · 1 year

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between all the mummy dust 2: electric boogaloo, the usual vague 'the church is full of greed and hypocrisy' and the cum metaphors, there was this shot. and oh how i wish tf would just full on yell about this for an entire song

#when impera came out and twenties with it i was like...you're 5 years too late but pls talk about poland next #the us has problems and the us has an important market i get it. appeal to american fans by writing stuff relatable to them #but abortion bans are a problem in both places. maybe on the next record...i know everything is planned years in advance #maybe we'll live to see a song shitting on transphobes too #yes ghost is political. always has been #its only the reddit timmies who still think the satanism is nothing but a performance xd instead of yknow. a means to deliver a point #the band ghost #music #shut up elis #no one followed me for rare ghost rants but here it is anyway

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ecoamerica · 2 months

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youtube

Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc

The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!

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robertreich · 3 months

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youtube

Who’s to Blame for Out-Of-Control Corporate Power?

One man is especially to blame for why corporate power is out of control. And I knew him! He was my professor, then my boss. His name… Robert Bork.

Robert Bork was a notorious conservative who believed the only legitimate purpose of antitrust — that is, anti-monopoly — law is to lower prices for consumers, no matter how big corporations get. His philosophy came to dominate the federal courts and conservative economics.

I met him in 1971, when I took his antitrust class at Yale Law School. He was a large, imposing man, with a red beard and a perpetual scowl. He seemed impatient and bored with me and my classmates, who included Bill Clinton and Hillary Rodham, as we challenged him repeatedly on his antitrust views.

We argued with Bork that ever-expanding corporations had too much power. Not only could they undercut rivals with lower prices and suppress wages, but they were using their spoils to influence our politics with campaign contributions. Wasn’t this cause for greater antitrust enforcement?

He had a retort for everything. Undercutting rival businesses with lower prices was a good thing because consumers like lower prices. Suppressing wages didn’t matter because employees are always free to find better jobs. He argued that courts could not possibly measure political power, so why should that matter?

Even in my mid-20s, I knew this was hogwash.

But Bork’s ideology began to spread. A few years after I took his class, he wrote a book called The Antitrust Paradox summarizing his ideas. The book heavily influenced Ronald Reagan and later helped form a basic tenet of Reaganomics — the bogus theory that says government should get out of the way and allow corporations to do as they please, including growing as big and powerful as they want.

Despite our law school sparring, Bork later gave me a job in the Department of Justice when he was solicitor general for Gerald Ford. Even though we didn’t agree on much, I enjoyed his wry sense of humor. I respected his intellect. Hell, I even came to like him.

Once President Reagan appointed Bork as an appeals court judge, his rulings further dismantled antitrust. And while his later Supreme Court nomination failed, his influence over the courts continued to grow.

Bork’s legacy is the enormous corporate power we see today, whether it’s Ticketmaster and Live Nation consolidating control over live performances, Kroger and Albertsons dominating the grocery market, or Amazon, Google, and Meta taking over the tech world.

It’s not just these high-profile companies either: in most industries, a handful of companies now control more of their markets than they did twenty years ago.

This corporate concentration costs the typical American household an estimated extra $5,000 per year. Companies have been able to jack up prices without losing customers to competitors because there is often no meaningful competition.

And huge corporations also have the power to suppress wages because workers have fewer employers from whom to get better jobs.

And how can we forget the massive flow of money these corporate giants are funneling into politics, rigging our democracy in their favor?

But the tide is beginning to turn under the Biden Administration. The Justice Department and Federal Trade Commission are fighting the monopolization of America in court, and proposing new merger guidelines to protect consumers, workers, and society.

It’s the implementation of the view that I and my law school classmates argued for back in the 1970s — one that sees corporate concentration as a problem that outweighs any theoretical benefits Bork claimed might exist.

Robert Bork would likely regard the Biden administration’s antitrust efforts with the same disdain he had for my arguments in his class all those years ago. But instead of a few outspoken law students, Bork’s philosophy is now being challenged by the full force of the federal government.

The public is waking up to the outsized power corporations wield over our economy and democracy. It’s about time.

#youtube #corporations #power #Robert Bork #economy #history #video #videos

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transmutationisms · 21 days

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can u elaborate on posture being a lie

As Beth Linker explains in her book “Slouch: Posture Panic in Modern America” (Princeton), a long history of anxiety about the proximity between human and bestial nature has played out in this area of social science. Linker, a historian of medicine at the University of Pennsylvania, argues that at the onset of the twentieth century the United States became gripped by what she characterizes as a poor-posture epidemic: a widespread social contagion of slumping that could, it was feared, have deleterious effects not just upon individual health but also upon the body politic. Sitting up straight would help remedy all kinds of failings, physical and moral [...] she sees the “past and present worries concerning posture as part of an enduring concern about so-called ‘diseases of civilization’ ”—grounded in a mythology of human ancestry that posits the hunter-gatherer as an ideal from which we have fallen.

[...]

In America at the turn of the twentieth century, anxieties about posture inevitably collided with anxieties not just about class but also about race. Stooping was associated with poverty and with manual, industrialized labor—the conditions of working-class immigrants from European countries who, in their physical debasement, were positioned well below the white Anglo-Saxon Protestant establishment. Linker argues that, in this environment, “posture served as a marker of social status similar to skin color.” At the same time, populations that had been colonized and enslaved were held up as posture paradigms for the élite to emulate: the American Posture League rewarded successful students with congratulatory pins that featured an image of an extremely upright Lenape man. The head-carrying customs associated with African women were also adopted as training exercises for white girls of privilege, although Linker notes that Bancroft and her peers recommended that young ladies learn to balance not baskets and basins, which signified functionality, but piles of flat, slippery books, markers of their own access to leisure and education. For Black Americans, posture was even more fraught: despite the admiration granted to the posture of African women bearing loads atop their heads, community leaders like Dr. Algernon Jackson, who helped establish the National Negro Health Movement, criticized those Black youth who “too often slump along, stoop-shouldered and walk with a careless, lazy sort of dragging gait.” If slouching among privileged white Americans could indicate an enviable carelessness, it was seen as proof of indolence when adopted by the disadvantaged.

