Tumgik
#anti sabrina carpenter
shockygobsmocky · 25 days
Text
sabrina carpenter working with another zionist company, not that shocking when you remember that she worked with coca-cola during the height of the boycott and her best friend is one of the biggest zionists (joey king). anyway free palestine, don't forget ur daily click and please hold celebs accountable!
18 notes · View notes
jewishbarbies · 6 months
Note
Imo any time Taylor pops up with Sabrina, it’s a dig at Olivia. Like that must suck for Sabrina the person but also what kind of loser bitch do you have to be to be complicit in the public bullying of someone 4 years younger than you. Like I understand why Sabrina might have a grudge against Olivia and why she sees this strategic relationship with Taylor as a career booster but you must be sad inside and unhappy with yourself to be involved in this level of public bullying imo.
no literally, olivia was a minor when she wrote all those songs and none of the mentions allegedly about sabrina were inherently negative. she literally put out a “it doesn’t matter what you say bc he’s mine now” song after olivia poured her heart into a record about a guy older than her treating her like shit and dumping her for ‘someone better’. like. that’s your feminist take? and of course everyone ended up siding with sabrina bc uwu poor white girl and olivia was left with the blame for grown ass adults making something out of nothing. sabrina has done nothing but profit from the situation and I’m supposed to feel bad for her and hate olivia. and taylor treats olivia like shit and then partners up so publicly with sabrina. what a big fucking joke.
36 notes · View notes
Text
I was watching Adventures in Babysitting (the original not the on with S*brina Crapenter) and literal any 'swear word' was changed to the corniest thing ever, like my god I watched this movie at a young age I wasn't affected by it at all. WHY THE F**K DOES D*SNEY+ HAVE TO CHANGE IT ALL it's so stupid not everything has to be censored just to make it 'kid appropriate'
4 notes · View notes
akkpipitphattana · 3 months
Text
i'm gonna say something controversial yet brave but i think the people that claim taylor swift is the best song writer of our generation and the people that say shes a horrible lyricist are like. equally stupid. like yes she has some banger lines that strike the soul but she also has lines like "i never don't cry at the bar" like let's be serious. her pen is inconsistent at best and there are FAAAAAAAAAAAAAAAAAR better lyricists in the game currently
77 notes · View notes
shitswiftiessay · 8 months
Text
Tumblr media
I’m sorry, but they’re the most kind and welcoming fanbase to WHITE women. but they’re pretty nasty toward women of color and love to tear down woc artists constantly.
57 notes · View notes
hydesjackiespuddinpop · 4 months
Text
All I’ve gotta say is that Sabrina and Millie better drop their Zionist besties.
21 notes · View notes
squirrelstone · 7 months
Text
You know, I really think the people who started the “Gracie Abrams is Lacy” theory are just hardcore livies who don’t want to admit it’s Sabrina Carpenter and that Olivia is obsessed with her and has been for a while.
Livies insisted that the “blonde girl” line in drivers license couldn’t be about Sabrina because the line was originally brunette (my thoughts on the switch in lyrics is a whole different post), but still sent her hate cause she dated a guy Olivia liked. Cause if they admit that it’s about Sabrina, they have to admit that Olivia let her jealousy tear another woman down, and because most of the hardcore toxic livies think in absolutes, it would destroy the idea that she’s “the good one.”
Also, Olivia and Gracie performed together, which means they’re probably on friendly terms. Believing Lacy is about Gracie makes the stalking lines a lot less menacing than they are if they reference Sabrina Carpenter, who she clearly has issues with and only responded with “I don’t even know her” when a reporter asked for a response to her fans sending Sabrina death threats. Another thing that livies can’t handle because it destroys the image Olivia tries to maintain as the perpetual victim.
The only support I’ve seen for Gracie being Lacy is the ribbons and that she got what she wanted (presumably performing with Taylor Swift), but Sabrina Carpenter has both those, too, plus she’s done the Bardot photoshoot, dated Joshua Basset (another thing Olivia wanted), a perfume line, the missing “s” in the lyric video, and being a “starlet,” which makes most people think movies/Hollywood, while Gracie’s only been in two music videos.
