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#anyway yeah i love these writers
wolfywolfy · 11 days
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I love how Astarion quotes The Tell-Tale Heart every once in a while. It's a rarer line, and initially I thought it was out of place (Neil is very well versed in theater, so I assumed it was a riff from him), but since reading an analysis of the work I think it was pretty purposeful.
The piece is all about fear and paranoia, things we know Astarion is plagued by despite how he might act. Similarly, the narrator of the story also tries to convince the reader that they are not as troubled as they seem. In the end, the narrator is consumed by the beating of the heart of the old man he killed and dismembered, the sound growing louder and louder until in a fit of rage he reveals the body to the police to absolve himself from the persistent beating.
Except the police never heard the heart beat, because it wasn't the old man's heart at all. The narrator was consumed by the sound of his own heart beating more and more rapidly in his chest from fear. He was the owner of the thing that forced him to reveal his true nature, he is the owner of the tell-tale heart.
And what happens with Astarion after you romance him? He realizes over time that, while he tried to deny his feelings and was initially only interested in manipulating you for his own means, he actually has grown to care for you. You have done something to his heart that hasn't happened in centuries, you have made it feel as if it has started beating again.
Therefore, his tell-tale heart leads him to admit his transgressions, which were committed out of fear and paranoia for his safety.
So the line is actually very, very apt. His confession during Act 2 is his own version of "Villains! Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!" Except, of course, it is his own heart that he is unearthing for us (and it's not so hideous, after all).
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idlesuperstar · 1 month
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My. Sounds like a love story.
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blaze13full · 2 months
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Hidan: *angry about something* The only fucking thing you care about is money!
Kakuzu: *Without showing any kind of emotion as he continues to count his money* and you...
Hidan: *not realizing what Kakuzu just said and just fuming with anger* Yeah and me!
*3 days later*
Hidan: *just praying until he realizes* MOTHERFUCKER
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theminecraftbee · 11 months
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i will say, a fascinating writing thing to me is the way people assume that major themes in my writing or issues the characters have must be from life somewhere. if someone writes a lot about grief, they must be grieving. if someone writes a lot about death, they must be grieving. if someone writes a lot about identity, they must struggle with their own identity. if someone writes a lot about struggling with morality, well, they must be doing that themselves.
this is fascinating as someone who writes constantly about dark themes but like... yeah i know who i am (to the extent anyone does)? i actually don't really have anyone in my life i'm grieving, haven't dealt with that much yet in my life? my self-image is like, fine, i have anxiety, but like, i'm aware of that? i'm fine guys, i just think writing about strong emotions is more fun than writing about like, being satisfied in a 9-to-5 office job and vibing,
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itslikeaspaceship · 11 months
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She’s not used to this kind of affection really. It’s odd, scary kind of, the way he’s so gentle with her. Maybe it’s because after the hospital she was convinced it was a one-time thing, that he’d only done it because she was to fragile for him to treat her any other way, but the longer they lived in Jackson the more she realized that Joel was just like this.
For such a large man, he was so insanely attentive.
At times it was even intimidating.
She remembers the first time he’d ever wiped food off her face. He had sighed beforehand, staring at her as she rambled on and on to Tommy about whatever dinosaur she was currently fixated on. She could see him out of the corner of her eye, and every second that passed with him staring at her, the more she’d talk. This wasn’t the first time adults had gotten mad at her for being excited, but Ellie wasn’t gonna back down just because he wanted some quiet.
Eventually the sighing stopped and he instead reached out his hand toward her face. That’s when she flinched.
Joel was a tough guy, sure, but she’d never gotten the impression he’d hit her. Apparently she was wrong.
She pulled back, taking a deep breath to prepare for the sting, but nothing happened. Peeking open an eye she saw that his thumb was resting against her chin, and he was simply just frozen in place. Even Tommy had stopped eating.
“You had some soup on your face kiddo.” He said, clearing his throat.
“Oh.” She leaned back into his hand then, allowing him to swipe his thumb along the juice on her face.
The rest of dinner was quieter, and she knew they were watching her, silently talking back and forth with their eyes.
It wasn’t like it was that big of deal, FEDRA agents did it all the time, it’d just been so long that he’d taken her by surprise.