This being America, posture panic was swiftly commercialized, with a range of products marketed to appeal to the eighty per cent of the population whose carriage had been deemed inadequate by posture surveys. The footwear industry drafted orthopedic surgeons to consult on the design of shoes that would lessen foot and back pain without the stigma of corrective footwear: one brand, Trupedic, advertised itself as “a real anatomical shoe without the freak-show look.” The indefatigable Jessie Bancroft trained her sights on children’s clothing, endorsing a company that created a “Right-Posture” jacket, whose trim cut across the upper shoulders gave its schoolboy wearer little choice but to throw his shoulders back like Jordan Baker. Bancroft’s American Posture League endorsed girdles and corsets for women; similar garments were also adopted by men, who, by the early nineteen-fifties, were purchasing abdominal “bracers” by the millions.

It was in this era that what eventually proved to be the most contentious form of posture policing reached its height, when students entering college were required to submit to mandatory posture examinations, including the taking of nude or semi-nude photographs. For decades, incoming students had been evaluated for conditions such as scoliosis by means of a medical exam, which came to incorporate photography to create a visual record. Linker writes that for many male students, particularly those who had military training, undressing for the camera was no biggie. For female students, it was often a more disquieting undertaking. Sylvia Plath, who endured it in 1950, drew upon the experience in “The Bell Jar,” whose protagonist, Esther Greenwood, discovers that undressing for her boyfriend is as uncomfortably exposing as “knowing . . . that a picture of you stark naked, both full view and side view, is going into the college gym files.” The practice of taking posture photographs was gradually abandoned by colleges, thanks in part to the rise of the women’s movement, which gave coeds a new language with which to express their discomfort. It might have been largely forgotten were it not for a 1995 article in the Times Magazine, which raised the alarming possibility that there still existed stashes of nude photographs of famous former students of the Ivy League and the Seven Sisters, such as George H. W. Bush, Bob Woodward, Meryl Streep, and Hillary Clinton. Many of the photographs in question were taken and held not by the institutions themselves but by the mid-century psychologist William Herbert Sheldon. Sheldon was best known for his later discredited theories of somatotypes, whereby he attributed personality characteristics to individuals based on whether their build was ectomorphic, endomorphic, or mesomorphic.

[...]

Today, the descendants of Jessie Bancroft are figures like Esther Gokhale, a Bay Area acupuncturist and the creator of the Gokhale Method, who teaches “primal posture” courses to tech executives and whose recommendations are consonant with other fitness trends, such as barefoot running and “paleo” eating, that romanticize an ancestral past as a remedy for the ills of the present. The compulsory mass surveillance that ended when universities ceased the practice of posture photography has been replaced by voluntary individual surveillance, with the likes of Rafi the giraffe and the Nekoze cat monitoring a user’s vulnerability to “tech neck,” a newly named complaint brought on by excessive use of the kind of devices profitably developed by those paleo-eating, barefoot-running, yoga-practicing executives. Meanwhile, Linker reports, paleoanthropologists quietly working in places other than TikTok have begun to revise the popular idea that our ancient ancestors did not get aches and pains in their backs. Analysis of fossilized spines has revealed degenerative changes suggesting that “the first upright hominids to roam the earth likely experienced back pain, or would have been predisposed to such a condition if they had lived long enough.” Slouching, far from being a disease of civilization, then, seems to be something we’ve been prone to for as long as we have stood on our own two feet.

#hps

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tigernations · 2 years

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#My aus continue to get Stupider #except i really like this one #imagine captain america but he's autistic snd gets overwhelmed and essentially fakes his death and becimes a shut in #but it also again really is stupid. as obvious by this picture #hes not even american ususlly hes IRISH #also ignore the anatomy shading everything. i jusy mindlessly doodled this while watching breaking bad #my art #my oc #oh also he's not that Ripped.#super buff but like soft muscle not that gym freak shit.#the silly joke is that the suit makes him look ripped because he is designed ti be as marketable and appealing as possible

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maxknightley · 5 months

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on the one hand I do understand where people are coming from when they respond to The White American Desire For Authentic Culture by going "you already have a culture" and pointing out that this desire often has reactionary undertones

that being said, I think it's largely sidestepping the actual issue, which is that American culture fucking blows chunks. American culture is strip malls and military worship and the elevation of mass-market pablum to Bold Artistic Statements.

and subculture is only partially an escape from this, because most subcultures exist within the same constraints of American culture as a whole; they are captured and redefined by capital on such a frequent basis that it often feels impossible to hold onto them in any meaningful way.

moreover, even the parts of American culture that aren't complete garbage are more or less inextricable from the colonial, imperialist, and racially-stratified history of the country. like, I think of that post that went around a while ago talking about "America sucks but has some good parts," and one of the things it listed was national parks, and people (rightfully!) pointed out that the national park system is fundamentally flawed and tends to shit on indigenous nations by design.

the only thing I can think of that's even sort of an exception is pop culture - jazz and rock music, superhero comics, Hollywood. and all of those are, again, captured and defined by capital, and in one way or another have historically been built on screwing over the artist.

