#and the final curtain
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someone really wants him to be flemish (plot twist, it’s me in that writers room)
#byyashrin#thelibrariansedit#leverage redemption#The Librarians#noah wyle#leverageredemptionedit#leverageedit#flynn carsen#Eve Baird#harry wilson#Rebecca Romijn#and the final curtain#the belly of the beast job#to id#don't ask me what the transcript had for that Dutch part#but i also need everyone to know#that's not Flemish she's speaking that's dutch Dutch
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SEASON 2 FINALE LET’S GO
Also I am aware that it’s 10:43 at night and I have Yom Kippur services tomorrow but I WILL finish the season before I go to bed
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c'est lui pour moi, moi pour lui dans la vie...
#ed watching stede close the curtains is fucking DEVASTATING ME#ofmd#our flag means death#blackbonnet#gentlebeard#ofmd s2 spoilers#ofmd s2#ofmd gif#ofmd edit#ofmdsource#ofmdaily#ed teach#edward teach#blackbeard#stede bonnet#they finally faaawked and it was the most BITTERSWEET SHIT EVER?#my poor babies.#*#my gifs
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#the librarians#season two#and the happily ever afters#and the final curtain#tnt#hulu#imzadi directive
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/SHOUT: "Get behind the ice, get behind the ice!!"
#ffxiv#final fantasy xiv#ff14#endwalker spoilers#endwalker#shiva#ffxiv ysayle#ffxiv amon#meteor survivor#I will never get over the poetic story telling of Amon#at the end of Endwalker#casting Curtain Call and everyone's gut reaction is was Curtain Call = Get behind the ice. And the devs know#they know we've all done Syrcus A THOUSAND TIMES!#We all know this mechanic and we were all going to react with “Where is the ice?!” -- and then there's a gust of wind#and as if we the players ourselves summoned her#Shiva comes to save us
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Tim's turn
Dick Jason Damian Cass
Lighthearted
Danny gets reincarnated as Tim's little brother. They grow up thick as thieves so when Tim becomes Robin, Danny finds out rather quickly. Having no desire to be a hero again but also wanting to make sure his brother is safe, Danny helps Alfred on coms. With the help of the knowledge of his past life, he also becomes the resident engineer. No matter what hair brained idea Tim or anyone else comes up with, Danny can build it. This ability isn't used too often though because much to the anguish of Bruce, when Danny starts working on a project, he temporarily develops his brother's atrocious sleeping habits.
Angsty
The Drake parents take Danny with them to their archeological digs because he's too young to stay home with Tim. They're really exasperated about this because Danny takes a lot of time away from their dig time (he's about 2). At one of their digs, when they are at peak annoyance with Danny, they meet a couple hunting for ghosts. When the couple mentions wanting another kid but being unable to have anymore children Janet and Jack get an idea. They tell the couple they can take their son. It is a partial joke but when the couple says sure they think why not? One's enough anyway. When his parents get home without his baby brother and Tim finds out why, he doesn't talk to his parents for months. Meanwhile Danny is constantly crying the first few months he's with the Fentons because he misses his parents. But with his little toddler brain he eventually moves on and forgets about his old family. Tim on the other hand dedicates his whole life to finding his little brother. Whenever he's not working on a case, he's searching for any sign of him. He finally finds a picture of a local hero in a small town in Illinois. His hair may be white and his eyes may be green. He may look older too. But it doesn't matter. Tim would recognize his brother anywhere.