Anyway, toxic livies spent so much time and energy saying “it’s not even about Sabrina” with drivers license that now that Olivia’s released another song that clearly is about her and has the potential to result in more death threats being sent her way, they know they look like hypocrites and assholes, and they can’t handle it.
26 notes · View notes
antioliviarodrigo · 2 months
Text
I haven't seen a lot of people talk about this but I think it's alarming how Olivia is a grown ass adult, yet she's still making albums about teen angst. And when you look at her peers or people she used to like, like Sabrina or even Taylor. They weren't making songs about their teenage years at 21. You can see the maturity level in their music, where as with Olivia, you can't see any maturity or growth. It's almost as if she still wants to be a teenager.
10 notes · View notes
shewhobefuddles · 2 years
Text
I've been reading a lot of Lucaya fics lately, and one thing that has really struck me is a lot of writers' shared assertion that Maya never would have forgiven Lucas and it wouldn’t have worked out initially if he had chosen her over Riley, because while Maya could take the heartbreak and continue being friends, Riley would not have been able to handle the jealousy and perceived betrayal (because she feels like she is entitled to Lucas, for a variety of reasons), and both Maya and Lucas’s and Maya and Riley’s relationships would have imploded.
And with what we have seen of Riley's behavior (accusing Maya of turning into her and telling her to stop) when Maya gets good things in her life (passing grades, crush on a nice boy, new clothes, more positive outlook on life, etc.) this seems like a very likely outcome. As much as I would have wanted Riley and Maya to overcome these issues and preserve their friendship, Riley's emotional immaturity, tendency toward jealousy/insecurity, and savior-complex in their relationship is something that desperately needed to be dealt with on the show. Which we will never get, both because the show was canceled and because the writers were cowards who didn’t want to acknowledge Riley's many privileges in life, as well as her flaws.
Riley and Maya's friendship could not have survived Lucas choosing Maya.
Did Lucas realize this? Was that part of why he went along with it when Maya pushed him toward Riley? It seems likely.
397 notes · View notes
sabrinaswifts · 3 months
Text
Tumblr media
I went off and I’m not sorry
7 notes · View notes
icevansicons · 5 months
Text
Every time I listen to Sabrina Carpenter's songs (Ipanema brina pros mais íntimos 🇧🇷😘) I think of Gwyn, I think it's because her voice is so sweet, and I think it goes super well with what I imagine Gwyn voice would be like, and also probably because this song (All because i liked a boy) represents a lot of how she is treated by some Elain/Elriel fans.
.
— I'm too late to be your first love, but I'll always be your favorite😉
10 notes · View notes
shockygobsmocky · 6 months
Text
fuck sabrina carpenter btw
Tumblr media
10 notes · View notes
jewishbarbies · 8 months
Note
here’s something you might not know about sabrina carpenter
in 2020 she got called out by her fans for dating a racist transphobe (well her boyfriend got called out but she also got called out for choosing to date someone who had been so publicly bigoted- his public social media posts were full of transphobic memes and he apparently used the N word as well)
and she posted this pathetic notes app statement in which she basically told her fans to back off because it was affecting HER mental health because her white boyfriend’s bigotry was being called out, and that she felt like she was walking on eggshells, and that nothing she could say would make them happy.
and she also claimed that her boyfriend (who made those very public bigoted posts) had changed, like she said “that’s not the person i know now”
well if he’s really changed then why hasn’t he deleted those gross bigoted posts or apologised and instead has his girlfriend speaking on his behalf?
so yeah, Sabrina has even more in common with Taylor than we thought. here’s a link with receipts about this whole situation:
https://thegeekiary.com/griffin-gluck-sabrina-carpenter-apology-racism-transphobia/77026
actual image of me being vindicated in not liking her because of her “innocent white woman” vibes she copped from taylor
Tumblr media
32 notes · View notes
All because i liked a boy
Tumblr media Tumblr media Tumblr media
89 notes · View notes
reviewsbynixx · 1 year
Text
Midnights: A Track by Track Review (by a non-Swiftie)
Tumblr media
Taylor Swift has been a seemingly omnipresent force in the music world since I was literally five years old. Her 16 year career has resulted in her being a rare breed of musician, straddling the line between the old tabloid driven celebrity culture of the 2010s, and the slightly more relatability obsessed culture of the 2020s. To me, Taylor Swift has perfected what it means to be a superstar in the modern era. Despite this, I have never been a particularly massive fan of her albums. I can respect her talent as a songwriter and acknowledge that her albums are not for me as I rarely love more than 60-70% of the songs on each LP the way that I see others do (the exception to this rule being Folklore, although again, it still has three or four songs that I am iffy about). With all this in mind, I decided that the first post on this blog should be a review of her latest record smashing album, Midnights, and I hope this provides a blind, outside perspective on her music. 