so we come to a position, one way or another, where a lot of people say something like: "I'm alienated. I'm surrounded by traditions and institutions I think are shit; I have no way to meaningfully undermine them, and I can't escape them without effectively destroying my life. the culture I was born into is a gravestone on top of another gravestone, lifeless and miserable, and people are constantly shouting that I should be grateful because it's The Greatest Country In The World."

at that point, one seeks an escape, and I think there are three major routes here.

one is to become a weird lib obsessed with the Real Soul Of America. America is really about the good parts, not the bad parts which outnumber them and which they are built upon.

another is to fixate on the Exotic, for lack of a better word. cultures which you do not have an obvious "connection" to, but which fascinate you or appeal to you. obviously this can be pretty fucking fraught, though I would argue that taking an interest in other cultures is a good thing if you aren't shitty about it. (That's its own conversation.)

the third is to fixate on the culture(s) you feel you "ought to have" had, that which was sacrificed on the altar of whiteness by grandparents or great-grandparents who, frankly, had different concerns. to look at a culture that may still be defined in many ways by cruelty and stratification - the way I would argue most human civilization has been - but that seems to have had something else going on, at least. a culture that may not have been recognizable 500 years ago, but at least it existed.

again, none of these impulses is beyond criticism, and I think it would be naive to say that the last one can't have reactionary undertones. I also doubt these impulses are unique to the USA! alienation is extremely common in today's world, and it's not as though the USA is the only settler state in existence.

what I am saying is more that I think the conditions that lead to these fixations are worth paying attention to, and that dismissing them with "you already have a culture" kind of misses the point in favor of getting in a zinger. people wouldn't want a different culture if they were happy with the one they had. like so many other things, people want one that Doesn't Completely Suck. failing that, they'd probably like to not be defined by any culture at all - but that, tragically, is just as impossible.

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ecoamerica · 2 months

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youtube

Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared

The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!

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reasonsforhope · 1 year

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"While tourists visiting Mexican beaches complain about piles of smelly seaweed, one Mexican gardener reckoned it was something like a gift.

The governments in places like Cancun have been required to clear away as much as 40,000 tons of sargassum seaweed, which smells like rotten eggs, but Omar de Jesús Vazquez Sánchez is steering it away from the landfills and into a kiln, where he makes adobe-like blocks that pass regulation as a building material.

He started SargaBlock to market the bricks, which are being highlighted by the UN Development Program as a stroke of brilliance, and a sustainable solution to a current environmental problem.

His story begins back in 2015 when, like any experienced laborer, he found rich people were stuck with a job they didn’t want to do. In this case, it was cleaning up the sargassum on the beaches of the Riviera Maya.

Omar grew up in poverty, immigrated to the US as a child to become a day laborer, and eventually dropped out of school and became a substance abuser. The American dream never appealed to him as much as a “Mexican dream”—a mix of memories from his childhood and dreams of being a gardener back home, so he moved back.

His time feeling unwanted as an addict and immigrant gave him a unique perspective on the smelly seaweed.

“When you have problems with drugs or alcohol, you’re viewed as a problem for society. No one wants anything to do with you. They look away,” Omar told Christian Science Monitor in a translated interview.

“When sargassum started arriving, it created a similar reaction. Everyone was complaining, I wanted to mold something good out of something everyone saw as bad.”

The ecology and environment offices of Quintana Roo, the legislative area that includes the city of Cancun, approved the SargaBlocks for use, and similar organic-based blocks have been reckoned as being capable of enduring 120 years.

The UN Development Program selected Omar’s work to be featured in their Accelerator Lab global broadcast to alert the world of its value and ingenuity.

There are all kinds of naturally-occurring pollutants or burdens that could be used in construction, and the UNDP hoped that by sharing Omar’s vision of the future of the Caribbean’s sargassum problem, it would inspire others to act in similar ways.

Bricks and cement can be great sources to use up naturally-occurring material that’s dangerous or burdensome—like this Filippino community using the ash from volcanic eruptions to make bricks.

Omar has been fortunate enough to be able to donate 14 “Casas Angelitas,” or homes made of SargaBlock, to families in need, and seems to be exceedingly close to achieving his “Mexican dream.”"

-via Good News Network, 4/24/23

#mexico #caribbean #seaweed #sargassum #construction #architecture #cancun #quintanaroo #riviera maya #immigrants #united states #sustainability #solarpunk #good news #hope

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mostlysignssomeportents · 1 month

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Greedflation, but for prisoners

I'm touring my new, nationally bestselling novel The Bezzle! Catch me TOMORROW (Apr 21) in TORINO, then Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

Today in "Capitalists Hate Capitalism" news: The Appeal has published the first-ever survey of national prison commissary prices, revealing just how badly the prison profiteer system gouges American's all-time, world-record-beating prison population:

https://theappeal.org/locked-in-priced-out-how-much-prison-commissary-prices/

Like every aspect of the prison contracting system, prison commissaries – the stores where prisoners are able to buy food, sundries, toiletries and other items – are dominated by private equity funds that have bought out all the smaller players. Private equity deals always involve gigantic amounts of debt (typically, the first thing PE companies do after acquiring a company is to borrow heavily against it and then pay themselves a hefty dividend).

The need to service this debt drives PE companies to cut quality, squeeze suppliers, and raise prices. That's why PE loves to buy up the kinds of businesses you must spend your money at: dialysis clinics, long-term care facilities, funeral homes, and prison services.

