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#andrew fuller
bonobochick · 1 year
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Whitney’s romances in S1 & S2 of The Sex Lives of College Girls.  💞 
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princepaddy · 1 year
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sugarfreakshow Nothing but me and icons at the @/shadowandbone premiere. Thank you again, @/netflix #shadowandbone
Posted 13 March 2023
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ocalvinista · 2 years
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A justificação é atribuída à fé porque é pela fé que recebemos a Cristo; é pela fé somente e não por qualquer outra graça. A fé é peculiarmente uma graça recebedora, o que nenhuma outra é. Se fôssemos justificados pelo arrependimento, pelo amor ou por qualquer outra graça, isso nos transmitiria a ideia de que algo bom em nós foi a consideração sobre a qual a bênção foi outorgada. Mas a justificação pela fé não transmite essa ideia.
Andrew Fuller, citado por John Piper em “Pense: a vida da mente e o amor de Deus”
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drarreckyninja · 2 years
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*texting*
Andrew: Hello!
Johnny: Hello. Who are you?
Andrew: Andrew
Johnny: And?
Andrew: ... rew.
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True repentance will not only teach us to shun the way of evil, but to be averse to every avenue that leads to it.
-Andrew Fuller
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what-marsha-eats · 2 years
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musical-dreamcasts · 2 years
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& Juliet - Keri Fuller (she/her) as Anne Hathaway, requested by anon
Birthday: July 20, 1993 (age 29)
Birth Place; Bethany, Oklahoma
Theatre credits include: Jane Seymour (Six), Heidi ([title of show]), Francine Pomatter/Understudy Jenna (Waitress), Éponine Thénardier (Les Misérables), Grizabella (Cats), Lizzie Borden (Lizzie), Brenda (Hairspray), Rachel Jackson (Bloody Bloody Andrew Jackson), Swing (Jagged Little Pill)
(Pictured on the right is Betsy Wolfe, who will play the role in the Broadway production)
Credits: Unknown, Matthew Murphy
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Dream(re)casting Broadway: INTO THE WOODS
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“Anything can happen in the woods.”
Dreamcasting Broadway: Into the Woods
Olga Meredíz as The Narrator
Karen Olivo as The Witch
Greg Hildreth as The Baker
Ruthie Ann Miles as The Baker’s Wife
Brittney Mack as Cinderella
Aaron Lazar as Cinderella’s Prince/The Wolf
Andrew Barth Feldman as Jack
Gwynne Wood as Little Red Riding Hood
Jackie Hoffman as Jack’s Mother
Terrence Mann as The Mysterious Man
Jenni Barber as Rapunzel (Cinderella u/s)
Michael Maliakel as Rapunzel’s Prince (Cinderella’s Prince/Wolf u/s)
Darlesia Cearcy as Cinderella’s Stepmother (Witch u/s)
Catherine Ricafort as Lucinda (Little Red u/s, Rapunzel u/s)
Keri René Fuller as Florinda (Baker’s Wife u/s)
MaryAnn Hu as Cinderella’s Mother/Granny/Voice of the Giant (Narrator u/s, Jack’s Mother u/s)
Eddie Korbich as Cinderella’s Father (Mysterious Man u/s)
Adam Kaokept as Steward (Baker u/s)
Aisha Jackson as Sleeping Beauty (Cinderella u/s, Little Red u/s, Lucinda u/s, Florinda u/s)
Celia Hottenstein as Snow White (Rapunzel u/s, Lucinda u/s, Florinda u/s)
Chelsea Lee Williams as Standby (Witch, Baker’s Wife, Cinderella’s Stepmother, Cinderella’s Mother/Granny/Giant)
Hannah Clarke Levine as Standby (Narrator, Jack’s Mother, Cinderella’s Stepmother, Cinderella’s Mother/Granny/Giant)
Scott Stangland as Standby (Baker, Mysterious Man, Cinderella’s Father, Steward)
Ali Louis Bourzgui as Standby (Jack, Rapunzel’s Prince, Steward)
Paul HeeSang Miller as Standby (Cinderella’s Prince/Wolf, Rapunzel’s Prince, Cinderella’s Father)
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bkenber · 6 months
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The 'Friday the 13th' Reboot - Jason is Vicious, But the Movie is Bland
WRITER’S NOTE: This review was written back in 2009 when this reboot was released. What better way to spend Singles Awareness Day (a.k.a. Valentine’s Day) than with an old friend who butchers camp counselors because they didn’t keep him from drowning, or supposedly so? I somehow doubt you can call this latest slasher adventure of Jason Voorhees a remake. Each sequel to the original “Friday the…
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aussie-roadkill · 1 year
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I remember someone I know said they didn’t like AJJ cause of their original name like... yeah... that’s why they changed it...
