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#and try to figure out what parts of the music represented what parts of the poem
pants-lint · 1 year
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Just had a Thought and now I'm curious. What's you guy's strangest comfort media? It doesn't have to be strange as in like creepy/fucked up/whatever, it can just be smthn a lil odd.
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wooyoungiewritings · 5 months
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Fire and water - Seonghwa x Reader
Summary: When you walk into the mechanic, you don't expect to see Seonghwa, the most intimidating person you've ever laid your eyes on. He's the complete opposite of you. But he opens the idea of something you've never considered, and before you know it, the door he has opened for you is already locked behind you.
Word count: 6K
Genre: SMUT
Warnings: smut, fem reader (fem pronouns), reader is very innocent and hwa is very not (lol), nicknames such as kitten and princess, oral sex (f receiving), hwa smokes, semi public sexual activities, lmk if I missed anything!
This is all for fun and is not meant to represent Seonghwa in any way.
The intense smell of gasoline and oil fills your nose as you step into the unfamiliar space. Generic rock music plays from the radio and a few random posters hang on the walls. It doesn’t seem like the most professional place, but a car with an open hood in the middle of the room, assures you that you came to the right place. Your eyes scan the repair shop for someone to assist you, but the silence is enough of an answer for you. 
You knew you arrived at a late hour, having spent most of your day getting lost in the books at the library, but a part of you hoped you could make it before closing time. It was a simple Google search for the nearest mechanic that had you end up here, but you didn’t think twice to see the closing hours.
Your legs guide you further into the room, careful not to touch anything you shouldn’t. This is the first time you’ve been to the mechanic with your car that you bought a few months back. It was an already used car when you bought it, but you could get it cheap and desperately needed something to help you get to school. The feeling of being in here is intimidating in itself, having little to no knowledge of cars, but a lamp in your car display has been screaming for attention for way too long, you couldn’t ignore it anymore. 
“Are you lost?” The voice surprises you and you turn around to see a tall figure walking into the room. 
Seonghwa.
The tall, lean, beautiful man you’ve seen in the hallways of your university. He is always wearing an oversized old-school leather jacket, messy black hair, black nail polish, and has a cigarette in hand 24/7. He and his group are known on campus for being too intimidating to talk to, but somehow every time you see them, they each have a new girl wrapped around their finger. They party when everyone else is sleeping, don't care about what people are saying about them and they will fight if they have to. 
You’ve only spoken to him once when you accidentally walked in on him and a girl kissing in the library. You were searching for a specific book and made your way to the back rows of the library. As you were in your own head, you turned a corner and saw him with his tongue down her throat, her hands running through his (then) white hair. Your instant reaction was to freeze in your spot, panicking. This was the last thing you expected to see, especially at the library. 
As Seonghwa removed his gaze from the girl trapped between him and the shelves, and his eyes watched you carefully, you immediately woke up.
“Oh my gosh, I’m so sorry!” You quickly said, turning around. Cheeks quickly blushed, and you felt the embarrassment rush over you. Not even for them, but for you.
You heard the girl mumble something to Seonghwa, and a second later, she passed you and walked out of your sight. Heart pounding fast against your chest, you slowly turned around before your eyes landed on Seonghwa. Relaxed, he was leaning up against the shelf with his arms crossed, staring you down.
“You can take what you came for.” His low voice spoke. 
Slowly you walked further down the row, trying your best not to look at Seonghwa. Focused on the note in your hand with the book name you were searching for, you scanned the rows for the book. It seemed like an easy task, but you felt Seonghwa’s eyes locked on you with every move you made, making this simple mission impossible. 
Your eyes kept going over the same place again and again, slowly getting frustrated that you couldn’t get your shit together. 
As you looked down on the note again, reading the same line for the 29th time, you suddenly felt something watching over your shoulder. The smell of gasoline and cigarettes surrounded you, and it was like everything froze again. Seonghwa’s presence was close to you, but he wasn’t even touching you. You slowly turned your head to the side, and Seonghwa was peeking over your shoulder, looking down at the note in your hand. 
Not a word was said when he lifted his arm, grabbed a book, and handed it down to you. Your breathing stopped as you saw the book you were so desperately looking for, resting in Seonghwa’s hand. Your hands slowly reached out for the book, and you couldn’t help but look up and see his eyes watching you with no expression. You couldn’t tell what was going on behind those eyes. 
“Thank you.” You whispered, not being able to get more words out. 
“You’re welcome.” He answered coldly, still watching your every move. 
Was he pissed at you for interrupting? Was he tired? Was he happy? Relieved? You had absolutely no idea.
So you quickly saw your opportunity to get away, sending him an awkward smile before you practically ran away.
And that was the first and only time you’ve spoken to Seonghwa. Until now. 
“No, I was looking for someone to help me.” You say, knowing he’s been waiting for an answer for a little too long. “I need an oil change.”
He takes a few steps further into the room, and you notice the white towel in his hands, filled with black oil stains. He’s wearing a black tank top and jeans, also filled with black stains.
You didn’t know much about him, and you had no idea that he worked here. Looking back though, it made sense for you. He was often seen with a “dirty” outfit, with black oil stains on his clothes and skin.
“Brave of you to walk in here in an all-white outfit,” His eyes travel down your body, and you suddenly feel small. You look down at yourself in your white cardigan, white skirt, and white knee socks. Of course, you didn’t think much of it when you put your outfit together this morning. “Give me five minutes, I just need to finish this,” He walks closer to the parked car in the room, throwing the white cloth over so it rests on his shoulder. 
Restless, not knowing what to do with yourself, you step closer to the wall, trying your best not to be in his way. “Careful standing too close to that, or you’ll get oil on your skirt. It stains. You can sit on the stool over there while you wait.” He points at a black stool in the corner and you quickly find your way over there so you can let him work in peace.
You take your time studying the place, not knowing if it’s normal to have a conversation at a place like this. How long will this take? Does he own this place? Should you leave him alone? You decide to focus on the rock music playing while you silently watch Seonghwa do his thing.
He’s leaning over the open hood of the car, screwing something and rubbing his hands in the white cloth after. You might not have any idea of how to repair cars, but he makes whatever he does look so easy. He knows exactly what to do and how to do it. 
He closes the hood of the car and walks to the other corner of the room. You can’t see what he’s pressing, but suddenly the metal wall behind you goes up, and you look behind you to see other cars parked outside. It rolls all the way up, and Seonghwa walks to the car, gets in, and drives it out of the room and to the parking lot. 
You silently watch him as he comes back and walks towards you. “Alright, can I have your keys?” He asks, reaching out his hand. You’re quick to hand him the key with a heart keyring attached, and there’s a tug on his lips as it’s placed in his hand. “Be right back.” 
A moment later, he arrives in your car, parks it in the middle of the room, and walks out to close the metallic garage door again. Once it’s closed, he grabs a few things from racks on the walls and walks to your car.
“You want me to do a routine maintenance check as well? I have the time.” He asks as he opens the hood.
“It’s fine, you don’t have to.” You say as confidently as possible. Truth be told, you just want to have your car fixed so you can go home. Seonghwa doesn’t respond, he just grabs a mechanic’s dolly, lays his back on top and suddenly his upper half is under your car. A few moments pass by in silence, the only thing filling the air is the music playing and the sounds of metal crashing as he works, and he rolls back out and goes to work in the front trunk. Leaning over your car, working and changing the oil, he once again looks professional and focused, and that makes you curious.
“You work here a lot?” You ask.
“Yeah, every day pretty much.” His back is turned to you, but you see him pull out a pack of cigarettes. He places one in his mouth, flicks the lighter, and a cloud of smoke escapes. His body turns towards you, the pack of cigarettes in hand. “Want one?”
“No, thank you.” You shake your head. He continues to work on your car, cigarette dangling from his mouth. “Is that safe?”
“What?” 
“Smoking. While doing that.” You point to the car. You’ve seen too many movies including fire and cars, so a quick concern washes over you, scared that a huge fire would suddenly occur. 
“Smoking is never safe. You’re always playing with death when turning one on. If you’re asking if it’s safe to smoke over an open hood, then it’s inconsequential. Your car won’t blow up if that’s what's worrying you.” He glances back at you. His black hair is pushed back, but a few strands have fallen down into his face.
“If it’s not safe then why do you do it?” You can’t help but ask, curious if he really doesn’t care or if it’s just an act.
“Helps me concentrate.” He simply answers, going back to work. “What about you?”
“I don’t smoke.”
“No, do you do anything that's bad for you?” Another cloud of smoke fills the space around him, and he rubs his hands in the white cloth, leaving black stains. The black oil on his hands blends in with his black nail polish, and somehow it looks good. 
Just like he was that one time in the library, he’s once again impossible to read. And his question leaves you silent for a moment, not knowing what to answer.
“Oh… Uhm, I don’t know. I don’t think so.” You shrug, and a light scoff comes from Seonghwa.
“Shocking.”
“What is that supposed to mean?” Your brows come together in question.
His body turns to you, eyes going down to your outfit, hand gesturing to you. “You look like you’d be spending a week in church if you walked across a red light on the street.” There’s a small tug on his lips as he speaks. He’s entertained by you. You look like the complete opposite of him. In your white outfit, knee-high socks, and white little skirt you look like a saint next to him in his all dirty, messy black clothes. Like fire and water, you're the opposites.
“Well, I don’t.” You say.
“You don’t have to take it as a bad thing. Church girls can be full of surprises.” There's something hidden in the way he says it, and the smirk on his lips makes your cheeks blush. “I’ve seen you at school, you know. Often at the library, surrounded by academic books you probably read just for fun.”
“Well, I like the idea of knowledge. It gets you further in life.”
“It depends, doesn’t it? Don’t you think knowledge can hold you back from doing certain things too?”
“Maybe. But I also just like staying at the library. It’s fun.”
Another scoff leaves him, and you get the feeling that he’s mocking you. 
“What?”
“If your idea of ‘fun’ is reading at the library, then I’d love to see you on a Saturday night.” He sends you a smirk before going back to focusing on the car. His back muscles tense as he works over the open hood, and you can’t help but stare. The black tank top really does him justice as he moves his arms around, and you shake your head, trying to focus on something else.
“What do you study?” You ask, trying to change the subject.
“Business, language and culture.”
“So you don’t wanna be a mechanic?” 
“Still figuring it out.” He answers shortly. “You study what?”
"Psychology.”
"So, those biochemistry books I see you with at the library really are just for fun?" He raises an eyebrow and smirks, making you feel annoyed that he has you figured out so easily.
“As I said, I think knowledge gets you further in life.” You justify. He shakes his head in disbelief and you hear something close to a chuckle leave him. The sound is nice, especially since you’ve never heard or even seen this man smile. So this small chuckle is enough for you to continue this small banter you have going. “You don’t look like the type to go to the library.” 
“I don’t think we use the library for the same reasons.” He turns around toward you again and takes a long drag of his cigarette. He leans up against your car as your eyes lock on his figure, eyes piercing on you as he blows out the smoke. “Do you know about the library’s back room, princess?” His nickname for you makes your mind blank, and you shake your head no. “Proves my point.”
“What’s the back room?” You’re curious.
He’s studying you for a moment before answering. “A place to fuck.” 
Like a switch, your entire expression changes and you feel your cheeks heat up. Never have you heard of this ‘back room’ before. No, you probably (absolutely, most certainly) wouldn’t even use it if you had known about it, but it shocks you that it’s a thing. 
Seonghwa’s smirk grows on his lips as he studies your face. “Your expression says it all. You’re such a good girl you couldn’t even hide it if you wanted to.” 
You fall silent for a moment, not knowing what to say or how to move on from here. Until you’re reminded of the first time you spoke to Seonghwa.
“I saw you at the library once. With a girl.” You say shortly.
“Yeah, I remember. The back room was occupied so I took her down to the part of the library no one comes to. Well, except you.” The way his eyes are locked on you while talking about this is making your heart beat faster. 
“Is it even allowed?” 
“Would it ruin you to break the rules once in a while? Have you ever had sex in public before?”
“N-no!” Your cheeks are burning at this point.
“Don’t hate it till you try it. It's thrilling.” You’re not sure but you think you see him send you a wink as the smirk grows on his lips. A few more strands of hair have fallen down in his eyes, framing his face perfectly, before he runs his hand through his hair to push it back. It makes you fall under his trance for a moment, but you quickly flicker your eyes away, scared to fall for the beautiful brown eyes of his.
“So what, you only go to the library to sleep with someone? You don’t think there’s a better place to make love?”
“‘Make love’, how adorable.” Seonghwa is full-on smiling at this point, enjoying this conversation the more it escalates. The way your cheeks reddened, the slight shake in your voice, your flickering eyes. It’s clear to him that you’re not used to talking about these kinds of things, and he loves it. 
“I don’t see what’s funny.” You say.
“You make love on your honeymoon. You fuck everywhere else.” He says, as a matter of fact. 
“I don’t.” You disagree, fighting to keep your eyes on him and not back down from his piercing ones.
“No, I figured.” Another cloud of smoke leaves his lips and frames his face before continuing to fix the car, still looking back at you occasionally as you’re having this conversation. “You’re seeing anyone?”
“No.” You shake your head, wrapping your arms around yourself. His gaze on you seems so intimidating, even his presence itself. There’s a confidence, almost an arrogance to him that makes him so unnerving. But despite this, you can’t help but ask further. “Do you? Since you use the ‘back room’?”
“You only fuck-” He stops himself and holds his hands up. “Excuse me, make love, with people you date?” His questions make you fall silent for a few seconds.
You don’t know Seonghwa well, so this conversation is not exactly what you expected. This question could also open an entirely new topic of conversation that you weren’t sure would be comfortable for either of you.