Prisoners, after all, are a literal captive market. Unlike capitalist ventures, which involve the risk that a customer will take their business elsewhere, prison commissary providers have the most airtight of monopolies over prisoners' shopping.

Not that prisoners have a lot of money to spend. The 13th Amendment specifically allows for the enslavement of convicted criminals, and so even though many prisoners are subject to forced labor, they aren't necessarily paid for it:

https://pluralistic.net/2024/04/02/captive-customers/#guillotine-watch

Six states ban paying prisoners anything. North Carolina caps prisoners' pay at one dollar per day. Nationally, prisoners earn $0.52/hour, while producing $11b/year in goods and services:

https://www.dollarsandsense.org/archives/2024/0324bowman.html

So there's a double cruelty to prison commissary price-gouging. Prisoners earn far less than any other kind of worker, and they pay vastly inflated prices for the necessities of life. There's also a triple cruelty: prisoners' families – deprived of an incarcerated breadwinner's earnings – are called upon to make up the difference for jacked up commissary prices out of their own strained finances.

So what does prison profiteering look like, in dollars and sense? Here's the first-of-its-kind database tracking the costs of food, hygiene items and religious items in 46 states:

https://theappeal.org/commissary-database/

Prisoners rely heavily on commissaries for food. Prisons serve spoiled, inedible food, and often there isn't enough to go around – prisoners who rely on the food provided by their institutions literally starve. This is worst in prisons where private equity funds have taken over the cafeteria, which is inevitable accompanied by swingeing cuts to food quality and portions:

https://theappeal.org/prison-food-virginia-fluvanna-correctional-center/

So you have one private equity fund starving prisoners, and another that's gouging them on food. Or sometimes it's the same company. Keefe Group, owned by HIG Capital, provides commissaries to prisons whose cafeterias are managed by other HIG Capital portfolio companies like Trinity Services Group. HIG also owns the prison health-care company Wellpath – so if they give you food poisoning, they get paid twice.

Wellpath delivers "grossly inadequate healthcare":

https://theappeal.org/massachusetts-prisons-wellpath-dentures-teeth/

And Trinity serves "meager portions of inedible food":

https://theappeal.org/clayton-county-jail-sheriff-election/

When prison commissaries gouge on food, no part of the inventory is spared, even the cheapest items. In Florida, a packet of ramen costs $1.06, 300% more inside the prison than it does at the Target down the street:

https://www.documentcloud.org/documents/24444312-fl_doc_combined_commissary_lists#document/p6/a2444049

America's prisoners aren't just hungry, they're also hot. The climate emergency is sending temperatures in America's largely un-air-conditioned prisons soaring to dangerous levels. Commissaries capitalize on this, too: an 8" fan costs $40 in Delaware's Sussex Correctional Institution. In Georgia, that fan goes for $32 (but prisoners are not paid for their labor in Georgia pens). And in scorching Texas, the commissary raised the price of water by 50% last summer:

https://www.tpr.org/criminal-justice/2023-07-20/texas-charges-prisoners-50-more-for-water-for-as-heat-wave-continues

Toiletries are also sold at prices that would make an airport gift-shop blush. Need denture adhesive? That's $12.28 in an Idaho pen, triple the retail price. 15% of America's prisoners are over 55. The Keefe Group – sister company to the "grossly inadequate" healthcare company Wellpath – operates that commissary. In Oregon, the commissary charges a 200% markup on hearing-aid batteries. Vermont charges a 500% markup on reading glasses. Imagine spending decades in prison: toothless, blind, and deaf.

Then there's the religious items. Bibles and Christmas cards are surprisingly reasonable, but a Qaran will run you $26 in Vermont, where a Bible is a mere $4.55. Kufi caps – which cost $3 or less in the free world – go for $12 in Indiana prisons. A Virginia prisoner needs to work for 8 hours to earn enough to buy a commissary Ramadan card (you can buy a Christmas card after three hours' labor).

Prison price-gougers are finally facing a comeuppance. California's new BASIC Act caps prison commissary markups at 35% (California commissaries used to charge 63-200% markups):

https://theappeal.org/price-gouging-in-california-prisons-newsom-signature/

Last year, Nevada banned any markup on hygiene items:

https://www.leg.state.nv.us/App/NELIS/REL/82nd2023/Bill/10425/Overview

And prison tech monopolist Securus has been driven to the brink of bankruptcy, thanks to the activism of Worth Rises and its coalition partners:

https://pluralistic.net/2024/04/08/money-talks/

When someone tells you who they are, believe them the first time. Prisons show us how businesses would treat us if they could get away with it.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/20/captive-market/#locked-in

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swingsetindecember · 9 months

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quebec's language laws have protected quebec in a weird way from late stage capitalism. by no means to idealize quebec, i just don't see it wildly talked about how a language barrier has stalled capitalism.

i am sure there are socio-economic papers written on this. like because you need to have french contracts, terms of service and signage, a lot of american companies and global conglomerates don't go to quebec. like a lot of businesses just don't exist in quebec compared to the rest of canada. like franchise restaurants. quebec has a lot less franchise restaurants. oh there are a couple but they are like very specific to quebec and also just in the more metropolitan areas. usually in suburbs you don't have a lot of franchise restaurants.

this is also sweepstakes. because in quebec a mail in entry is required for any sweepstakes. you don't have to buy the product. also a lot of brands need to have their labels in french so a lot of products just don't get to quebec market

also a lot of the population wants to be serviced in french so they prefer quebec companies. this is why there are quebec specific internet and telephone companies. bootlegging is wild popular because there was usually a lag before you could get english content because they needed to make the french dub.