Joel however didn’t see it that way.
When they’d gotten home, he’d ushered her inside, sitting her on the couch and demanding her to stay there. “I’ll be right back, don’t move.”
She listened for about five minutes until curiosity got the better of her and she ended up peeking through the curtains. She watched as he paced back and forth, jaw clenched while he muttered to himself.
She couldn’t understand why he was so angry about this. It wasn’t like she actually thought he was gonna hit her, it was mostly just muscle memory, and besides, it was a normal adult thing to do. Right?
When a kid messes up, that kid gets punished. She was talking to much when he might’ve wanted her to stop, so he was punishing her. Except obviously he wasn’t and maybe he was mad because she was convinced he was.
She bit her lip at the thought. Why wouldn’t her brain just fucking shut up for once?
“Ellie.” The door creaked and she jumped from her spot at the window, throwing herself back down on the couch.
Joel’s footsteps were heavy as he made his way to her, but his face wasn’t as harsh as before. She couldn’t decide if that comforted or scared her.
“Look Joel-”
“No ma’am.” He said, one finger flying out from his clenched fist. “It’s my turn to talk.”
Her breath was caught in her throat at that. Maybe she was wrong, maybe he was angry at her.
He was quiet for a moment, mouth opening and closing until eventually he began to speak. “When we were at dinner tonight, and I went to get that food off your face, why in gods name did you flinch?” Maybe he could see the fear in her then, and so he made sure to clarify. “I’m not mad, I promise, I just wanna know. I need to know.”
Even then she wouldn’t look at him, eyes glued to whatever surface looked the most interesting at the time. “It’s not even that big of a deal Joel. I knew you weren’t gonna hit me.”
From the corner of her eye, she saw his own widen for a split second. “Ellie.”
She groaned, tossing her head back. “Seriously Joel can you just let it go. I get it, I had food on my face and you were wiping it off. Now I wanna go to bed.”
She tried to jump up from the couch, feet carrying her as fast as she begged them to go, but Joel was faster.
“Ellie we are not done here.” He grabbed her wrist, making her jerk around.
“I don’t understand why you’re making such a big deal about this. It’s not your fucking problem.”
“The hell it isn’t. Ellie you thought I was gonna hit you, your insane if you think that’s not something we address.”
And maybe it was the confusion about this whole situation, but something in her snapped. “Why the fuck do you care?! You said it yourself, you’re not my dad, and I’m not your fucking kid so stop acting like this is something it’s not.”
She saw hurt flash in his eyes then and it made her feel physical pain knowing she was the one who caused that, but for some reason her mouth just wouldn’t stop.
“I know your pissed okay, but just let it go. It’s none of your business and-” Suddenly his arms were reaching out, and though she tried to fight it, he was wrapping them around her, pulling her as close to him as possible.
She didn’t react at first, body tense and arms straight at her side, but then Joel did something he’d never done before. He kissed her head.
“I’m sorry.” He whispered against her hair, his lips falling against her temple once more.
For some reason every bit of fight left her body then, and she completely crumbled against his chest, arms looping around him and squeezing him as tight as she could.
“I’m so sorry kid.” She didn’t mean to cry, but a few tears escaped anyway, and she just wiped her face on his shirt, relishing in the utter warmth it brought.
“I’m sorry that I ever made you feel like you were anything less then my kid.” He rubbed her back as he spoke, voice so gentle she swore it wasn’t really him talking. “And I would never ever hit you. No matter what you do, how bad it is, we keep our hands to ourselves. Do you understand?”
“Yes.” She whispered.
After that day, he saw the incident as cause to treat her like actual glass. His hands were so light everytime he touched her, cradling her against him like she was this precious thing. It was so confusing.
It would be different if she didn’t care, it wouldn’t bother her so much, but it hurt worse when she started craving it, and it became almost a problem when her body felt as if it was failing just because he didn’t kiss her head bye.
There was one day where he was leaving for an early patrol, and of course, he was late. And instead of the regular forehead kiss and Joel hug, he just yelled out his goodbye and ran out the door, promising he’d be back before dinner.