The conversation about sex is not normal for you, especially since you’re not the most experienced. Despite having been in a relationship with the guy who took your virginity, it didn’t end the way you had dreamed of. 
You had always romanticized the thought of losing your virginity to the person you would spend the rest of your life with, but when you found out he had cheated on you during your relationship, your world crumbled. At the time, all of your insecurities came to life, and despite knowing you had done nothing wrong in the relationship to prevent this, you couldn’t help but feel like you had done something wrong when it came to sex.
With time, you promised yourself not to let your ex have an effect on you, so you did everything you could to gain back your confidence, and you did.
You clear your throat, taking your time to find the right answer. “Well... I’ve only made love to one person and that was my ex. So yes.”
“And you only stayed in the bedroom?” 
A moment of silence.
“Yes, we did. I just don’t understand why you would do it anywhere but in the bedroom. There’s literally a bed, I can’t imagine how uncomfortable everything else must be.
Seonghwa throws his head back before looking at you in disbelief. “I didn’t think you could get any more good. You must be first in line to heaven when doomsday comes.” He puts his smoke out in the ashtray on a working table next to the car. “Public sex is not about how comfortable it is. And just because it’s public, does not mean people are watching you. That’s a whole other kink.” Seonghwa is slowly making his way towards you on the stool. His large frame is closing in on you, speaking in a lower volume as he’s coming closer. “It’s the feeling of someone possibly being able to see. Having to keep quiet, being close, finding whatever excuse you have to leave and drag the other person into a random room. Comfortability is not a necessity at that point. Then you don’t care if you fuck in a bed, against a table, or the hood of a car.” 
He’s standing right in front of you. You try your best to control your breathing as he looks down at you, you have to look up at him through your eyelashes. The smell of cigarettes surrounds you as he is near, but there’s also an obvious pull of something dangerous yet addicting when being close to him. You don’t know where it comes from, but you can't help but want more. 
You’ve never caught yourself thinking of Seonghwa this way, but he’s awfully good at wrapping you around his finger and thinking of things you’ve never had before.
“So what, how does this ‘backroom’ work?” You suddenly ask, almost surprising yourself. What did you want with the information? You have no idea.
Seonghwa finds your questions endearing. The innocence in your voice has him smiling, letting you see his perfect teeth. You’ve never looked at him so closely, you find yourself so fascinated by him. The raw, scary persona he is, but yet his face is perfectly made like an angel. Soft and beautiful. You suddenly find yourself completely under his spell, studying his every feature.
“What, tempted to give it a try? I can show you if you’re interested.” There’s a hint of something in his voice, you can’t tell if he’s kidding, but even the thought of him taking you to the room, has you notice a certain heat between your legs.
“N-no, I’m just curious.” Your voice shakes from how close he is to you along with his words.
“Careful with that. Curiosity killed the cat, you know.” He then steps back and walks back to the car to continue working on it as if nothing happened. Seonghwa is working over the open hood, unaware of how he left you feeling inside. 
Your heart is beating fast against your chest as he casually works in front of you. Like he turned on something inside of you, you suddenly notice things about him you didn’t before. How his hand curls around the wrench, how his shirt lifts when leaning over the car, exposing the skin on his waist, and how his muscles tense when he works. His jeans hang low, just below his waist, revealing even more skin and you somehow can’t help but look.
“Getting awfully quiet over there, princess. Your mind running?” Seonghwa’s head turns to you, catching you looking at him. Your eyes go to his, and you both freeze. He studies your face for a few seconds before grabbing the hood of the car and closing it. You both look at each other, a certain tension between you.
“Come here,” Seonghwa says as he leans against the car. Your body hesitates to do as he says, but you eventually cave in and get down from the stool to slowly make your way towards him. 
Seonghwa throws the white cloth on the table before looking down at you. The smell of cigarettes and oil enhances again as you’re close to him, and Seonghwa taps the hood of the car with his hand. You look at the hood, suddenly unsure of everything you do, but push the thoughts away and jump up on the hood to sit. Your feet dangle, but you freeze when Seonghwa steps in front of you, resting his hands on either side of you. 
“You’re thinking of something special?” His low voice asks. He’s searching for your eyes, but your heart is pounding and your eyes struggle to stay in one place. The heat between your legs is driving you insane, never having felt like this before.
“No... Maybe.”
His eyes continue to study your face. His expression is still impossible to read, yet his actions make you feel a whole new type of way.
“Look... I’d gladly take you, right here right now, if you want. We don’t even have to fuck, I can just make you cum if that’s what you want.” His bluntness throws you off, yet you didn’t expect those words to have such a big impact on you.
“Won’t someone come in? Or hear?” You worry.
“No. They won’t.” He whispers, slowly leaning forward. 
You can’t tell what’s happening, even if you had a gun to your head. Seonghwa is not someone you should be spending time with. He’s the complete opposite of you, yet that draws you in like nothing else.
“Okay.” You cave in.
Not a second later, Seonghwa’s lips are on yours. Everything is happening so fast, that your brain isn’t even realizing who you’re kissing. The guy you’ve seen scare people away from their seats is having his hands on you, pulling you closer for a kiss. His tongue slips through your lips and you allow his every move. 
It’s a whole new experience to kiss someone like Seonghwa. The taste, the moves, the desire. He knows what he’s doing, and the confidence shines through, even just through the kiss.
He pulls back, leaving you thirsty for more, and a small tug on Seonghwa’s lips assures you that this is actually going to happen. “First… How do you usually like it, kitten? How do you like for someone to make you cum?” He whispers.
“I’m not.. no one has ever... I mean-”
“No one has made you cum before?”
You try analyzing his question in your mind before you shake your head no. 
“I thought you had a boyfriend a while back?”
“I did..”
There’s a short moment of silence where Seonghwa just reads your face and takes in what you just told him. “So let me get this straight... You only had mediocre, boring vanilla sex with this guy, he never made you cum and you still dated him?” He lifts an eyebrow, trying to understand the situation. You slowly nod, confirming his question. “Did he ever cum?”
“Every time.”
“You’ve gotta be kidding... Now that’s just selfish of him,” He removed a piece of hair from your face and leaned his face closer to your ear. You felt him slowly press his lips on the soft spot on your neck before gracing his lips over your ear. “Can I get the pleasure to be the one to make you cum, princess?”
“Y-yes.” You’re almost panting at this point, craving his touch more than you’d ever expect. Seonghwa holds your face in his hands as he presses his lips hard against yours again. The smell of cigarettes surrounds you as you get lost in him, yet you for some reason get addicted to the idea of him. Like he’s your kind of nicotine.
“I’ll try not to get oil all over you.” He assures as pulls away from you.
“That’s okay.” You tell him, suddenly not caring about the stains. This makes Seonghwa’s lips turn into a smirk, slightly amazed at the sudden change in you. His hands run up your thigh, leaving black stains from his fingerprints on your skin.
“You like the idea of my fingerprints on you? Looking in the mirror when you get home and seeing my hands on your thighs?” He goes to kiss your neck as his fingers dig into the flesh on your things. Unable to speak, you nod, wanting him to touch you even more. “Lean back for me, kitten.”
You scoop further back on the hood of your car, leaning back on your elbows to get a view of Seonghwa. His hands go to your hips to drag down your underwear till it completely leaves your body. The cold air hits your heat as Seonghwa parts your legs to lean over the hood and get a better view of your cunt. 
“Gosh, you’re glistening, princess. Are you that wet already? The idea of cumming in a public space is turning you on now?” 
You don’t get to react before his tongue suddenly slides between your folds, getting a long taste of you. The feeling makes you gasp, but you quickly cover your mouth with your hand, silencing yourself as much as possible.
“You taste so sweet, kitten.” He continues taking long strokes in between your folds, making sure to lick your clit as well. You look down to see his fingerprints on your thighs, turning you on even more. A moan escapes through your lips as he starts focusing on your clit, sucking and flicking his tongue on the sensitive nub. You can barely say anything as he takes his time, eating you like he craves you. 
“I can’t believe someone had the chance to make you cum, and he didn’t even do it right.” Seonghwa shakes his head with a smirk before taking a few more deep licks against your pussy. “How embarrassing of him.”
“Will you... do it right, then?” You asked, looking at him with doe eyes. Seonghwa stands up further to look down at you spread out on the hood in front of him. His fingers, still stained slightly with black oil, go to your chin, and tilts your head up slightly to get a better look at him. 
“Kitten, you’re gonna wish you came to me sooner when I’m done with you.” The look in his eyes almost works like a promise before he leans down to your pussy again. “Tell me how you like it, princess. Use your words.” 
Once again you have to fight yourself to get actual words out when he runs his tongue between your folds again. This time, he focuses on your hole, slipping his tongue in before licking up your pussy again. 
“Like that... That’s really g-good.” You manage to get out, already feeling the shocks through your body when he licks the right places. 
“Fuck, you taste so good.” He spits down on your pussy before going back and to lick it again. Your legs slowly give up, but Seonghwa holds them open, allowing him full view and access. He goes back to sucking your clit, making you moan through your hand once again. “Best cunt I’ve tasted, kitten. Sweeter than anything.”
His tongue works around, he knows what he’s doing. He occasionally looks up at you, making eye contact as he runs his tongue between your folds. This makes you go absolutely crazy, seeing him go down on you like this. Eating, slurping you up. The sounds from the repair shop are out of this world, filled with your moans and him slurping all the juices from your pussy.
“Please don’t stop.” You throw your head back in pleasure, slowly feeling your orgasm approach. 
“Wouldn’t dream of it.” He grins. His mouth goes to your clit again, sucking and rolling his tongue over it. Restless with your hand, it goes to his hair and you grab a handful. The black locks in your hand look amazing as his face is against your cunt, eating and licking you up. Your abandonment starts to send shocks through your body, Seonghwa having to lock your legs down so he can continue. 
The feeling is overwhelming, you can barely hold back your moans anymore. His tongue is flat against your pussy as he flicks your clit with the tip, making sure to hit all the best spots. He works fast, barely letting you get used to one way before he moves next to the new. 
“Seonghwa, I’m gonna-” You moan his name as the feeling of your orgasm quickly starts to form. Lastly, his tongue goes to your clit, sending you over the edge. Your whole body is a shaking, moaning mess as he eats you out of your orgasm. He doesn’t miss a spot as he slurps up the juices from your pussy, licking you one last time, everywhere, before separating himself from you.
You look up to see his chin glistening from your orgasm. He has a smirk on his lips as he pulls you up to sit and presses his lips against yours. Quickly, a specific taste of something mixes as you kiss, his tongue added as well. 
“You taste yourself on my tongue?” He asks confidently, and you quickly realize what the taste is. You. “Amazing, don’t you think?” He smirks before giving you one last kiss before pulling slightly away. He stays between your legs as you scoop forward a bit, still on the hood but with your feet dangling now. 
“Should I.. with you?” You almost whisper.
“No need, princess. Eating your pretty pussy was enough for me.” He smirks as he places his hands on each side of you. You blush again, never having someone comment on your pussy before, but you can’t help but like how it sounds coming from him. “So.. first time having someone make you cum and it being in a public space. What do you think?”
“It was.. fun.” You admit, speaking the truth. The rush of doing it here, with Seonghwa, at his place of work was not something you ever expected to happen, but it had a thrill you never felt before.
“See, that we can agree is ‘fun’. You have school tomorrow?” The change of subject throws you off for a second, having to get your mind clear after just having the biggest orgasm of your life.
“Yeah,” You reply, remembering something important, “How much do I owe you?” Your words leave him with a wrinkle between his brows. 
“For eating you out?” 
“N-no! For the uhh.. the car.”
He looks somewhat relieved after you clarify, “Oh... I don’t know, it’s hard to say. I know you said you didn’t want a maintenance check but I couldn’t help but notice that your serpentine belt is filled with cracks.” 
You don’t even know what a serpentine belt is.
“What does that mean?” You ask.
“That means that it’ll break at some point and then you’ll risk getting stuck in the middle of the road because your car can’t drive.” He explains, and you suddenly understand the situation. You can't help but notice how quick he is to move on, talking about your car after he just had his tongue in between your folds.
You know he's not a stranger to sex, but that also intimidates you.
“Oh..”
He reads your expression for a second as you try to figure out what to do. You don’t want to be stuck in the middle of the road when driving, knowing that’s gonna be even more expensive. But it’s late, so leaving your car here would mean that you would have to order a cab or take the bus.
“I’m done here for the day. How about I give you a ride home? Then we’ll drive here together from school tomorrow, I’ll finish your car, and you’ll get to drive home in a car that doesn’t have the risk of crashing down at any moment?” 
You look up at him to see his expression back to its usual unreadable one, “I mean... If that’s okay with you?” You ask.
This makes him smile. He looks down on your thighs to see the stains he left on you, before meeting your eyes again.
“Of course, kitten. I’ll just grab my stuff.” 
He then disappears away and into another room, leaving you on the hood of your car. The fingerprints on your thighs are a raw indication of what has happened tonight, and you’re sure your clothes are stained with black oil as well. 
When he arrives again, he’s wearing his black leather jacket. You follow him to his car outside, and he drives you home. When you arrive at your apartment, you can’t help but look in the mirror immediately. Seonghwa’s fingerprints are all over your thighs and hips, almost marking you. Your cardigan, skirt, and socks all have stains on them, and there’s a slight embarrassment in your gut when thinking of what happened tonight. 
You can’t help but feel embarrassed at the thought of seeing Seonghwa in the hallways of the university, especially since he has to pick you up from school tomorrow and go back to the place where he just gave you your biggest orgasm. But even so, you’re even more tempted to walk through the door he just opened for you. The wilder side, the dangerous and unfamiliar. 