its also why movie rental stores stayed open for a long time in quebec because they catered to french language dubbed movies. like blockbuster did come to quebec but it didn't have the same chokehold on the market. like i rarely went to blockbuster growing up, there were 3 local video rental places that had more titles than blockbuster because the blockbuster business model didn't appeal to quebec residents. especially if you wanted to rent french versions of video games.

anyway, just interesting to think about

#i hate franchises and monopolies #canada #quebec #i remember before couche tard ruined depanneurs there was a dep that had the best juice #i miss depanneur perrette to this day

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secretdonderwolk · 6 days

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max's proclivity for publicly workshopping Maxiel Situations is 100% to blame on red bull putting them in a marketing endorsed situation every single week while max's frontal lobe was still developing. like this week you and your date daniel will learn japanese calligraphy, last week it was NASA, next week american football cosplay....no wonder he's out here like: farm visit hurt comfort, drowning together, dinner and dessert ;) at the merest hint of an opening godbless

no because max v known getting out of comfort zone disliker and hater of having to do things he’s not immediately very good at being sent on all those little dates with the hot experienced older guy he just wanted to impress so badly. i’d have just walked away from the sport and moved on to be honest… but he didn’t :(( max said i will turn this into a bonding experience through sheer will power and make daniel like me by appealing to his jester gene (making me feel better when i’m pissed off as hell about being bad at football… you know the video) and being the most dedicated audience to whatever he has to say for all of eternity… and it WORKED

#ask!#maxiel

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sporesgalaxy · 18 days

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dragging myself across the floor pathetically like a wounded animal. what if theres intertext between one piece and popeye the sailor. and is anyone picking apart how tiki culture (appropriative American-originated commercial fad beginning in the 30s) is presented in one piece. does anyone care about how one piece represents a constantly-evolving modern re-exploration and sometimes even deconstruction of the tropical adventure marketing that's been used for decades to appeal neocolonialism to the middle class of wealthy countries like the u.s. by way of tourism. can anyone hear me. coughs and dies

#1pc #1pc discussion #[GUY WHO NEVER SHUTS UP ABOUT 20TH CENTURY CULTURAL SHIFTS THAT STILL EFFECT US TO THIS DAY]#adddna

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deirdra-hearts-nadia · 8 months

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I've been thinking about the fandom for The Arcana, and I have come to the conclusion that it's weird as hell. In my 20+ years participating in online fandom spaces, I've never seen a fandom quite like this one. I've seen drama, sure, but the core of most fandoms is a large community of people who love the same media and come together to celebrate it.

The Arcana fandom is not like that. From the very beginning we're more fractured, more factional, more fragile than most. You just have to look around at all the posts lamenting the death of the fandom every 2 weeks to see that something is really wrong here.

And I think a lot of it has to do with the nature of the canon. I am not saying this to criticize The Arcana, the devs, Dorian, or my fellow fans. I have just noticed that, as a piece of media, this game occupies a very unique space that is reflected in the way its fans interact with canon and with each other.

Welcome to the TED talk ain't none of y'all asked for.

Part of what makes this fandom unique is the evolution of fandom as a whole in the face of new types of media. As gaming becomes more mainstream and games themselves become more complex, the way we engage has necessarily changed in response.

Books/ movies/ shows are slightly more static in terms of canon than video games; canon is what it is and how you interact with what is there is largely to do with who you are. Everyone has the same base material to engage with, and that results in a certain amount of constancy. You can't interact with The Princess Bride in a way that changes the movie, only in ways that change your own perception. There isn't a whole lot of room for OCs without rewriting canon, so fans tend to consume OC-based fiction and art with the assumption that it's likely to be self-insert wish fulfillment fantasy time. That isn't always true, but there is a reason the term Mary Sue was coined.

Otome games and other choice-based video games make a very different fan environment, because the way you interact with canon is completely different. You have to build a character in order to interact with the story, and your choices directly impact your experience of canon.

But most western choice-based games are in the context of a larger RPG universe, e.g. Fallout or Dragon Age. There is a lot more to the story than the romance plot and so there's a lot more world to experience, contextualize, and build upon. There's certainly plenty of unhinged ShepxGarrus erotica, but there's also an abundance of fanworks that engage with the plot, the worldbuilding, and the canon characters with relatively little of the player's character needing to be on the page at all.

By contrast, most otome games that make it to English-speaking fandom spaces are Japanese. The romance is the point, but we also start from a place of wariness of our fellow fans. Because there's a huge difference between "harmless weeb" and "orientalist fetishizing creepo," and you know going in that both ends of the spectrum are possible, there is an amount of caution. We curate our space, looking for the creators who align with our expectations and values before we ever begin to interact.

The Arcana falls in a very unique and odd space because it is an otome, but made by Americans, with an attempt at a diverse fantasy cast. It's intended to be for American/ English-speaking audiences and is marketed as such. But making a romance game in America is challenging. Our way of approaching online media, especially smartphone-accessible media, is super fucked up, right? We are constantly trapped between the dichotomies of moral duty (Must Protect The Children) versus appealing to the customer base (Boom Anime Babes with Tig Ol Bitties). Because this is a mobile game, the developers can't make money if the game is removed from the app store, so they want it to be rated teen at the most. But the enticing bit, the thing that captures a potential fan's attention, is the flirtation and sexy implications. So from the jump they're in a weird space purely because they chose to make a mobile game instead of an indie video game released on Steam or similar.

So now you have an inherently split audience: mature adults who know they're getting into a potentially explicit romance game, and young adults/teens who have grown up in a more insulated internet culture where normal words are replaced with Orwellian doublespeak, like "unalive" and "spicy time".