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bonobochick · 1 year
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The Sex Lives of College Girls, ep 3x09
Whitney & Andrew’s 1-on-1. ⛹🏿‍♀️ ⛹🏻‍♂️ 🏀
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therealmrpositive · 1 year
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A Return to Salem's Lot (1987)
In today's review, I find you can't go home again, if the vampires have got there first. As I attempt a #positive review of 1987 sequel of A Return of Salem's Lot #RickyAddisonReed #MichaelMoriarty #SamuelFuller #AndrewDuggan #EvelynKeyes #JuneHavoc
While vampires are often depicted trying to enslave humanity, not a lot is ever discussed of the logistics: Constantly keeping up the supplies of Blood, keeping your empire hidden from others for if/when they decide they want to expand their territory. In 1987, and without the involvement of Stephen King, a sequel embarked to answer these questions. About what would happen if you would happen if…
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GAME CHANGER: BATTLE ROYALE - OLD GUARD vs. NEW BLOOD
Launches April 3rd on Dropout.tv
This 4 episode event series features host Sam Reich, contestants Ify Nwadiwe, Rekha Shankar, Ally Beardsley, Adam Conover, Vic Michaelis, Tao Yang, Anna Garcia, Izzy Roland, Lily Du, and Jacob Wysocki, with guests Rick Devens, Andrew Fuller, Clauda Sandoval, Laganja Estranja, and Howie Mandel.
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hotvintagepoll · 3 months
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hi!! when you get a chance to look at the hot ladies submissions, do you mind telling us which ones are guaranteed for the tournament? i wanna submit but i dont have much free time, so id rather focus on submitting my underrated girls (missed my chance for farley granger but i will not miss it again!)
I did a quick skim and I can tell you these ladies are definitely accounted for by now:
Ingrid Berman
Katherine Hepburn
Clara Bow
Hedy Lamaar
Grace Kelly
Audrey Hepburn
Barbara Stanwyck
Marlene Deitrich
Lauren Bacall
Julie Andrew
Judy Garland
That doesn't mean you can't still submit propaganda for them—the more the merrier—but these ladies are already definitely in the tournament by now. When we're closer to the tournament proper I can post a fuller list.
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flowur-the-weirdo · 11 months
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Pose Pack #19 Pose Request: Breaking News
Available for free as always!
Download ad free here:  SFS
Download from CurseForge here: CF
This is one of my first pose requests and I'm so excited about it. I made it for a friend on IG whose role play character just got a job as a newscaster. Check them out here: https://www.instagram.com/cherryblossom6295/
26 poses in all. 9 sitting at desk, 5 sitting without desk, 7 standing poses and 5 extra sitting without desk poses with higher hands for fuller skirts.
(As always there may be some clipping. Should be able to be used with both male and female sims.)
You will need Andrew's Pose Player or WW Poses and either the Sim Transporter or MC Command Center.
@ts4-poses
TOU: Please don't alter, claim as your own or redistribute.
💗🌸👽🌸💗
I hope you enjoy! Feel free to tag @flowurtheweirdo (Twitter, FB and IG) or @flowur-the-weirdo (Tumblr) I’d love to see what how you use them.
🧬Thirteen🧬 , 🗝️The Secrets of Ravenwing Manor️🗝️
and 📸Tristan Hendrix RP/Storytelling📸
🌼Don't forget to check out my YouTube channel!🌼
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fatehbaz · 2 days
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Because tuatara are very long lived - between 100 and 200 years by most estimates […] - the founding of Aotearoa/New Zealand as a modern nation and the unfolding of settler-wrought changes to its environment have transpired over the course of the lives of perhaps just two tuatara [...].
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[T]he tuatara (Sphenodon punctatus) [...] [is] the sole surviving representative of an order of reptiles that pre-dates the dinosaurs. [...] [T]he tuatara is of immense global and local significance and its story is pre-eminently one of deep timescales, of life-in-place [...]. Epithets abound for the unique and ancient biodiversity found in Aotearoa/New Zealand. Prized as “Ghosts of Gondwana” (Gibbs 2008), or as denizens of “Moa’s Ark” (Bellamy et al. 1990) or “The Southern Ark” (Andrews 1986), the country’s faunal species invoke fascination and inspire strong language [...]. In rounded terms, it [has been] [...] just 250 years since James Cook made landfall; just 200 years since the founding of the handful of [...] settlements that instigated agricultural transformation of the land [...]. European newcomers [...] were disconcerted by the biota [...]: the country was seen to “lack” terrestrial mammals; many of its birds were flightless and/or songless; its bats crawled through leaf-litter; its penguins inhabited forests; its parrots were mountain-dwellers; its frogs laid eggs that hatched miniature frogs rather than tadpoles [...].