It makes you blush even thinking of him, and when your phone suddenly buzzes in your hand, you’re shocked to see a certain name on your screen.
Seonghwa made you save his contact when dropping you off, saying it was for future car problems. But you didn't expect a text already, and you know the door he has opened for you, is already locked behind you. 
Seonghwa See you tomorrow, kitten
Taglist: @canigotosleep--plz (comment if you wanna be added to my taglist!)
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gigizetz · 1 month
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Heya! Really love your art style, especially your Circe design. I was wondering what inspired her (Circe's) design, like the clothing style and all that good stuff, the reason I'm asking is because I also love to design characters and Circe's design really intrigued me, it's really simple yet still very elegant and feminine. So I was wondering what the reference and concepts were :D
Thank you! I don't really have references for Circe, but I can explain some of my choices for her. Hopefully that's helpful! :D
Circe was probably the first EPIC character I drew actually. I remember getting immediately excited for this musical when I noticed she would appear, because at the time I recently finished the Madeline Miller book Circe. So when I started doodling her I was basing mostly on the book interpretation of her character, and because of that, you'll notice that in these drawings she looks way more young and friendly than in the current design.
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(also sorry for the quality on the second image, I sneezed when taking the picture and got too lazy to redo it)
Needless to say, the crop top and the long skirt starting at the hips aren't accurate to the period at all, but that was intentional! I think it fits that she looks so exotic and out of place, as her character in the musical is seen as this foreign threat to Odysseus' crew. She has this unfamiliar, yet seducing aura. Plus, the revealing outfit also represents how freely Circe and her nymphs live in Aeaea. Free of worries and men.
Still, at the time I wasn't really seeing Circe on these drawings. It's hard to explain, but something about her was a little bland, too elegant. Normally when I'm not "feeling it" with my character designs I try associating the character to an animal! I go over in my mind what feelings I want this character to pass off, and which animals better represent said feelings. You can see this pattern in some of my characters, how Athena has owl-like features (owls represent wisdom), how Hera's face resembles a peacock (they represent vanity), and, as I would figure out later, Circe matches with a lioness.
That's the thing that made Circe for me. What was missing on her old design was this feline, wild, but still imposing look. I gave her sharper features, lioness eyes, hair over the face, and shapes to represent various parts of a lioness. And there she was!
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Very proud of her, I think I translated the image I had in my head for her as best as I could. Hope that was helpful in any way! :D
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autumnsxxangel · 8 months
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SandRay are an homage to Wong Kar-Wai's Happy Together and in this essay I will..
...actually explain it because I see people catching his homage's to Western queer media, but not really his shout outs to Eastern queer media.
I assumed there would be allusions to Happy Together when I first saw the trailer, but this last episode centered around Ray really cemented it for me. After all, why would P'Jojo reference all these Western queer shows and not talk about what is probably the most iconic piece of Eastern queer media ever?
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Wong Kar-Wai & Happy Together
For some background information, Wong Kar-Wai is a famous and insanely influential Hong Kong filmmaker. If you're a film nerd, you probably know who he is and recognize his style. If you like film and metas, I would recommend watching some of his stuff because afterwards, you'll realize just how much influence he still has on modern media, especially in Asia. Stylistically, he's known for rich color grading; thematic usage of music; an unending sense of nostalgia, heartbreak, and missed opportunities; and dialogue that mean nothing on the surface because everything meaningful is boiling just under, left unsaid (If you've watched Everything Everywhere, All At Once, the entire actress universe sequence was an homage to Wong Kar-Wai). His actors always do a phenomenal job because so much of what they need to portray can't be communicated through words. It makes sense why SandRay, aka FirstKhao, were chosen to represent Happy Together as they are the strongest actors out of the group.
Happy Together, simply summarized, is about two men, Ho Po-Wing and Lai Yiu-Fai, who are in a very tumultuous relationship. They end up in Argentina because they wanted to visit the waterfall that's on a lamp that they own. They get lost, end up using all their money, and have to figure out a way to get back to Hong Kong. While there, they break up, get back together, and break up again.
The movie was released in 1997 and is still ranked as one of the best queer movies of all time. The two main characters are played by Tony Leung and Leslie Cheung. You might recognize Tony Leung as Simu Liu's dad in Shang-Chi. Leslie Cheung was in Farewell, My Concubine, and was famously a bisexual man with a long term male partner. This is significant because it was virtually unheard of to be out and open at that time (he made his relationship public in 1997 though he had mentioned bisexuality in earlier years), especially in Hong Kong which was, and still is, very homophobic. Leslie received a lot of hate for his sexuality and androgyny. (If you're interested in learning more about Leslie as a queer Asian figure, this is a good video essay that goes over his work and his life).
Sand as Lai Yiu-Fai
Fai's, and in turn Sand's, character can be summed up by one line, "One thing I never told Ho Po-Wing was that I didn't want him to recover so fast. Those were our happiest days."
Both Fai and Sand are very static, straightforward characters. They stay above board for the most part and work a variety of jobs to survive. They have their morals about what is right and wrong, which unfortunately is both of their downfalls.
In Happy Together, Wing breaks up with Fai because he is bored with the relationship. He basically says, "I'm bored being with you. Let's break up. If we happen to meet again, we can try again." Then he leaves Fai stranded on the side of a highway.
Later, he reappears in Fai's life. The first encounter is a fight, much like Sand and Ray's first meeting in the bathroom. The second encounter is because Wing gets beaten up. He goes to Fai because he knows Fai will feel obligated to take care of him and he does. It becomes the beginning of their rekindled relationship.
Similarly, Sand has a strong sense of obligation. There are already metas out there about how Sand has a bit of a hero complex. He sees Ray too drunk to drive and he had to step in. He doesn't just take the keys and order a taxi. No, he takes the keys and drives Ray. Sand sees Ray being all sad and pathetic and he can't stop himself from helping. It makes him feel useful. It makes him feel needed.
Both of these men are caretakers. They show affection by providing care. Sand ends up cooking for Ray just as Fai cooks for Wing even when he's sick. As an added bonus, they both make fried rice.
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Both Sand and Fai are characters that stand completely still. Ray and Wing always know where to find them. Sand can always be found at YOLO and Fai is at his apartment. Because of this, Ray and Wing come and go as they please. They know that Sand and Fai will take them back...until they finally don't.
Ray as Ho Po-Wing
Starting on a base level, both characters are bratty, needy, promiscuous, spoiled, and selfish. But most importantly, they both share a love of fluffy cardigans.
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(I also have a theory they keep putting Ray in wife beaters as an homage to the 90's HK cinema style because otherwise...I just don't understand why, as a rich asshole, he's always in wife beaters. By Thai BL logic, he should be in shirts with too many buttons unbuttoned.)
Wing and Ray are both the ones controlling the pace and direction of the relationship. They come when they need someone to nurture their wounds, both physically and metaphorically. They leave when they're bored or have things they deem more important. They both initiate intimacy and won't take no for an answer.
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Wing does this by first trying to join Fai on the couch and then chasing after him to the bed and begging him to let them sleep together.
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Ray does it by continuously getting Sand to get in the car with him and then using his puppy dog eyes.
They are both also very, very pouty.
Wing's line is "We could start over". He says it every time he comes back after he's the one that ends the relationship. Fai always fights taking him back, but he always does it anyway.
Ray doesn't really have a line yet (unless you count his "na na naa~"s) but he bats his eyelashes and so far Sand has given into him every time. Sand keeps trying to set boundaries, but the moment Ray begs a little bit, Sand crumbles like a house of cards and lets Ray have whatever he wants.
Relationship Parallels
Wong Kar-Wai is known for making movies about star crossed lovers who are meant for each other, but aren't meant to be together.
Like Wing and Fai, Sand and Ray fill in each other's cracks in a way that complements each other. However, because of the nature of the cracks themselves, them complementing each other is exactly what makes the relationship so toxic. One stays and one goes. One takes and one gives. One is steady and one is flighty.
Most of what I wanted to say about the parallels between their relationships is in the character comparison. What I'm more interested in is the future of SandRay's relationship, especially if they continue to parallel Wing and Fai's in Happy Together.
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Obviously, Wing and Fai don't end up together at the end. It wouldn't be a Wong Kar-Wai movie if they did. What is interesting is that Fai's relationship with Wing eventually pushes him into becoming something angry and spiteful. Once Wing heals, Fai knows that he'll become bored and want to leave. In an attempt to get him to stay, he steals and hides Wing's passport which is insane because they are both gay men stuck in a foreign country where they don't speak the language.
Wing, of course, leaves anyway.
There is also a third character, Chang, whom Fai ended up liking. These new feelings are what eventually pushes Fai to leave Argentina and move on from Wing and move on with his life.
The question is, if SandRay follows that same path as Happy Together, what will be the passport that Sand tries to hold over Ray and who will be Sand's Chang?
Stylistic Parallels
Smoking
Making Ray and Sand smoke is definitely an homage to Happy Together with the added bonus of being a metaphor. For the most part, we rarely see characters, especially main characters, smoke in Asian media because smoking is reserved for 'bad' characters.
Cigarettes in Happy Together represent boredom. Fai and Wing smoke at the beginning before they rekindle their relationship because they are just moving through life. Once Fai and Wing get back together, cigarettes stop making an appearance. It isn't until their relationship started deteriorating that we see the men smoking again.
This can also be said about Sand Ray's relationship. They started their 'involvement' with cigarettes. However, the last time we actually see them smoking is in ep 2 right before they hook-up. Since then, we have not seen either of them smoking. This probably means that we'll see one or both of them smoking again when their relationship starts to break down.
(In the preview for ep 5, there is an ashtray in the background on the balcony so let's see if Boston finding out about them is a catalyst for them to start breaking down.)
And of course, there is the added homoeroticism of asking for a light.
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Ray's Opening and Closing Scenes
Ray's episode is really what made me go "I see you P'Jojo".
Ray's episode starts with a shot of him isolated and in emotional pain. The camera is claustrophobically close and it keeps moving around. He has a little voiceover opening. It's calm, it's contemplative, it's a little existential, and it is irrevocably sad. If that is not a Wong Kar-Wai staple, then idk what is. Even the song that starts playing gives me 80s, 90s Cantopop vibes.
Ray talks about how Mew being his emergency contact and the one he goes to. Fai talks about how Wing always comes back to him and says "Let's start over".
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The movie and the episode ends with both of them once again isolated, alone. They've been through an emotional journey and they've technically moved on. But there's always the idea of not being able to fully let go in Wong Kar-Wai's movie. So just like how Fai has physically removed himself from Wing, but not emotionally, has Ray actually fully removed himself from Mew?
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Cinematography
Then there's just a collection of scenes that reminded me very heavily of Happy Together and Wong Kar-Wai's style. I would have added pictures from his other movies for comparison, but Tumblr only lets me put 30 images in a post and I don't want to make a 2nd post.
This scene is specifically from the 1st trailer so I hope they keep it in the show.
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This one I call the inevitability of falling. Both Sand and Fai realize they're fully committed to their decision to take care of Ray and Wing here.
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The end title card
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Actually, all of the end title cards give very Wong Kar-Wai vibes. Look at that saturated, neon color grading. Look at the elongated shots. The intense feeling of isolation.
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I'm assuming we'll get all the characters at one point, but so far it looks like the end credit cards indicate who the narrator of each episode is.
Anyway, that's it for me! Sorry it was so long and rambling. I tried to organize my thoughts but as I was thinking, more thoughts would pop up and I'd get distracted. If you made it this far, thanks for reading!
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darylas · 1 month
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Chapter 2 - It’s Only a Paper Moon
John “Bucky” Egan x singer!fem!reader previous ♫ next ♫ ao3
Bucky is realizing that your performance doesn't end when you leave the stage, but he's determined to see what lies under the mask.
1.8k words
Warnings: Language, Smoking, Bucky being a little shit
Disclaimer: Most of the characters mentioned are based on the dramatic portrayal featured in the Masters of the Air limited series, not the actual historical figures they represent.
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You stood outside the officers' club, slouching against the back wall and using one hand to massage your cheeks. Before joining the American Red Cross and moving overseas, you’d never realized just how sore one’s face could get from smiling all day long. How tired one could become of the sound of their own false laughter. Never appreciated just how valuable a quiet moment alone could really be. 
Your days at Thorpe Abbotts had quickly grown monotonous, though you supposed that rehearsing and performing with the band multiple days a week made your experience a bit more unique than the other volunteers’. 
For you, the most difficult part of the job was not waking up before dawn to prepare doughnuts and coffee for the airmen, though you were counting down the days until your next morning off.
It also wasn’t the fact that you and your fellow ARC girls were nothing less than amateur psychiatrists, offering a comforting and listening ear to soldiers who were fresh out of combat to process their violent experiences. You felt that you had become quite adept at keeping your attitude from being too bright, thus seeming uncaring, or too sympathetic, which might evoke even darker emotions from the soldier. Thanks to these revealing conversations, you came to know a lot more than you anticipated about the horrors of war.
It certainly wasn’t performing in front of large crowds; you had always been good at that. 
No, for you the most draining aspect of your job was moments like this one, the moments between musical numbers. Making small talk, smiling at all times, laughing at the same joke you’d already been told at least thirty times as if it were the funniest thing you’d ever heard. Truthfully, it felt like a much grander performance than anything you’d ever done on stage. Ever since you were a child, you cherished your alone time and preferred genuine, intellectual conversation to what felt like pointless small talk. At this point, the mask you wore during these moments seemed to be plastered to your face at all times. You would never reveal this to the men, of course. This was why you were here, to give these brave men a piece of home and to raise morale. 