THEN you add in the fact that the developers tried to build a diverse fantasy world, which is a fantastic idea both from an inclusionary standpoint and a broader audience standpoint. But because they didn't employ any actual sensitivity readers (did they think they didn't need them because fantasy can't have racism? Did they justify it as not being in the budget? Would love to know what's going on there) they fell right into a lot of the classic traps. We've been over these time and again, so I won't get into them here. Suffice to say, there has been Discourse. The presence of those issues means that more experienced fans will see those things and call them out, and that criticism causes even more of a split: the zealous apologists versus the critics. And critics can fall into two further categories: those who love the canon and want to see it do better, and the bitches who just love having something to bitch about.

Unfortunately, this combination means that there are inherently factions to this fandom, with staunchly opposed approaches to the media. So even before you enter a fandom space, it's already wildly fractured simply because of the nature of base canon.

THEN add to that the fact that this game is a dating sim. And to engage with a dating sim, you have to build a character and make choices based on that character. Some people will approach this work as storytelling, and some will approach it as an escapist expression of self. Neither of these ways of engaging with canon is wrong. Enjoying a dating sim as Me But Better is fun and completely valid! Engaging with a dating sim as a storyteller collaborating with the developers is fun and completely valid! But the two approaches are opposed in purpose, and that can make it difficult for the two types of fans to engage with one another's work.

Storytellers will well and truly invest in building a character. They may even build out communities, countries, cultures, and languages to make their world all the richer. They are investing hours of blood, sweat, and tears into Their Craft, pouring themselves into an opus of quality fanwork. Unfortunately, this can sometimes lead to big feelings. Fan artists and writers may feel underappreciated if all they get out of their hard work is 2 likes and a gif of a wolf making AWOOGA eyes. They may feel that critique of their work is unwarranted, or that there's no point creating if no one will engage.

The romantics will engage with canon and fanwork from the perspective that "this is my fantasy romance time". Their OC isn't so much Original Character as Optimized Characteristics--that is, their perfect self. They are here for wish fulfillment fun times in the relative privacy and anonymity of the internet, and good for them! But that may mean that criticism of canon or their fan work feels excessively personal--it is very hard to detach the ego from the OC when that OC is a projection of your best self. They may view any critique as a personal attack as opposed to a good-faith attempt at engagement or conversation. This can lead to defensiveness, or to leaving the fandom outright if it feels too hostile.

Unfortunately all of these factions cause rifts in the community. This sometimes turns into fandom vigilantism, where people begin to see any fan who doesn't wholeheartedly agree with them as an enemy. I've seen friends experience bullying and cruelty over their OCs and their art. I've seen predators use the isolated nature of the fandom to further isolate and prey upon already vulnerable individuals. I've seen some really shitty stuff.

But I have also seen beautiful community flourish. I've made friends who feel more like family than my actual relatives. I've seen people work through struggles and overcome deliberate attempts to tear us apart, finding forgiveness and friendship along the way. I've seen myself and others grow because of the community and inspiration we found here. And I saw all of that because I found my people. And I hope, Arcana fandom, that the rest of you can find your people too.

#the arcana #oops i did a ted talk #fandom discourse #the arcana fandom

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apeekintothepantry · 3 months

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Happy Pokémon Day! February 27th is the anniversary of the first two Pokémon games’ release in Japan, and it’s a minor holiday in my house, as a fun excuse to make Pokémon inspired food, watch some Pokémon shows or movies (we’re going to watch Netflix’s new Pokémon Concierge this year!), and get excited about upcoming games and releases. This year, we’re making a Pokémon Sword and Shield inspired burger-steak curry and I’m making a dessert from the Pokémon Cookbook by Victoria Rosenthal. It’s one of my favorite fandom cookbooks – all the recipes are vegetarian or vegan, to get around the awkward question of where does the meat in the Pokémon universe come from?

But that’s not all we’re making! Ever since Nicki and Isabel were released, I’ve been dying to do a post about them and Pokémon’s infamous “Jelly Filled Doughnuts”, better – and more accurately! – known as onigiri.

Pokémon was released in the United States in 1998 via two Gameboy games: Pokémon Red and Pokémon Blue. The games quickly caught on to be one of the biggest pop culture phenomenon of the late 90’s and early 00’s, and as a kid at the heart of this explosion, I can’t overstate how much of a big deal it was. One of the great things about Pokémon – and probably why it has such lasting, widespread appeal – is that there are so many ways to interact with the franchise, and the marketing doesn’t skew hugely towards one gender or the other. Cool, tough Pokémon like Charizard got pretty similar billing to cute, pink Pokémon like Jigglypuff, and there were so many options for potential favorites that it was easy for any kid to find some creature to attach themselves to.

One of my petty complaints with Nicki and Isabel’s collection and books is the almost complete lack of mention of Pokémon and other anime that was really popular among kids in 1999. I know AG probably didn’t want to shell out for licensing deals with Nintendo or The Pokémon Company, but their stories just don’t feel accurate without discussing their prized binder of Pokémon cards or begging their parents to take them to see the Pokémon movie in theaters. Maybe the authors were just a little too old to get caught up in Pokémania?

I’ve also always thought its close overlap with the Beanie Babies crazy helped get millennial children like me very into the “gotta catch ‘em all” aspect of the franchise. Is this why I’m such a crazy toy collector as an adult? Who knows.