She hated that day. Every hour that passed all she could think about was how she wanted Joel. She didn’t eat lunch and barely touched her dinner.
Joel stared at her the whole time, trying to gently encourage to take a few bites, but it was like a switch flipped. Sure Joel was here but she hadn’t felt him, so why would she want to do anything at all?
“Ellie?” He gently toed her with his boot, eyes all soft and easy. “You gotta eat something baby.”
She just shrugged her shoulders, pushing some more food around with her fork. “I’m not hungry.”
“Not even for cheesy potatoes?” He said lightheartedly, putting his fork on her plate. And despite her mood, she couldn’t help but smile.
Cheesy potatoes were in fact her favorite, but the catch was, she never put them on her own plate. Instead, she let Joel get them in bulk and then she’d steal whatever she wanted from the pile, knowing he’d finish the rest. He always teased her about it, telling her to get her own food, but she saw the smile and the little shakes of his head that came with it, indicating he was in fact amused.
But tonight she hadn’t even looked at him or touched his plate for that matter, she opted instead to stare at her own food and dwell on why she felt so weird. It was a feeling she assumed that not even cheesy potatoes could fix.
“No.” She sighed, putting down her fork altogether.
Joel looked absolutely flabbergasted at that. “You’re not eating cheesy potatoes? The world must be ending. You feelin okay?”
She shrugged for probably the millionth time today. “Yup, just not hungry.”
He gave her a hesitant look, stopping his movements as well. “Hey, you sure?”
Fuck, why did he have to be so nice about it? So fucking gentle?
“Mmhm.” She mumbled, running her sleeve across her face to catch those stupid tears she hadn’t even meant to cry.
“Ellie.”
“No it’s good, I’m good.” She gave him what was probably the least assuring smile ever, and picked her fork back up to push some more food across her plate.
Joel didn’t like that, and so he stopped eating altogether. “Why don’t we just go home?”
She knew it wasn’t a question, and yet she still argued. “No it’s fine Joel, just finish your food, you’re hungry.”
“Mm, not really.”
“Jo-”
“I think I’ve had enough cheesy potatoes to fill both of us for a week, let’s go home.” Though this statement was said with love, she heard the demand in it. It was time to go home.
“Okay.” She said quietly, slipping on her jacket and racing out the door.
More tears threatened to spill over as she raced to the house, feeling Joel’s stare as he walked behind her. She didn’t understand why he couldn’t just fucking let things go. They didn’t need to talk about everything, which of course was what he was gonna do, but things would all be so much easier if he would just fight with her. If they would yell and scream, hell, sometimes she’d prefer him to just dig a hole and throw her in it. For some reason she felt it would hurt less then actually telling him what was the matter.
It would also be less embarrassing.
She swears she’s in the clear when she pushes the door open, already forming a plan to get him off her back, but she’s barely even inside for a minute before he’s right behind her, telling her to stop.
“Ellie.” That’s all it takes, one single word and she’s turning around, feet glued to the ground.
“I’m going to bed.” It’s defiant, an opening to an argument, but it’s easier then admitting what she really wants.
“No ma’am you’re not, sit down.” He points to the couch, slipping his coat off and tossing it on the rack.
Every muscle, every bone in her body says to keep walking away, to start a fight. But her mind won’t let her. She must stand there for what feels like forever debating whether or not it’s worth it, but when Joel looks at her, eyes still soft besides the gruff sound to his voice, she caves immediately. With a groan she begins stomping over to the couch, hearing Joel mumble something about dinosaur feet on his way to her.
Any other day she’d laugh, come back with some stupid statement about how he’s older then a dinosaur, but all she can think about now is the way he gently placed his hand on her shoulder when he walked by, how the place where it was is warm and tingly. How she feels like there’s a piece missing from her just because it’s gone.
“You gonna tell me what the hell is goin on or am I gonna have to beat it out of ya?” He says it with a smile, a ploy to get her to laugh. She doesn’t.
“Nothings wrong.”
“That’s not what I said.” He replies, hands clasped in front of him as he leans forward. “Talk to me kiddo.” He just stares then, waits for her to speak, to yell, anything. But she feels stuck, like she’s walking through quicksand, going so far down she can’t breathe, can’t see anything other then her own fear.