#dp x dc#dc x dp#younger brother danny#i went full shit drake parents for the second scenario#yep let's just dumo our kid off unto an unknown couple#*dump#nothing wrong or illegal about that#it takes tim a while to find danny because of the iron curtain surrounding amity#when he finds out how much danny has suffered through over the years#the guilt of not finding him sooner eats him alive#not that it's his fault#which danny will be constantly reminding him of when they finally reconnect#but that doesn't matter to tim#he let his little brother suffer all alone for years
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once buried twice unearthed
#curtAIn is probably one of. if not. my fave somniums#and i wanted to do a piece for it for a WHILE. finally finished this fucking. beauty. i really happy how it came out#aitsf spoilers#aitsf#hitomi sagan#falco aitsf#psyncin' in the curtain#dy art#little easter egg - rohan's eye has 41205 in it cause it's actually date's (falco's) eye
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sketches for sleight's van, the Magicmobile ^_^
#I had a lot of fun designing this!!!!!#i used the volkswagen kombi van as the base model and drew inspiration from modded cars with high rides#to kinda mimic those old horsedrawn caravan wagons.. i tried to keep functionality in mind so the tire covers on the chassis have#grips for where you would put your feet if you were to get in the drivers seat kinda like those huge freight trucks.. and since the ride#height is a little high theres a pool ladder attached to the back to mimic a caravan and to help ppl get in from the back#also exciting coming up with the stage side door.. i dont know exactly how it would work but i imagine the handle at the top#has to be turned and pulled in order to set up the stage.. and then theres a locking mechanism to keep it in place..??#theres also a stage curtain right behind the door where sleight would come out to do his performance so thats fun!!!#i dont have much to say abt the interior except i forgot to include the ladder which would help reach the skylight#the skylight is a little domed and i riffed that off the kombi camper too but its to contain his butterflies before and after shows ^_^#the hatch is inspired by the net stormdoor at my aunts house.. kinda like chicken wire?? and then there are flowers and pupae#idk if im ever gonna get around to coloring this but im happy finally getting my ideas down and turning it in my head lol#my art#myart#my oc#oc#sleight#concept art#interior#laikas comet oc#fan character#doodles
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Final show, final curtain call. 😭
01/08/23
#beetlejuice the musical#beetlejuice broadway#beetlejuice#beetlejuice musical#betelgeuse#lydia deetz#alex brightman#elizabeth teeter#kerry butler#adam dannheisser#david josefsberg#leslie kritzer#curtain call#final show
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Lifting the Veil on the Bentley
Because I’ve been talking about the Bentley being Crowley’s black horse of late, I’ve had a nudge to talk about the number plate. I know it’s explained as an easter egg in relation to Monty Python, but I think we can explore it a bit further than that.
It’s worth having a quick look at this older post from @fuckyeahgoodomens where they explain the inspiration was from an animated scene from Monty Python's Meaning of Life .
youtube
The following is from the linked article.
As a nod to Terry Gilliam, who once tried to do a movie version of Good Omens, Gaiman and Mackinnon threw in a little reference to Gilliam’s origins doing animation for Monty Python.
“The license plate of Crowley’s Bentley is ‘Curtain’ backwards,” Gaiman said, because of the writing on the mausoleum in the suicidal leaves section of Monty Python’s The Meaning of Life. “Curtain backwards, like it’s the final curtain,” Mackinnon explained.
Before I get into all the connotations of “curtains,” there should be two things you notice about the “CURTIN” written on the mausoleum. The first is the spelling itself. It’s shortened to look like the Irish surname Curtin, so the mausoleum appears to belong to a real person. Curtin is an anglicized version of Mac Curtain, which means Son of the Crooked, or Son of the Harp, as the ‘crooked’ refers the hunchback shape of the Irish harp. I wouldn’t read too much into that, its probably more just a way of getting an actual curtain reference into that scene.
The other thing is that is not just backwards, it is mirror-image, as if you are looking at it from the other side of the mirror. So we should ask ourselves – which side are we looking from? And why does this matter?
While director Mackinnon mentions it referring to the “final curtain,” we need to start even further back than that to understand what the final curtain is, because even that has two meanings, even if only in a general sense. But because this is the GOmens AU, you can guarantee we’re going to find out there is more to it than that.
We need to go beyond the veil.
To go “beyond the veil” has become a euphemism for passing into death, or that unknowable place people go once they die. It was originally a figurative reference to the area in a Jewish Temple that was separated from the main body of the Temple by decorative curtains, called veils. The veils were specially woven, often with the image of a Cherubim woven in by a skilled worker; it was not allowed to be sewed on or added later. Each panel of the veil would display a different face of the Cherubim, such as the lion on one side, an eagle on the other, and so on. Only the priests could go past the veil into the most holiest of places. The veil was symbolic of separating men and their sins from the glory of God.