The Pokémon anime was one of the main ways kids like me got hooked on the franchise, because not everyone was allowed to have a Gameboy of their own (me), and not everyone liked video games, but even if you didn’t like video games, the cartoon might appeal to you. Although it was far from the first Japanese cartoon to air on US television, Pokémon was one of if not the first truly mainstream favorites of the 1990’s. 4Kids, the company in charge of dubbing the show into English, decided that American kids wouldn’t understand or be open to certain aspects of the show that reflected its Japanese roots, and so made a lot of strange choices in rewriting the script. One of the most notorious was deciding Brock’s rice balls were actually jelly filled doughnuts:

Onigiri – also known as omusubi or nigirimeshi – are balls of rice with a variety of fillings inside. They’re often compared to sandwiches, as an easy, quick, cheap meal or snack that combines carbs and other ingredients. While the concept of taking a rice ball and stuffing it full of other tasty treats goes way back to ancient Japan, the triangle shape became popular in the 1980’s thanks to a new machine that automated the filling process. Further developments over the last 40 years have created unique ways to prepackage onigiri without making the nori wrapping sticky. The ones we made were an attempt at recreating the “Hawaiian” (spam and pineapple) rice balls from our favorite food hall back in DC. One of my favorite pandemic indulgences was getting take out from the food hall, which often included a sampler of some of my favorite onigiri, and I haven’t been able to find anything close to similar where we are now. One of the many reasons I’m excited to move!

Even as a kid, I wasn’t convinced the food in the anime was fried dough with fruit jelly inside, because they sure look like rice. I also think 4Kids didn’t anticipate that Pokémon’s widespread popularity would inspire many of its fans – including me – to become absolutely obsessed with Japanese food and culture. I would’ve been more excited if they’d just been straight with me and shown more Japanese food on the show, and then probably begged my parents to make it or take me to a restaurant that made it. While I can’t confidently cite numbers of how many other people were first exposed to Japanese culture and food through Pokémon and franchises like it, I do think it’s a bit of a missed opportunity to highlight how things like this exposed kids like Nicki and Isabel to parts of a culture outside their own!

#ag doll #ag dolls #agblr #american girl doll #american girl #nicki hoffman #isabel hoffman #food history

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lol-jackles · 6 hours

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I saw this post about THR discussing Jared and the CW: https://x.com/Cherryoliv40095/status/1794016212281864455

Which led me to their podcast. I thought I'd forward it on because they make some really great points, not just about losing Walker, but the current state of the CW, what the industry is losing with their new direction, and how the industry, as a whole, is losing creative pipelines for up-and-comers. I thought it might be something you'd be interested in, in case you haven't already listened!

https://www.hollywoodreporter.com/tv/tv-news/tvs-top-5-podcast-the-cw-freevee-netflix-ratings-1235907525/

(The section about the CW starts right about the 28:00 mark.

Link and Link. lol at the 29:00 mark the reporters dissed Gotham Knights.

Summary: They discuss the old CW network purpose as marketing platform for two studios for international and streaming rights, thus it was "massively profitable for the studios''. Rights for All American and Walker were already sold off before Nexstar took over.

The end of the old CW era is a "heartbreak for the entire industry" because for countless number of writers the old CW was the entryway into the industry to hone their talent and learn on the job by being on the set. Old CW essentially gave the key to showrunning and these writers went on to write and/or showrun on bigger networks. CW basically set the stage for Marvel to become the juggernaut it became.

And now it's gone. The loss of CW is a loss for the TV ecosystem. Not just CW, there are number of networks are going away from their brand and just becoming remnants. (I like to say it's an era of channel drift.)

Time stamp 44:45 "What was so innovative and interesting about the CW when it as at its most successful was when Pedowitz said the ratings were not telling the story." And understood the audience they were appealing to aren't watching live TV and they can still run a business because they weren't worried about profit, which is a great luxury to have.

An emailer asked who is the new CW that can fill the void? The answer is, "I don't know".

At least two from Hollywood Reporter doesn't plan to cover the CW anymore. End summary.

This was part of the reasons why I had a soft spot for the old CW, not only did they had a plethora of comedy, drama, sci fi and fantasy shows outside the formulaic procedural shows glutting the 3 big networks, but they also mentored countless up and coming tv writers that heavily contributed to the tv eco system. (sidenote, probably why I watched Walker because it wasn't straight procedural, I got NCIS for that).

#jared padalecki #cw #the cw #anti gotham knights #hollywood reporter

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biomic · 9 months

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while he definitely could've worded it better, i think simon bennett actually has a point about power rangers needing to move away from super sentai *dodges tomatoes*

i've lost count of how many times someone's posted the coolest shit i've ever seen from sentai, rider, or ultra, and all people in the comments have to say about it is "oh lol it's like power rangers". power rangers is most people's first impression of tokusatsu, and that's obviously not gonna be indicative of the wider genre unless someone actively chooses to dig a little deeper (which they usually don't)

stuff like godzilla, ultraman, and kamen rider came out of creatives using original, fantastical concepts to say things about the world around them, power rangers came about because an american executive found a cheap way to make half a show and sell toys. that's not to say the latter has never tried to be more than that or that the former is free from capitalism informing/hindering its creative decisions (lol.), but that's why one is an enduring media institution that's jumpstarted countless careers while the other is seen as "that one kid's show from the 90s with the goofy costumes. wait what do you mean it's still going"

a reboot that does something totally new is probably the only way for PR to dig itself out of that reputation with people who aren't hardcore fans. i think about how that voltron cartoon, before that became a shitshow of its own, was a huge hit with an audience who had zero nostalgia for the original show because it was trying to do more than appeal to the people who grew up with the original. similarly, you look at RTD's relaunch of doctor who and most of the things he brought to the series were basically sacrilegious to longtime fans. killing all the time lords, blowing up gallifrey, having the doctor KISS a WOMAN??????? the show's ruined forever now (still going strong 15+ years later)

and most important TO ME is that this is also a definite net positive for sentai too. i don't think it's a coincidence that right around the time toei ended their partnership with power rangers and hasbro we started to get huge shakeups to the series' formula with zenkaiger, donbrothers, and king-ohger, resulting in sentai's first year of being profitable since kyoryuger. they no longer have to consider how concepts will be marketable to an american audience as well as their japanese audience, which means we can do whatever the hell we want now. is that not the ideal scenario? i just don't see how the adaptation process is beneficial to either franchise at this point besides being tradition