“Ellie hey,” He grabs her hand, running his thumb over her knuckles. She cracks a little more, eyes growing misty as she feels his callouses touch her newly soft skin. Why is this so hard?
“Look at me honey.” He crouches down, hands on her knees. There’s warmth everywhere on her body now, reaching from the tips of her toes all the way up to the top of her head, and yet somehow she’s still so fucking frozen in place.
“I can’t” She croaks out, a little sob shaking her upper body.
This obviously scares him, she feels it in the way his jaws ticks a bit, his hands tightening their grip on her own. “Ellie I promise you, whatever it is, no matter how bad it is, you can.”
She fights for a little while longer, Joel’s thumbs keeping her grounded as they brush along the skin of her hands and every now and then her knees.
How does she explain this? Where should she even start? Hey Joel, I feel like a fucking mess whenever you don’t hold me all the time because I’m a little baby with absolutely no self-worth and can’t function unless you kiss my head goodbye.
That wouldn’t do. No matter how much it was true, it wouldn’t do.
The frustrations of not being able to voice it made her chest feel even tighter, her fingers instinctively curling around Joel’s as she fought to breathe.
“I can’t.” She says again, eyes closing shut.
She hears him sigh before he readjusts to sit on his butt, hands never moving from hers. “Try.”
“I-”
“Ellie try.”
She inhales deeply, still struggling to find her own footing. It’s like a war inside her brain. Tell him, don’t tell him, back and forth nonstop. The only thing that seems to quiet it is when he lifts her hands to his lips, kissing her knuckles and massaging her tense hands. “Try.” He whispers again, in what she reads as a plea.
But how?
“You know,” The words come before she can even understand what’s happening, and she starts to stop, but he whispers it again and so she keeps going. “You know in the mornings when you like, when you hug me bye or like,” She sighs, still struggling. “I don’t know, when you kiss my head and stuff.”
She thinks she sees recognition flood his face and for a moment can breathe. “Oh Ellie, if you don’t like that just….” Everything goes quiet and her ears start ringing. Just kidding, he doesn’t get it.
“No.” She says quickly, “no please it’s not that.”Confusion now, and she feels even worse. “It’s, I like it when you do that.”
“Ellie I’m not understandin. I’m sorry.” She inhales again, trying not to cry. It’s not his fault he can’t read her mind and it’s not his fault she doesn’t know how to speak it.
“Promise you won’t make fun of me? No matter how crazy.”
“I promise.” He says it with no hesitation, without even blinking. She thinks that’s a good sign.
She takes a deep breath. “I don’t like it when you don’t do that. Like this morning when you left without a hug and you didn’t do anything like at all I thought I was gonna explode the rest of the day.” She’s quiet for a moment. “I don’t know what’s wrong with me?”
Joel gives her a little smile, cupping her cheek. “Baby there’s nothing wrong with you.”
“Yes there is.” She says frantically, pulling everything away from him. “I’m almost fifteen, I should-I should be able to function by myself. I should be able to go to sleep without you around, I should be able to have a normal fucking day at school without needing your hugs. But I can’t do it.”
He opens his mouth to reply, eyes going even softer as he watches all of her frustrations fall into his hands. “Ellie.”
“No there’s-there’s something wrong with me, I know it. I’m like a baby and I shouldn’t-”
“Hey now,” He says, grunting as he moves next to her on the couch. “Don’t talk like that, you’re not a baby and there’s nothing wrong with you.”
“Yes there is.”
“Ellie listen to me.” He guides her eyes to meet his, rubbing his thumb along her cheek. “You’ve gone your whole life without anybody to hold your hand. Nobody to say it was okay when you were scared, nobody to take care of you when you’re sick. And your goddamn tough for that.”
She smiles a bit at that and he takes it as a window to keep going.
“But you’re still a kid, and kids need affection. It’s normal, hell,” He laughs, “Sarah still cuddled the same damn way you do. So it’s okay.” Ellie sniffles, nodding her head at his words. “And really the only difference between that babygirl and this one is that you have a shit ton of catching up to do. But it’s okay.” He repeats it, needing her to get it through her thick head. “You hearin me?”