Of course, while ARC girls were expected to attend parties and socialize, they were not required to accept every invitation. While most of the men were harmless and polite, there were some who you would prefer to avoid interaction with altogether. Major Egan being one of them. 
You had always been one to trust your instincts about a person, and something about the major kept you at a distance. For one, he was full of himself, or at least he seemed to be. You supposed that was not uncommon in young officers with higher ranks. For another thing, word spread among the women fast enough for you to know that a dance with John Egan often didn’t end once the music stopped. You had no interest in being anyone’s conquest of the month. 
Right now, you knew you had a few minutes before your next number. You had been able to sneak out for a moment with the rather poor excuse of needing some fresh air to boost your lung volume and vocal control. You took out your sad little lighter and a cigarette from one of the packs of four rationed to each soldier. This pack was gifted to you by a young private who said he didn’t smoke. Fresh air, indeed. 
You flipped open the lid and thumbed the wheel once, twice, three times with no flame. You kept trying, but the damn thing still wouldn’t light. “Oh for crying out loud, you goddamn son of a b-”
“Need a light?”
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Bucky watched you transform before his eyes. Your posture went from slouched to straight-backed; your expression from one of annoyance and frustration to unnervingly neutral. You could certainly teach a thing or two about standing at attention to many of the airmen under his command. He had to stop himself from saying “At ease, soldier.” While it was impressive, it was not the reception he had been hoping for. 
“Major Egan,” you said. “I’m sorry, I thought I was alone out here.” 
“Yeah, I gathered that,” he replied, pulling his Zippo out of his pocket. “And you can call me Bucky.” He ignited the lighter. 
You glanced at the flame and then back at him gratefully before lighting your cigarette. “Thank you for the light, but if you don’t mind I would prefer to continue addressing you professionally.” 
“Oh, well in that case, you can call me John. Mind if I have a smoke with you?” he asked, already taking out a cigarette and putting it in his mouth. 
Bucky noticed a slight pause before you replied, “Of course not, but wouldn’t you rather join everyone else in the club? From what I gather, you’re often the life of the party.” You looked toward the door. 
Bucky grinned. “I don’t know about that. Since you started singing here, I’d say you’ve earned that title yourself.” He leaned against the wall next to you, though you were now standing straight. “‘Sides, I see too much of those guys as it is. Trust me, you’re much better company.” He winked. 
You exhaled a cloud of smoke and said “You’re too kind,” then gave him a close-mouthed smile. You looked away and tapped your foot absent-mindedly to the muted sound of the lively music coming from inside. Bucky took a drag of his own cigarette. You remained quiet, the tapping of your foot on the gravel and the muted jazz tune being the only sounds for several seconds. Bucky frowned. Every other Red Cross girl he interacted with made small talk, asking him questions about his home town, listening excitedly as he talked about baseball. Hell, you had more to say to your dead lighter than you did to him. 
It appeared that flattery was not the key to unlocking your clearly well-protected personality. It didn’t convince you to dance with him the other night, and it certainly wasn’t working now. He scoffed to himself. Buck would smirk and say that he should’ve asked Bubbles for advice before making another attempt with you. 
He could give up. Accept the fact that you clearly didn’t like him, go inside, and have a drink with the boys. 
Or he could try something else. Something Buck would call him a loony for even thinking.
Looking straight ahead, he said, “Don’t, uh, don’t they interview you Red Cross girls? Before you can come overseas? I thought the ones that got sent over here had to have killer personalities or somethin’.” He glanced toward you while taking another drag. 
Your brow furrowed and you turned your head toward him. “I beg your pardon?”
There you are.
“Aww, you don’t gotta beg me, sweetheart. It’s okay, I get that not everybody is cut out for this.” He gestured with the hand holding his cigarette. “I just find it odd that you made the cut. I was under the impression that the competition to get this position was pretty fierce, but maybe there are fewer girls gunnin’ for it than I thought.” He bit the inside of his cheek to keep from smiling, keeping a serious expression on his face.
You narrowed your eyes and slightly cocked your head to the side. “I expect you to apologize for that, Major.” 
Bucky nodded quickly and tossed his cigarette on the ground before crushing the butt beneath his heel. “You’re right. You’re right. I’m sorry about that.” He leaned against the wall once again, this time facing you. “I’m sure you’re doing the best you can. You do seem a little tired.” He looked at you sympathetically, then glanced down to watch you bite your bottom lip. Miraculously, he was able to tear his gaze away to look you in the eyes again, not wanting to miss your reaction.
After a few more seconds of tense silence, you looked away and disposed of your cigarette. “Thank you again for the light. I’m going inside.” You walked toward the door. 
What the hell was that?
He must have inadvertently spoken the question aloud, because you abruptly turned around and raised an eyebrow at him. He started to apologize for cursing at you, but instead he said, “You’re not gonna say anything? Not a ‘how dare you?’ Not gonna call me a goddamn son of a bitch? Or do you just save that fire for your lighter?” You continued to watch him silently. “I guess you also save all the laughs and dances for every other guy here.” He pointed hard with both index fingers to his chest. “But me? Oh, lucky me, I get nothin’.” He stopped talking and looked at you with anticipation, both of his brows raised.
You finally shrugged and said, “I suppose I’m just too tired,” then started again for the door. Bucky forced himself to unclench his jaw and pry his feet from their current spot. He hurried to beat you to the door and hold it open for you. 
You muttered a quiet “thank you” as you walked through, but before you could get far into the crowded room, Bucky was once again by your side. 
“You know, I got a theory,” he said, his voice a little brighter than it had been just moments ago.
Whether you had meant for him to or not, he heard you let out a huff from your nose. “Oh, please,” you said under your breath.
“I told you, you don’t have to beg me, sweetheart.” He continued. “I think you know that if you dance with me, you’ll realize I’m not such a bad guy,” he said, leaning in quite close to you but giving you enough space to back away. You didn’t. “I think you’re scared you’ll like it.” 
You didn’t blush or move away. Instead, you maintained eye contact as the band began playing It’s Only a Paper Moon. You responded with that polite, cryptic smile that was beginning to drive him nuts, and said softly, “I guess we’ll never know.” 
You didn’t wait for him to reply before making your way toward the microphone. The crowd cheered eagerly as they saw you approach. You beamed at the crowd and began to sing. 
Say it’s only a paper moon
Sailing over a cardboard sea
You motioned to the crowd to sing along with you for the next line, a silent command that everyone except Bucky obeyed wholeheartedly. For once, he was the only person in the room not singing. 
But it wouldn’t be make-believe
If you believed in me
As the band played a brief interlude, you said into the microphone, “Wow, you all sound fabulous. I’m not sure why they’ve got me up here. Heck, they aren’t even paying me.” The crowd laughed and remained enraptured with your performance. As burnt up as he was feeling, Bucky couldn’t help hanging onto every note. As he watched you sing and smile and joke, he had one thought run continuously through his mind.
Just who the hell is this woman?
A/N: This one's for my fellow masking introverts. Yeah so Bucky decided to use kindergarten tactics on reader. Next chapter, he pushes her off the swings. Thanks for reading, hope you enjoyed!
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anticmiscellaney · 2 months
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what's your favorite part of writing and drawing newoldrare?
Apart from the fact that I love writing and drawing and have fun doing it and would do it all day every day if I could, it's that I can do exactly whatever the fuck I want with it.
It's likely commercially unpublishable for a range of reasons. All the stories are designed to be printed by specific processes and assembled in ways that will probably not translate to a convenient book, and nothing about traditional publishing sounds like a good deal to me. The comments I've gotten about my other scripts relating to music have been annoying. "Young people don't know who these bands are" - okay I'm not writing YA but no problem, books are a great place to find out about new things. I'm making stories about what I'm interested in and they are an invitation for readers to join me, as I have joined many creators in their interests.
I have a few graphic novel scripts that I'd be happy to draw for traditional publication and maybe one day I'll get the chance, but I also have a full time job because I need health insurance to pay for surgery. I have rent and bills and student loans. There are only so many hours in the day, and if I'm not getting paid to do art, I will only be making art I'm insane about.
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NewOldRare is what I'm insane about. The art styles and approaches are varied because I love to try different things for different stories. It'll keep growing; I have a lot of ideas noted down, a lot of scripts of various lengths written, and quite a few thumbnailed. It's small scale. It's specific. It's niche. I hide a lot of things in the backgrounds and they don't necessarily matter to the story, but they matter to me. It's probably pointless, it's just quiet snapshots of the lives of two ordinary people and it's kind of silly, but I care about it. It's partly a response to how alienating I find most queer comics/art, but it's not offering incisive commentary or judgement. It also started as a porn illustration series and I forget most people don't know that because I can't post any of it here.
I held off on posting any of it online for a pretty long time and just sent people PDFs of it because I didn't think anyone else would care - friends are obligated to at least pretend. The fact that some people I don't know like it and see value in it is strange to think about, but also very cool.
I guess that was a long way to say I love doing this work because I enjoy the process, but I also like what it represents about my development as an artist and it has helped me figure out a few things.
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nanomooselet · 3 months
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My Brother's Keeper (I)
So, uh, I have seen the complaints that Stampede is "poorly-written". Often enough, really, to get... somewhat overly bent out of shape about it. Stampede was my entry into the story and I may have mentioned once or twice that I like it. You know. Just a little. This is not to say it's without its flaws, but it's technically very skilful, at least to my eyes. It's just… skilful in roughly twenty-two minute chunks, so it crams a whole lot into those chunks.
Vash tells Wolfwood he can "see [kindness] in his eyes" half an hour tops after hitting him with a truck. It's assumed that they're relying on previous characterisation of the two to carry this beat.
They're not.
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See, animated shows or films (and definitely in the case of Stampede) aren't only written. They're story-boarded, rendered, scored etc. and all the parts interlock with the other parts. It has to be taken as a whole: spoken, written, visual, musical, situational, compositional. These are twelve instalments of a single story where everything in it develops, comments on, or reflects what lies at the work's thematic heart, but you have to figure out how. It's not going to explain it to you. If the relationship between two characters appears strange, that's because there's more to it. And whenever you see something in it that visually echoes something else in it, get out your pasteboard and stick in two thumbtacks connected with string because the show's letting you know it's important.
Now, because I viewed Stampede first, my reaction to this part was very much like Wolfwood's ("???") but the more of the show I watched, the more sense it started to make, and the more I appreciated what it did for Vash's characterisation. Having since read the manga, in my opinion the boys aren't at all interacting like they're accessing past-life memories. Vash is too busy silently reeling over Jeneora Rock and dreading his confrontation with Knives to keep up the whacky act that the older WW pierced. Wolfwood is too young and trapped by his own hurt to empathise by seeing through Vash's false smiles.
There's something else going on with these two, and if you think carefully, it's clear what it is. There were two loved ones that Vash lost tragically early in life, and we can assume it's not Rem he's thinking of.* The heart of this series is "the song of the brothers."
Whose side are you on?
I have to choose.
Lo and behold, through that lens the character interaction made a whole lot more sense. And I want to talk about how.
So, according to the show's language, right from his very first appearance Wolfwood has a connection with Knives.
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In the ensuing scenes/episodes, it was then clear to me that Wolfwood isn't just connected to Vash's brother. He's a representative, serving as a sort of understudy while Vash journeys to confront the real thing. Anything and everything Wolfwood does or says is with that role in mind, because he's either playing along or fighting against it. It dictates his development as the show unfolds. He's got a job and he'll do it, but which of the twins' agendas is he ultimately serving as he does? Even he can't yet be sure.
This is a significant change. It has a huge effect on Wolfwood's characterisation; it's why he comes across as less confident, more surly - he's rebellious, but conflicted and immature. In the manga, the first time we meet Nick he's (mostly) his own man and he (mostly) makes his own decisions. While he isn't honest about his agenda, he is trying to temper Vash's idealism for honest and well-meaning reasons, albeit in a bitchy way. When he reveals himself, throwing down the coin halves, you feel the man is protesting too much so it'll make what's coming easier on Vash. Despite how deeply the two came to love each other they couldn't communicate their forgiveness, but Wolfwood is at his core a good man first who lost his way, then finds it again in Vash. **
Again by contrast in Stampede, Nick's identity isn't his own to shape (yet). He standing in for Knives, and he doesn't much like it. He does know more about the actual shape of things than the reporters - for instance, he doesn't bat an eyelash when Brad mentioned how long they've known Vash. So he can readily talk with Vash and test his convictions. They basically both know each other's biggest secrets already, so they don't have to make a whole production of getting to know each other.
But standing in for Knives is also why the introductory aw-look-he's-nice-really scene is so quickly revealed to be staged. Knives is the primary antagonist, not a neutral agent - he's the most dangerous and personal opponent the protagonists face. He's also cruel, controlling and manipulative. His "help" is anything but. Any gift he seems to freely give, like a protector, will either extract an awful cost down the line or have some hidden purpose (if he isn't "solving" a problem he himself created). Approach with caution.
(You know how Nick did something no one asked him to do then hit Vash, Meryl and Roberto with a massive bill for it like a dick? You know how he then violently rescued them from a situation he himself engineered so they'd have gratitude? Those are Knives's most basic manipulation tactics, when he isn't just hurling verbal abuse: I help you/I love you so I'm entitled to take this from/do this to you. Wolfwood is causing problems on purpose by acting out because it's funny, and knows he won't get whatever he's demanding. Knives thinks he's helping, and rarely hears when he's told "no".
Also, both the English and the Japanese have Roberto calling Wolfwood someone who kills with a smile on his face. He doesn't, really, but we have met someone else who does.)
That means like every other character, Wolfwood isn't quite himself. Not yet.
And that's actually awesome. Because it speaks to who the other characters are - specifically, about Vash.