The word ‘veil’ can be translated into English as ‘curtain,’ so the two words are almost interchangeable in respect of this discussion. I was interested to see that the word veil comes from the Latin word velum, which also means ‘sail,’ as in “to move, to drive a vessel or vehicle forward.” I have previously commented that the Bentley should probably be a “she,” as traditionally all ships were female, and that’s a tradition we still see carried into the modern day, thousands of years after its origin. I’ve even seen modern day space probes – little ships sailing the solar system – referred to as she! But I’ll not be pedantic about it, don’t worry.
Keep your hands off my bitch, bitch.
So the curtain, or veil, is the boundary between life and death. Only – we are seeing it from the other side. And in the GOmens AU this “other side” is very real, and one Aziraphale and Crowley walk through with both ease and without much thought. They are agents of those on the other side of the veil, yet they walk with Humanity in a solid reality on the surface of the Earth. They know the other side is real. When wee Morag complains about Elspeth’s body-snatching activity that the ones she digs up and sell won’t be able to go to Heaven because they will be cut up, Aziraphale tries to tell her it’s not like that, but she's not listening:
WEE MORAG: Aye. Tell that to the poor souls who will not get into heaven 'cause their bodies are all chopped into wee pieces.
AZIRAPHALE: Well, that isn't how it actually…
CROWLEY: Heaven isn't all it's cracked up to be, you know.
WEE MORAG: It's no right. I'm telling you.
CROWLEY: Yeah.
For humans, though, there is supposed to be no return once you cross that threshold.
When we, the viewer, see the two worlds meet, it's usually signaled by the presence of fog, mist or smoke. When Lesley the delivery driver meets Death, the fog arrives, as he is no longer in the living world. When Aziraphale and Crowley leave Tadfield Manor, we have smoke telling us we are seeing two different times and places at once - the past and the present are overlaid on one another.
The Bentley must exist in both the Human and subliminal worlds at the same time - how else can it drive like it does? It doesn't really need Crowley's hands on the wheel to guide it. It couldn't have started out like that - it was made by humans, but we all know the Bentley is more than just a car now.
It chooses the music to play on its radio, it refuses to speed when taking Aziraphale to Edinburgh until Crowley yells at it, it tries to follow the angel after he gets out at the end of the journey. How it got like this we will probably never find out, but we figure its become an extension of Crowley by close association, much like Aziraphale tends to influence the world around him without effort as well.
In terms of it being a black horse - well, now we get into some interesting stuff!
Horses have been companions to humans for longer than cars have been around, so there is lots of lore and symbology associated with them. Previous metas around S2 have focused on "dark horses," as they were specifically mentioned twice in the script. But a dark horse is not necessarily a black horse, and vice versa, so lets look at some of the aspects of black horse symbology in particular that could be relevant to the Bentley and it role in traveling between worlds.
Horses were the original vehicle of the ancient world. While Famine was supposed to ride a black horse (the others were white, red and pale green for pestilence,) the black horses could also be messengers of death, a demon bringing death or a guide to the afterlife. In the Illiad, Achilles sacrifices four horses on the funeral pyre to accompany Patroclus to Hades.
[Edit: I've just put myself through the pain of watching S2E6 again, for reasons, and realised why the ethereal lift is in the entrance to the Dirty Donkey - because a black horse is a guide between worlds! Of course!]
They became associated with the Devil during the Middle Ages as the church tried to break the link to old pagan rites. The broomsticks witches ride are supposed to represent horses. And then there is the sexual connection to horses...which leads in a round-about way to the practice of nailing horseshoes up for luck and protection. Although perhaps the burning horseshoe on Jasmine Cottage is more directly linked to the story of St Dunstan tricking the Devil and making him promise he would never cross the threshold of a house that had a horseshoe nailed to the door.
Our favourite Bentley has been beyond veil and returned. Though it was kept valiantly alive through the sheer will of Crowley to escape the unnatural flames of the Sigil of Odegra, it expired at the Tadfield airbase once Crowley arrived and finally released it. It was only appropriate that Crowley took a moment to acknowledge its service.
Then Adam restored it the next day. Resurrected it, one could say.
Time for the "final curtain" to wrap this meta up.
To "face the final curtain" is another euphemism for facing death, or at least an ending. It's the final curtain of a theatre show, after the encores are done. Its the final fall of the curtain at the end of a run. Sometimes we might say its just "curtains" for something or someone, meaning it will be ending, as a shortened form. But both Aziraphale and Crowley knows death isn't the end; its a beginning as well. Its just matter of perspective to them.