Lavender Haze
As an R&B fan, when I first saw frequent Kehlani collaborator Jahaan Sweet on the list of song credits, I was more than intrigued, and safe to say they did not disappoint. The song reminds me of I Think He Knows from Lover, from the production to Swift’s delivery and use of head voice. Thematically the lyrics are not anything Swift hasn’t written about before, but Lavender Haze is more polished and mature in its execution. Production wise this is probably my favourite song on the album.  9/10. 
Maroon
This song has grown on me immensely since the first time I heard it. It is a great deep cut that acts as the perfect follow up from Lavender Haze and precursor to Anti-Hero and just works as an album track. The delivery of ‘your roommate's cheap ass screw top rosé’ is just perfect. Not much else to say about this one, if you get it you get it, if you don’t I feel bad for you. 7.5/10
Anti-Hero 
I would consider this to be one of her best singles ever and possibly one of my favourite songs of hers ever. The introspective track features Swift pondering recurring themes in her work such as her struggle with celebrity and the fear of abandonment because of it. The bridge is so tongue in cheek in a way that Swift has perfected, and I think the song itself perfects the blend of personable and serious, soul baring storytelling (meaning you can also tell it was written by a millennial, but a very talented one). I know there’s been a lot of discourse about the sexy baby line, but since I heard it, its meaning has always been pretty obvious to me, even before I was told it was a 30 Rock reference, and I personally love it. Who hasn’t been a monster on the hill? 10/10
Snow On the Beach 
I have to confess I don’t particularly care for this one. I also do not understand Taylor’s female collaborations just being Taylor and a female artist on backing vocals and/or ad libs. I think Nothing New is the only female collaboration of hers where I have heard another woman sing what would be a normal amount for a collaboration and I would actually really love for someone to explain it to me because it just confuses me a little, maybe there’s a reason? This is all building up to me saying I wish we got a proper Taylor Swift and Maren Morris collab! Back to the song, it is beautiful, I love the verses, but it isn’t a song I would actively come back to in isolation although I wouldn’t skip it when listening to the album. 6/10
You’re On Your Own, Kid
I LOVE the pre-chorus and bridge - I’m a sucker for a pre chorus that changes lyrically as the song goes on and the production builds. The song feels super nostalgic, almost like coming home to a small town, and reminds me of ‘tis the damn season, one of my favourite songs from Evermore. I cannot wait to see the end of year coming of age movie edits on twitter that use this song in the background. 7/10
Midnight Rain
Initially I wasn’t completely sold on this one but the more I listen to it the more I realise that there are elements of it that I really appreciate. It’s not the most musically daring but the vocal distortion used here (and on Lavender Haze) is probably one of the more experimental things Swift has done in a while, and I think it pays off. I wish there was some kind of final chorus instead of an instrumental outro because its use here does make the song feel somewhat unfinished to me and it's short enough that more could be added, give me a Midnight Rain final chorus you cowards! 7/10
Question…?
Relistening to this for this review has made me realise just how much I love this song. 
I love when artists sample/interpolate their own work because, why wouldn’t you? Especially if you've written a song like Out of the Woods. I think the subject of the song, hoping someone you were once close to still thinks about you and your relationship, is something done so frequently due to its universality but I love the way Swift approaches it here. Side note: we need more songs written in the second person. ONE DRINK. AFTER. ANOTHER. FUCKIN. POLITICS AND GENDER ROLES AND YOU’RE NOT SURE AND I DON’T KNOW! Just so good. 9/10
Vigilante Shit
Not listening to that. It’s just corny, I’m sorryyyyyy. It sounds like something that did not make the cut on Reputation and I already have my issues with some of the songs that did. 2/10?