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Despite having met a reassuringly temperate climate [mild, oceanic, comparable to western Europe], too, the newcomers nevertheless sought to make adjustments to that climate, and it was clear to them that profits beckoned. Surveying the towering lowland forests from the deck of HMS Endeavour in 1769, and perceiving scope for expansion of the fenland drainage schemes being undertaken at that time in England and across swathes of Europe, Joseph Banks [botanist on Cook's voyage] reported on “swamps which might doubtless Easily be drained” [...]. Almost a century later, in New Zealand or Zealandia, the Britain of the South, [...] Hursthouse offered a fuller explication of this ethos: The cultivation of a new country materially improves its climate. Damp and dripping forests, exhaling pestilent vapours from rank and rotten vegetation, fall before the axe [...]. Fen and march and swamp, the bittern’s dank domain, fertile only in miasma, are drained; and the plough converts them into wholesome plains of fruit, and grain, and grass. [...]
[The British administrators] duly set about felling the ancient forests of Aotearoa/New Zealand, draining the country’s swamps [...]. They also began importing and acclimatising a vast array of exotic (predominantly northern-world) species [sheep, cattle, rodents, weasels, cats, crops, English pasture grasses, etc.] [...]. [T]hey constructed the seemingly ordinary agronomic patchwork of Aotearoa/New Zealand's productive, workaday landscapes [...]. This is effected through and/or accompanied by drastic deforestation, alteration of the water table and the flow of waterways, displacement and decline of endemic species, re-organisation of predation chains and pollination sequences and so on [...]. Aotearoa/New Zealand was founded in and through climate crisis [...]. Climate crisis is not a disastrous event waiting to happen in the future in this part of the world; rather, it has been with us for two centuries already [...].
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[T]he crest formed by the twinned themes of absence and exceptionalism [...] has shaped this creature's niche in the western imagination. As one of the very oldest species on earth, tuatara have come to be recognised [in Euro-American scientific schemas] [...] as an evolutionary and biodiversity treasure [...]. In 1867, [...] Gunther [...] pronounced that it was not a lizard at all [...] [and] placed the tuatara [...] in a new order, Rhynchocephalia, [...] igniting a frenzy of scientific interest worldwide. Specifically, the tuatara was seen to afford opportunities for "astonished witnessing" [...], for "the excitement of having the chance to see, to study, to observe a true saurian of Mesozoic times in the flesh, still living, but only on this tiny speck of the earth [...], while all its ancestors [...] died about one hundred and thirty-five million years ago" [...]. Tuatara have, however, long held special status as a taonga or treasured species in Māori epistemologies, featuring in a range of [...] stories where [...] [they] are described by different climates and archaeologies of knowledge [...] (see Waitangi Tribunal 2011, p. 134). [...]
While unconfirmed sightings in the Wellington district were reported in the nineteenth century, tuatara currently survive only in actively managed - that is, monitored and pest-controlled - areas on scattered offshore islands, as well as in mainland zoo and sanctuary populations. As this confinement suggests, tuatara are functionally “extinct” in almost all of their former wild ranges. [...] [Italicized text in the heading of this post originally situated here in Boswell's article.] [...] In the remaining areas of Aotearoa/New Zealand where this species does now live [...], tuatara may in some cases be the oldest living inhabitants. Yet [...] if the tuatara is a creature of long memory, this memory is at risk of elimination or erasure. [...] [T]uatara expose and complicate the [...] machineries of public memory [...] and attendant environmental ideologies and management paradigms [...].
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All text above by: Anna Boswell. "Climates of Change: A Tuatara's-Eye View". Humanities, 2020, Volume 9, Issue 2, 38. Published 1 May 2020. This article belongs to the Special Issue Environmental Humanities Approaches to Climate Change. [Bold emphasis and some paragraph breaks/contractions added by me. Text within brackets added by me for clarity. The first paragraph/heading in this post, with text in italics, are also the words of Boswell from this same article. Presented here for commentary, teaching, criticism purposes.]
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