(Part II)
(Part III)
(Part IV)
(Part V)
(Part VI)
(Part VII)
* OR COULD IT BE, as inevitably assumed on tumblr when two men are in proximity, unspoken romantic desire????
I'm not saying it can't be a factor, but it doesn't explain why they start having discussions over their principles like they've known each other for years. Or at least, to me it doesn't. As I've said I don't ship them. If you disagree, it's totally fine! Hear me out and decide for yourself. There's no reason to believe both can't be true.
** By what's coming, I mean the same development that eventually comes to every iteration of Wolfwood. You know the one. And by "they loved each other" I don't mean necessarily mean romantically. My personal belief is that there were mutual feelings along those lines, but they're both too emotionally reticent to acknowledge them and might not have regardless. But that's just me!
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ellmeria · 2 years
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𝐀𝐬𝐭𝐫𝐨𝐥𝐨𝐠𝐲 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧𝐬: ℂ𝕙𝕒𝕡𝕥𝕖𝕣 𝕀𝕀
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The following observations are some of the things I have noticed in people around me. They may or may not resonate with you as we have to consider the entire chart for more precise and accurate insights.
➛ Mercury-Neptune people can be so forgetful. The Neptune influence can “blur” their memory. The daydreaming tendencies do not help either.
➛ Scorpio Mars/Mars-Pluto have the fastest reflexes ever. These are the people you want to hire as bodyguards since they are also naturally protective.
➛ Adding to that, Scorpio Mars/Mars-Pluto natives need to be aware of their surroundings. They are not the types to listen to music at full volume due to the fear of missing out on what is happening around them.
➛ Chiron in the 12th House natives are more prone to having eye injuries/impaired vision. Chiron indicates wounds, and the 12th House rules the eyes.
➛ Also, I have mentioned in the first part of my observations that Mars in the 12th House people do not know how to express their temper outwardly. Instead of this, I noticed that they are more likely to resort to eye rolls. Lots and lots of eye rolls.
➛ Saturn in the 3rd House people are often the quiet fellows in the corner. They embody the saying 'less talk, less mistake.' Some keep their feelings to themselves, while some resort to creative means of communication. Anything else aside from direct and verbal expressions.
➛ Leo with Virgo placements hates being reprimanded. The pride (Leo) and the feeling of being always right (Virgo) make for someone who cannot accept criticisms quite well.
➛ Prominent Aquarius placements always have the urge to “document” everything they see on technology. I noticed they always fish out their phone cameras whenever they see something worthwhile.
➛ Neptune/Pisces in the 11th House natives may get taken advantage of by their friends. They usually cannot see their peer's red flags, so they often have difficulties cutting them off.
➛ If you have your Moon in the 1st House, you may try your luck by doing reaction videos on YouTube. This placement makes for people whose emotions (Moon) are evident in their facial expressions (1H). The audience will not get bored of you.
➛ The house Gemini occupies in your chart may tell you where you overshare/talk a lot about.
Gemini in the 10th House may talk a lot about career and ambitions. They may overshare something with a father figure. Gemini in the 2nd House may talk a lot about gaining financial abundance. They may also overshare their income, material possessions, and so on.
➛ Venus in the 3rd or the 9th House is a huge indicator of a sapiosexual. Venus rules love and attraction, and these houses represent education.
➛ Some of the Capricorn placements I know have noticeable teeth. It may be the thing that other people remember/notice about them first. Capricorn rules the teeth.
➛ 12th House placements may become intimidated easily, especially if they do not have Aries, Scorpio, or 1st House placements.
➛ North Node in Leo is meant to overcome their inferiority complex in this lifetime.
➛ Also, I believe Leos and Aquariuses may feel superior to others due to different reasons.
Leos may feel superior to others because of how confident they are. They often steal the spotlight and like receiving attention from other people.
Aquariuses may feel superior to others because of their unique taste and perspective. They take pride in being different.
It may also happen as an act to mask inferiority. Leos' insecurity may cause them to indulge in other people's attention as a coping mechanism. The same way that Aquariuses might felt down at one point because of feeling outcasted and misunderstood.
➛ Neptune-Pluto aspects in a chart may indicate fear of mirrors or reflections.
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➛ Cancer Moons 🤝 suddenly getting all emotional and extra affectionate when drunk
➛ Saturn in the 5th House may keep their hobbies/interests to themselves. Either they avoid talking about them with people who do not share the same interests, or they do not like talking about them with people in general.
➛ Earth Sign in the 3rd House could be a kinesthetic learner. 3rd House may indicate how we perceive information, and Earth signs are highly in-tune with their senses.
➛ Men with prominent Cancer placements love calling their significant other, usually a feminine figure, “momma” or any terms a child would use to call their mother. Cancer rules motherhood.
➛ Mars-Neptune aspects may appear as clumsy.
➛ Scorpio/Pluto in the 10th House does not like showing their achievements to the public. Also, these people may like being underestimated at first, so they can prove you wrong eventually. They are most fond of surprises.
➛ I'm sorry, but why are we associating Taurus with gift-giving while continuously giving them the reputation of being possessive? Isn't it a bit contradictory? Anyway, physical touch remains their top love language.
➛ Jupiter-Pluto aspects are the biggest risk-takers. They feel powerful (Pluto) when gambling. (Jupiter) And most of the time, they get what they want.
➛ An extroverted Gemini is hands down the most extroverted person ever.
➛ If someone's ascendant sign is the same as the sign in your 12th House, you may be irritated by their presence or the way they express themselves.
➛ Several women I know who have Venus-Saturn aspects in a chart like calling men they find attractive “sir”. This placement makes for someone whose type (Venus) is people older than them (Saturn), so that explains why.
➛ People who have their personal planets in your angular houses (1st, 4th, 7th, 10th) are the ones who will leave a significant impact or influence on your life.
➛ Taurus Risings' and Virgo Risings' voices are to die for. They have the most soothing ones, in my opinion. I can listen to them talk for hours.
➛ It's crazy how Gemini Stellium people can look different every single day.
➛ Scorpio Risings can be seen as dry texters. I believe it is probably due to Capricorn occupying their 3rd House of communication. 3rd House is ruled by a Mercurial sign (Gemini), which is associated with social media.
➛ Mercury-Chiron/Chiron in the 6th House is probability prone to anxiety and nervousness.
➛ It's astounding how Capricorns, no matter how goofy and crackhead they act, lead so well. This girl in my class looked like someone who wouldn't take anything seriously. But the moment she got the leadership position, she turned into an entirely different person who could lead anyone to perfection. It was so fascinating to witness.
➛ Chiron's house placement may show whom you give the most pity.
Chiron in the 5th House may have a soft spot for children. Chiron in the 12th House may have a soft spot for the elderly.
➛ Moon in the 8th House may inherit something from their mother more than their father. It can be a physical attribute (they may look more similar to their mother than their father), personality, money, and material possession, among others. The Moon represents the mother, and the 8th House rules over inheritances. The same situation may apply in Sun in the 8th House natives with their father. (Sun represents the father)
➛ The Air Signs couple's love language is delivering new gossip to each other. What a sweet bonding moment!
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“𝚃𝚑𝚎𝚛𝚎 𝚒𝚜 𝚗𝚘 𝚎𝚗𝚎𝚛𝚐𝚢 𝚐𝚛𝚎𝚊𝚝𝚎𝚛 𝚝𝚑𝚊𝚗 𝚝𝚑𝚎 𝚙𝚘𝚠𝚎𝚛 𝚘𝚏 𝚕𝚘𝚟𝚎. 𝙾𝚗𝚌𝚎 𝙸 𝚏𝚒𝚗𝚊𝚕𝚕𝚢 𝚎𝚖𝚋𝚛𝚊𝚌𝚎𝚍 𝚝𝚑𝚒𝚜 𝚌𝚘𝚗𝚌𝚎𝚙𝚝, 𝙸 𝚛𝚎𝚊𝚕𝚒𝚣𝚎𝚍 𝚝𝚑𝚊𝚝 𝚝𝚑𝚎 𝚙𝚊𝚝𝚑 𝚝𝚘 𝚊𝚜𝚌𝚎𝚗𝚜𝚒𝚘𝚗 𝚊𝚕𝚠𝚊𝚢𝚜 𝚋𝚎𝚐𝚒𝚗𝚜 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚑𝚎𝚊𝚛𝚝 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚌𝚘𝚕𝚘𝚛 𝙿𝚒𝚗𝚔.” – 𝙴𝚕𝚎𝚢𝚗𝚎-𝙼𝚊𝚛𝚒 𝚂𝚑𝚊𝚛𝚙
Side note: Hello! Thank you so much for reading until the end! I hope you enjoyed it! Please let me know what you think of this post. Likes and reblogs are highly appreciated. 💓
Credit to @firefly-graphics for the dividers. The photos used are taken from Pinterest. Credit goes to the rightful owners.
Copyright © 2022 ellmeria | All rights reserved.
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e-dubbc11 · 4 months
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Bloodstains in the Snow
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Photos are not mine. They are courtesy of Pinterest/Google.
Pairing: Billy Russo x F! Reader
Warnings: Violence, swear words (I think), little fluff.
Word Count: 1.5K-ish
Summary: After a late night job, Billy wanders through the snow, figuring out how he feels about you.
A/N: I wrote this pretty quick but I actually think it’s pretty good, maybe even one of the best things I’ve written. I love writing fluffy Billy but every once in awhile I really enjoy violent/unhinged/unapologetic Billy. But he’s still soft for the person he loves. I hope you like it and hope you all enjoy your holiday season! ♥️
As always, thank you for reading!  I appreciate it so much and comments, reblogs are welcome and encouraged. Don’t be shy to tell me your favorite part. 💕💕 💕
The late night city sounds were muffled by the heavy flakes of snow as they fluttered quickly to the ground. After the job was finished, he just wandered along the sidewalk looking down at what looked like a carpet of cotton beneath his feet.
His leather and black shearling coat collar pulled up to block the snow from touching the hot skin of his neck and his black beanie covered his ears to protect him from the savage wind that assaulted him from all directions.
He closed his eyes and remembered how much blood was spilled tonight.
He passed bar patrons that had ducked outside quickly for a few drags on their cigarettes before running back inside to get away from the bitter cold.
The scent of ash mixed with the fresh scent of the snow occupied his sense of smell even after he walked past that strip of bars. Stifled music coming from inside the bars was only clear when someone would open the door and muted again once the doors were closed.
Sometimes the desert overseas would get cold at night, but it would never get New York City winter cold. Blood looked brighter against the colorless shroud of snow than on top of the desert sands but spilled blood was spilled blood and it all came from the same source…evil.
Overseas, he spent some nights trying not to die and he flirted with death on more than one occasion. He had wondered if he would die never knowing what it’s like to be truly loved by someone and would he ever have what his best friend Frank had…a loving wife and kids.
“Only the dead have seen the end of war” and Billy Russo wouldn’t go down without fighting. He had done it his entire life…he was a survivor and a fighter. He fought for his life and for his country in wars at home and war overseas but he still didn’t know if he was worthy of love.
If he deserved love, then why did she leave him? Why did she abandon him? He was just a little boy. Did she love him at all? He didn’t know the answer to that and he would never know. Now, he wondered if anyone could love him for who he really is, even with all the things he has done.
Maybe you could be the one to love him.
The picturesque snow drifts were a perfect white under the glow of the city street lamps, his mind then flashed to ribbons of red running through the snow cradling the bodies of the would-be assassins. They had come for the state representative Billy and his team were protecting.
His last thoughts had been of you when he had the large arms of a mob boss wrapped tightly around his neck before Frank put a bullet in between his eyes.
Billy didn’t think twice about killing them all, no regard for any of their lives. He didn’t know if any of them had families or children and he didn’t care. All he knew was he had a job to do and he wanted to go home to you.
The goon had said something in Billy’s ear that caused his muscles to stiffen and his face to flush with rage. “You gotta real pretty girl, Russo. After we’re done with you, we’ll pay her a visit at your penthouse.”
They had threatened you.
It wouldn’t have bothered him if he wasn’t attached to you like he was. Billy was very much in love with you although he didn’t realize he was until your life was endangered.
What if they had taken you away from him? He couldn’t live with himself if that happened. Billy Russo didn’t lose fights and he would fight off the entire world just so he wouldn’t lose you.
The hollow cold stung his lungs as he inhaled the mid-winter air and let out a long exhale when he glanced down at the blood on his hands from the scum who’s throat he had just ripped out. Blood poured out quickly; it could not be contained. That man was now lying in the snow gasping for air he would never get. Billy saw nothing but red until they were all dead.
The rage burned like white hot fire in his veins as he sliced them all from groin to sternum, spilling their insides, disrupting the blanket of white underneath them and then it was over.
A devilish grin extended across Billy’s mouth, his doll-like eyes shined against the stark white snow as he watched their lives fade away forever into the cold; he enjoyed killing even though he knew he shouldn’t.
As he continued to walk against the powerful wind, his lips curled up into a slight smile. You were safe and warm back at his penthouse…probably sound asleep.
Billy didn’t want to think about it but he wondered what it would be like if he never got to sleep next to you again, or you reaching for his shirt collar in your sleep so you could nuzzle into the crook of his neck to keep your nose from getting cold.
When he had nightmares, you didn’t get scared. You were only scared for him and hoped you were doing enough to comfort him. It was more than anyone else had done for him and he welcomed it.
But what if he never got to hear you laugh or see your beautiful smile again? He was never going to give those up; he was never going to give YOU up. Billy started to walk faster into the large snowflakes falling quickly from the sky toward Anvil to get his car.
The walk to clear his head was done and he was ready to go home.
Finally, he was inside the car and out of the smothering cold, he looked at his hands as they grasped the steering wheel. Wind burned and blood stained, it was difficult to not look at them as he carefully drove home.