Bejeweled 
I will say my opinion on this song has most definitely been swayed by its popularity on Tiktok because I did NOT like it when I first listened to the album but I admit, the chorus is super catchy. 5/10
Labyrinth
I won’t lie, I forgot this song was even on the album because I did not care for it on first listen and this is probably only my third or fourth time hearing it. Similarly to Snow on the Beach, I don’t hate it, I just think it's slightly boring but still beautiful. Nice outro.  6/10
Karma
I love this, I don’t even care. The melody is so fun and Swift’s triumphant yet peaceful delivery makes you believe that Karma is her cat/boyfriend/acrobat/god breezing through her hair and purring in her lap. The brightness of the production gives the song a youthful quality but the matter of fact way she sings the statements in the chorus breathe an air of maturity into the song - there is no uncertainty, she is so well acquainted with Karma that she knows she does not need to stress. I’m envious. 8/10
Sweet Nothing
Just so sweet. I love the faint horns used and the way the song paints this feeling of internal domestic bliss shielded from the bustling outside world. I’m just too soft for all of it :( 7/10
Mastermind
She’s kind of crazy (positive). This is another song I don’t particularly care for but I think it bookends the album in a nice way, and the themes of restlessness and questioning that are present lyrically here (and throughout the album) are well reflected in the production and tempo.6.5/10
Overall Score: 6.9
Standout Tracks: Lavender Haze, Question…?, Anti-Hero
I feel like this is somewhat appropriate for my experience with the album. I’m not sure where I’d rank it but it is definitely up there. To me anything above a 6 is an enjoyable album. I’m not reviewing 20 songs at once, but maybe at a later date I’ll talk about the 3am tracks, one of which is definitely one of my favourite and in my opinion one of her best songs ever. 
Thanks for getting through this lofty review. What’s your top 3 on the album? What should the next single be?  I think I might like Taylor Swift a lot actually.
8 notes · View notes
Text
Made You Look claimed this week’s top spot from Anti Hero on Countdown Top 40
Tumblr media
1. Made You Look - Meghan Trainor
2. Anti Hero - Taylor Swift
3. Until I Found You - Stephen Sanchez
4. Music For a Sushi Restaurant - Harry Styles
5. I’m Good (Blue) - David Guetta & Bebe Rexha
6. Under The Influence - Chris Brown
7. Where We Started - Thomas Rhett & Katy Perrt
8. Nonsense - Sabrina Carpenter
9. The Astronaut - JIN
10. THE LONELIEST - Måneskin
11. Rich Spirit - Kendrick Lamar
12. Die For You - Joji
13. Bejeweled - Taylor Swift
14. Boy’s a liar - PinkPantheress
15. The Loneliest Time (feat. Rufus Wainwright) - Carly Rae Jepsen
16. Nobody Gets Me - SZA
17. Unholy - Sam Smith & Kim Petras
18. Older (feat. Sierra Deaton) - 5 Seconds of Summer
19. Never Gonna Not Dance Again - P!nk
20. I Drink Wine - Adele
21. Coast (feat. Anderson.Paak) - Hailee Steinfeld
22. The News - Paramore
23. Bigger Than Me - Louis Tomlinson
24. u & i - James Reid
25. Creepin’ - Metro Boomin, The Weeknd & 21 Savage
26. Lift Me Up - Rihanna
27. Shut Up - Alan Walker & UPSAHL
28. Nothing Is Lost (You Give Me Strength) - The Weeknd
29. Here With Me - d4vd
30. About You - The 1975
31. Come Alive - Jackson Wang
32. I’m A Mess (with YUNGBLUD) - Avril Lavigne
33. Obsessed (feat. Charlie Puth & Shenseea) - Calvin Harris
34. Wild Flower (with youjeen) - RM
35. All By Myself - Alo, Sigala & Ellie Goulding
36. Where You At (WYAT) - SB19
37. Surrender My Heart - Carly Rae Jepsen
38. Hold Me Closer - Elton John & Britney Spears
39. Celestial - Ed Sheeran
40. Loser - Charlie Puth
4 notes · View notes