Ahhhh to have a first kiss with your bestie in the desert at dusk after escaping prison together 🥺

Harley Quinn tv show redraw, these two have my heart right now

Imagine being a killjoy lost in the desert and looking up and seeing giant fucking birds with ten foot wingspans circling above you and in your half insane state, delirious from dehydration, you don’t realize what they are, you just think of stories you’ve heard and the word ‘thunderbird’ escapes your parched lips like a prayer.

That playlist you talked about is mine and I can’t believe you listened to it! I’m so incredibly happy you liked it!! Also sorry for calling you out lol though I’m glad it worked! ♥️♥️

omfg i'm not even joking its been on repeat. you've added like a whole new atmosphere to writing, i'm obsessed! i was shocked the first time i heard it in its entirety, you chose the most perfect songs that i was sent back reeling like "wtf how did i not connect this song to krcg?? its perfect???"

thank YOU for making it and calling me out-- i'm having a lot of fun with it 😆 i hear the songs as little montages when writing now

i think i need a lobotomy

*creaking of untold centuries’ rust and decay falling away as the trapdoor opens and i slide these out* have some wips...

Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.

I'm playing through Dragon Age 2 again and I just can't get over how... idk how to say it exactly, but the way you feel, in every moment of this game, how much Varric loves Hawke. It feels entwined with everything, it breathes through every part of the narrative, it blooms diegetigally through the integration of story and gameplay, makes you a co-conspirator in that love in a way maybe only a video game could.

It's in the way I don't think this story is a defense of Hawke only -- or even primarily -- directed at Cassandra, but at Hawke themselves. Beneath everything else going on there's the quiet, utterly unshakable refutation of Hawke's worst fears: Did you think you mattered, Hawke? Did you think anything you ever did mattered? . . . You're a failure, and your family died knowing it. Rising through the story as Varric tells it there's a fiercely tender voice saying: Yes, you did matter. In tragedy or in triumph, for better or for worse, in love or in hate, you always mattered. The ultimate tragedy of Hawke is always right there in the open before the story even starts letting you in on telling it; they couldn't fix anything. They couldn't stop the downward spiral Kirkwall was set on -- the real truth is that no one person ever could. And yet the point of DA2 is that it matters that they tried, and it matters that there were people who loved and were loved along the way, however badly it all failed in the end. Hawke is the Bioware protagonist who succeeds the least, and they're the character who matters the most, to me. (This is also why the Absolution reveal did not shake me in the least haha, my love for Hawke has nothing at all to do with whether they succeeded or failed at anything.)

What Varric is saying, in the only way he seems to be able to say the really real things -- through stories -- is so simple and so fundamental. You were here, and I loved you. There's the emotional heart of it, at the end of it all, that love and grief and recognition. It's so dizzyingly intimate. There's so much distancing, layers upon layers of obfuscation, to be able to say it. It drives me insane!!!! It makes me feel the same way that 'Poem' by Langston Hughes does:

I loved my friend.  He went away from me.  There's nothing more to say.  The poem ends,  Soft as it began,— I loved my friend. 

He loved his friend. They went away from him. What more is there to say. (Many, many, many things, when you're a compulsive liar and storyteller, but hey sometimes you have to deploy a whole armada of lies to tell one simple truth, I understand, I'm a writer too lol)

compiled a list of some of my favorite text-based games & VNs that are specifically wlw:

another round - You play as Maddie, a woman in love with a woman named Agnes. Actually, she hates her. Actually, it's complicated. You definitely broke things off with her. And you don't regret it. At least once. Yes. At least once per day, you don't regret ending it with Agnes. Except tonight. You definitely regret it tonight.

such, such were the joys - It is the year 19xx in England. You are returning to the town of Grayling after your first year at university to meet your old school friends: Cicily Thomas, Fatima Khan, and Susheela Rajaram. As the only Indian girls at Grayling Towers, the four of you quickly became close friends, but you haven't seen each other in a year. You're not sure what has changed since then, but this is your chance to find out.

florence - Florence lies in bed, cold and still. You watch over her and wait.