The snow-covered streets were nearly empty as the clock on the dashboard flashed 2 AM; he drove slowly, being extra careful not to slip and slide all over the road. Billy didn’t survive a night of mob bosses and thugs just to be taken out in a car accident.
When Billy arrived home, he inhaled sharply, unlocked the door and stepped inside. As he closed the door behind him, he exhaled forcefully and removed his boots.
The chill in his bones lingered until the hot water from the shower pelted against his skin, and the scent of your shampoo still hung inside the confines of the shower doors. It was silly but he loved to wash your hair and his mouth went tight with anger when he realized he didn’t get to do that for you tonight.
His tension eased however when he remembered that because you were safe, he would be able to do it the next time. It took a little effort but Billy removed the blood from his hands and from underneath his fingernails; they returned to their normal color and his long skilled fingers, along with the rest of his body, were no longer cold.
He could not wait to hold you.
The soft orange glow of the salt lamp illuminated your face just enough for Billy to see you were fast asleep. You stirred slightly when he pulled the blanket back and let a low whimper escape your lips as he carefully inched closer; he did not want to disturb your sleep.
You were wearing one of his old Marines t-shirts when he reached for you, his hands slipped under the blanket to touch your bare thigh, and your warm skin was soft from the lotion you applied earlier.
The tip of your nose touched the base of Billy’s neck and you wrapped your fingers around the collar of his shirt. The bristles of his beard brushed your shoulder as he pressed his lips against you.
He had never been more relieved to be home.
“I don’t deserve you, sweet girl. The things I’ve done…” He said in barely more than a whisper.
But he did. Billy did deserve to be loved, he was worthy of the love he craved and desired. He had to fight and kill to survive, to live; that didn’t make him a bad person. And now he had another reason to do what he does best…for love.
He did love you, he was sure of it now. “I love you.” Said Billy, softly against your ear.
And you loved him.
As long as there are men like that out there, Billy will always have a war to fight. He will make it his mission to destroy any evil that could take away the love he’s wanted his entire life.
As the snow continued to fall outside your window, the dreamlike picture below outshined the carnage shed outside on the streets tonight.
The tomb-like silence was music to his ears as he closed his eyes and drifted off to sleep while the blanket of white piled up high, cloaking the red stains left behind. “They won’t be missed.” He said to himself.
“Only the dead have seen the end of war.” -Plato
Tag List: @wheresthesunshinesblog @rafaelakelley @idaoftheburningmind @snowkestrel @fakehappy27 @music-indie-tv @fictional-hooman @kayhi808 @munsonownsmyass @gijos @celestialams @k-marzolf @nutmeg17 @rosaleenablack @vaguekayla @qu1etwolf @danzer8705 @fireeyes-on-teller-dixon-grimes
Others that might enjoy: @itwasthereaminuteago @fluffyprettykitty @jvanilly @imagine-a-fictional-boyfriend
If you’d like to be added (or removed from) my tag list(s) for the ever so handsome Billy Russo, just let me know and thank you again for reading! 💕💕💕 If I tagged you but you didn’t want to be, just let me know and I’ll never do it again.
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youngveinsworld · 4 months
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the young veins interview at the beat kitchen in chicago, 10 april 2010
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Ryan, Andy and Nick M of the Young Veins interviewed by Natalie Kuchik for the Estrella Online blog, 10 April 2010:
Can you please state your name and what you do in the band? Ryan: My name is Ryan Ross and I am the James Dean of the group. Andy: I am Andy Soukal and I play the thumping bass. Slapping the bass. Nick: My name is Nick Murray and I play the drums.
The first tour as The Young Veins, how has it been going and what’s the crowd reaction been like? Ryan: Seems like it is getting better and better. Nick: The tour seems to be picking up steam. Ryan: More and more people are coming I feel like than the first shows, so that’s really nice. Andy: We have such a diverse line-up. We have a hip-hop band, a crazy Freddie Mercury style band and then a throw back band and the crowd has been really receptive to all of it.
How did you guys get on this tour with Foxy Shazam? Ryan: We are managed by the same people. It was kind of tough to get on a tour when you don’t have any music out or any records, so I think they did us a favor. Or maybe we are doing them a favor.
What is it like going back to more smaller intimate venues? Ryan: It is more interesting every night, you never know what you are going to walk into. Some of these stages are, I question the craftsmanship in a lot of these clubs because I can’t figure out what they were thinking but it makes it a lot of fun. Being so close to the crowd again, I forgot how that was and it makes the show have more energy I think.
Do these venue sizes make you guys more hands on? Do you go out and sign merch afterwords? Ryan: Yeah, pretty much every night. If you need to come see me, I am petty much around. It has been really nice to actually be able to talk to the kids it has been awhile since that has been possible. Nick: Especially, since we don’t have any music out or released we are building a really close relationship with what fan-base we do have is really important. Being as close as possible, building friendships and meeting people around the country is good.
What kind of comments are you guys getting from fans? Andy: It ranges all over the place. Ryan: Yeah, where do we begin. Well, I guess about the music it has been cool to have kids say, “I wasn’t sure if I was going to like this or not”, “I’ve only heard two songs but I’m really excited about the album now.” Then sometimes they ask if they can marry me. Nick: The best feeling in the world is to have people that did not come for our band and like our band and tell us that after the show. Especially, since no one has any pretense of what to expect. If they did like it, that is a really good feeling, it is the best feeling in the world. Ryan: It really feels like we are up there trying to win people over, it is challenging.
When this tour ends, what are your plans after? Ryan: More touring, we are going to do Bonnaroo. Then we are trying to route a tour around that so we will be touring in June and then the album comes out June 8th.
The first single is “Change” why did you go with that one? Nick: Seemed logical. Ryan: Yeah, I don’t know. I feel like that album is all over the place and so many songs sound different. I can’t say it represents the album best but it is one of the more upbeat heavier songs. I think live it is a lot of fun to do. Andy: We also did a lot of market research.
Did you really? Because people do that. Ryan: We polled people at the movies.
On your upcoming album Take a Vacation! all the songs are three minutes or less, was that planned or did it just happen? Ryan: No, I don’t know. I guess something switched in Jon and my songwriting and I guess we just trimmed the fat and cut out parts we didn’t need. It is going to kind of make it hard to do a headlining tour. A lot of our favorite records are really short. I mean, there are so many early Elvis songs that are under two minutes long it is really crazy. It wasn’t a conscious thing it is just the style of music we write is shorter, I don’t know for what reason.
The album comes out June 8th, are you planning on streaming it online for free before it comes out, or any other promotions? Ryan: We are sort of putting together some sort of marketing plan but that is not really my strong point, so the label is always coming up with stuff like that. We are doing something pretty cool where if you buy the vinyl you’ll get the CD for free. We are doing these really neat pre-order packages where we are doing these view master things from when you were a kid. We are doing a box set thing where you get one of those with pictures of the band and we did a couple of photo shoots for them. Stuff that is fun for us to do.
Did your label come up with those ideas or was it your guys? Ryan: That was ours. Nick: We really liked the idea of having a view master. Ryan: We were talking about it months ago. Nick: We just didn’t think it was a possibility. Ryan: The label has been really great about letting us do these crazy things already.
What about the vacation photo contest, was that your idea? Ryan: That was their idea, which I really liked because I have been meeting the kids every night and they are really excited about it. There is really nothing we have to do, it is just a great way to have people come for free.
When you (Ryan) were in Panic! at the Disco you wrote a lot of the songs, would you ever do one of those songs live again? Ryan: I don’t know, I sang a couple of the songs so I guess those would be the only ones I would do. I haven’t really thought about it to be honest with you. Andy: It is a different style so it kind of clashes a little bit. I am not super familiar with everything but if there are a couple of songs similar to our style sure it would be considered but otherwise, it would just clash with what we are doing.
I know your sound is so different, when did you feel the shift from Panic! at the Disco to The Young Veins sound? Ryan: The stuff that I was writing, like half this album (Take a Vacation!) with Jon would have been for the Panic! record anyway. It wasn’t a shift really except for when we quit, I guess it allowed us to do even more than we wanted. Maybe half this stuff we actually already knew [that] there would be no chance it would be for Panic! so we went wild with it. It wasn’t a conscious shift ever in our songwriting, it just kept evolving.
When you parted ways did you know your former band members would keep using the Panic! At the Disco name? Ryan: No, I didn’t think that they would keep the name. It was a little bit shocking when I heard about them doing these tours and stuff without us. I figured doing your own thing meant doing your own thing.
What is a song you never get sick of hearing? Andy: “Wounded” by The Cookies. No one is going to know what that is so you don’t have to write that down, but I am going to throw that out there. Ryan: Reason why? Andy: Reason why, well it’s an old song and it’s just really unique and clever. The vocal melody are just so challenging, and that stuff in today’s music is not accessible at all. You don’t find stuff like that. Ryan: You got one Nick? Nick: I just thought of one, umm… Ryan: The one that I keep listening to recently is the song “The Windmills of Your Mind”, the Dusty Springfield version. I think we might cover that song in the future but it is constantly on repeat for me. Nick: It is kind of an obvious one but “Waterloo Sunset” is still one of my favorite songs of all time which is by The Kinks. I’ve never gotten sick of listening to that song. Ryan: Yeah, that’s one of mine. Nick: I have probably heard it fifteen thousand times and it’s never gotten old. Andy: Also “No Scrubs” by TLC, that one never gets old. We sing that one in the van a lot.
Think you would ever cover that song? Andy: I hope.
You are going to need some filler songs when you headline. Andy: Yeah (laughs).
What is something you have always wanted to do but have not done yet? Nick: Shoot a feature film. Ryan: Shoot a feature film star. Andy: I would like to be in Nick’s feature film.
Seriously, are you into movies? Andy: Especially Die Hard. Nick: Yeah, I definitely want to make one though within the next year or so. Ryan: I don’t know, I am sorry I don’t have a good answer for this one. Nick: I don’t even want that to be the answer though, I want something crazier. Ryan: I know I am not really funny today, I am a little bit upset at myself actually.
You guys are young, there has to be something! Ryan: I have done it all (everyone laughs). I want to learn how to ride a motorcycle.
Do you own one yet? Ryan: No, but wouldn’t that be funny?
Well, some people buy frivolous stuff they don’t use. Ryan: Yeah, I have thought about it. Me and Jon were going to buy motorcycles when I still lived in Vegas and we were going to drive up into the mountains until we realized what a bad idea that was. I still would like to because I used to live near the PCH in California, so I always thought it would be fun to drive a motorcycle up and down the coast.
If you could see any band or artist perform any song live, what would it be and why? Andy: These questions are so hard. Ryan: They’re so good though. Andy: Bon Jovi. I agree! No, I’m just joking. Ryan: Can you travel back in time and see the group when they were young?
Yeah, any line up, any song. Ryan: I might want to see The Kinks do “You Really Got Me” like in 1965 or something. Nick: “I Was A Teenage Werewolf” by The Cramps.
Any particular reason why? Nick: Yeah, I’m a really big Cramps fan and Lux died last year, so I never got to see them. Andy: Can I just say, every song that Gentle Giant has ever done.
Just an entire concert, any reason why? Andy: That is such a bad answer. They are just really wacky and they are just this weird band from the 70s that never made it anywhere but was really cool. Ryan: I can’t understand why.
You (Ryan Ross) received a backlash when you left Panic! At the Disco, did you expect that? Ryan: No, but I guess…
Did you have to learn to roll with it? Ryan: Yeah, I mean it was already bad enough without that having to happen to. I guess, when people don’t understand the reasons why it’s easy to get mad at the person you don’t know for something you think they did. It’s weird how some of the fans took it personally. I wish they would understand, this is our life and we have to do what is best for us.
You have to play the music that you want to play. Nick: People grow up. Ryan: It seems to be passing a little bit. Some people are coming around and saying, maybe it wasn’t the smartest train of thought I was on a couple of months ago. I don’t know, I mean obviously if I was a young kid, a teenager and my favorite band broke up I would be a little bit upset too.
Estrella: Do you guys have any final comments? Andy: No, that was my two cents. Ryan: Do you want to comment on it? (laughs) Andy: No, that about covers it. Ryan: Cool, thanks.
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Hey slug! Obviously it's a bit older now, but I was wondering if you might be able to translate Sougyaran BAM, from Kuko? I feel like I don't quite understand the TLs I have seen, so I was wondering if there were certain references or concepts I'm missing here lol
I saw the email notification of this request at the perfect moment. Too anxious to do work or anything else productive. Too caffeinated to sleep. Fuck it. Time to look at Kuukou for an hour.
Under a cut for length
Like a lot of Kuukou's... well, everything... this song is an eclectic mix of elements that can all more or less be distilled into these couple of bullet points:
Trying to fight the listener
Dropping powerful life advice or Buddhist teachings
Claiming his music is both a game changer and the kind of stuff that gets your blood pumping
Scatting, rhyming without meaning, or otherwise making wordplay
Outside of the parts that are straight-up nonsensical, the majority of the rap is very casual to the point of being rude. However, it's also interspersed with formal religious language. Again, both of these are how Kuukou talks, but I get why this would make it difficult for someone to translate.