He leans their foreheads together, his lips gently kissing her temple and she just closes her eyes, reveling in the feeling of his utter presence “Yeah.” She thinks she does.
“Good, now no more theatrics.” He says jokingly, pulling her to his chest. “Okay?”
“Okay.” She laughs, nuzzling into his side.
It’s still not easy really.
It takes her weeks to finally walk up to him and just wrap her arms around him in a hug, but she does it, and a little bit of the weight loosens when he rubs his hand over head.
He takes the whole thing like champ, tries to make it easier for her to come to him. She doesn’t understand what he does differently or if he even changes anything, but everything else seems to just fall into place on its own until eventually it becomes normal for her to randomly walk up to him and fall against his chest. No matter where they are or who they’re with she learns that it’s okay, cause he’s gonna pull her in close and keep her shielded from everything and everyone, every single time.
And now, instead of feeling likes she’s walking through quicksand, it’s like she’s standing in a field of flowers. Easy, safe, and most importantly, home.
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bestiarum · 1 year
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i will only say this once but reading the witcher fanfiction as a polish person and seeing writers make even the barest of efforts to research our language and culture, even if it's just to call a side oc that appears for 0.003 seconds 'jan' instead of 'john' or something like that is just. one of the most gratifying and amazing experiences ever. i am kissing y'all directly on the lips for that <3
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luuxxart · 8 months
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almost forgot to post my comic for the @onedayakeshuake here !!!!
leftover sales end Sept. 30th, so if you want to hold our old man art in your hands, grab your copies today!!!
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uhbasicallyjustmilex · 3 months
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current editing moodboard, please send help
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So I was rewatching Eddie Begins and (this isn’t going to be the most eloquent so hold on) when Eddie is drowning and all the memories are flashing before his eyes, they use the song ‘Carry You’ by Ruelle. This song is the same song they use in MayDay in season 5 when the team goes to save Bobby and May.
What makes this so cool to me is that when it comes to both scenes, both men have dealt with a reality where they thought they wouldn’t be able to have a proper family; Bobby because of losing Marcy, Bobby Jr, and Brook (and not wanting to overstep w/Athena and the kids) and Eddie because of Shannon and his parents and his own struggles of feeling inadequate and not wanting Christopher to suffer, so putting up a wall of some sorts.
So in Eddie Begins, the song swells when he has decided to keep going. He keeps going despite being at deaths door because he doesn’t just have Christopher (although thats the main part of it) , he has an entire family that he and Chris are a part of and he accepts that. That he has a family that loves him
Bobby sees May as a daughter but doesn’t necessarily expect her to see him the same way as a dad. Also, while he has gotten 100x better ever since his infamous, “We’re not a family” in season 1, he still has that doubt when it comes to his team; 2021-22 had been hard on his team, the family aspect of it especially crumbling and he has been having to hold it together. But then he’s in danger, and as the song swells, his family which had been broken reaffirms that they are family that he is a crucial member of it, and they pull him and May out (and we get the scene of May affirming that this is her dad).
And at the same time we also get Eddie, who tore himself from his family because he thought it was the right thing to do (because of overwhelming trauma about to pop off like mentos in soda) coming back to his family and realizing that is where he is meant to be.
Anyway, Bobby and Eddie being mirrors of each other makes my chest fill with emotions and they both get families and happiness and I thank god for the 9-1-1 writers we have.