perseids, or, all this will go on forever - Four trans girlfriends go on a road trip to a dark sky park, to see the perseid meteor shower. 

winter - an interactive fiction about sex, trans insecurity, and a girl with a skull for a face.

butterfly soup 1 & 2 (VN) - A visual novel about gay Asian girls playing baseball and falling in love.

birdland - At night 14-year-old Bridget Leaside dreams of fantastic lands full of strange bird people. By day she's a miserable anxious summer camper, trying very hard not to think about her feelings for the mysterious girl detective in Cabin 22. And when her dream life starts bleeding into reality, things are going to get weird for her in a whole bunch of ways...

a summer's end: hong kong 1986 (VN) - Follow the story of Michelle and Sam, and how their chance meeting evolves into a deeper romantic relationship. Set in vibrant Hong Kong in the year 1986, it is an original story about love, family, and culture.

one day hike - You go on a hike in a familiar wood.

a year of springs (VN) - experience the stories of haru, erika, and manami in A YEAR OF SPRINGS, a visual novel trilogy about a trio of friends navigating their feelings of love, connection, and just wanting to belong.

pageant - Your name is Qiuyi (Karen?) Zhao, and you’ve just been signed up by your parents for a beauty pageant. You’re not ready, not even close, but you don’t have a choice. But perhaps you can make the best of it.

new year's eve, 2019 (sequel to pageant) - You are Karen Zhao, a senior in college who is home for winter break, and seeing your old high school friends for the first time in years. You are not ready, not even close, but perhaps you could make the best of it.

the revenant's lament - Way out west, in the most lonesome of reaches, strange things are afoot. Cowboys around campfires tell ghost stories and tall tales, speak of impossible, supernatural things. They say the devil walks amongst men. They say he'll grant you impossible wishes at the cost of your eternal soul. They say he can bring dead men back to life.

venus meets venus - Two women meet in a bar. This is not a love story.

the “canon” fatal flaw that bugs me the most is that Nico’s is allegedly supposed to be “holding grudges” but LITERALLY EVERYTHING HE DOES SAYS OTHERWISE

the only instances we get of Nico even remotely doing anything with a “grudge” is him spontaneously, randomly, on rare occasion referencing being grumpy at something - THAT HE IS ENTIRELY VALID TO BE UPSET AT - and then does nothing with that. other than maybe continue to be vaguely grumpy about it and then drop it. In fact, Nico is consistently EXTREMELY forgiving to people despite him having perfectly valid reasons to not forgive them. Percy literally choked Nico and ditched him in the Underworld and Nico STILL brought Percy to the River Styx and faced off against Hades to bring THREE gods and an army of the undead to Percy’s aid, despite Hades actively suggesting alternatives to Nico and encouraging Nico to not do that.

Nico’s fatal flaw is so clearly either that he does not let go of things (not the same as holding grudges) OR that he’s far too willing to put others before himself, often directly putting himself at risk instead. He’s too self-sacrificial. He was explicitly willing to trade HIMSELF for Bianca and extremely resistant to letting go of her. He put himself on the line facing against Hades to help Percy MULTIPLE TIMES. He risked getting in trouble with the Underworld to bring back Hazel. He WILLING WENT INTO TARTARUS to try to close the Doors of Death himself. He offered to shadow-travel the Athena Parthenos for Reyna despite knowing it would most likely kill him. Etc. etc. The closest Nico has ever gotten to “holding a grudge” was being mad at Leo for faking his own death, and even then he was only Mildly Annoyed and got over it pretty quickly after Leo returned.

Nico “holding grudges” is a load of bull. Percy’s loyalty? Annabeth’s hubris? Absolutely true. Percy’s loyalty to Annabeth and Annabeth’s hubris are what got them pulled into Tartarus (also, interestingly - Percy’s hubris in TLO and Annabeth’s loyalty taking a knife for him is what nearly got them killed then). Nico, though? Nico’s willingness to put himself on the line for the sake of others is what nearly got him killed in BoTL and TLO and HoO and brought him to Tartarus multiple times, now! “Holding grudges,” yeah, right.