I talk about this a lot whenever I translate anything, but an important (and maybe the most important!) part of any translation is determining the methodology, focus, and goals before you begin. I figure that if someone's asking me to look at song lyrics for songs that have been out for years, they probably care a lot more about the minutiae of what the character's saying than if I'm writing a rap as part of a longer work where readers aren't going to give it much attention. In that second case, it's probably more important to convey the appearance of a rap--rhyme, rhythm, what have you--and make sure I'm hitting the overall meaning rather than translate word-for-word. You know? The issue is, translating word-for-word would produce mostly nonsense on this one, since my interpretation of its meaning is largely coming from reading between the lines. There's also no real meaning outside of the four bullet points above. It's all vibes. So, this is a vibe-focused translation. When Kuukou says something with no meaning (that I can tell) outside of wordplay, I've exchanged it with a fresh wordplay. At the same time, since I assume the audience wants to know the minutiae, I put footnotes at the very end for the most curious souls. Finally, outside of wordplay moments, there is no attention paid to rhyming, rhythm, or line length.
Also I spent like forty minutes on it so it isn't a polished work of art or anything of the sort. Lyrics:
You wanna piece of this? That’s cool, tough guy. Bring it on. ‘Cause I’mma mess you up. Hmm? You’ve had enough? Yeah, bitch, I bet you’re fuckin’ SATIETIED. Who the hell do you think you are? Aw, who I am kidding? It doesn’t matter who you are. I’ve never met an ass I couldn’t kick! And while I’m here thrashing your sorry butt, listen up. I’m Kuukou from Bad Ass Temple, representing Nagoya, yo. And I’m gonna be world champion. Whazzat? Who do I think I am, some kinda fancy-pants hotshot? Nah, dawg. I’m a monk, haha! Get in the zone, do it or go home, this ain’t the scene you’ve known. [1] I’m a rebellious rhymer staging a revolution. C’mon, join me! Let me hear your voices!
“Enough determination can move mountains,” as they say. Yeah, a-a-a-and I’ve got determination for days.
San gha gharan bam! [2] S-S-S-Scatting n’ rapping, rapping with my razzle-dazzle tongue [3] Check, ch-ch-ch-check it, che-wa-watch out Gha bam! S-S-S-Scatting n’ rapping, rapping, BAT’s sexy leader [4] Kick, kickin’ kickin’ killer San gha gharan bam gha gha gharan bam gha gha gharan bam Gha gha gha gha gharan bam
Say what? Rules, rules, rules—who the fuck cares about rules? I’m the ruler now. A ruler and a schooler. [5] Yo, I’ve got that brand new music— When I ring this giant bell, people hear that shit far and wide. Beat it! And lyrics? You already know I spit so much fire they call me a dragon. I’m all about the impulses, the anarchy, let’s fuckin’ go! I’m a breath of fresh air up in this shit. Eight pulls, nine pulls, ten pulls—someone say temples? [6] If you don’t know already, then you oughta listen up. You don’t need any of these options. Go make your own. Paint that shit vibrantly. Go try something new! And if it goes so well you can indulge in some goddamn rejoicin’? Then hell yeah, now we’re talking.
Yo, man. The world’s all in how you see it, as they say, and don’t you ever forget it. A-a-a-and I may be a monk, but I’m not preachin’ just to scold you! [7]
San gha gharan bam! S-S-S-Scatting n’ rapping, rapping with my razzle-dazzle tongue Check, ch-ch-ch-check it, che-wa-watch out Gha bam! S-S-S-Scatting n’ rapping, rapping, BAT’s sexy leader Kick, kickin’ kickin’ killer San gha gharan bam gha gha gharan bam gha gha gharan bam Gha gha gha gha gharan bam
Yeah, life’s got ups and downs. You asking me, “Whatchu lookin’ at?” [8] Your ASS, lol got ‘em. Wassup, wassup, I’m a rhymer. I’m makin’ some good shit up in here. Hm? Ey, dance, dance over days when our hearts are aligned [9] Shoo bidoo doo bidoo Roo bidoo doo bidoo Tickili tickili tackili-tatt-too
Yeah! Haha! My rapping’s freakin’ EXHILARATORY. Hello! Aight, c’mon on, lemme give you some of this and wake you right up. Yo, c’mon, c’mon, c’mon, ho!
Gharan bam gharan bam Gh-gh-gh-gh hey! Bring it on, tough guy! R-r-rapping, rapping, r-r-rapping with my razzle-dazzle tongue R-r-rapping, yeah, gh-gh-gh, hey!
Yeah, clear the scene, ‘cause I’mma reinvent the scene. [10] Yo, get outta my way. I’m Evil Monk, the dragon of Bad Ass Temple, you know. Rrrrrrah! [1] This last is literally "clear weather (空)" or "energetic vibes (空)." At face value, it appears to be nonsense for rhyming. However, at the very end of the song, Kuukou talks about "the vibes/the scene (空気)" changing and him changing it (which can also be read as the weather changing/clearing up), which makes me wonder if those two are related. Just in case, I wrote them with a possible connection in English too.
[2] 僧伽藍 (sangharan) is a short form of 僧伽藍摩 (sangharama), a Buddhist temple or monastery. Bam is, of course, the sound of Kuukou throwing hands.
[3] 饒舌 (jouzetsu) is a fairly formal word in Japanese to refer to excessive talking. However, I was surprised to learn in the process of TLing this that it's also Chinese for rapping which appears to be how Kuukou's using it here. Also, if you're curious how English "jazzy" became "razzle-dazzle," I realized near the end of the song that I needed to start this word with the same sound as "rapping" (because he scats the j sound on jazzy and jouzetsu) whereupon I set out to find a good synonym. The issue is, I wasn't sure exactly how the lyric writers were using the term, so I put "jazzy" in an English-to-Japanese dictionary to get "loud, invigorating, eye-catching." Yeah, that's Kuukou all right. "Razzle-dazzle" is similar and starts with an r, so there we go.
[4] The lyrics say "xy な leader" (the な is just indicating that "xy" is being used as an adjective, btw) which I assumed means sexy... ekkusu ii said quickly sounds like sekushii. To be sure I wasn't barking up the wrong tree entirely, I ran a quick Twitter search on that line and found a very large number of Japanese Tweeters thinking the exact same thing I was. (It looks like Kuukou's VA once flashed his collarbone on this line in a concert, delighting scores of collarbone lovers everywhere.) That being said, searching anything on Twitter and finding horny Tweets isn't exactly a novel concept. Well, if I'm wrong about this, then at least I'm in the good company of all the thirsty Kuukou fans. Hahaha. If this seems OoC to you, I feel like it's here mainly for fanservice, not necessarily because Kuukou's trying to get some with the person he's beating up and/or preaching at. Although, idk. If you ship Kuukou with anyone, you could very well see some parallels...
[5] Literally "I'll beat up [everything] including the roulette board." Wordplay on rules (ruuru), ruler (ruuraa), and roulette (ruuretto)
[6] Literally "Terapii (therapy), terapii, terapii, tera (temple)-- Oh, the age of temples?" Wordplay/stupid joke
[7] I don't like how I worded this line, but I don't care enough to spend much more time fussing over it. Kuukou's making a joke that, as a monk, he delivers religious sermons 説法. However, in colloquial terms, a 説法 is a telling-off when someone does something undesirable. Kuukou, as a frequent doer of undesirable things, gets these from his dad constantly. Therefore, he's being like, "This isn't the LAME STUPID kind of 説法... this is the kind that ROCKS! *sick guitar riff*"
[8] These two lines seem like complete non sequiturs because they're paired together in Japanese for rhyming. (nami ga dekiru/nani ga mieru)
[9] I admit that I'm struggling to understand this line because the grammar is very irregular. Japanese Twitter is not being especially helpful here, as most Tweets featuring it are some version of "God, this damn song is stuck in my head."
[10] Literally "[Someone] changes the atmosphere/scene. The atmosphere/scene changes." See note 1
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rmwb-fanfics · 1 year
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How to remake Harry Potter:
(A step by step guide)
We’ve already had one god-awful adaptation that way too many people think is good. This is our one chance to have the book characters represented correctly, along with the plot they support.
I’ve put YEARS of thought into this. I’ve written scripts for episodes of a hypothetical tv show. I’ve drawn concept art. I’ve done shit. So I figured I’d share my thoughts.
1. Stick to the books*.
Stick to the books has a massive asterisk next to it because I mean the plot and characters. Some stuff (as you’ll see later) should be changed.
Nothing in this show should feel out of character. Harry should be closer with Ron than he is to Hermione. Snape should be a real d*ckhead. Hermione should be judgmental of those who don’t think like her, etc etc. The way these characters navigate their relationships is why the fandom is still relevant. It’s why canon-compliant fic is popular in the first place. We like their dynamics. SHOW THEM APPROPRIATELY.
Plot is a sticky thing because I’d say there’s wiggle room, but not too much. Certain characters have to die. Certain events must happen. You cant change that stuff.
2. Use the Medium.
You’re using film as a format to tell your story. Ideally you’d us animation, but I know Warner Bros has less creativity than Disney’s remake department, so I won’t even try and pitch that.
Use colour and saturation. It can help contextualize emotion. It can make us subconsciously recognize things. For instance, the scene growing more saturated when Ron walks into the room when Hermione is wearing the horcrux, or any multitude of other uses this could bring.
Bring in costume design that (actually fits the world) but also helps show how that character is feeling. What they’re thinking, their personality, their future, etc.
Make magic fun™️. The books sort of sidelined magic in 5-7. Don’t do that. Divert from the books. Magic should feel alive. Colour-code them so we as an audience can recognize spells and what they might do before we see it. Implement sound design to make each spell unique and vibrant. Make this world subtly bursting with magic like it was in the first few books. Have it weave around characters, wrap them up. Be creative with action scenes. Force transfiguration into battle scenes. Choreograph your duels. Show don’t tell us that a wizard/witch is powerful. Turn people into portraits. Lock them up as mice. USE MAGIC.
Your set design should reflect this. Everything should be bursting with personality. Don’t just use the shitty movie sets. Inject some colour, have the surroundings aid you in telling the story. Get weird with the camera. Use these tools to their fullest potential.
Actually fucking try.
3. Utilize Music.
Music is just… such a massive part of film. It’s frustrating how often even the best filmmakers overlook its use. Characters should have themes that mature and develop as the series goes on. Have action arrangements of the themes to play with heroic moments. As the series progresses, we grow attached to these themes. When they appear, the audience FEELS something. Don’t reuse great pieces to force emotion. (Dumbledore’s Farewell in The Prince’s Tale. Are you fucking kidding me?)
For example: Have a theme for Neville that starts out timid and uses very shy instrumentals, but we first hear a change when he stands up to the trio at the end of PS. Then it gains more instruments until OotP, when it grows again. Once we get to DH, it can be used in this heroic swell as he chops the head off the snake in front of Voldemort and everyone watching. The audience, consciously or not, will feel that moment even more.
Have a theme for Ron and Hermione that might not even be romantic until HBP when it gains that element. PLAY WITH MUSIC.
Themes for mystery, adventure, loss, love, friendship, LOCATION. Let them come back throughout the series to highlight various moments. See Lord of the Rings and The Hunger Games, as well as (surprisingly) the Fantastic Beasts films.
Let music affect the visuals. Magic can bend and swivel with the music. Use it to tell the story. Use it to show emotion. Use it to progress a character’s arc. USE CONSISTENT MUSIC.
4 . Be Bold.
This is the big one and it may seem like I’m contradicting myself but I’m not. Rowling’s work hasn’t aged crazily well to modern fiction standards. This is your chance to rectify that. Fill plot holes, actually think through the politics. Introduce world-building elements that enhance the story/characters. (The house system, and how Slytherin fits in. The logic behind avada kedavra???) Get creative with solutions. Contradict the original work when it comes to description of location. If it doesn’t work for the film format, don’t force it to work here.
Spend more time with characters we know are relevant, but maybe not to the plot. These are your Ginny Weasleys, your Seamus and Deans, Nevilles, etc. Really fill them in. Give them more scenes. Ginny has two phenomenal arcs that play completely off-screen, explore them. Show us her friendship with Hermione. Show us her insecurities and her faults. Give us more of her and Harry’s friendship. We know they get married, so maybe fix the whole “Rowling wrote the epilogue first, but didn’t realize she was waiting too long to introduce these characters until HBP”.
Add scenes. Add jokes. Add smiles and covert looks. You have more time, which means you have a chance to focus on friendships, and romance, and world building.
Tell multiple storylines. Give Remus and Tonks a cool spy/thriller subplot interjected with the main story in OotP. Show us more of Fleur staying in England. Give us more of Harry and Sirius bonding. All of this stuff can fit loosely into canon, and be welcome creative additions.
BE BOLD.
And finally,
5. This is your chance to not only retell the story, but to do it better.
RECOGNIZE THIS. Take advantage of this opportunity and enhance canon, don’t fight it.
Don’t add Hermione and Harry dancing because *YOU* don’t like where the romantic pairings went. Don’t add Draco sympathy because you want him to have a redemption arc. Don’t dumb Ron down because you don’t like the fact that he’s just like the teenage boys you dated in High School, and he was a bit immature.
Make changes, be bold, use music, stick to the books*, use the medium, but take this as the opportunity that it is to enhance what came before.
Thank you.
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catslvrr · 5 months
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heaven sent — 06. art museum
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“Okay, I thought I was out of place at the ice skating rink. But this is considerably worse.” You crossed your arms over your chest, standing outside of the art museum that loomed over you.
“Don’t be such a party pooper, I’ll be an excellent tour guide.”
“We literally know nothing about art.”
“Not we,” she wagged her finger in your face with an annoying grin. “You know nothing about it.”
You scoffed, “Tell me one interesting art fact.”
“I know that there’s a guy named Picasso. He cut off his ear.”
“I’m pretty sure that’s Vincent Van Gogh.”
“Close enough,” she quipped indifferently. “Come on.”
Danielle dragged you inside. You flinched when she intertwined her fingers with yours.
“What are you doing?” You hissed, trying to pull away.
“Stop it,” she whispered. “There's a discount on the entry fee for couples, so act natural, babe.”