#kendrix morgan died for our sins #power rangers for ts #super sentai for ts

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ellestra · 7 months

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Going in circles

There has been a lot of talk about how Gen V is about social media and stage parents but the underlying theme of this season is the cycle of violence that leads to abuse and revenge cycles. It's a positive feedback loop that makes .

Since Gen V is inspired by The Boys comic arc that was a parody of X-Men this is something that was, of course, always staple of X-Men comics/movies/shows. But X-Men stories in their core tend to be optimistic/aspirational. The Boys universe is much more cynical than that. In the end bad guys win or they at least spin their loses their way so they can hold on to power.

Marie, Jordan, Andre and Emma really believed in the ideas sold to them by the marketing team. But the humans they were trying to save were exactly the ones who never treated them to people. Ones who perpetuated the cycles f abuse - from the moment they were given Compound V to all the stages of deciding who is and isn't valuable. They aren't the ones who lead Vought when it all started but they do the same thing again and again because it's profitable. And when it comes to bite them they try to weasel their way out of any responsibility by appealing to the better nature of those who they abused. And so, so many real life abuses seem to use this to escape culpability. Using the "be better than those who wrong you" as the most cynical way to save their own asses.

It doesn't mean that the rest of the non-powered humans don't have a reason to blame supes. Both the Boys and Shetty are not wrong in the assessment that supes always will a leave a trail of blood behind them - both intentional and accidental. From powers manifesting in the disastrous way, through accidents while using them to abuses of power to avoid consequences and finally malice. Supes are human and do exactly the same things but their impact is so much greater and so is their body count. It's gets horrifying because she's not blaming Vought who created this whole problem. Instead she's uses Vought's own torture factory to try her hand at genocide. It's hard to really feel bad about Cardosa and Shetty's death when we just saw them killing some kids in even more horrible way.

Cate was betrayed by every human she trusted. And the worst was that even though Shetty loved her she still drugged her to dampen her powers (those blue pills reference even more clear after latest Matrix movie) and then used her to help with genocide of her own kind. So she gathers all other abused supes and they all go on a rampage because how you can ever trust any one of them if they even corrupt love like that. Being one of "the good ones" didn't really work out. And because this is the time where the ultimate power of Vought propaganda machine lies with a supe it's all swept under the rug by Homelander.

He's done appealing to mudnon-powered people . The one place X-Men doesn't really go in stories like that is the people who go against their own interests because the ideology allows them to feel superior to another group. And they think they'd be spared. It's the voting for Leopards Eating People's Faces Party all over again. Homelander knows now that there are humans who still will follow him (steeped in American exceptionalism and dreams of ubermensch as he is - BTW I don't think it's a coincidence that both Cate and Sam are the kind of Guardians of Godolkin Stormfront would approve of unlike original versions). He just needs supes who think the same as him instead of believing things like non-powered humans are human too. Someone who is not going to bulk at thing he wants to do.

And the boys would do anything to stop him. I'm pretty sure the virus is not out of the picture yet. Between Neumann container and Butcher finding the infected bodies there still might be attempt to use it. After all it's still in pre fully genocidal form. And Marie surviving Homelander's blast may have taught Neumann she might have enough time to pop Homelander's head - especially if he's a bit sick.

In this cycle people who try to stop it are also part of the problem. It too often leads to letting those in power stay in power so the injustices can carry on. Marie uses the system that was designed against her to stop the massacre and it hurts her too. Andre risks brain damage saving helicopter coming to rescue Vought Board. Jordan almost gets overwhelmed and mind controlled protecting them. And Vought will continue doing what they did to babies and any supe they deem faulty product. Believing the heroes will come and save them gets them locked in a doorless room.

We see how appealing to their opponents better nature doesn't work. Maverick cannot break mind control. Sam chose it over conscience. All Emma gets for trying is being made to feel small.

In the end all trying to be heroic got them is being labelled as traitor and scapegoated. And I don't think it's an accident that of this group only Emma is white (although it's nice that the only couple that survived this in neither includes white people nor is straight).

And so the cycle goes. Non-powered humans abuse supes and supes abuse those humans and each sides has a list of atrocities perpetrated on them they use to justify to atrocities they commit. While the people who caused and profit from it this stay in power.

This is even made even more relevant by real life events reminding us about the real, horrible human toll of such cycles hatred. The real excuses that are used to justify violence against innocents by feeding populations a revenge fantasy dressed as justice aren't all that different. And so isn't using it to keep power and gather more assets. But in stories we can hope good guys will eventually win. History teaches us that, in real life, it always ends with those having power behind them getting all the spoils. Everyone can count themselves lucky if they get a half-assed apology too late to count for anything.

#gen v #gen v spoilers #the boys #the boys universe #godolkin university #marie moreau #andre anderson #jordan li #emma meyer #cate dunlap #sam riordan #homelander #vought #gen v season 1 #god u

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