I've seen other writers associate this final curtain with the first Armagedon't, and now we appear to maybe be facing the "big one" in S3 - the Second Coming. I think that is too simplistic an association, especially for GO. The reversed side of the veil could be so many things: the final battle, the ability of our ethereal heroes to move between worlds, it could even be Crowley returning from the "death" of being one of the Fallen. As always, the meaning will be need to be considered within the context of the scene, and which side of the curtain we are looking from.
#good omens#good omens 2#the bentley#crowley#aziraphale#good omens meta#good omens analysis#niat ruc#the final curtain#beyond the veil#bentley appreciation post#monty python#black horse#guide to to afterlife#Famine#devils on horseback#i'm having a moment here#crossing the threshold#liminal boundaries#is that a fog horn i hear?
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Scratch is still a distinct entity from Alan. I think the Dark Presence has just found too good of a host and has itself gotten stuck - it tries to use Alan to escape, tries to leap into Casey, but Alan is able to draw it back in, and its temporary escape is colored by Alan's life and perspective, its own will wrenched into a different form by Alan's, even more pronounced than the fight over the narrative was in the first game.
It tries to escape, and Alan reels it back it. Alan tries to escape, and the Dark Presence reels him back in. Ad infinitum.
The entity called Scratch is Alan and the Dark Presence both, where they collide and get lost in and overwhelm each other. He's not just Alan's "dark side" - I think that's too literal and simplistic an interpretation, after Control very much established that beings and forces exist beyond us and beyond our reality, and when these games tend to put layers upon layers into any one thing.
I was struck by just how much of himself Alan has retained in the second game, despite everything. Even as he and the Dark Presence draw closer and closer together, taking on the appearance of the other, there's a stark difference between them still. And that difference illuminates (hah) the thread of similarity between them that has bound them together so tightly - the sheer, visceral desperation to escape, which the Dark Presence has been trying to do before Alan, before Zane, before Jagger.
The first game implies that the Dark Presence has existed for an unknown amount of time and has been trapped within the Dark Place for a very long time. Maybe it wasn't always a rageful, hateful being - isolation in the dark will do funny things to one's head, and desperation will do a number on you. (Which we see in Alan. Which is mirrored in Scratch, in the Dark Presence.)
The slidescape from which Hedron, Polaris, and the Hiss come, that Jesse calls "Hand," is desolate and empty, nothing but red sand and five pillars that Darling describes as being like outstretched fingers. I think Dark-Presence-as-Jagger is just one of those fingers reaching up from the lake, a crude imitation wearing a long-gone face to pull at the strings of Zane's grief. I think Scratch in American Nightmare is another one of those fingers, living darkness once again trying to breach reality but never quite managing to break the surface, an exaggerated parody wearing dark rumors made flesh for a skinsuit. And Scratch in AW2 is all of those fingers, the Dark Presence wearing Alan like a glove, only to find that when it breaches the surface at last, it can't take that glove off anymore.
The "Drowning" video in the Writer's Journey is one of the most brutal things to listen to in the game, and one of the clearest representations of the game as a whole, despite how incoherent it is. Thanks to some lovely voice work by Matthew Porretta, you can hear the switch from Alan to Scratch. You can hear them mirroring each other, and you can hear where the Dark Presence sounds just as despairing as Alan, even though the last several lines of the monologue don't actually leave Scratch's perspective. When it takes over, it's speaking to Alan, speaking from his perspective, speaking from it's own perspective, and Alan is speaking through it, all at once, and it gradually gets more unhinged and incoherent and despairing. I will highlight it with some thematic coloring.
I'm lost. I'm lost in the dark. Drowning. I'm drowning. I'm drowning. No way out. There's no way out. Sinking deeper. Deeper and deeper. This is hell. I'm in hell. I died. I wish I was dead. Let me die. I just want to sleep. Please let me sleep. I'm so tired. I just want to go home.
I've written so much. I write and I write. There's nothing left. It's all gone. I don't know how to write. All the words are gone. There's no more words. Where did they go? Did I eat the words? I don't recognize these words anymore. Are the words moving? This is familiar. Why is this familiar? I've been here before. Have I said this before? I've read this somewhere.