She emphasized the last part as the two of you neared the admission desk. Of course, you paid, and the two of you made your way into the exhibition.
“The guy at the desk didn’t even look at us twice,” you rolled your eyes. “I don’t think they care.”
“Well it worked,” she smiled proudly. “And you’re still holding my hand. I think you secretly like it.”
Blushing, you hastily tried to let go, but she only giggled in response and held your hand tighter, pulling you to the first artwork.
It was a blank canvas, with a blob of blue paint smack dab in the middle.
“Amazing,” you said, devoid of emotion. “This one really speaks to me.”
Danielle cleared her throat, and adjusted her glasses.
“This piece right here,” she took on a posh voice as she straightened her posture. “Is quite an exquisite piece. Made in the Baroque period by painter Jean DeJean.”
You tried to hold back a snicker.
“Jean DeJean?”
“Yes,” she nodded seriously. “An artist ahead of his time. This artwork in particular conveys his sense of isolation, the blue representing sadness and the single dot representing himself.”
“Wow,” you said in pretend awe. “I love the symbolism.”
“We’ll move on to the next piece now.” She gestured towards the next artwork. “Follow me, ma’am.”
You coughed back laughter as she strutted boldly in front of you. Surprisingly, she kept up the facade for a while, truly living up to her name as an excellent tour guide. You couldn’t help but laugh at her nonsensical explanations and pretentious acting.
And despite your initial reluctance, you found yourself enjoying your time. You caught yourself looking at her instead of the artwork more times than you’d like to admit. It was then that you knew it was over for you.
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“So,” Danielle said, munching on your fries as you drove back to the apartment. “I’m a pretty good art museum tour guide, right?”
“Sure,” you answered playfully, eating a fry that she fed to you. “You should apply there. I’m sure everyone else would love to hear about Jean DeJean.”
She threw a fry at your face in response (“You just wasted a fry!”).
“I’m guessing you didn’t like art back in high school?”
You chuckled at the thought of your grades for art back then. “God, no. I cannot be artistic to save my life.”
“You can’t be worse than Jean DeJean,” she joked.
“I remember being so insecure of my pottery skills that I purposefully left a big air pocket in my clay figure. It exploded in the kiln and destroyed everyone else’s. My classmates were devastated.”
“Never mind,” she grimaced. “What subjects were you good at, then?”
“English. Guess I have a way with words.”
“That makes sense. Seeing that you do law now.”
“Yeah.” You paused. “Music, too.”
“I do remember seeing a keyboard in your room.”
“But that’s a story for another day.” You slightly smirked, mimicking Danielle’s words from the other day, “Ask me again tomorrow.”
She narrowed her eyes at you, still curious, but didn’t push it any further and focused back on the moving scenery outside.
“Honestly, today was a bit of a last minute thing.” You could see her peek at you out of the corner of your eye. “Did you enjoy it, though?”
You smiled. “Aren’t you tired of asking everyday?”
“Never,” she answered earnestly. “I always want to know.”
Your attempt to fight off a blush was futile. “Today was good. Like always.”
“It’s because of me, isn’t it?” She teased.
Yeah, it is.
“You wish,” you rolled your eyes. “…Are you down for movie night later?”
She bit her cheek, clearly hesitant to respond.
“It’s okay if you don’t want to spend more time with me,” you rushed out awkwardly, hands tightly clutching the steering wheel. “I forget that this is your job.”
“No,” she hastily reassured you. “It’s not that. I love spending time with you.”
“Really?”
“I do. It’s just that…” she trailed off, then shook her head and smiled. “Nothing. Let’s watch Frozen.”
“Out of all movies, you choose Frozen.”
She turned down the radio and started to loudly sing Let It Go.
She has a nice voice. Maybe it’s another ‘messenger of God’ thing.
“Enough,” you groaned, resting your head on the steering wheel at a red light. “Save it for later.”
Later, the two of you lay on your bed, your laptop on your lap, as you pressed play. You didn’t know if it was the warmth radiating off Danielle, or if it was the way she was playing with your hair, but you fell asleep 30 minutes into the movie.
You got up in the middle of the night to find her already gone. You could still smell hints of her entangled in the sheets, a mixture of strawberries and vanilla. You always thought the bed had always felt so small, but tonight it had never felt emptier.
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itsnotmourn · 2 months
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CONCEPTS AND RAMBLINGS | "animal" cult pmv extras
thank you everyone for liking my pmv (and on yt and twitter) !! i got more attention than i thought it would and that means the world to me! <33
here’s some of my concept art + rambles for it!
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the first thing i made up, the character designs!
i didn’t think to refine them because they were good enough to use LMAO... so i scribbled colours down, threw a filter and called it a night
i wanted a sharp change from the verses and chorus (since the song goes from calm to... louder) so i made it greyscale (with a red filter) that changed to brighter colours!
also changed the text font/colour for ignacio hmm. the font was hard to read, in my opinion.
ignacio's design
ignacio loses his bandage colours because that was too many colours for my liking… i completely forgot his hair highlights tho
ah and he doesn’t get a mouth until the fire scene too…
it was only meant to be done for a few frames but i thought it be cooler if it was consistent.
the missing mouth represents his repressed feelings/silence, or something like that.
skidad's design
i got a few questions on whether skidad was a goat. despite looks, skidad’s design is actually based on the herbiadean/jacob sheep! four horns!
i have drawn skidad as a jacob sheep before as well!
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look at them ominous friends.
the resemblance to goats is something i considered as well (links with cult/sacrifice) so i think of it as a fun bonus
i gave him wolf teeth because the whole “wolf in sheep’s clothing” but also because i like it when prey animals are given predator features
i left the body as "human" because i only wanted the face to be censored… i considered clawed/darkened hands too but nah
skidad was originally going to be lined like ignacio, but i liked the lineless look for him so voila! makes it feel like he’s “not bound by anything”... actually, this is the same reasoning for the match to be “out” of the border, even though it’s ignacio’s hand
storyboards
i rarely storyboard (most are locked in my mind) but i figured it'd be fun to try!
halfway, i got bored of drawing digitally so i moved onto my notebook. i think it was a good decision; since i drew with my ink pen, it forced me to move on with my mistakes instead of clicking "clear canvas" lol
i had a pretty solid idea of what i wanted after weeks of listening to the song over and over again. the only thing that really changed was the mirror, which was replaced with a shadowy ignacio
the coloured thumbnails i actually did first, just to figure out out what i’m doing for the chorus part… limited palette my beloved
i didn't know where to put the text so i was scribbling everywhere lol
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ratio changes
in the chorus, the ratio of ignacio and skidad’s frames changes! it’s more obvious if i combined them together, like this
less for ignacio, more for skidad
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did you notice that the fire in this shot look like the cult ?!!! why did i do that, you ask? well:
the fire is the same “red”as the robe
too lazy to draw fire without abusing motion blur
mmm symbolism idk. it's somewhere there
it wasn’t in my plans but i’m happy i made the choice in the last minute. this was the last thing i needed to finish before syncing it up with the music
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also this… i just wanted to point it out… make sure everyone knows... did you notice this? did you? did you did you? well now you do!!!
that's it !!! that's your trip into my mind!! okay byeeeee !!
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taylortruther · 5 months
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(im sorry sometimes i just send you long asks about my opinions, but it’s because i feel like even if you disagree or think what im saying is dumb (for the lack of a better word), you would be nice and gentle about it haha. ignore me if you want!)
maybe the way i view celebs is “wrong” but i grew up in india, and i literally learned to never rely on them. they do and say the dumbest things, but no one bats an eye because it’s like “ofc this famous person said and did this.” in the same vein, i don’t rely on her to feel that im making a difference in society by calling her out. as for everyone always talking about expecting better from her, i literally don’t expect anything from her. i obviously recognize that her outreach is so very wide so of course i would love if she did say something and addressed certain things, but i have seen that she will not speak on issues pertaining to other countries and sticks to her lane with 3-5 major things in the US, so why would i expect her to speak about anything else? having followed her for so long, based on past, how could i and why would i? (this sounds unkind i think but i actually mean it in a kind way lmao). her speaking on things would just bring me personal peace that she did her part and that i support a good person, but beyond that, if i actually want change, why would i focus on her at alllll instead of focusing on an actual political figures? that’s time spent doing something that will result in nothing instead of something else (i realize this is extremely ironic because im typing this long ask and spending time on it 💀 i love being a hypocrite i guess)
instead of focusing any of my energy wanting her to do things she probably won’t do, i spend my time actually supporting things i believe in, and constantly having uncomfortable conversations with people around me. and the impact i have is actually very little compared to all that other people do, so instead i spend time feeling guilty about it and thinking what can i do? (that’s kinda a joke but also not a joke at all alkjgdgsj)
also, like im so in terms of how she and i are different. im a poc immigrant, and im extremely privileged in general, but compared to her it’s nothing. she is the biggest star in the world. no way our approach or thinking aligns. i feel like calling her out and constantly thinking about her “wrongs” just makes me feel conflicted about her. i don’t want to align myself with her politically and not because she is a conservative or something but because there are other people who are more sensible to align myself with. and it’s not that i don’t critically think about her, but that im being selfish and affording myself this luxury.
basically, all that word-jargon to say i love her music and i love her as a person and her traits very dearly, and the way she approaches political issues is something i used to be in gripes with but have accepted and come to terms with. and maybe i have cognitive dissonance and im actually blind to how evil she is because im a “cupcake” swiftie, but oh well. i guess i just have no morals then 😭
arshia i completely agree with you and imo this describes my own mentality about it really well. she does not represent me and frankly i do not really want her to try. of course, i wish she'd come out and say some shit like "MONEY FOR WAR BUT NOT FOR CITIZENS? CALL YOUR REPS AND SIT IN IN ALL THEIR OFFICES" fjdkasl but i'm not going to hold my breath. taylor's conscience is her own, i can't control it!
and if someone cannot stomach celebrities at all because of what they represent - FAIR! i turn off that part of my brain to be on here, because this is my fun lil hobby. and i think i am making more of an impact irl than i ever could on here. although, if anyone learns anything about their own politics through my blog, i consider that a win.
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fantasy-mixtapes · 1 month
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Kristen Applebees S3 Playlist: Side A
Here's Part 1 of Kristen's Junior Year Playlist, I am obsessed with it so far and will probably continue to be. Descriptions and key lyrics below. Spoilers for Episodes 1-10
Genres include: Pop-Punk, Alternative, Punk, Folk
1. Lavender Bones, Stand Atlantic
I know I'm out of my depth, but I just float in it I try to do my best, stop picking fights with it I wanna be upset, you're not alright with it I can cover it up, I can cover it Try to speak my mind, wish it was by design But I can only confess to having doubts with it Don't wanna feel regret, I'm not alright with it I can cover it up, I can cover it
So this is a perfect background music for the start of a movie about Kristen's life right now and I LOVE finding those songs. It's perfect on so many layers, it talks about feeling trapped, wanting to fix empty habits, and not to mention how "lavender bones" really hits home to my queer little heart. This entire playlist is really a game of guessing when the "you" in songs chosen mean Tracker and when they mean Cassandra, level: impossible
2. Starchild, Sweet Pill
What do you want from me? I am not a charity Work hard at everything Do it all for free What do you want from me? I am not a guarantee Go all or nothing Lose your money ... Set up to win Wind up disappointing everyone In the end I am disappointing mostly myself In the end Hang your Head
I AM SO NOT NORMAL ABOUT THIS SONG Guys its like it was written for this very specific situation. AND THE TITLE???? FOR A CLERIC OF THE GODDESS OF MYSTERY, DOUBT, THE NIGHT, AND STARS???????
anyways just please please listen to it its so great like even without the connection to Kristen, go support Sweet Pill they have a new album being released tomorrow (March 15th)
3. Uneeda, Deady
What about the bones The bones have no problem Turn them into ash And this never happened Your ashes big asses Your brains on the pavement Oh no! I can feel myself rot Unless I take your hand
Ok so this is kind of a genre outlier on the playlist since it is very very alt punk but for me it represents the rage at the mall, Kristen's relationship to Cassandra, and both of their respective reactions to what happened. It's very chaotic, but it was a very chaotic situation and I stand by it plus I love adding modern bands to things
4. Bite the Hand, boygenius
I can't hear you You're too far away I can't see you The light is in my face I can't touch you I wouldn't if I could I can't love you how you want me to I can't love you how you want me to
Yeah, sorry had to whip out the queer break-up big guns. I don't feel sorry I feel right.
5. Untitled God Song, Haley Heynderickx
When you're drunk near a sunset, look straight in her eyes She's a quick glimpse of heaven, forgetting her headlights are on When you misread her fortune, don't misread the joke She's the note on your lampshade, the honeycomb holdin' you And she spins me around like a marionette Oh, my web is still spinnin' My web is still spinnin', you can't see it yet
Immediately going from having total contact with a divinity figure to having to grasp for straws once again to a memory you hold onto, literally holding onto the shards of your faith. Having to both embrace doubt and faith at the same time. Girlies, I'm ruined
6. C'est Comme Ça, Paramore
In a single year I've aged one hundred My social life a chiropractic appointment Sit still long enough to listen to yourself Or maybe just long enough for you to atrophy to hell ... I know that regression is rarely rewarded I still need a certain degree of disorder I hate to admit, getting better is boring But the high cost of chaos Who can afford it?
I love Kristen, and I think her arc this season is extremely relatable; currently, 90% of what she does are bits, and I KNOW it's a coping mechanism, but STILL, WHY ARE YOU SO MESSY. I love you; keep being 17, but god, keep your clothes on and stop going to the steel plants girlie you're gonna give Riz a heart attack
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