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You know, for as much as I didn't like all the romance soap opera drama and what happened with a lot of the ATLA cast in Legend of Korra, I can admit that just because it wasn't my thing and bothered me in a lot of instances doesn't make it necessarily bad per se. I just think there were some weird decisions character-wise
However. I did not like what they did with Wan and the Harmonic Convergence, and I am quite confident in saying that it thematically weakened the show and was a wasted opportunity to do something truly special with the concept of the Avatar itself
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papakhan · 2 months
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I think in game it's kind of presented that Julie Farkas thinks poorly of, if not outright dislikes, the Great Khans which I guess is fair enough but also reeks of the attitude of the writers viewing drug addicts and raiders as subhuman. And I don't think really it lines up with either the Khan/Follower relationship depicted in game nor does it Follow Julie's reestablished personality. I think she's a little exasperated with them but not enough to warrent the "who? Oh you mean those raiders who used to clash with the vegas tribes 🙄" line that she has about them like cmon girl 1) people are like your only allies outside of Freeside and 2) why are you taking the Three Families side in this??? They're causing just as many if not more issues than the Khans even Arcade has lines about how the Families are exploiting Freeside and I can't think who else she means by "vegas tribes" Anyway. It does make sense for her to be annoyed with how they're causing more drug problems in Freeside but i don't think it makes sense for her to be written in a way that makes it sounds like she's angry with the Khans for *using their precious medical knowledge to make the evil morphine rather than the morally good morphine* when really she should be more angry with House/The Families for causing the poverty in Freeside and the NCR for forcing the Khans into the precarious position they're in while disallowing the Followers from truly helping them. The fact that by the time that Fnv comes around the Followers and NCR's relationship has broken down should be enough for the Followers to revisit relations with the Khans since, as I said, the Khans have been the only truly consistent allies of the Followers and more importantly, the NCR JUST MURDERED ALL THEIR CHILDREN. In this essay I will
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essektheylyss · 4 months
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I am obsessed with how narratively convenient Lark's divinatory abilities are. She's the only one of the protagonists who is both pragmatic and has a working sense of self-preservation, so having some internal impulse that is actually the guiding hand of the cosmos pushing her into doing the REALLY stupid shit is both necessary and really useful.
Like, I am the type of writer who kind of scoffs at the idea that characters are beyond the writer's control and will completely screw over your outline, because on one hand, a sensible outline will follow the characters' personalities and tendencies anyway. Obviously in an ensemble cast you will need to do some wrangling, but in theory your characters are responding to varying degrees of stimuli in order to maneuver them into the places you need them to be for things to all come together in the end.
But more importantly, "curse from god" is the funniest and easiest way to push any character to do things beyond the realm of reason when necessary, and frankly, what the fuck is the point of playing god if you don't embrace that?
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back-in-a-bit · 4 months
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reading fanfic is like. yes i want royai to kiss and hug and fuck nasty-style but. they are simply too repressed. and traumatised to do so. this is ooc.
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vibeamphibian · 3 months
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I miss my wife, tails
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I swear I tried
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HELP WHY AM I SURPRISED I WAS LIKE OH I NEEDA GET A DARKER COLOR! WHAT? ITS ALREADY BLAVK????
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turck ♥️
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im-an-anthusiast · 2 months
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Almost Sweet
A sickening something crawls down my throat,
And I don’t know why, but I just won’t choke
It’s always been there, despite what I thought
And now all of this feels like a bad joke
I’m seeing invisible ciphers
Thing that isn’t there, an unwritten verse
I’m hearing inaudible whispers
Only I perceive them – is this my curse?
I’m so hungry that I can’t eat
It’s all so bitter it’s almost sweet
It’s just barely not there, like I dreamed it
And it’s so damn bitter, it’s almost sweet
A sickening something crawls up my throat
It makes me spit, gag, and it makes me choke
Saw it coming, but it’s worse than I thought
It is the punchline, to this twisted joke
I’ve got a bad feeling – about nothing
But also – about every single thing
Delusions make me sick to my stomach
But the truth is something I can’t stomach
I am untouched, and yet, I have been hit
It’s all so bitter it’s almost sweet
It’s just barely there – I didn’t dream it
And it’s so damn bitter, it’s almost sweet
A sickening something, stuck in my throat
After all this time, it still makes me choke
All of this is clearly not what I sought
I wish all of this was just some dumb joke
My head is in the clouds – stormy and gray
But my feet – rooted in the soil and clay
And that pressure, it pains me greatly
Why can’t things, for once, go, oh, so gently?
I’m new to this town, but I know this street
It’s all so bitter it's almost sweet
Is it really there? What if I dreamed it?
It’s so damn bitter it’s almost sweet
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peacockrulz · 7 days
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If you are still taking art requests, could you possibly do one of V x Thad? Its a ship I really like that isnt really that popular.
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So what if you're a ghost of yourself?
You can haunt me.
[Requests are closed!]
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