Well, people seemed to like my Martyn-QSMP Au, so I'm here to share more. Have some Martyn-absolutely-going-into-Morning-Crew-time-slot, Martyn and Phil tapping into their roots as *shivers* Northerners, a possible Forever-Martyn meeting, the Miku-on-Miku communication and a bonus I developed before this AU which is why he doesn't have his feathers.

Also, please suggest ideas on how to name this AU/tag.

burn your village | female rage playlist

If being weak is a "sin" in Crocodile's mind, then isn't a painful defeat and maybe even death rightful punishment for it? A punishment you deserve for your crime of "being weak"? That's an intriguing mindset from him because it makes me wonder how Crocodile might view his own past and the things he has gone through? I might not go as far as to say Crocodile "blames himself" for the things he's gone through, as he doesn't seem like the kind of guy who dwells on the past like that. But I do feel like Crocodile has accepted in his mind that things like losing his hand happened because he was weak, and it was his own fault. That he can not blame anyone else for what has happened to him. He fucked around and he found out.

It's just interesting because to some degree, One Piece thematically does agree with this sentiment, this is a world where the strong eat the weak. (One example at the top of my head; Luffy refusing Katakuri's apology when his sister intervened with their battle, saying he should've dodged the attack properly if he didn't want to get hit.) Chaka falling in this scene and being unable to stop Crocodile may lead to the deaths of so many more, including his loved ones, and if that comes to pass, it's is Chaka's own fault. For being too weak. But also Crocodile has twisted that idea; Crocodile is using his worldview here to justify himself and essentially saying he can do this (take over Alabasta and kill a million innocents doing so) and get away with it because he's powerful. When in reality "weakness is a sin" isn't about the survival of the fittest, but how this is a world where the strong are meant to protect the weak. (See: Luffy) (Also how Pell told Baby Vivi in that flashback about how he trains so he can protect the Royal Family; again, he he craves power not to oppress the weak but to protect them)

But, just to get back to Crocodile again, I feel like this worldview might also give us more insight as to how he acts in certain situations post-Alabasta. Like when we see Crocodile towards the end of Miss Goldenweek's cover story, both when he declines to escape from jail and in his Impel Down mugshot, Crocodile has a smile on his face. That really is the face of a man who has accepted his fate, is it not?

"Welp, this is what I get for losing to a child in flipflops"

Or when we see him come collect his debt from Buggy; Crocodile seemed quite relaxed and fully admitted he had assumed Buggy would've ran away before he even got there to collect his money. Of course, considdering his trust issues Crocodile would've been mentally prepared for Buggy skedaddling anyways, but the fact that he loaned the clown money to begin with while assuming he'd probably never get that money back-- like Crocodile knew that was going to happen and he just accepted it. And just rolled with it.

Of course, when things take an Unpleasant, Unexpected Turn, he will blow a fuse. Multiple, even.

Him angy

IDK man this is all just interesting to me

naruto in that waterfall scene truly was like. the villagers have shunned me all my life and now they love me but its all fake cuz they just love me for what i have done to protect the village i HATE those fuckers, they can shove their autograph requests up their dumb asses and then he is like. well i got the solution. to solve all this hatred. to dissolve it and cure it. i'll just keep trying to become who they want me to be, if i manage to be the person THEY want me to be, they will love me and i'll keep their approval. this is the solution to all my problems ^_^ and then he like, hugs his dark self and it dissolves and the whole thing is done its like sfdfdgdgfs. okay, way to repress ur own feelings and do the exact same thing that youve already Been doing all ur life so far LOL. literally victim-blaming ur own self for what others have put u thru but alright. 👍

Ok but Agent Curt Mega with long hair though?

requested by @ashmarie1687: Broger visiting Lallybroch in 7.05 + flashback of Lallybroch in 1.12 with JamieClaire welcoming the tennants comparing the grounds from 1743 to 1980

(palette challenge) PINK LEMONADE OR WATERMELON FOR DELIRIS ⁉️⁉️⁉️

@oldworldwidgets — [ palette prompts ]

WATERMELON LEMONADE DELIRIS 💖💚