Where am I? Who am I? Alan Wake? Wake? That's a strange name. A. Wake. That sounds like a character's name. Did I write the name up, did I make that name up? I don't want to be a character. I don't want to be in this story. Just write me out of this story.
Ram these words down your throat. Make you choke on these words. I know the words. Secret words. You can't take the words. I eat the words. These are my words! Stop using the words! The words! Cult of the Word! This isn't your story. It never was your story. The story is a monster. The story will eat you alive. The darkness is coming! The darkness inside. This is my story! You're in my story! Get out of my story! You are a character in my story! You can't stop the story. This story will go on forever. There's no escape! You will never escape! You will drown here. You're stuck in a loop. You don't have a clue. You're lost. You lost the plot. I'll show you.
The Dark Presence is stuck. It's been stuck, been drowning, for a very long time, and now it's irrevocably tied itself to Alan. It can't get away from him, anymore than he can get away from it.
The end of the loop that we play through is a recognition of that, so perhaps later steps in the spiral will be steps to reintegrate Alan with pieces of himself that have gotten scattered - the pieces in Scratch, the pieces in whatever the hell "Zane" is. Maybe even steps to reintegrate the Dark Presence with its own lost pieces - the pieces in Scratch, the pieces scattered within and corrupting the Dark Place, the pieces in the light? I don't think either of them will be able to truly breach the surface and escape a neverending death by drowning without that.
While playing AW2, part of my brain became fully convinced that the "dark" and the "light" used to be a whole being that shattered and split at some point, and the "fight" alluded to in the first game and in American Nightmare was simply failed reintegration, over and over again. Because we see the Dark Presence splinter (into itself and Jagger and and Scratch and Alan), and we see the light / the "Bright Presence" splinter into almost nothing of itself anymore ("until nothing remains," into Zane and Alan), and we see that there's still a unity in that fracturing and dissolving (Alan and Scratch and "Zane" all having the same face).
We see that there's a light in Alice now - a photographer capturing light on a canvas, delivering a light switch through a shoebox, speaking cryptically across videos and phone lines. She's slipped into the role that light plays in the story, that Zane used to play, illuminating and guiding Alan up and down a spiraling path.
So maybe reintegration and unification is waiting somewhere down the road - Scratch and Alan, Alan and Alice, the memories and pieces of self that Alan and Alice have lost in the darkness, the "Dark" and "Bright" Presence, the dark and the light, constantly circling and never quite reaching each other until at last the branching spiral path reaches its end.
#so here's how the dark presence can be rehabilitated -sam lake as alex casey comes out from behind a curtain and shoots me dead-#anyway. finally managed to write something a bit coherent#alan wake 2#f: alan wake#remedy posting#*posts
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Disney: absolutely no gay!
Tom the executive producer of Loki to everyone: we're doing the gay. Idc because Loki and Mobius obviously have feelings for each other. I. FEEL. IT.
Tom to Owen:
Owen: say no more
Tom to Natalie: LOKIUS REAL
Natalie Holt: proceed to include Mobius as drum + guitar in the finale Loki theme. *Cue drums and guitar while "let time pass" echoes. Repeat mobius' melancholy melody and slowly build up to a darker Loki theme and also there's this new heroic tune that represents Loki's heart getting kintsuki by mobius' gold and their melody supports each others throughout the theme
#lokius#whats with all the hints if not gay?#theme is fire#name's not out yet but its totally Lokius 2.0?#I was rewatching and was like#MOBIUS IS GUITAR AND DRUM RIGHT???#that then support the lead loki theme and the repeated drum makes the whole thing grounded and more grand and#the more i listen to it the more i'm convinced that that's their love song#epic as#they are living for each other and i'm sure they're going to see each other like 2 sec after the curtain falls#you can also find mobius guitar in lokius fyi#remember how i talked about mobius theme? what if he's there all along#loki#loki s 2#loki s 2 finale#history is now
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MAILMAN - SOUNDGARDEN
BABYGIRL WHAT IF THE SINGLE PLANK PATH TURNED MY YOUTHFUL INNOCENCE INTO A TOXIC COCKTAIL OF HUBRIS AND MORBID RESIGNATION
yeah. follow for more of the character of all time XO
#verse 2: for all of your kisses turned to spit in my face / for all that reminds me which is my place#for all of the times when you made me disappear / this time i’m sure you will know that i am here#verse 3: my place was beneath you / but now i am above#and now i send you a message of love / a simple reminder of what you won’t see / a future so holy without me#its the bitterness. the references to an inferior origin. the mocking tone. the finality.#the ‘i’m bringing you down with me and the eventuality of my demise gives me power over you.’#the spiteful continuance. OURGHHHHH#urgh yeah. ‘a simple reminder of what you won’t see/ a future so holy without me’ is probably my favorite line in reference to the yllz#my favorite song from Superunknown (album) is Limo Wreck!#but this has been on my wwx playlist for a while. and its right next to LVCRFT’s Dead Don’t Die djbdhgf#which is a banger about how awesome and spooky it is to be undead#(its like. hip hop x pop x how villain songs in musicals are always the best)#e.g.#‘welcome to my lair / put your bones in the air’#sorry lemme just#DEAD DONT DIEEEEE (the dead dont die we just multiply) DEAD DONT DIEEEE (does this look in my eye make you terrified?)#yeah its more goofy silly post resurrection wwx. hes a multifaceted character <3#is the curtain of talismans in the demon suppressing cave fanon or canon btw? i cannot rember where i got it from#used my yllz nenderoid as a reference 😌#art#mdzs#cringetober 2023#mo dao zu shi#my art#yiling laozu#yiling patriarch#wei wuxian#the grandmaster of diabolism#the grandmaster of demonic cultivation#self harm tw
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frothing at the fucking mouth over the lil Howdy Approved teaser. what does it mean!!!! im gonna need to make sure im awake for the drop!! that will be tough!
#pingponging Off The Walls-#is it a new puppet? is it howdy? is it merch?#if its merch then i Definitely need to make sure im awake for the drop just in case its limited#i mean! its definitely something Physical!!!#a shoe behind the curtain!!! someone is back there!#i cant tell if theyre saddle shoes or not... if so then HI WALLY <3#the caption also points to it being some sorta wally merch... the capitalization of Darling the 'howdys place' branding#absolutely unprompted#im gonna have to set an alarm or somethn...#ive been sleeping too much! i feel Terrible!#today i slept for 10 hours then was awake for a whopping 30 minutes before passing back out for another 3#so! three days to fix my nonexistent schedule! FRIDAY!!!!#friday friday friday whatever it is IM EXCITED!!!#finally! something to look forward to!!
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#my brain at least five times a day#i will never shut up about the roman roy dog motif i never will#the cycle of logan constantly betraying roman then inviting him back in and betraying and inviting him back in because he knows roman will#be the one to always come back and roman wanting his approval and the scene in the s3 final where he’s trying to do it again and shiv and#kendall are shaking their headsand telling roman not to trust him and roman going against him even though it’s hardI DONT EVEN CARE.#KICK IT JUSTBTO SEE IF IT WOULD COME BACKKKK#tears down curtains and scratches paint off walls and gnaws at furniture legs and screams and cries and foams at the mouth and rips out hai
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our happy ending
[ID: a digital painting. The left features a grey hourglass seen in the A Sorrowful Farewell at Curtain Call card sets. The sand is filled with orange star, pink heart, and green shell jewels. The bottom edge has been broken from the inside, spilling out the sand. Footprints lead towards the edge of the drawing, where Wonderlands x Showtime is walking together towards an orange light. They are wearing the outfits seen in the Our Happy Ending trained set. Text in the middle reads "I know the ending will be a happy one", the final lyric of the song "What Sort of Ending Would You Like?" /end ID]
#project sekai#pjsekai#prsk fa#prsk#wonderlands x showtime#wxs#im not character tagging lol#anyways. this was cooler in my head but i need to just post it and be done with it.#THIS ARC MAN.... WXS SEPARATION ARC....#rui feeling trapped by time but choosing to find a way and break out#to reach the happy ending#the growth nene and tsukasa have had as actors and the steps they've taken towards their dreams...#emu's dream finally becoming not just her selfish wish but a shared ideal...#waugh i love them.#yeah :)#i originally had flowers growing from the sand from the curtain call set#but “don't let the petals... fall/ the flowers of the bouquet i hold close to my heart”. those flowers do Not belong on the ground#polyshow#I FORGOT THAT TAG. POLYSHOW QPR REAL
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